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ギャラリーそうめい堂 
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          "created_at" => "2020-07-17 16:13:18"
          "updated_at" => "2022-11-24 11:06:50"
          "name" => "広重 / 名所江戸百景 王子装束ゑの木大晦日の狐火"
          "name_en" => "Hiroshige /Fox-Fires Gathering at the Hackberry Tree in Oji on New Year's Eve, 100 Views of Famous Places of Edo"
          "number" => "C19028"
          "price" => 2800000
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            <strong>作品</strong>\r\n
            年代 : 安政4年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : マージンに少汚れ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            様々な作品を描いてきた広重が最後にたどり着いたのは、大胆な構図が特徴の「名所江戸百景」であった。モネやゴッホといった印象派の巨匠たちが模写したことで世界的にも知られている。高い視点から見下ろす俯瞰図や前景に印象的な素材を大きく描く遠近法、様々な摺りの技術を駆使した表現方法など、晩年に至ってなお新しい試みが随所に見られる意欲作である。日頃何気なく目にしている風景が、広重の手に掛かればこうも印象深くなるのかという驚きこそが、江戸の人々を魅了したのではないだろうか。\r\n
            \r\n
            大晦日の夜の社に近い榎の下に集まった狐は、ここで衣裳を整えて王子稲荷社に参上する。近在近郷の農家では、狐がともす狐火の量で新年の豊凶を占っていたという。王子では、平成 5 年の大晦日から、この伝説をもとにしたイベント「王子狐の行列」が行われ、毎年とても賑わっている。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1857\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Slight browning on margin\r\n
            \r\n
            The foxes who gather under the hackberry tree near the shrine on New Year's Eve arrange their costumes and visit Oji Inari Shrine. There is a legend saying that the farmers in neighboring villages used to forecast how rich or how poor the harvest of the coming year will be from the amount of the foxfire by the foxes.
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          "id" => 1973
          "created_at" => "2020-07-17 16:13:18"
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          "name" => "広重 / 名所江戸百景 王子装束ゑの木大晦日の狐火"
          "name_en" => "Hiroshige /Fox-Fires Gathering at the Hackberry Tree in Oji on New Year's Eve, 100 Views of Famous Places of Edo"
          "number" => "C19028"
          "price" => 2800000
          "description" => """
            <strong>作品</strong>\r\n
            年代 : 安政4年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : マージンに少汚れ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            様々な作品を描いてきた広重が最後にたどり着いたのは、大胆な構図が特徴の「名所江戸百景」であった。モネやゴッホといった印象派の巨匠たちが模写したことで世界的にも知られている。高い視点から見下ろす俯瞰図や前景に印象的な素材を大きく描く遠近法、様々な摺りの技術を駆使した表現方法など、晩年に至ってなお新しい試みが随所に見られる意欲作である。日頃何気なく目にしている風景が、広重の手に掛かればこうも印象深くなるのかという驚きこそが、江戸の人々を魅了したのではないだろうか。\r\n
            \r\n
            大晦日の夜の社に近い榎の下に集まった狐は、ここで衣裳を整えて王子稲荷社に参上する。近在近郷の農家では、狐がともす狐火の量で新年の豊凶を占っていたという。王子では、平成 5 年の大晦日から、この伝説をもとにしたイベント「王子狐の行列」が行われ、毎年とても賑わっている。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1857\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Slight browning on margin\r\n
            \r\n
            The foxes who gather under the hackberry tree near the shrine on New Year's Eve arrange their costumes and visit Oji Inari Shrine. There is a legend saying that the farmers in neighboring villages used to forecast how rich or how poor the harvest of the coming year will be from the amount of the foxfire by the foxes.
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          "created_at" => "2022-09-09 12:57:01"
          "updated_at" => "2022-11-22 17:09:15"
          "name" => "豊国三代 / 梨園侠客伝 不破伴左衛門 九代目三舛"
          "name_en" => "ToyokuniⅢ / Fuwa Banzaemon, Mimasu Ⅸ, Story of a Chivalrous Man in the Theatrical World"
          "number" => "C23035"
          "price" => 40000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 文久3年\r\n
            サイズ : 大判\r\n
            刷 : 優良\r\n
            保存 : 良\r\n
            詳細 : 厚奉書 / 少汚れ / 綴穴補修\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            「侠客」とは、「弱きを助け、強きを挫く」事を信条にして任侠に生きる漢たちの呼び名である。単なる「ヤクザ者」や「無法者」とは異なり、「己の中の正義」を持つ者がこのように呼ばれる。\r\n
            梨園侠客伝は歌舞伎に登場する侠客のシリーズ。\r\n
            \r\n
            豊国三代は豊国の門人で、まず国貞と名乗り,\r\n
            天保15年には豊国二代を称した。（実際には豊国三代）\r\n
            作画期が長く、その作品の量も膨大なものになっている。特に役者絵・美人画等の人物の描写に定評があり、当時の浮世絵界を風靡するほどの勢いと力を持っていた。\r\n
            \r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1863\r\n
            Size : O-ban\r\n
            Impression : Very good\r\n
            Condition : Good\r\n
            Detail : Thick deluxe paper / Slight browning / Restored binding holes\r\n
            \r\n
            "侠客 Kyokaku" is the name of a group of men who live chivalrously with the principle of "helping the weak and discouraging the strong. The term "chivalrous" is used to describe those who have "justice within themselves," as opposed to mere "yakuza" or "outlaws.\r\n
            Story of a Chivalrous Man in the Theatrical World is a series of kabuki plays about chivalrous.\r\n
            \r\n
            Toyokuni III was a pupil of Toyokuni and took the name Kunisada. He took the name Toyokuni II in 1844. (In reality, Toyokuni III was the third generation of Toyokuni.) His painting period was long, and the volume of his works was enormous. He was especially known for his portrayals of actors and beautiful women, and he had the power and vigor to dominate the ukiyo-e world at that time.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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          "updated_at" => "2022-11-22 17:09:15"
          "name" => "豊国三代 / 梨園侠客伝 不破伴左衛門 九代目三舛"
          "name_en" => "ToyokuniⅢ / Fuwa Banzaemon, Mimasu Ⅸ, Story of a Chivalrous Man in the Theatrical World"
          "number" => "C23035"
          "price" => 40000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 文久3年\r\n
            サイズ : 大判\r\n
            刷 : 優良\r\n
            保存 : 良\r\n
            詳細 : 厚奉書 / 少汚れ / 綴穴補修\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            「侠客」とは、「弱きを助け、強きを挫く」事を信条にして任侠に生きる漢たちの呼び名である。単なる「ヤクザ者」や「無法者」とは異なり、「己の中の正義」を持つ者がこのように呼ばれる。\r\n
            梨園侠客伝は歌舞伎に登場する侠客のシリーズ。\r\n
            \r\n
            豊国三代は豊国の門人で、まず国貞と名乗り,\r\n
            天保15年には豊国二代を称した。（実際には豊国三代）\r\n
            作画期が長く、その作品の量も膨大なものになっている。特に役者絵・美人画等の人物の描写に定評があり、当時の浮世絵界を風靡するほどの勢いと力を持っていた。\r\n
            \r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1863\r\n
            Size : O-ban\r\n
            Impression : Very good\r\n
            Condition : Good\r\n
            Detail : Thick deluxe paper / Slight browning / Restored binding holes\r\n
            \r\n
            "侠客 Kyokaku" is the name of a group of men who live chivalrously with the principle of "helping the weak and discouraging the strong. The term "chivalrous" is used to describe those who have "justice within themselves," as opposed to mere "yakuza" or "outlaws.\r\n
            Story of a Chivalrous Man in the Theatrical World is a series of kabuki plays about chivalrous.\r\n
            \r\n
            Toyokuni III was a pupil of Toyokuni and took the name Kunisada. He took the name Toyokuni II in 1844. (In reality, Toyokuni III was the third generation of Toyokuni.) His painting period was long, and the volume of his works was enormous. He was especially known for his portrayals of actors and beautiful women, and he had the power and vigor to dominate the ukiyo-e world at that time.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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          "images" => Illuminate\Database\Eloquent\Collection {#4437
            #items: array:1 [
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      2 => App\Models\Item {#4428
        #table: "items"
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          0 => "name"
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          "id" => 3766
          "created_at" => "2022-11-19 11:32:30"
          "updated_at" => "2022-11-19 11:32:30"
          "name" => "国芳 / 当盛見立人形の内 二かい座敷の図"
          "name_en" => "Kuniyoshi / 2nd Floor Room, Collection of the Modern Lifesized Dolls"
          "number" => "C23086"
          "price" => 95000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 安政3年\r\n
            サイズ : 大判2枚続\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : 少汚れ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            生人形（いきにんぎょう）は、文字通り生きた人間のように精巧につくられた人形で、見世物興行の一つとして人気を博した。安政2年には松本喜三郎が浅草寺で興行を行って大評判となり、国芳や芳艶などの絵師がその様子を浮世絵に残している。本作もそのうちの一つ。\r\n
            \r\n
            国芳は豊国の門人で、当初は兄弟子の国貞等の人気に勝てずしばらくは不遇であったが、文政頃に発表した「通俗水滸伝豪傑百八人」の連作が評判となり、「武者絵の国芳」と称され人気絵師の仲間入りを果たした。その後は画想の豊かさ、斬新なデザイン力、奇想天外なアイデア、確実なデッサン力を持ち、浮世絵の枠にとどまらない広範な魅力を持つ作品を多数生み出した。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1856\r\n
            Size : O-ban / Diptych\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Slight browning\r\n
            \r\n
            Iki-Ningyo, literally "live Dolls," were elaborately made to look like living people and became a popular form of show entertainment. In 1855, Matsumoto Kisaburo put on a show at Senso-Ji Temple that became very popular, and painters such as Kuniyoshi and Yoshitsuya left ukiyo-e depictions of the show. This work is one of them.\r\n
            \r\n
            Kuniyoshi was one of the pupils of Toyokuni and was a late bloomer than Kunisada and other pupils.\r\n
            Around the Bunsei-period, he published "108 Heroes of the Popular Suikoden," which created a sensation and made him famous. After that, he was called "Warrior-painter-Kuniyoshi," and became one of the most popular Ukiyo-e artists.\r\n
            Since then, he has created various attractive artworks that excelled in high drawing techniques, fascinating composition sense, and fantastic ideas and characters without sticking to the framework of the Ukiyo-e.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
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          "id" => 3766
          "created_at" => "2022-11-19 11:32:30"
          "updated_at" => "2022-11-19 11:32:30"
          "name" => "国芳 / 当盛見立人形の内 二かい座敷の図"
          "name_en" => "Kuniyoshi / 2nd Floor Room, Collection of the Modern Lifesized Dolls"
          "number" => "C23086"
          "price" => 95000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 安政3年\r\n
            サイズ : 大判2枚続\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : 少汚れ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            生人形（いきにんぎょう）は、文字通り生きた人間のように精巧につくられた人形で、見世物興行の一つとして人気を博した。安政2年には松本喜三郎が浅草寺で興行を行って大評判となり、国芳や芳艶などの絵師がその様子を浮世絵に残している。本作もそのうちの一つ。\r\n
            \r\n
            国芳は豊国の門人で、当初は兄弟子の国貞等の人気に勝てずしばらくは不遇であったが、文政頃に発表した「通俗水滸伝豪傑百八人」の連作が評判となり、「武者絵の国芳」と称され人気絵師の仲間入りを果たした。その後は画想の豊かさ、斬新なデザイン力、奇想天外なアイデア、確実なデッサン力を持ち、浮世絵の枠にとどまらない広範な魅力を持つ作品を多数生み出した。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1856\r\n
            Size : O-ban / Diptych\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Slight browning\r\n
            \r\n
            Iki-Ningyo, literally "live Dolls," were elaborately made to look like living people and became a popular form of show entertainment. In 1855, Matsumoto Kisaburo put on a show at Senso-Ji Temple that became very popular, and painters such as Kuniyoshi and Yoshitsuya left ukiyo-e depictions of the show. This work is one of them.\r\n
            \r\n
            Kuniyoshi was one of the pupils of Toyokuni and was a late bloomer than Kunisada and other pupils.\r\n
            Around the Bunsei-period, he published "108 Heroes of the Popular Suikoden," which created a sensation and made him famous. After that, he was called "Warrior-painter-Kuniyoshi," and became one of the most popular Ukiyo-e artists.\r\n
            Since then, he has created various attractive artworks that excelled in high drawing techniques, fascinating composition sense, and fantastic ideas and characters without sticking to the framework of the Ukiyo-e.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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              1 => App\Models\Tag {#4231
                #table: "tags"
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              2 => App\Models\Tag {#4230
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      3 => App\Models\Item {#4427
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        #connection: "mysql"
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          "id" => 3765
          "created_at" => "2022-11-19 11:30:28"
          "updated_at" => "2022-11-19 11:30:28"
          "name" => "国芳 / 当盛見立人形之内 かりざしき奥の図"
          "name_en" => "Kuniyoshi / Temporarily Rented Backroom, Collection of the Modern Lifesized Dolls"
          "number" => "C23085"
          "price" => 100000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 安政3年\r\n
            サイズ : 大判2枚続\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : 少汚れ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            生人形（いきにんぎょう）は、文字通り生きた人間のように精巧につくられた人形で、見世物興行の一つとして人気を博した。安政2年には松本喜三郎が浅草寺で興行を行って大評判となり、国芳や芳艶などの絵師がその様子を浮世絵に残している。本作もそのうちの一つ。\r\n
            \r\n
            国芳は豊国の門人で、当初は兄弟子の国貞等の人気に勝てずしばらくは不遇であったが、文政頃に発表した「通俗水滸伝豪傑百八人」の連作が評判となり、「武者絵の国芳」と称され人気絵師の仲間入りを果たした。その後は画想の豊かさ、斬新なデザイン力、奇想天外なアイデア、確実なデッサン力を持ち、浮世絵の枠にとどまらない広範な魅力を持つ作品を多数生み出した。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1856\r\n
            Size : O-ban / Diptych\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Slight browning\r\n
            \r\n
            Iki-Ningyo, literally "live Dolls," were elaborately made to look like living people and became a popular form of show entertainment. In 1855, Matsumoto Kisaburo put on a show at Senso-Ji Temple that became very popular, and painters such as Kuniyoshi and Yoshitsuya left ukiyo-e depictions of the show. This work is one of them.\r\n
            \r\n
            Kuniyoshi was one of the pupils of Toyokuni and was a late bloomer than Kunisada and other pupils.\r\n
            Around the Bunsei-period, he published "108 Heroes of the Popular Suikoden," which created a sensation and made him famous. After that, he was called "Warrior-painter-Kuniyoshi," and became one of the most popular Ukiyo-e artists.\r\n
            Since then, he has created various attractive artworks that excelled in high drawing techniques, fascinating composition sense, and fantastic ideas and characters without sticking to the framework of the Ukiyo-e.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3765
          "created_at" => "2022-11-19 11:30:28"
          "updated_at" => "2022-11-19 11:30:28"
          "name" => "国芳 / 当盛見立人形之内 かりざしき奥の図"
          "name_en" => "Kuniyoshi / Temporarily Rented Backroom, Collection of the Modern Lifesized Dolls"
          "number" => "C23085"
          "price" => 100000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 安政3年\r\n
            サイズ : 大判2枚続\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : 少汚れ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            生人形（いきにんぎょう）は、文字通り生きた人間のように精巧につくられた人形で、見世物興行の一つとして人気を博した。安政2年には松本喜三郎が浅草寺で興行を行って大評判となり、国芳や芳艶などの絵師がその様子を浮世絵に残している。本作もそのうちの一つ。\r\n
            \r\n
            国芳は豊国の門人で、当初は兄弟子の国貞等の人気に勝てずしばらくは不遇であったが、文政頃に発表した「通俗水滸伝豪傑百八人」の連作が評判となり、「武者絵の国芳」と称され人気絵師の仲間入りを果たした。その後は画想の豊かさ、斬新なデザイン力、奇想天外なアイデア、確実なデッサン力を持ち、浮世絵の枠にとどまらない広範な魅力を持つ作品を多数生み出した。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1856\r\n
            Size : O-ban / Diptych\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Slight browning\r\n
            \r\n
            Iki-Ningyo, literally "live Dolls," were elaborately made to look like living people and became a popular form of show entertainment. In 1855, Matsumoto Kisaburo put on a show at Senso-Ji Temple that became very popular, and painters such as Kuniyoshi and Yoshitsuya left ukiyo-e depictions of the show. This work is one of them.\r\n
            \r\n
            Kuniyoshi was one of the pupils of Toyokuni and was a late bloomer than Kunisada and other pupils.\r\n
            Around the Bunsei-period, he published "108 Heroes of the Popular Suikoden," which created a sensation and made him famous. After that, he was called "Warrior-painter-Kuniyoshi," and became one of the most popular Ukiyo-e artists.\r\n
            Since then, he has created various attractive artworks that excelled in high drawing techniques, fascinating composition sense, and fantastic ideas and characters without sticking to the framework of the Ukiyo-e.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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            #items: array:3 [
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                #table: "tags"
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              1 => App\Models\Tag {#4234
                #table: "tags"
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              2 => App\Models\Tag {#4233
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      4 => App\Models\Item {#4426
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          "id" => 3759
          "created_at" => "2022-11-17 13:47:53"
          "updated_at" => "2022-11-17 13:49:26"
          "name" => "芳虎 / 新撰江戸名所 五百羅漢之図"
          "name_en" => "Yoshitora / Gohyaku Rakan, A New Selection of Famous Places in Edo"
          "number" => "C23106"
          "price" => 51000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 安政2年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : 綴穴 / 少汚れ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            芳虎による江戸名所シリーズ。生き生きと田植えに励む農民の日常の姿が描かれており、大衆に開かれた浮世絵らしい作品だ。\r\n
            \r\n
            芳虎は国芳の門人で、幕末から開化期にかけて活躍した絵師の一人である。明治元年には錦絵師番付で貞秀に次いで第2位となり、トップクラスの人気があったことを物語っている。芳虎が最も活躍したのは明治維新前後の目新しい風俗を描いた横浜絵や開化絵の分野で、相当数の作品を残している。当時の多くの日本人にとっては未知の外国風景も描いた。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1855\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Binding holes / Slight browning\r\n
            \r\n
            This is the series that depicts famous places of Edo by Yoshitora. This artwork depicts the daily lives of farmers actively engaged in rice planting and is typical of Ukiyo-e works that were open to ordinary people.\r\n
            \r\n
            Yoshitora was one of the pupils of Kuniyoshi and was active from the end of the Edo era to the Meiji era. In 1968, he became the second artist in the Ukiyo-e artist ranking, which tells us that he was known in the Ukiyo-e field.\r\n
            He was primarily known for his artwork depicting the new culture from overseas and the scenery of Yokohama, which thrived as an international town. In the era, general citizens had never seen Western cultures, architecture from foreign countries, and fashions, so that people could know it from Ukiyo-es.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
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          "id" => 3759
          "created_at" => "2022-11-17 13:47:53"
          "updated_at" => "2022-11-17 13:49:26"
          "name" => "芳虎 / 新撰江戸名所 五百羅漢之図"
          "name_en" => "Yoshitora / Gohyaku Rakan, A New Selection of Famous Places in Edo"
          "number" => "C23106"
          "price" => 51000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 安政2年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : 綴穴 / 少汚れ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            芳虎による江戸名所シリーズ。生き生きと田植えに励む農民の日常の姿が描かれており、大衆に開かれた浮世絵らしい作品だ。\r\n
            \r\n
            芳虎は国芳の門人で、幕末から開化期にかけて活躍した絵師の一人である。明治元年には錦絵師番付で貞秀に次いで第2位となり、トップクラスの人気があったことを物語っている。芳虎が最も活躍したのは明治維新前後の目新しい風俗を描いた横浜絵や開化絵の分野で、相当数の作品を残している。当時の多くの日本人にとっては未知の外国風景も描いた。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1855\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Binding holes / Slight browning\r\n
            \r\n
            This is the series that depicts famous places of Edo by Yoshitora. This artwork depicts the daily lives of farmers actively engaged in rice planting and is typical of Ukiyo-e works that were open to ordinary people.\r\n
            \r\n
            Yoshitora was one of the pupils of Kuniyoshi and was active from the end of the Edo era to the Meiji era. In 1968, he became the second artist in the Ukiyo-e artist ranking, which tells us that he was known in the Ukiyo-e field.\r\n
            He was primarily known for his artwork depicting the new culture from overseas and the scenery of Yokohama, which thrived as an international town. In the era, general citizens had never seen Western cultures, architecture from foreign countries, and fashions, so that people could know it from Ukiyo-es.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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              1 => App\Models\Tag {#4238
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              2 => App\Models\Tag {#4237
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              3 => App\Models\Tag {#4236
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      5 => App\Models\Item {#4425
        #table: "items"
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          "id" => 2814
          "created_at" => "2021-07-21 14:04:41"
          "updated_at" => "2022-11-17 11:31:37"
          "name" => "広重二代 / 諸国名所百景 甲州矢立杉"
          "name_en" => "HiroshigeⅡ / The Yatate Cedar Tree, Ko-Shu Province, 100 Views of Famous Places in the Provinces"
          "number" => "C21039"
          "price" => 78000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 安政6年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : 綴穴\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            広重二代は広重の門人で、当初は重宣と称していた。安政5年に広重が没すると、広重の養女お辰の婿になり、二代目広重を襲名する。広重の「名所江戸百景」にも参加し、全120図の内「赤坂桐畑雨中夕けい」には、「二世広重画」と款している。「市谷八幡」、「上野山下」、「びくにばし雪中」3点の作者も広重二代であるとされる。その後お辰と離別することになり、立祥と号し横浜絵、開化絵などの制作を続けた。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1859 \r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Binding holes\r\n
            \r\n
            Hiroshige II was a pupil of Hiroshige and was initially known as Shigenobu. After Hiroshige's death in 1858, he became the son-in-law of Hiroshige and assumed the name Hiroshige II. He also participated in Hiroshige's "One Hundred Famous Views of Edo" series, and "Akasaka Kiribatake: Evening in the Rain" was inscribed as a "Hiroshige II painting. "\r\n
            Later, he separated from Hiroshige's daughter Otatsu and continued to produce Yokohama paintings and Kaika-e paintings under the name of Rissho.
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 2814
          "created_at" => "2021-07-21 14:04:41"
          "updated_at" => "2022-11-17 11:31:37"
          "name" => "広重二代 / 諸国名所百景 甲州矢立杉"
          "name_en" => "HiroshigeⅡ / The Yatate Cedar Tree, Ko-Shu Province, 100 Views of Famous Places in the Provinces"
          "number" => "C21039"
          "price" => 78000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 安政6年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : 綴穴\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            広重二代は広重の門人で、当初は重宣と称していた。安政5年に広重が没すると、広重の養女お辰の婿になり、二代目広重を襲名する。広重の「名所江戸百景」にも参加し、全120図の内「赤坂桐畑雨中夕けい」には、「二世広重画」と款している。「市谷八幡」、「上野山下」、「びくにばし雪中」3点の作者も広重二代であるとされる。その後お辰と離別することになり、立祥と号し横浜絵、開化絵などの制作を続けた。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1859 \r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Binding holes\r\n
            \r\n
            Hiroshige II was a pupil of Hiroshige and was initially known as Shigenobu. After Hiroshige's death in 1858, he became the son-in-law of Hiroshige and assumed the name Hiroshige II. He also participated in Hiroshige's "One Hundred Famous Views of Edo" series, and "Akasaka Kiribatake: Evening in the Rain" was inscribed as a "Hiroshige II painting. "\r\n
            Later, he separated from Hiroshige's daughter Otatsu and continued to produce Yokohama paintings and Kaika-e paintings under the name of Rissho.
            """
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          "status" => 0
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              1 => App\Models\Tag {#4303
                #table: "tags"
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              2 => App\Models\Tag {#4302
                #table: "tags"
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          "images" => Illuminate\Database\Eloquent\Collection {#4403
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      6 => App\Models\Item {#4424
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          "id" => 3755
          "created_at" => "2022-11-15 12:25:47"
          "updated_at" => "2022-11-15 12:25:47"
          "name" => "広重 / 名所江戸百景 御厩河岸"
          "name_en" => "Hiroshige / Ommayagashi, 100 Views of Famous Places of Edo"
          "number" => "C23021"
          "price" => 130000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 安政4年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : 虫穴補修 / マージンの一部に薄み / 少汚れ / 端折\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            様々な作品を描いてきた広重が最後にたどり着いたのは、大胆な構図が特徴の「名所江戸百景」であった。モネやゴッホといった印象派の巨匠たちが模写したことで世界的にも知られている。高い視点から見下ろす俯瞰図や前景に印象的な素材を大きく描く遠近法、様々な摺りの技術を駆使した表現方法など、晩年に至ってなお新しい試みが随所に見られる意欲作である。日頃何気なく目にしている風景が、広重の手に掛かればこうも印象深くなるのかという驚きこそが、江戸の人々を魅了したのではないだろうか。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1857\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Restored wormholes / Slight thinning on margin / Slight browning / Side fold\r\n
            \r\n
            The hit series of Ukiyo-e "One Hundred Famous Views of Edo", first published from 1856-1859, including several of the Ukiyo-e masterpieces by Hiroshige. Hiroshige began this project at the age of sixty, and in it, captured many charming scenes of the Edo era through very original, vertically-arranged compositions. Though he intended to create 100 images in the beginning, the overwhelming popularity of this series led the artist to produce a total of 118 prints over 3 years.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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        #original: array:10 [
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          "created_at" => "2022-11-15 12:25:47"
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          "name" => "広重 / 名所江戸百景 御厩河岸"
          "name_en" => "Hiroshige / Ommayagashi, 100 Views of Famous Places of Edo"
          "number" => "C23021"
          "price" => 130000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 安政4年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : 虫穴補修 / マージンの一部に薄み / 少汚れ / 端折\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            様々な作品を描いてきた広重が最後にたどり着いたのは、大胆な構図が特徴の「名所江戸百景」であった。モネやゴッホといった印象派の巨匠たちが模写したことで世界的にも知られている。高い視点から見下ろす俯瞰図や前景に印象的な素材を大きく描く遠近法、様々な摺りの技術を駆使した表現方法など、晩年に至ってなお新しい試みが随所に見られる意欲作である。日頃何気なく目にしている風景が、広重の手に掛かればこうも印象深くなるのかという驚きこそが、江戸の人々を魅了したのではないだろうか。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1857\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Restored wormholes / Slight thinning on margin / Slight browning / Side fold\r\n
            \r\n
            The hit series of Ukiyo-e "One Hundred Famous Views of Edo", first published from 1856-1859, including several of the Ukiyo-e masterpieces by Hiroshige. Hiroshige began this project at the age of sixty, and in it, captured many charming scenes of the Edo era through very original, vertically-arranged compositions. Though he intended to create 100 images in the beginning, the overwhelming popularity of this series led the artist to produce a total of 118 prints over 3 years.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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          "id" => 3754
          "created_at" => "2022-11-15 12:22:41"
          "updated_at" => "2022-11-15 12:22:41"
          "name" => "広重 / 名所江戸百景 五百羅漢 さざえ堂"
          "name_en" => "Hiroshige / 500 Rakan Sazae-do, 100 Views of Famous Places of Edo"
          "number" => "C23020"
          "price" => 160000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 安政4年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : 綴穴補修\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            江戸名所のひとつである「天恩山 五百羅漢寺」は、本所五ツ目（現在の江東区大島3丁目付近）にあった。「さざえ堂」は三層のお堂で、そこから富士山を眺望することができ、多くの人で賑わった。\r\n
            \r\n
            様々な作品を描いてきた広重が最後にたどり着いたのは、大胆な構図が特徴の「名所江戸百景」であった。モネやゴッホといった印象派の巨匠たちが模写したことで世界的にも知られている。高い視点から見下ろす俯瞰図や前景に印象的な素材を大きく描く遠近法、様々な摺りの技術を駆使した表現方法など、晩年に至ってなお新しい試みが随所に見られる意欲作である。日頃何気なく目にしている風景が、広重の手に掛かればこうも印象深くなるのかという驚きこそが、江戸の人々を魅了したのではないだろうか。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1857\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Restored binding holes\r\n
            \r\n
            Tenonzan Gohyaku Rakanji Temple, located in Honjo-itsutsume (near present-day Ojima 3-chome, Koto-ku) was one of the most famous places in Edo.\r\n
            There was a three-tiered spiral-shaped hall called "Sazae-do”. Many people came to view Mt. Fuji from there.\r\n
            \r\n
            The hit series of Ukiyo-e "One Hundred Famous Views of Edo", first published from 1856-1859, including several of the Ukiyo-e masterpieces by Hiroshige. Hiroshige began this project at the age of sixty, and in it, captured many charming scenes of the Edo era through very original, vertically-arranged compositions. Though he intended to create 100 images in the beginning, the overwhelming popularity of this series led the artist to produce a total of 118 prints over 3 years.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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        #original: array:10 [
          "id" => 3754
          "created_at" => "2022-11-15 12:22:41"
          "updated_at" => "2022-11-15 12:22:41"
          "name" => "広重 / 名所江戸百景 五百羅漢 さざえ堂"
          "name_en" => "Hiroshige / 500 Rakan Sazae-do, 100 Views of Famous Places of Edo"
          "number" => "C23020"
          "price" => 160000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 安政4年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : 綴穴補修\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            江戸名所のひとつである「天恩山 五百羅漢寺」は、本所五ツ目（現在の江東区大島3丁目付近）にあった。「さざえ堂」は三層のお堂で、そこから富士山を眺望することができ、多くの人で賑わった。\r\n
            \r\n
            様々な作品を描いてきた広重が最後にたどり着いたのは、大胆な構図が特徴の「名所江戸百景」であった。モネやゴッホといった印象派の巨匠たちが模写したことで世界的にも知られている。高い視点から見下ろす俯瞰図や前景に印象的な素材を大きく描く遠近法、様々な摺りの技術を駆使した表現方法など、晩年に至ってなお新しい試みが随所に見られる意欲作である。日頃何気なく目にしている風景が、広重の手に掛かればこうも印象深くなるのかという驚きこそが、江戸の人々を魅了したのではないだろうか。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1857\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Restored binding holes\r\n
            \r\n
            Tenonzan Gohyaku Rakanji Temple, located in Honjo-itsutsume (near present-day Ojima 3-chome, Koto-ku) was one of the most famous places in Edo.\r\n
            There was a three-tiered spiral-shaped hall called "Sazae-do”. Many people came to view Mt. Fuji from there.\r\n
            \r\n
            The hit series of Ukiyo-e "One Hundred Famous Views of Edo", first published from 1856-1859, including several of the Ukiyo-e masterpieces by Hiroshige. Hiroshige began this project at the age of sixty, and in it, captured many charming scenes of the Edo era through very original, vertically-arranged compositions. Though he intended to create 100 images in the beginning, the overwhelming popularity of this series led the artist to produce a total of 118 prints over 3 years.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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      8 => App\Models\Item {#4422
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          "created_at" => "2022-11-15 12:09:40"
          "updated_at" => "2022-11-15 12:09:40"
          "name" => "広重 / 名所江戸百景 中川口"
          "name_en" => "Hiroshige / Nakagawaguchi, 100 Views of Famous Places of Edo"
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          "price" => 340000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 安政4年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 優良\r\n
            詳細 : -\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            様々な作品を描いてきた広重が最後にたどり着いたのは、大胆な構図が特徴の「名所江戸百景」であった。モネやゴッホといった印象派の巨匠たちが模写したことで世界的にも知られている。高い視点から見下ろす俯瞰図や前景に印象的な素材を大きく描く遠近法、様々な摺りの技術を駆使した表現方法など、晩年に至ってなお新しい試みが随所に見られる意欲作である。日頃何気なく目にしている風景が、広重の手に掛かればこうも印象深くなるのかという驚きこそが、江戸の人々を魅了したのではないだろうか。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1857\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Very good\r\n
            Detail : -\r\n
            \r\n
            The hit series of Ukiyo-e "One Hundred Famous Views of Edo", first published from 1856-1859, including several of the Ukiyo-e masterpieces by Hiroshige. Hiroshige began this project at the age of sixty, and in it, captured many charming scenes of the Edo era through very original, vertically-arranged compositions. Though he intended to create 100 images in the beginning, the overwhelming popularity of this series led the artist to produce a total of 118 prints over 3 years.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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          "created_at" => "2022-11-15 12:09:40"
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          "name" => "広重 / 名所江戸百景 中川口"
          "name_en" => "Hiroshige / Nakagawaguchi, 100 Views of Famous Places of Edo"
          "number" => "C23019"
          "price" => 340000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 安政4年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 優良\r\n
            詳細 : -\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            様々な作品を描いてきた広重が最後にたどり着いたのは、大胆な構図が特徴の「名所江戸百景」であった。モネやゴッホといった印象派の巨匠たちが模写したことで世界的にも知られている。高い視点から見下ろす俯瞰図や前景に印象的な素材を大きく描く遠近法、様々な摺りの技術を駆使した表現方法など、晩年に至ってなお新しい試みが随所に見られる意欲作である。日頃何気なく目にしている風景が、広重の手に掛かればこうも印象深くなるのかという驚きこそが、江戸の人々を魅了したのではないだろうか。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1857\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Very good\r\n
            Detail : -\r\n
            \r\n
            The hit series of Ukiyo-e "One Hundred Famous Views of Edo", first published from 1856-1859, including several of the Ukiyo-e masterpieces by Hiroshige. Hiroshige began this project at the age of sixty, and in it, captured many charming scenes of the Edo era through very original, vertically-arranged compositions. Though he intended to create 100 images in the beginning, the overwhelming popularity of this series led the artist to produce a total of 118 prints over 3 years.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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          "created_at" => "2022-11-11 18:08:03"
          "updated_at" => "2022-11-11 18:08:03"
          "name" => "広重二代・豊国三代 / 観音霊験記 西国巡礼 三拾二番 近江観音寺 人魚"
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          "price" => 28000
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            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 安政5年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : ※人魚の図\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            『観音霊験記 西国巡礼』は、西国に点在する観音霊場を関連する逸話と共に描いたシリーズ。上部に寺の境内の図が、下部に霊験の逸話が描かれている。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1858\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : *Mermaid\r\n
            \r\n
            "Amazing Stories of Kannon Temples of Western Provinces" is a series of Kannon's sacred temples scattered throughout western provinces with related anecdotes. The upper picture depicts the temple, and the lower picture depicts anecdotes of spiritual experiences.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
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        #original: array:10 [
          "id" => 3749
          "created_at" => "2022-11-11 18:08:03"
          "updated_at" => "2022-11-11 18:08:03"
          "name" => "広重二代・豊国三代 / 観音霊験記 西国巡礼 三拾二番 近江観音寺 人魚"
          "name_en" => "HiroshigeⅡ＆ ToyokuniⅢ / No. 32, Mermaid, Kan'non-Ji Temple, Omi Province, Amazing Stories of Kan'non Temples of Western Provinces"
          "number" => "C23050"
          "price" => 28000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
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            <strong>作品</strong>\r\n
            年代 : 安政5年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : ※人魚の図\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            『観音霊験記 西国巡礼』は、西国に点在する観音霊場を関連する逸話と共に描いたシリーズ。上部に寺の境内の図が、下部に霊験の逸話が描かれている。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1858\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : *Mermaid\r\n
            \r\n
            "Amazing Stories of Kannon Temples of Western Provinces" is a series of Kannon's sacred temples scattered throughout western provinces with related anecdotes. The upper picture depicts the temple, and the lower picture depicts anecdotes of spiritual experiences.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
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          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 安政5年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : -\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            『観音霊験記 西国巡礼』は、西国に点在する観音霊場を関連する逸話と共に描いたシリーズ。上部に寺の境内の図が、下部に霊験の逸話が描かれている。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1858\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : -\r\n
            \r\n
            "Amazing Stories of Kannon Temples of Western Provinces" is a series of Kannon's sacred temples scattered throughout western provinces with related anecdotes. The upper picture depicts the temple, and the lower picture depicts anecdotes of spiritual experiences.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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          "name_en" => "HiroshigeⅡ＆ ToyokuniⅢ / No. 31, Sahara Tojuro, Chomei-Ji Temple, Omi Province, Amazing Stories of Kan'non Temples of Western Provinces"
          "number" => "C23049"
          "price" => 22000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 安政5年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : -\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            『観音霊験記 西国巡礼』は、西国に点在する観音霊場を関連する逸話と共に描いたシリーズ。上部に寺の境内の図が、下部に霊験の逸話が描かれている。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1858\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : -\r\n
            \r\n
            "Amazing Stories of Kannon Temples of Western Provinces" is a series of Kannon's sacred temples scattered throughout western provinces with related anecdotes. The upper picture depicts the temple, and the lower picture depicts anecdotes of spiritual experiences.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
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      11 => App\Models\Item {#4419
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          "price" => 22000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
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            <strong>作品</strong>\r\n
            年代 : 安政5年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : 一部に薄み\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            『観音霊験記 西国巡礼』は、西国に点在する観音霊場を関連する逸話と共に描いたシリーズ。上部に寺の境内の図が、下部に霊験の逸話が描かれている。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1858\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Partly thinning \r\n
            \r\n
            "Amazing Stories of Kannon Temples of Western Provinces" is a series of Kannon's sacred temples scattered throughout western provinces with related anecdotes. The upper picture depicts the temple, and the lower picture depicts anecdotes of spiritual experiences.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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          "name_en" => "HiroshigeⅡ＆ ToyokuniⅢ / No. 30, Child of Matsumuro Chusanshonin, Chikubu Island, Omi Province, Amazing Stories of Kan'non Temples of Western Provinces"
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          "price" => 22000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 安政5年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : 一部に薄み\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            『観音霊験記 西国巡礼』は、西国に点在する観音霊場を関連する逸話と共に描いたシリーズ。上部に寺の境内の図が、下部に霊験の逸話が描かれている。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1858\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Partly thinning \r\n
            \r\n
            "Amazing Stories of Kannon Temples of Western Provinces" is a series of Kannon's sacred temples scattered throughout western provinces with related anecdotes. The upper picture depicts the temple, and the lower picture depicts anecdotes of spiritual experiences.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
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      12 => App\Models\Item {#4418
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          "id" => 2018
          "created_at" => "2020-08-08 13:23:11"
          "updated_at" => "2022-11-05 13:29:13"
          "name" => "広重 / 名所江戸百景 真乳山山谷堀夜景"
          "name_en" => "Hiroshige / Night View of Matsuchiyama hill and Sanya Canal, 100 Famous Views of Edo"
          "number" => "C19032"
          "price" => 350000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up the images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 安政3年\r\n
            サイズ : 大判\r\n
            刷 : 優良\r\n
            保存 : 優良\r\n
            詳細 : -\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            様々な作品を描いてきた広重が最後にたどり着いたのは、大胆な構図が特徴の「名所江戸百景」であった。「名所江戸百景」は、モネやゴッホといった印象派の巨匠たちが模写したことで世界的にも知られている。高い視点から見下ろす俯瞰図や前景に印象的な素材を大きく描く遠近法、様々な摺りの技術を駆使した表現方法など、晩年に至ってなお新しい試みが随所に見られる意欲作である。日頃何気なく目にしている風景が、広重の手に掛かればこうも印象深くなるのかという驚きこそが、江戸の人々を魅了したのではないだろうか。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1856\r\n
            Size : O-ban\r\n
            Impression : Very good\r\n
            Condition : Very good\r\n
            Detail : -\r\n
            \r\n
            The attractive bird’s‐eye view, the bold perspective, and the combination of the various high techniques of woodblock printing.\r\n
             "100 Famous Views of Edo" which is known for the attractive compositions was created through the studies of the various artworks. Despite his age, he kept exploring new expressions.\r\n
            This series is also known with the episode of that the impressionists' artists, for instance, Monet and Gogh, imitated for the practice. \r\n
            People in Edo surprised and fascinated by the new impression of the views in daily life that are depicted in Hiroshige's artworks.
            """
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          "status" => 0
        ]
        #original: array:10 [
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          "created_at" => "2020-08-08 13:23:11"
          "updated_at" => "2022-11-05 13:29:13"
          "name" => "広重 / 名所江戸百景 真乳山山谷堀夜景"
          "name_en" => "Hiroshige / Night View of Matsuchiyama hill and Sanya Canal, 100 Famous Views of Edo"
          "number" => "C19032"
          "price" => 350000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up the images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 安政3年\r\n
            サイズ : 大判\r\n
            刷 : 優良\r\n
            保存 : 優良\r\n
            詳細 : -\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            様々な作品を描いてきた広重が最後にたどり着いたのは、大胆な構図が特徴の「名所江戸百景」であった。「名所江戸百景」は、モネやゴッホといった印象派の巨匠たちが模写したことで世界的にも知られている。高い視点から見下ろす俯瞰図や前景に印象的な素材を大きく描く遠近法、様々な摺りの技術を駆使した表現方法など、晩年に至ってなお新しい試みが随所に見られる意欲作である。日頃何気なく目にしている風景が、広重の手に掛かればこうも印象深くなるのかという驚きこそが、江戸の人々を魅了したのではないだろうか。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1856\r\n
            Size : O-ban\r\n
            Impression : Very good\r\n
            Condition : Very good\r\n
            Detail : -\r\n
            \r\n
            The attractive bird’s‐eye view, the bold perspective, and the combination of the various high techniques of woodblock printing.\r\n
             "100 Famous Views of Edo" which is known for the attractive compositions was created through the studies of the various artworks. Despite his age, he kept exploring new expressions.\r\n
            This series is also known with the episode of that the impressionists' artists, for instance, Monet and Gogh, imitated for the practice. \r\n
            People in Edo surprised and fascinated by the new impression of the views in daily life that are depicted in Hiroshige's artworks.
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          "status" => 0
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              0 => App\Models\Tag {#4308 …30}
              1 => App\Models\Tag {#4307 …30}
              2 => App\Models\Tag {#4306 …30}
              3 => App\Models\Tag {#4305 …30}
            ]
            #escapeWhenCastingToString: false
          }
          "images" => Illuminate\Database\Eloquent\Collection {#4222
            #items: array:1 [
              0 => App\Models\Image {#4179 …30}
            ]
            #escapeWhenCastingToString: false
          }
        ]
        #touches: []
        +timestamps: true
        #hidden: []
        #visible: []
        #guarded: array:1 [
          0 => "*"
        ]
      }
      13 => App\Models\Item {#4417
        #table: "items"
        #primaryKey: "id"
        #fillable: array:7 [
          0 => "name"
          1 => "name_en"
          2 => "number"
          3 => "price"
          4 => "description"
          5 => "view_flg"
          6 => "status"
        ]
        #connection: "mysql"
        #keyType: "int"
        +incrementing: true
        #with: []
        #withCount: []
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        +exists: true
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        #attributes: array:10 [
          "id" => 3738
          "created_at" => "2022-11-05 12:06:47"
          "updated_at" => "2022-11-05 12:06:47"
          "name" => "貞秀 / 甲越川中嶋大合戦"
          "name_en" => "Sadahide / Great Battle at Kawanakajima"
          "number" => "C23111"
          "price" => 100000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 安政6年\r\n
            サイズ : 大判3枚続\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : 小虫穴 / マージンに少汚れ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            貞秀は国貞の門人で、慶応3年のパリ万博に出品の際には芳宗と共に浮世絵師の総代をつとめた。明治元年の絵師番付において、第1位にもなっている。\r\n
            \r\n
            有名な川中島の戦いの場面として騎乗から振り被る上杉謙信と風林火山の旗を前に立つ武田信玄が描かれている。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1859\r\n
            Size : O-ban / Triptych\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Small wormholes / Slight browning on margin\r\n
            \r\n
            Sadahide was a pupil of Kunisada. In 1867, when he participated in the Paris Expo, he and Yoshimune were representative of the whole Ukiyo-e artist. He also took first place in the ranking of the best Ukiyo-e artist of 1968.\r\n
            \r\n
            It depicts Uesugi Kenshin, wearing a sword from his mount as a scene from the famous Battle of Kawanakajima, and Takeda Shingen standing in front of the banner of Fu-Rin-Kazan.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3738
          "created_at" => "2022-11-05 12:06:47"
          "updated_at" => "2022-11-05 12:06:47"
          "name" => "貞秀 / 甲越川中嶋大合戦"
          "name_en" => "Sadahide / Great Battle at Kawanakajima"
          "number" => "C23111"
          "price" => 100000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 安政6年\r\n
            サイズ : 大判3枚続\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : 小虫穴 / マージンに少汚れ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            貞秀は国貞の門人で、慶応3年のパリ万博に出品の際には芳宗と共に浮世絵師の総代をつとめた。明治元年の絵師番付において、第1位にもなっている。\r\n
            \r\n
            有名な川中島の戦いの場面として騎乗から振り被る上杉謙信と風林火山の旗を前に立つ武田信玄が描かれている。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1859\r\n
            Size : O-ban / Triptych\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Small wormholes / Slight browning on margin\r\n
            \r\n
            Sadahide was a pupil of Kunisada. In 1867, when he participated in the Paris Expo, he and Yoshimune were representative of the whole Ukiyo-e artist. He also took first place in the ranking of the best Ukiyo-e artist of 1968.\r\n
            \r\n
            It depicts Uesugi Kenshin, wearing a sword from his mount as a scene from the famous Battle of Kawanakajima, and Takeda Shingen standing in front of the banner of Fu-Rin-Kazan.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
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          "tags" => Illuminate\Database\Eloquent\Collection {#4452
            #items: array:3 [
              0 => App\Models\Tag {#4264 …30}
              1 => App\Models\Tag {#4263 …30}
              2 => App\Models\Tag {#4262 …30}
            ]
            #escapeWhenCastingToString: false
          }
          "images" => Illuminate\Database\Eloquent\Collection {#4221
            #items: array:1 [
              0 => App\Models\Image {#4166 …30}
            ]
            #escapeWhenCastingToString: false
          }
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        #touches: []
        +timestamps: true
        #hidden: []
        #visible: []
        #guarded: array:1 [
          0 => "*"
        ]
      }
      14 => App\Models\Item {#4416
        #table: "items"
        #primaryKey: "id"
        #fillable: array:7 [
          0 => "name"
          1 => "name_en"
          2 => "number"
          3 => "price"
          4 => "description"
          5 => "view_flg"
          6 => "status"
        ]
        #connection: "mysql"
        #keyType: "int"
        +incrementing: true
        #with: []
        #withCount: []
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        #perPage: 15
        +exists: true
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        #escapeWhenCastingToString: false
        #attributes: array:10 [
          "id" => 3724
          "created_at" => "2022-10-26 13:26:23"
          "updated_at" => "2022-10-26 13:26:23"
          "name" => "芳虎 / 佐藤肥後守従四位～"
          "name_en" => "Yoshitora / Kato Kiyomasa"
          "number" => "C23102"
          "price" => 60000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 文久3年\r\n
            サイズ : 大判3枚続\r\n
            刷 : 良\r\n
            保存 : 優良\r\n
            詳細 : -\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            芳虎は国芳の門人で、幕末から開化期にかけて活躍した絵師の一人である。明治元年には錦絵師番付で貞秀に次いで第2位となり、トップクラスの人気があったことを物語っている。芳虎が最も活躍したのは明治維新前後の目新しい風俗を描いた横浜絵や開化絵の分野で、相当数の作品を残している。当時の多くの日本人にとっては未知の外国風景も描いた。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1863\r\n
            Size : O-ban / Triptych\r\n
            Impression : Good\r\n
            Condition : Very good\r\n
            Detail : -\r\n
            \r\n
            Yoshitora was one of the pupils of Kuniyoshi and was active from the end of the Edo to the Meiji era. In 1968, he became the second artist in the Ukiyo-e artist ranking.\r\n
            He had primarily been known for his artwork depicting the new culture from overseas and the scenery of Yokohama, which thrived as an international town. In the era, general citizens had never seen the actual western culture, architecture, and fashions. Instead, people could know them from Ukiyo-es.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3724
          "created_at" => "2022-10-26 13:26:23"
          "updated_at" => "2022-10-26 13:26:23"
          "name" => "芳虎 / 佐藤肥後守従四位～"
          "name_en" => "Yoshitora / Kato Kiyomasa"
          "number" => "C23102"
          "price" => 60000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 文久3年\r\n
            サイズ : 大判3枚続\r\n
            刷 : 良\r\n
            保存 : 優良\r\n
            詳細 : -\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            芳虎は国芳の門人で、幕末から開化期にかけて活躍した絵師の一人である。明治元年には錦絵師番付で貞秀に次いで第2位となり、トップクラスの人気があったことを物語っている。芳虎が最も活躍したのは明治維新前後の目新しい風俗を描いた横浜絵や開化絵の分野で、相当数の作品を残している。当時の多くの日本人にとっては未知の外国風景も描いた。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1863\r\n
            Size : O-ban / Triptych\r\n
            Impression : Good\r\n
            Condition : Very good\r\n
            Detail : -\r\n
            \r\n
            Yoshitora was one of the pupils of Kuniyoshi and was active from the end of the Edo to the Meiji era. In 1968, he became the second artist in the Ukiyo-e artist ranking.\r\n
            He had primarily been known for his artwork depicting the new culture from overseas and the scenery of Yokohama, which thrived as an international town. In the era, general citizens had never seen the actual western culture, architecture, and fashions. Instead, people could know them from Ukiyo-es.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
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        #relations: array:2 [
          "tags" => Illuminate\Database\Eloquent\Collection {#4450
            #items: array:3 [
              0 => App\Models\Tag {#4267 …30}
              1 => App\Models\Tag {#4266 …30}
              2 => App\Models\Tag {#4265 …30}
            ]
            #escapeWhenCastingToString: false
          }
          "images" => Illuminate\Database\Eloquent\Collection {#4220
            #items: array:1 [
              0 => App\Models\Image {#4167 …30}
            ]
            #escapeWhenCastingToString: false
          }
        ]
        #touches: []
        +timestamps: true
        #hidden: []
        #visible: []
        #guarded: array:1 [
          0 => "*"
        ]
      }
      15 => App\Models\Item {#4415
        #table: "items"
        #primaryKey: "id"
        #fillable: array:7 [
          0 => "name"
          1 => "name_en"
          2 => "number"
          3 => "price"
          4 => "description"
          5 => "view_flg"
          6 => "status"
        ]
        #connection: "mysql"
        #keyType: "int"
        +incrementing: true
        #with: []
        #withCount: []
        +preventsLazyLoading: false
        #perPage: 15
        +exists: true
        +wasRecentlyCreated: false
        #escapeWhenCastingToString: false
        #attributes: array:10 [
          "id" => 3714
          "created_at" => "2022-10-21 13:14:45"
          "updated_at" => "2022-10-21 13:14:45"
          "name" => "豊国三代 / 江戸名所百人美女 染井"
          "name_en" => "ToyokuniⅢ / Somei, Famous Places of Edo Compared with 100 Beautiful Women"
          "number" => "C23036"
          "price" => 40000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 安政4年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : 少汚れ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            豊国三代は豊国の門人で、まず国貞と名乗り、天保15年には豊国二代を名乗った。（実際には既に豊重が豊国二代を襲名していたが、自分の方がふさわしいという意図なのか当時は二代を名乗ったのだという。現在は区別の為に豊国三代として扱われる。）\r\n
            作画期が長く、その作品数は一万点以上に及ぶと考えられている。特に役者絵・美人画等の人物の描写に定評があり、その作品数や勢いからして江戸浮世絵界を風靡していたことが窺える。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1857\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Slight browning\r\n
            \r\n
            ToyokuniⅢ was a student of Toyokuni. He first took the name Kunisada, and in 1844 he took the name ToyokuniⅡ. (In fact, Toyoshige had already succeeded ToyokuniⅡ, but ToyokuniⅢ also took the name of Toyokuni Ⅱ at that time, perhaps intending to make himself more suitable. Today, He is treated as the third generation to distinguish between them.)\r\n
            ToyokuniⅢ had a long period of painting, and some articles thought he produced more than 10,000 works. He was primarily known for depicting people, including portraits of actors and beautiful women. His number of works and popularity suggest that he dominated the Edo Ukiyoe world.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3714
          "created_at" => "2022-10-21 13:14:45"
          "updated_at" => "2022-10-21 13:14:45"
          "name" => "豊国三代 / 江戸名所百人美女 染井"
          "name_en" => "ToyokuniⅢ / Somei, Famous Places of Edo Compared with 100 Beautiful Women"
          "number" => "C23036"
          "price" => 40000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 安政4年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : 少汚れ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            豊国三代は豊国の門人で、まず国貞と名乗り、天保15年には豊国二代を名乗った。（実際には既に豊重が豊国二代を襲名していたが、自分の方がふさわしいという意図なのか当時は二代を名乗ったのだという。現在は区別の為に豊国三代として扱われる。）\r\n
            作画期が長く、その作品数は一万点以上に及ぶと考えられている。特に役者絵・美人画等の人物の描写に定評があり、その作品数や勢いからして江戸浮世絵界を風靡していたことが窺える。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1857\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Slight browning\r\n
            \r\n
            ToyokuniⅢ was a student of Toyokuni. He first took the name Kunisada, and in 1844 he took the name ToyokuniⅡ. (In fact, Toyoshige had already succeeded ToyokuniⅡ, but ToyokuniⅢ also took the name of Toyokuni Ⅱ at that time, perhaps intending to make himself more suitable. Today, He is treated as the third generation to distinguish between them.)\r\n
            ToyokuniⅢ had a long period of painting, and some articles thought he produced more than 10,000 works. He was primarily known for depicting people, including portraits of actors and beautiful women. His number of works and popularity suggest that he dominated the Edo Ukiyoe world.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #changes: []
        #casts: []
        #classCastCache: []
        #attributeCastCache: []
        #dates: []
        #dateFormat: null
        #appends: []
        #dispatchesEvents: []
        #observables: []
        #relations: array:2 [
          "tags" => Illuminate\Database\Eloquent\Collection {#4451
            #items: array:3 [
              0 => App\Models\Tag {#4270 …30}
              1 => App\Models\Tag {#4269 …30}
              2 => App\Models\Tag {#4268 …30}
            ]
            #escapeWhenCastingToString: false
          }
          "images" => Illuminate\Database\Eloquent\Collection {#4219
            #items: array:1 [
              0 => App\Models\Image {#4168 …30}
            ]
            #escapeWhenCastingToString: false
          }
        ]
        #touches: []
        +timestamps: true
        #hidden: []
        #visible: []
        #guarded: array:1 [
          0 => "*"
        ]
      }
      16 => App\Models\Item {#4414
        #table: "items"
        #primaryKey: "id"
        #fillable: array:7 [
          0 => "name"
          1 => "name_en"
          2 => "number"
          3 => "price"
          4 => "description"
          5 => "view_flg"
          6 => "status"
        ]
        #connection: "mysql"
        #keyType: "int"
        +incrementing: true
        #with: []
        #withCount: []
        +preventsLazyLoading: false
        #perPage: 15
        +exists: true
        +wasRecentlyCreated: false
        #escapeWhenCastingToString: false
        #attributes: array:10 [
          "id" => 3702
          "created_at" => "2022-10-15 11:43:07"
          "updated_at" => "2022-10-15 11:43:07"
          "name" => "国芳 / 人形之図"
          "name_en" => "Kuniyoshi / Lifelike Doll"
          "number" => "C23082"
          "price" => 120000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 安政3年\r\n
            サイズ : 大判3枚続\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : 少汚れ / 小虫穴補修\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            生人形（いきにんぎょう）は、文字通り生きた人間のように精巧につくられた人形で、見世物興行の一つとして人気を博した。安政2年には松本喜三郎が浅草寺で興行を行って大評判となり、国芳や芳艶などの絵師がその様子を浮世絵に残している。本作もそのうちの一つ。\r\n
            \r\n
            国芳は豊国の門人で、当初は兄弟子の国貞等の人気に勝てずしばらくは不遇であったが、文政頃に発表した「通俗水滸伝豪傑百八人」の連作が評判となり、「武者絵の国芳」と称され人気絵師の仲間入りを果たした。その後は画想の豊かさ、斬新なデザイン力、奇想天外なアイデア、確実なデッサン力を持ち、浮世絵の枠にとどまらない広範な魅力を持つ作品を多数生み出した。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1856\r\n
            Size : O-ban / Triptych\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Slight browning / Restored small wormholes \r\n
            \r\n
            Iki-Ningyo, literally "live Dolls," were elaborately made to look like living people and became a popular form of show entertainment. In 1855, Matsumoto Kisaburo put on a show at Senso-Ji Temple that became very popular, and painters such as Kuniyoshi and Yoshitsuya left ukiyo-e depictions of the show. This work is one of them.\r\n
            \r\n
            Kuniyoshi was one of the pupils of Toyokuni and was a late bloomer than Kunisada and other pupils.\r\n
            Around the Bunsei-period, he published "108 Heroes of the Popular Suikoden," which created a sensation and made him famous. After that, he was called "Warrior-painter-Kuniyoshi," and became one of the most popular Ukiyo-e artists.\r\n
            Since then, he has created various attractive artworks that excelled in high drawing techniques, fascinating composition sense, and fantastic ideas and characters without sticking to the framework of the Ukiyo-e.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
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        #original: array:10 [
          "id" => 3702
          "created_at" => "2022-10-15 11:43:07"
          "updated_at" => "2022-10-15 11:43:07"
          "name" => "国芳 / 人形之図"
          "name_en" => "Kuniyoshi / Lifelike Doll"
          "number" => "C23082"
          "price" => 120000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 安政3年\r\n
            サイズ : 大判3枚続\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : 少汚れ / 小虫穴補修\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            生人形（いきにんぎょう）は、文字通り生きた人間のように精巧につくられた人形で、見世物興行の一つとして人気を博した。安政2年には松本喜三郎が浅草寺で興行を行って大評判となり、国芳や芳艶などの絵師がその様子を浮世絵に残している。本作もそのうちの一つ。\r\n
            \r\n
            国芳は豊国の門人で、当初は兄弟子の国貞等の人気に勝てずしばらくは不遇であったが、文政頃に発表した「通俗水滸伝豪傑百八人」の連作が評判となり、「武者絵の国芳」と称され人気絵師の仲間入りを果たした。その後は画想の豊かさ、斬新なデザイン力、奇想天外なアイデア、確実なデッサン力を持ち、浮世絵の枠にとどまらない広範な魅力を持つ作品を多数生み出した。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1856\r\n
            Size : O-ban / Triptych\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Slight browning / Restored small wormholes \r\n
            \r\n
            Iki-Ningyo, literally "live Dolls," were elaborately made to look like living people and became a popular form of show entertainment. In 1855, Matsumoto Kisaburo put on a show at Senso-Ji Temple that became very popular, and painters such as Kuniyoshi and Yoshitsuya left ukiyo-e depictions of the show. This work is one of them.\r\n
            \r\n
            Kuniyoshi was one of the pupils of Toyokuni and was a late bloomer than Kunisada and other pupils.\r\n
            Around the Bunsei-period, he published "108 Heroes of the Popular Suikoden," which created a sensation and made him famous. After that, he was called "Warrior-painter-Kuniyoshi," and became one of the most popular Ukiyo-e artists.\r\n
            Since then, he has created various attractive artworks that excelled in high drawing techniques, fascinating composition sense, and fantastic ideas and characters without sticking to the framework of the Ukiyo-e.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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      17 => App\Models\Item {#4413
        #table: "items"
        #primaryKey: "id"
        #fillable: array:7 [
          0 => "name"
          1 => "name_en"
          2 => "number"
          3 => "price"
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          "id" => 3701
          "created_at" => "2022-10-15 11:41:03"
          "updated_at" => "2022-10-15 11:41:03"
          "name" => "国芳 / 義士人形"
          "name_en" => "Kuniyoshi / Lifelike Doll of the Loyal Retainers"
          "number" => "C23081"
          "price" => 150000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : -\r\n
            サイズ : 大判3枚続\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : 小虫穴補修\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            生人形（いきにんぎょう）は、文字通り生きた人間のように精巧につくられた人形で、見世物興行の一つとして人気を博した。安政2年には松本喜三郎が浅草寺で興行を行って大評判となり、国芳や芳艶などの絵師がその様子を浮世絵に残している。本作もそのうちの一つ。\r\n
            \r\n
            国芳は豊国の門人で、当初は兄弟子の国貞等の人気に勝てずしばらくは不遇であったが、文政頃に発表した「通俗水滸伝豪傑百八人」の連作が評判となり、「武者絵の国芳」と称され人気絵師の仲間入りを果たした。その後は画想の豊かさ、斬新なデザイン力、奇想天外なアイデア、確実なデッサン力を持ち、浮世絵の枠にとどまらない広範な魅力を持つ作品を多数生み出した。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : -\r\n
            Size : O-ban / Triptych\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Restored small wormholes \r\n
            \r\n
            Iki-Ningyo, literally "live Dolls," were elaborately made to look like living people and became a popular form of show entertainment. In 1855, Matsumoto Kisaburo put on a show at Senso-Ji Temple that became very popular, and painters such as Kuniyoshi and Yoshitsuya left ukiyo-e depictions of the show. This work is one of them.\r\n
            \r\n
            Kuniyoshi was one of the pupils of Toyokuni and was a late bloomer than Kunisada and other pupils.\r\n
            Around the Bunsei-period, he published "108 Heroes of the Popular Suikoden," which created a sensation and made him famous. After that, he was called "Warrior-painter-Kuniyoshi," and became one of the most popular Ukiyo-e artists.\r\n
            Since then, he has created various attractive artworks that excelled in high drawing techniques, fascinating composition sense, and fantastic ideas and characters without sticking to the framework of the Ukiyo-e.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3701
          "created_at" => "2022-10-15 11:41:03"
          "updated_at" => "2022-10-15 11:41:03"
          "name" => "国芳 / 義士人形"
          "name_en" => "Kuniyoshi / Lifelike Doll of the Loyal Retainers"
          "number" => "C23081"
          "price" => 150000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : -\r\n
            サイズ : 大判3枚続\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : 小虫穴補修\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            生人形（いきにんぎょう）は、文字通り生きた人間のように精巧につくられた人形で、見世物興行の一つとして人気を博した。安政2年には松本喜三郎が浅草寺で興行を行って大評判となり、国芳や芳艶などの絵師がその様子を浮世絵に残している。本作もそのうちの一つ。\r\n
            \r\n
            国芳は豊国の門人で、当初は兄弟子の国貞等の人気に勝てずしばらくは不遇であったが、文政頃に発表した「通俗水滸伝豪傑百八人」の連作が評判となり、「武者絵の国芳」と称され人気絵師の仲間入りを果たした。その後は画想の豊かさ、斬新なデザイン力、奇想天外なアイデア、確実なデッサン力を持ち、浮世絵の枠にとどまらない広範な魅力を持つ作品を多数生み出した。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : -\r\n
            Size : O-ban / Triptych\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Restored small wormholes \r\n
            \r\n
            Iki-Ningyo, literally "live Dolls," were elaborately made to look like living people and became a popular form of show entertainment. In 1855, Matsumoto Kisaburo put on a show at Senso-Ji Temple that became very popular, and painters such as Kuniyoshi and Yoshitsuya left ukiyo-e depictions of the show. This work is one of them.\r\n
            \r\n
            Kuniyoshi was one of the pupils of Toyokuni and was a late bloomer than Kunisada and other pupils.\r\n
            Around the Bunsei-period, he published "108 Heroes of the Popular Suikoden," which created a sensation and made him famous. After that, he was called "Warrior-painter-Kuniyoshi," and became one of the most popular Ukiyo-e artists.\r\n
            Since then, he has created various attractive artworks that excelled in high drawing techniques, fascinating composition sense, and fantastic ideas and characters without sticking to the framework of the Ukiyo-e.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
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          "tags" => Illuminate\Database\Eloquent\Collection {#4456
            #items: array:4 [
              0 => App\Models\Tag {#4277 …30}
              1 => App\Models\Tag {#4276 …30}
              2 => App\Models\Tag {#4275 …30}
              3 => App\Models\Tag {#4274 …30}
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            #escapeWhenCastingToString: false
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          "images" => Illuminate\Database\Eloquent\Collection {#4217
            #items: array:1 [
              0 => App\Models\Image {#4170 …30}
            ]
            #escapeWhenCastingToString: false
          }
        ]
        #touches: []
        +timestamps: true
        #hidden: []
        #visible: []
        #guarded: array:1 [
          0 => "*"
        ]
      }
      18 => App\Models\Item {#4412
        #table: "items"
        #primaryKey: "id"
        #fillable: array:7 [
          0 => "name"
          1 => "name_en"
          2 => "number"
          3 => "price"
          4 => "description"
          5 => "view_flg"
          6 => "status"
        ]
        #connection: "mysql"
        #keyType: "int"
        +incrementing: true
        #with: []
        #withCount: []
        +preventsLazyLoading: false
        #perPage: 15
        +exists: true
        +wasRecentlyCreated: false
        #escapeWhenCastingToString: false
        #attributes: array:10 [
          "id" => 3690
          "created_at" => "2022-10-06 12:27:48"
          "updated_at" => "2022-10-06 12:27:48"
          "name" => "豊国 / 市川八百蔵 沢村東蔵"
          "name_en" => "Toyokuni / Ichikawa Yaozo, Sawamura Tozo"
          "number" => "C23005"
          "price" => 380000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 寛政11年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : 裏面に書込\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            「小田春長」「谷田宅兵衛」と記載されているが、この名前には実はある人物たちの名前が隠されている。\r\n
            \r\n
            文化元年、江戸幕府は「文化元年の触書き」を発令。これにより、徳川家及び天正年間の大名家を描くことが明治時代まで禁止となった。\r\n
            天正年間とは、「豊臣秀吉」が活躍した安土桃山時代を指す。この豊臣秀吉の生涯を描いた読本「絵本太閤記」が流行しすぎた為、徳川政権下にあった江戸幕府は、治安維持のためにも先の天下人・豊臣秀吉の人気に歯止めを掛ける為にこのお触れを出すに至った。\r\n
            小田春長は織田信長、谷田宅兵衛は安田作兵衛（歴史上の名前は安田国継で、明智光秀の家臣）を暗に描いている。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1799\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Notations on reverse\r\n
            \r\n
            In this artwork, the artist hid names of real people in history in the written names "小田春長" and "谷田宅兵衛."\r\n
            *This is only a guess, but it is likely that "小田春長" is read as "Oda Harunaga" and "谷田宅兵衛" as "Tanita Takubee."\r\n
            \r\n
            In the first year of Bunka (Bunka era), the Edo shogunate issued the "Proclamation of Bunka era." This proclamation prohibited depicting the Tokugawa family and other feudal lords of the Tensho period until the Meiji period.\r\n
            The "Tensho period" refers to the Azuchi-Momoyama period during the reign of Toyotomi Hideyoshi.\r\n
            The Edo shogunate issued this ban to curb the popularity of Toyotomi Hideyoshi to maintain public order.\r\n
            \r\n
            The hidden name of Oda Harunaga is Oda Nobunaga. He is the man who tried to unify the country during the Warring States Period when warlords from all over the country were fighting each other.\r\n
            The hidden name of Tanita Takubee is Yasuda Sakubee. He was the retainer of Akechi Mitsuhide. Akechi Mitsuhide is the person who defeated Oda Nobunaga.\r\n
            They are enemies.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3690
          "created_at" => "2022-10-06 12:27:48"
          "updated_at" => "2022-10-06 12:27:48"
          "name" => "豊国 / 市川八百蔵 沢村東蔵"
          "name_en" => "Toyokuni / Ichikawa Yaozo, Sawamura Tozo"
          "number" => "C23005"
          "price" => 380000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 寛政11年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : 裏面に書込\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            「小田春長」「谷田宅兵衛」と記載されているが、この名前には実はある人物たちの名前が隠されている。\r\n
            \r\n
            文化元年、江戸幕府は「文化元年の触書き」を発令。これにより、徳川家及び天正年間の大名家を描くことが明治時代まで禁止となった。\r\n
            天正年間とは、「豊臣秀吉」が活躍した安土桃山時代を指す。この豊臣秀吉の生涯を描いた読本「絵本太閤記」が流行しすぎた為、徳川政権下にあった江戸幕府は、治安維持のためにも先の天下人・豊臣秀吉の人気に歯止めを掛ける為にこのお触れを出すに至った。\r\n
            小田春長は織田信長、谷田宅兵衛は安田作兵衛（歴史上の名前は安田国継で、明智光秀の家臣）を暗に描いている。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1799\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Notations on reverse\r\n
            \r\n
            In this artwork, the artist hid names of real people in history in the written names "小田春長" and "谷田宅兵衛."\r\n
            *This is only a guess, but it is likely that "小田春長" is read as "Oda Harunaga" and "谷田宅兵衛" as "Tanita Takubee."\r\n
            \r\n
            In the first year of Bunka (Bunka era), the Edo shogunate issued the "Proclamation of Bunka era." This proclamation prohibited depicting the Tokugawa family and other feudal lords of the Tensho period until the Meiji period.\r\n
            The "Tensho period" refers to the Azuchi-Momoyama period during the reign of Toyotomi Hideyoshi.\r\n
            The Edo shogunate issued this ban to curb the popularity of Toyotomi Hideyoshi to maintain public order.\r\n
            \r\n
            The hidden name of Oda Harunaga is Oda Nobunaga. He is the man who tried to unify the country during the Warring States Period when warlords from all over the country were fighting each other.\r\n
            The hidden name of Tanita Takubee is Yasuda Sakubee. He was the retainer of Akechi Mitsuhide. Akechi Mitsuhide is the person who defeated Oda Nobunaga.\r\n
            They are enemies.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
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              2 => App\Models\Tag {#4278 …30}
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          "images" => Illuminate\Database\Eloquent\Collection {#4216
            #items: array:1 [
              0 => App\Models\Image {#4171 …30}
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      19 => App\Models\Item {#4411
        #table: "items"
        #primaryKey: "id"
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          1 => "name_en"
          2 => "number"
          3 => "price"
          4 => "description"
          5 => "view_flg"
          6 => "status"
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          "id" => 3673
          "created_at" => "2022-10-04 13:52:28"
          "updated_at" => "2022-10-04 15:10:08"
          "name" => "無款 / 新板どふけ絵"
          "name_en" => "Unsigned / Caricature: New Version of Doke-e"
          "number" => "C23057"
          "price" => 50000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 明治維新頃\r\n
            サイズ : 大判2枚続\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : 少汚れ / 小虫穴補修\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            戊辰の役頃の諷刺画。藩の特徴を描いた着物を着た人物がいろんなことを言っている。\r\n
            \r\n
            公家「これハどちらがよろしいぞ」\r\n
            尾張藩「イヤモウどちらもおいしうござり升」（大根＝二股）\r\n
            徳川家「このしろ(此城＝江戸城)をかた付て」\r\n
            水戸藩「サハ早くへ」\r\n
            \r\n
            江戸の人々はこのような諷刺画で世の中の情勢を察知していた。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1868 - 89\r\n
            Size : O-ban / Diptych\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Slight browning / Restored small wormholes\r\n
            \r\n
            A caricature from around the time of the Boshin War. A figure in a kimono depicting the characteristics of the clan is saying various things.\r\n
            \r\n
            A courtier: "Which of the two is better?"\r\n
            Owari clan: "No, they are both delicious!" (daikon = forked radish)\r\n
            Tokugawa clan: "Let's leave this castle (= Edo castle) behind"\r\n
            Mito clan: "Come on, hurry."\r\n
            \r\n
            The people of Edo used caricatures such as these to keep abreast of the state of affairs in the world.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3673
          "created_at" => "2022-10-04 13:52:28"
          "updated_at" => "2022-10-04 15:10:08"
          "name" => "無款 / 新板どふけ絵"
          "name_en" => "Unsigned / Caricature: New Version of Doke-e"
          "number" => "C23057"
          "price" => 50000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 明治維新頃\r\n
            サイズ : 大判2枚続\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : 少汚れ / 小虫穴補修\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            戊辰の役頃の諷刺画。藩の特徴を描いた着物を着た人物がいろんなことを言っている。\r\n
            \r\n
            公家「これハどちらがよろしいぞ」\r\n
            尾張藩「イヤモウどちらもおいしうござり升」（大根＝二股）\r\n
            徳川家「このしろ(此城＝江戸城)をかた付て」\r\n
            水戸藩「サハ早くへ」\r\n
            \r\n
            江戸の人々はこのような諷刺画で世の中の情勢を察知していた。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1868 - 89\r\n
            Size : O-ban / Diptych\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Slight browning / Restored small wormholes\r\n
            \r\n
            A caricature from around the time of the Boshin War. A figure in a kimono depicting the characteristics of the clan is saying various things.\r\n
            \r\n
            A courtier: "Which of the two is better?"\r\n
            Owari clan: "No, they are both delicious!" (daikon = forked radish)\r\n
            Tokugawa clan: "Let's leave this castle (= Edo castle) behind"\r\n
            Mito clan: "Come on, hurry."\r\n
            \r\n
            The people of Edo used caricatures such as these to keep abreast of the state of affairs in the world.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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          "tags" => Illuminate\Database\Eloquent\Collection {#4455
            #items: array:3 [
              0 => App\Models\Tag {#4283 …30}
              1 => App\Models\Tag {#4282 …30}
              2 => App\Models\Tag {#4281 …30}
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          "images" => Illuminate\Database\Eloquent\Collection {#4215
            #items: array:1 [
              0 => App\Models\Image {#4172 …30}
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      20 => App\Models\Item {#4410
        #table: "items"
        #primaryKey: "id"
        #fillable: array:7 [
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          1 => "name_en"
          2 => "number"
          3 => "price"
          4 => "description"
          5 => "view_flg"
          6 => "status"
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        #connection: "mysql"
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        #attributes: array:10 [
          "id" => 3672
          "created_at" => "2022-10-04 13:29:15"
          "updated_at" => "2022-10-04 15:09:45"
          "name" => "無款 / 三人なまゑひ"
          "name_en" => "Unsigned / Kabuki Program "Sannin Namayoi""
          "number" => "C23056"
          "price" => 60000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 明治維新頃\r\n
            サイズ : 大判2枚続\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : -\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            歌舞伎の常磐津節「三人生酔」の登場人物を歴史上の人物に置き換え、徳川の治世を描いた諷刺画。明治維新前後に出版されたもので当時の世相を反映している。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1868 - 89\r\n
            Size : O-ban / Diptych\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : -\r\n
            \r\n
            This caricature depicts the reign of the Tokugawa shogunate by replacing the characters of the Kabuki play "Sannin Namayoi" with historical figures. Published around the time of the Meiji Restoration, these caricatures reflect the state of the world at the time.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3672
          "created_at" => "2022-10-04 13:29:15"
          "updated_at" => "2022-10-04 15:09:45"
          "name" => "無款 / 三人なまゑひ"
          "name_en" => "Unsigned / Kabuki Program "Sannin Namayoi""
          "number" => "C23056"
          "price" => 60000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 明治維新頃\r\n
            サイズ : 大判2枚続\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : -\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            歌舞伎の常磐津節「三人生酔」の登場人物を歴史上の人物に置き換え、徳川の治世を描いた諷刺画。明治維新前後に出版されたもので当時の世相を反映している。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1868 - 89\r\n
            Size : O-ban / Diptych\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : -\r\n
            \r\n
            This caricature depicts the reign of the Tokugawa shogunate by replacing the characters of the Kabuki play "Sannin Namayoi" with historical figures. Published around the time of the Meiji Restoration, these caricatures reflect the state of the world at the time.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #changes: []
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        #dispatchesEvents: []
        #observables: []
        #relations: array:2 [
          "tags" => Illuminate\Database\Eloquent\Collection {#4457
            #items: array:3 [
              0 => App\Models\Tag {#4286 …30}
              1 => App\Models\Tag {#4285 …30}
              2 => App\Models\Tag {#4284 …30}
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            #escapeWhenCastingToString: false
          }
          "images" => Illuminate\Database\Eloquent\Collection {#4214
            #items: array:1 [
              0 => App\Models\Image {#4173 …30}
            ]
            #escapeWhenCastingToString: false
          }
        ]
        #touches: []
        +timestamps: true
        #hidden: []
        #visible: []
        #guarded: array:1 [
          0 => "*"
        ]
      }
      21 => App\Models\Item {#4409
        #table: "items"
        #primaryKey: "id"
        #fillable: array:7 [
          0 => "name"
          1 => "name_en"
          2 => "number"
          3 => "price"
          4 => "description"
          5 => "view_flg"
          6 => "status"
        ]
        #connection: "mysql"
        #keyType: "int"
        +incrementing: true
        #with: []
        #withCount: []
        +preventsLazyLoading: false
        #perPage: 15
        +exists: true
        +wasRecentlyCreated: false
        #escapeWhenCastingToString: false
        #attributes: array:10 [
          "id" => 3671
          "created_at" => "2022-10-01 13:49:21"
          "updated_at" => "2022-10-01 13:49:21"
          "name" => "英泉 / 木曽街道六十九次 板鼻"
          "name_en" => "Eisen / Itahana, 69 Stations of the Kiso Kaido"
          "number" => "C23017"
          "price" => 1222000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 天保8年頃\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : 小虫穴補修 / 少汚れ / マージンに書込\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            美人画で名を馳せた英泉であるが、その一方で多くの風景画も手がけた。英泉と広重が天保6年ごろ完成させた「木曽街道六十九次」は、全72図のうちの24図が英泉の筆による。当初、英泉がこのシリーズの絵師を務めていたが、途中手を引き広重に引き継がれたという経緯がある。\r\n
            \r\n
            英泉は、師である英山が描くような儚げな女性の美人画を描いていたが、その後独自の妖艶な画風で人気を博することになる。\r\n
            6頭身で胴長、猫背気味という、屈折した情念の籠った女性像が特徴である。英泉は深川のような岡場所や吉原遊廓の遊女を、妖艶さと強い意志を湛えた眼差しを持つ女性として描いた。江戸時代の後期、文化・文政期の退廃的な美意識を象徴的に表し、幕末の世情を反映したアクの強い画風を示している。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : c. 1837\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Restored small wormholes / Slight browning / Small notations on margin\r\n
            \r\n
            Eisen was famous for his artworks of beautiful women, but he also created many landscapes. Eisen and Hiroshige completed "69 Stations of the Kiso Kaido" around the 6th year of Tempo, and 24 of the 72 paintings in the series were by Eisen. Eisen was originally the painter for this series, but he relinquished his position midway through the series, and Hiroshige took over.\r\n
            \r\n
            Eisen started painting fragile female beauties like his master, Eizan, but later became famous for his unique and fascinating painting style.\r\n
            Her paintings are characterized by a six-headed, long-bodied, hunchbacked female figure full of refracted emotions. Eisen portrayed prostitutes in Oka places like Fukagawa and Yoshiwara brothels as women with bewitching and strong-willed looks in their eyes. \r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3671
          "created_at" => "2022-10-01 13:49:21"
          "updated_at" => "2022-10-01 13:49:21"
          "name" => "英泉 / 木曽街道六十九次 板鼻"
          "name_en" => "Eisen / Itahana, 69 Stations of the Kiso Kaido"
          "number" => "C23017"
          "price" => 1222000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 天保8年頃\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : 小虫穴補修 / 少汚れ / マージンに書込\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            美人画で名を馳せた英泉であるが、その一方で多くの風景画も手がけた。英泉と広重が天保6年ごろ完成させた「木曽街道六十九次」は、全72図のうちの24図が英泉の筆による。当初、英泉がこのシリーズの絵師を務めていたが、途中手を引き広重に引き継がれたという経緯がある。\r\n
            \r\n
            英泉は、師である英山が描くような儚げな女性の美人画を描いていたが、その後独自の妖艶な画風で人気を博することになる。\r\n
            6頭身で胴長、猫背気味という、屈折した情念の籠った女性像が特徴である。英泉は深川のような岡場所や吉原遊廓の遊女を、妖艶さと強い意志を湛えた眼差しを持つ女性として描いた。江戸時代の後期、文化・文政期の退廃的な美意識を象徴的に表し、幕末の世情を反映したアクの強い画風を示している。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : c. 1837\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Restored small wormholes / Slight browning / Small notations on margin\r\n
            \r\n
            Eisen was famous for his artworks of beautiful women, but he also created many landscapes. Eisen and Hiroshige completed "69 Stations of the Kiso Kaido" around the 6th year of Tempo, and 24 of the 72 paintings in the series were by Eisen. Eisen was originally the painter for this series, but he relinquished his position midway through the series, and Hiroshige took over.\r\n
            \r\n
            Eisen started painting fragile female beauties like his master, Eizan, but later became famous for his unique and fascinating painting style.\r\n
            Her paintings are characterized by a six-headed, long-bodied, hunchbacked female figure full of refracted emotions. Eisen portrayed prostitutes in Oka places like Fukagawa and Yoshiwara brothels as women with bewitching and strong-willed looks in their eyes. \r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
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          "tags" => Illuminate\Database\Eloquent\Collection {#4461
            #items: array:4 [
              0 => App\Models\Tag {#4290 …30}
              1 => App\Models\Tag {#4289 …30}
              2 => App\Models\Tag {#4288 …30}
              3 => App\Models\Tag {#4287 …30}
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            #escapeWhenCastingToString: false
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          "images" => Illuminate\Database\Eloquent\Collection {#4213
            #items: array:1 [
              0 => App\Models\Image {#4174 …30}
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            #escapeWhenCastingToString: false
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        +timestamps: true
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        #visible: []
        #guarded: array:1 [
          0 => "*"
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      22 => App\Models\Item {#4408
        #table: "items"
        #primaryKey: "id"
        #fillable: array:7 [
          0 => "name"
          1 => "name_en"
          2 => "number"
          3 => "price"
          4 => "description"
          5 => "view_flg"
          6 => "status"
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          "id" => 3670
          "created_at" => "2022-10-01 13:42:40"
          "updated_at" => "2022-10-01 13:42:40"
          "name" => "英泉 / 木曽街道六十九次 奈良井"
          "name_en" => "Eisen / Narai, 69 Stations of the Kiso Kaido"
          "number" => "C23016"
          "price" => 153000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 天保8年頃\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : 薄い中折 / 裏面にシール / 小虫穴補修\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            美人画で名を馳せた英泉であるが、その一方で多くの風景画も手がけた。英泉と広重が天保6年ごろ完成させた「木曽街道六十九次」は、全72図のうちの24図が英泉の筆による。当初、英泉がこのシリーズの絵師を務めていたが、途中手を引き広重に引き継がれたという経緯がある。\r\n
            \r\n
            英泉は、師である英山が描くような儚げな女性の美人画を描いていたが、その後独自の妖艶な画風で人気を博することになる。\r\n
            6頭身で胴長、猫背気味という、屈折した情念の籠った女性像が特徴である。英泉は深川のような岡場所や吉原遊廓の遊女を、妖艶さと強い意志を湛えた眼差しを持つ女性として描いた。江戸時代の後期、文化・文政期の退廃的な美意識を象徴的に表し、幕末の世情を反映したアクの強い画風を示している。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : c. 1837\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Light centerfold / Seal on reverse side / Restored small wormholes \r\n
            \r\n
            Eisen was famous for his artworks of beautiful women, but he also created many landscapes. Eisen and Hiroshige completed "69 Stations of the Kiso Kaido" around the 6th year of Tempo, and 24 of the 72 paintings in the series were by Eisen. Eisen was originally the painter for this series, but he relinquished his position midway through the series, and Hiroshige took over.\r\n
            \r\n
            Eisen started painting fragile female beauties like his master, Eizan, but later became famous for his unique and fascinating painting style.\r\n
            Her paintings are characterized by a six-headed, long-bodied, hunchbacked female figure full of refracted emotions. Eisen portrayed prostitutes in Oka places like Fukagawa and Yoshiwara brothels as women with bewitching and strong-willed looks in their eyes. \r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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          "id" => 3670
          "created_at" => "2022-10-01 13:42:40"
          "updated_at" => "2022-10-01 13:42:40"
          "name" => "英泉 / 木曽街道六十九次 奈良井"
          "name_en" => "Eisen / Narai, 69 Stations of the Kiso Kaido"
          "number" => "C23016"
          "price" => 153000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 天保8年頃\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : 薄い中折 / 裏面にシール / 小虫穴補修\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            美人画で名を馳せた英泉であるが、その一方で多くの風景画も手がけた。英泉と広重が天保6年ごろ完成させた「木曽街道六十九次」は、全72図のうちの24図が英泉の筆による。当初、英泉がこのシリーズの絵師を務めていたが、途中手を引き広重に引き継がれたという経緯がある。\r\n
            \r\n
            英泉は、師である英山が描くような儚げな女性の美人画を描いていたが、その後独自の妖艶な画風で人気を博することになる。\r\n
            6頭身で胴長、猫背気味という、屈折した情念の籠った女性像が特徴である。英泉は深川のような岡場所や吉原遊廓の遊女を、妖艶さと強い意志を湛えた眼差しを持つ女性として描いた。江戸時代の後期、文化・文政期の退廃的な美意識を象徴的に表し、幕末の世情を反映したアクの強い画風を示している。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : c. 1837\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Light centerfold / Seal on reverse side / Restored small wormholes \r\n
            \r\n
            Eisen was famous for his artworks of beautiful women, but he also created many landscapes. Eisen and Hiroshige completed "69 Stations of the Kiso Kaido" around the 6th year of Tempo, and 24 of the 72 paintings in the series were by Eisen. Eisen was originally the painter for this series, but he relinquished his position midway through the series, and Hiroshige took over.\r\n
            \r\n
            Eisen started painting fragile female beauties like his master, Eizan, but later became famous for his unique and fascinating painting style.\r\n
            Her paintings are characterized by a six-headed, long-bodied, hunchbacked female figure full of refracted emotions. Eisen portrayed prostitutes in Oka places like Fukagawa and Yoshiwara brothels as women with bewitching and strong-willed looks in their eyes. \r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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          "id" => 3653
          "created_at" => "2022-09-20 14:58:12"
          "updated_at" => "2022-09-20 14:58:12"
          "name" => "広重 / 六十余州名所図会 能登"
          "name_en" => "Hiroshige / Noto, Famous Views of the 60 Odd Provinces"
          "number" => "C23022"
          "price" => 180000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 嘉永6年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : マージンに少汚れ / 極小虫穴\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            日本海の荒波に浸食され造り上げられた奇岩や断崖が続く「能登金剛」といわれる海岸を描いた1枚。海に突き出た岩盤にある「巌門」は浸食によってぽっかりとあいた洞門で、幅6メートル、高さ15メートル、奥行き60メートルもあり、小舟も通ることができるという。\r\n
            \r\n
            「六十余州名所図会」（ろくじゅうよしゅうめいしょずえ）は、広重による日本全国の名所を描いた連作である。\r\n
            \r\n
            広重は寛政9年、江戸八代洲河岸の定火消同心・安藤源右衛門の子として生まれた。幼少より絵を好み、15歳のときに歌川豊広の門下となった。初め、美人画や役者絵を描いたが、やがて「東都名所」のシリーズを皮切りに、数々の風景画を制作、人気絵師として名を馳せている。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1853\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Slight browning on margin / Very small wormholes\r\n
            \r\n
            This artwork depicts the coast known as Noto Kongo, a place of strange rocks and cliffs that have been eroded and built up by the rough waves of the Sea of Japan. The rocky outcrops jutting out into the sea are called 'Gammon,' a gaping cavern created by erosion and is 6 meters wide, 15 meters high, and 60 meters deep, and can be passed by small boats.\r\n
            \r\n
            "Famous Places in the 60-Odd Provinces" is the scenery series that was created by Hiroshige. The motifs are famous and popular places in Japan.\r\n
            \r\n
            Hiroshige was born in 1776, the son of Ando Genemon, a fireman who worked as a fireman on the Yashirosu river bank in Edo. He loved painting from an early age and became a student of Toyohiro Utagawa at the age of 15. At first, he painted beauties and portraits of actors, but he soon became famous as a popular painter by creating numerous landscapes, starting with his "Famous Places of the Eastern Capital" series.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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          "id" => 3653
          "created_at" => "2022-09-20 14:58:12"
          "updated_at" => "2022-09-20 14:58:12"
          "name" => "広重 / 六十余州名所図会 能登"
          "name_en" => "Hiroshige / Noto, Famous Views of the 60 Odd Provinces"
          "number" => "C23022"
          "price" => 180000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 嘉永6年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : マージンに少汚れ / 極小虫穴\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            日本海の荒波に浸食され造り上げられた奇岩や断崖が続く「能登金剛」といわれる海岸を描いた1枚。海に突き出た岩盤にある「巌門」は浸食によってぽっかりとあいた洞門で、幅6メートル、高さ15メートル、奥行き60メートルもあり、小舟も通ることができるという。\r\n
            \r\n
            「六十余州名所図会」（ろくじゅうよしゅうめいしょずえ）は、広重による日本全国の名所を描いた連作である。\r\n
            \r\n
            広重は寛政9年、江戸八代洲河岸の定火消同心・安藤源右衛門の子として生まれた。幼少より絵を好み、15歳のときに歌川豊広の門下となった。初め、美人画や役者絵を描いたが、やがて「東都名所」のシリーズを皮切りに、数々の風景画を制作、人気絵師として名を馳せている。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1853\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Slight browning on margin / Very small wormholes\r\n
            \r\n
            This artwork depicts the coast known as Noto Kongo, a place of strange rocks and cliffs that have been eroded and built up by the rough waves of the Sea of Japan. The rocky outcrops jutting out into the sea are called 'Gammon,' a gaping cavern created by erosion and is 6 meters wide, 15 meters high, and 60 meters deep, and can be passed by small boats.\r\n
            \r\n
            "Famous Places in the 60-Odd Provinces" is the scenery series that was created by Hiroshige. The motifs are famous and popular places in Japan.\r\n
            \r\n
            Hiroshige was born in 1776, the son of Ando Genemon, a fireman who worked as a fireman on the Yashirosu river bank in Edo. He loved painting from an early age and became a student of Toyohiro Utagawa at the age of 15. At first, he painted beauties and portraits of actors, but he soon became famous as a popular painter by creating numerous landscapes, starting with his "Famous Places of the Eastern Capital" series.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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