明治浮世絵 | 浮世絵 | 神保町 | Gallery Soumei-do | そうめい堂

Illuminate\Pagination\LengthAwarePaginator {#4045// resources/views/search/search.blade.php #total: 1080 #lastPage: 45 #items: Illuminate\Database\Eloquent\Collection {#4046 #items: array:24 [ 0 => App\Models\Item {#3786 #table: "items" #primaryKey: "id" #fillable: array:7 [ 0 => "name" 1 => "name_en" 2 => "number" 3 => "price" 4 => "description" 5 => "view_flg" 6 => "status" ] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:10 [ "id" => 3772 "created_at" => "2022-11-26 17:22:04" "updated_at" => "2022-11-26 17:49:08" "name" => "古邨 / 棕櫚に雀" "name_en" => "Koson / Palm Tree and the Sparrows" "number" => "C23217" "price" => 170000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : -\r\n サイズ : 大短冊\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 少ヤケ\r\n \r\n ディレクターコメント\r\n 棕櫚（しゅろ）から飛び出すように現れた雀3羽の図。\r\n \r\n 古邨は、花鳥画を得意にしていた鈴木華邨に師事して日本画を習得、やがてアーネスト・フェノロサの指導のもと、古邨と号して肉筆画の花鳥画を描き、共進会に出品もしている。その後、明治38年頃から浮世絵による花鳥画の制作を開始している。画号は明治期の「古邨」、昭和元年以降に渡辺版画店において「祥邨」、カワグチにおいて「豊邨」と号している。\r\n 古邨は500点以上の作品を制作しているが発売時より欧米でのみ人気が高く、日本国内では知る人ぞ知る絵師であった。近年、日本国内でも展覧会が開催され再評価の機運が高まっている。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : -\r\n Size : O-tanzaku\r\n Impression : Good\r\n Condition : Good\r\n Detail : Slight soiling\r\n \r\n Three sparrows flying out of a hemp palm.\r\n \r\n Koson studied Japanese-style painting under Suzuki Kason, who excelled in flower-and-bird portraits. Then, under Ernest Fenollosa, he painted flower-and-bird pictures under the name of "Koson" and exhibited his works at the Kyoshin-kai. Later, around 1905, he began to produce flowers-and-birds Ukiyo-e. His painting name was "Kozon" in the Meiji period, "Shoson" at Watanabe Print Shop, and "Hoson" at Kawaguchi.\r\n Koson has produced over 500 works, but since his release, he has been very popular in Europe and the United States and wasn't a well-known painter in Japan. However, in recent years, exhibitions have eventually been held in Japan, and there is growing momentum for reevaluation.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #original: array:10 [ "id" => 3772 "created_at" => "2022-11-26 17:22:04" "updated_at" => "2022-11-26 17:49:08" "name" => "古邨 / 棕櫚に雀" "name_en" => "Koson / Palm Tree and the Sparrows" "number" => "C23217" "price" => 170000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : -\r\n サイズ : 大短冊\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 少ヤケ\r\n \r\n ディレクターコメント\r\n 棕櫚（しゅろ）から飛び出すように現れた雀3羽の図。\r\n \r\n 古邨は、花鳥画を得意にしていた鈴木華邨に師事して日本画を習得、やがてアーネスト・フェノロサの指導のもと、古邨と号して肉筆画の花鳥画を描き、共進会に出品もしている。その後、明治38年頃から浮世絵による花鳥画の制作を開始している。画号は明治期の「古邨」、昭和元年以降に渡辺版画店において「祥邨」、カワグチにおいて「豊邨」と号している。\r\n 古邨は500点以上の作品を制作しているが発売時より欧米でのみ人気が高く、日本国内では知る人ぞ知る絵師であった。近年、日本国内でも展覧会が開催され再評価の機運が高まっている。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : -\r\n Size : O-tanzaku\r\n Impression : Good\r\n Condition : Good\r\n Detail : Slight soiling\r\n \r\n Three sparrows flying out of a hemp palm.\r\n \r\n Koson studied Japanese-style painting under Suzuki Kason, who excelled in flower-and-bird portraits. Then, under Ernest Fenollosa, he painted flower-and-bird pictures under the name of "Koson" and exhibited his works at the Kyoshin-kai. Later, around 1905, he began to produce flowers-and-birds Ukiyo-e. His painting name was "Kozon" in the Meiji period, "Shoson" at Watanabe Print Shop, and "Hoson" at Kawaguchi.\r\n Koson has produced over 500 works, but since his release, he has been very popular in Europe and the United States and wasn't a well-known painter in Japan. However, in recent years, exhibitions have eventually been held in Japan, and there is growing momentum for reevaluation.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:2 [ "tags" => Illuminate\Database\Eloquent\Collection {#3772 #items: array:4 [ 0 => App\Models\Tag {#3773 #table: "tags" #primaryKey: "id" #fillable: array:5 [ …5] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:8 [ …8] #original: array:10 [ …10] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:1 [ …1] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ …1] } 1 => App\Models\Tag {#3776 #table: "tags" #primaryKey: "id" #fillable: array:5 [ …5] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:8 [ …8] #original: array:10 [ …10] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:1 [ …1] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ …1] } 2 => App\Models\Tag {#3778 #table: "tags" #primaryKey: "id" #fillable: array:5 [ …5] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:8 [ …8] #original: array:10 [ …10] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:1 [ …1] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ …1] } 3 => App\Models\Tag {#3780 #table: "tags" #primaryKey: "id" #fillable: array:5 [ …5] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:8 [ …8] #original: array:10 [ …10] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:1 [ …1] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ …1] } ] #escapeWhenCastingToString: false } "images" => Illuminate\Database\Eloquent\Collection {#3782 #items: array:1 [ 0 => App\Models\Image {#3781 #table: "images" #primaryKey: "id" #fillable: array:2 [ …2] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:6 [ …6] #original: array:6 [ …6] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: [] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ …1] } ] #escapeWhenCastingToString: false } ] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ 0 => "*" ] } 1 => App\Models\Item {#3784 #table: "items" #primaryKey: "id" #fillable: array:7 [ 0 => "name" 1 => "name_en" 2 => "number" 3 => "price" 4 => "description" 5 => "view_flg" 6 => "status" ] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:10 [ "id" => 3771 "created_at" => "2022-11-26 17:19:56" "updated_at" => "2022-11-26 17:20:24" "name" => "古邨 / 鷲" "name_en" => "Koson / Eagle on the Tree" "number" => "C23215" "price" => 180000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : -\r\n サイズ : 大短冊\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 裏面にヤケ\r\n \r\n ディレクターコメント\r\n 古邨は、花鳥画を得意にしていた鈴木華邨に師事して日本画を習得、やがてアーネスト・フェノロサの指導のもと、古邨と号して肉筆画の花鳥画を描き、共進会に出品もしている。その後、明治38年頃から浮世絵による花鳥画の制作を開始している。画号は明治期の「古邨」、昭和元年以降に渡辺版画店において「祥邨」、カワグチにおいて「豊邨」と号している。\r\n 古邨は500点以上の作品を制作しているが発売時より欧米でのみ人気が高く、日本国内では知る人ぞ知る絵師であった。近年、日本国内でも展覧会が開催され再評価の機運が高まっている。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : -\r\n Size : O-tanzaku\r\n Impression : Good\r\n Condition : Good\r\n Detail : Soiled on reverse\r\n \r\n Koson studied Japanese-style painting under Suzuki Kason, who excelled in flower-and-bird portraits. Then, under Ernest Fenollosa, he painted flower-and-bird pictures under the name of "Koson" and exhibited his works at the Kyoshin-kai. Later, around 1905, he began to produce flowers-and-birds Ukiyo-e. His painting name was "Kozon" in the Meiji period, "Shoson" at Watanabe Print Shop, and "Hoson" at Kawaguchi.\r\n Koson has produced over 500 works, but since his release, he has been very popular in Europe and the United States and wasn't a well-known painter in Japan. However, in recent years, exhibitions have eventually been held in Japan, and there is growing momentum for reevaluation.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #original: array:10 [ "id" => 3771 "created_at" => "2022-11-26 17:19:56" "updated_at" => "2022-11-26 17:20:24" "name" => "古邨 / 鷲" "name_en" => "Koson / Eagle on the Tree" "number" => "C23215" "price" => 180000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : -\r\n サイズ : 大短冊\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 裏面にヤケ\r\n \r\n ディレクターコメント\r\n 古邨は、花鳥画を得意にしていた鈴木華邨に師事して日本画を習得、やがてアーネスト・フェノロサの指導のもと、古邨と号して肉筆画の花鳥画を描き、共進会に出品もしている。その後、明治38年頃から浮世絵による花鳥画の制作を開始している。画号は明治期の「古邨」、昭和元年以降に渡辺版画店において「祥邨」、カワグチにおいて「豊邨」と号している。\r\n 古邨は500点以上の作品を制作しているが発売時より欧米でのみ人気が高く、日本国内では知る人ぞ知る絵師であった。近年、日本国内でも展覧会が開催され再評価の機運が高まっている。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : -\r\n Size : O-tanzaku\r\n Impression : Good\r\n Condition : Good\r\n Detail : Soiled on reverse\r\n \r\n Koson studied Japanese-style painting under Suzuki Kason, who excelled in flower-and-bird portraits. Then, under Ernest Fenollosa, he painted flower-and-bird pictures under the name of "Koson" and exhibited his works at the Kyoshin-kai. Later, around 1905, he began to produce flowers-and-birds Ukiyo-e. His painting name was "Kozon" in the Meiji period, "Shoson" at Watanabe Print Shop, and "Hoson" at Kawaguchi.\r\n Koson has produced over 500 works, but since his release, he has been very popular in Europe and the United States and wasn't a well-known painter in Japan. However, in recent years, exhibitions have eventually been held in Japan, and there is growing momentum for reevaluation.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:2 [ "tags" => Illuminate\Database\Eloquent\Collection {#3783 #items: array:4 [ 0 => App\Models\Tag {#3802 #table: "tags" #primaryKey: "id" #fillable: array:5 [ …5] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:8 [ …8] #original: array:10 [ …10] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:1 [ …1] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ …1] } 1 => App\Models\Tag {#3787 #table: "tags" #primaryKey: "id" #fillable: array:5 [ …5] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:8 [ …8] #original: array:10 [ …10] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:1 [ …1] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ …1] } 2 => App\Models\Tag {#3790 #table: "tags" #primaryKey: "id" #fillable: array:5 [ …5] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:8 [ …8] #original: array:10 [ …10] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:1 [ …1] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ …1] } 3 => App\Models\Tag {#3792 #table: "tags" #primaryKey: "id" #fillable: array:5 [ …5] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:8 [ …8] #original: array:10 [ …10] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:1 [ …1] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ …1] } ] #escapeWhenCastingToString: false } "images" => Illuminate\Database\Eloquent\Collection {#3794 #items: array:1 [ 0 => App\Models\Image {#3793 #table: "images" #primaryKey: "id" #fillable: array:2 [ …2] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:6 [ …6] #original: array:6 [ …6] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: [] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ …1] } ] #escapeWhenCastingToString: false } ] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ 0 => "*" ] } 2 => App\Models\Item {#3796 #table: "items" #primaryKey: "id" #fillable: array:7 [ 0 => "name" 1 => "name_en" 2 => "number" 3 => "price" 4 => "description" 5 => "view_flg" 6 => "status" ] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:10 [ "id" => 3742 "created_at" => "2022-11-09 12:20:24" "updated_at" => "2022-11-26 11:15:20" "name" => "暁斎・国貞二代 / みのや小万" "name_en" => "Kyosai & KunisadaⅡ / Minoya Koman" "number" => "C23177" "price" => 100000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 慶応3年\r\n サイズ : 大判2枚続\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 二枚貼合せ / 少汚れ\r\n \r\n ディレクターコメント\r\n 縦2枚を使い美人をゆったりと大きく描いた作品。国貞二代が美人を描き、暁斎が背景を描いた合作の作品である。それぞれ個性がよく出ており、細い線の美人に対して筆致の勢いを感じさせる背景のコントラストが面白い。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1867\r\n Size : O-ban / Diptych\r\n Impression : Good\r\n Condition : Good\r\n Detail : Joined together / Slight browning\r\n \r\n This artwork is the collaborative artwork of Kunisada II, who painted the beauty, and Kyosai, who painted the scenery. The contrast between the beauty's thin lines and the strong brushwork in the background is interesting.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #original: array:10 [ "id" => 3742 "created_at" => "2022-11-09 12:20:24" "updated_at" => "2022-11-26 11:15:20" "name" => "暁斎・国貞二代 / みのや小万" "name_en" => "Kyosai & KunisadaⅡ / Minoya Koman" "number" => "C23177" "price" => 100000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 慶応3年\r\n サイズ : 大判2枚続\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 二枚貼合せ / 少汚れ\r\n \r\n ディレクターコメント\r\n 縦2枚を使い美人をゆったりと大きく描いた作品。国貞二代が美人を描き、暁斎が背景を描いた合作の作品である。それぞれ個性がよく出ており、細い線の美人に対して筆致の勢いを感じさせる背景のコントラストが面白い。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1867\r\n Size : O-ban / Diptych\r\n Impression : Good\r\n Condition : Good\r\n Detail : Joined together / Slight browning\r\n \r\n This artwork is the collaborative artwork of Kunisada II, who painted the beauty, and Kyosai, who painted the scenery. The contrast between the beauty's thin lines and the strong brushwork in the background is interesting.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:2 [ "tags" => Illuminate\Database\Eloquent\Collection {#3795 #items: array:3 [ 0 => App\Models\Tag {#3798 #table: "tags" #primaryKey: "id" #fillable: array:5 [ …5] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:8 [ …8] #original: array:10 [ …10] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:1 [ …1] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ …1] } 1 => App\Models\Tag {#3800 #table: "tags" #primaryKey: "id" #fillable: array:5 [ …5] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:8 [ …8] #original: array:10 [ …10] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:1 [ …1] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ …1] } 2 => App\Models\Tag {#3814 #table: "tags" #primaryKey: "id" #fillable: array:5 [ …5] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:8 [ …8] #original: array:10 [ …10] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:1 [ …1] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ …1] } ] #escapeWhenCastingToString: false } "images" => Illuminate\Database\Eloquent\Collection {#3803 #items: array:1 [ 0 => App\Models\Image {#3813 #table: "images" #primaryKey: "id" #fillable: array:2 [ …2] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:6 [ …6] #original: array:6 [ …6] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: [] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ …1] } ] #escapeWhenCastingToString: false } ] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ 0 => "*" ] } 3 => App\Models\Item {#3806 #table: "items" #primaryKey: "id" #fillable: array:7 [ 0 => "name" 1 => "name_en" 2 => "number" 3 => "price" 4 => "description" 5 => "view_flg" 6 => "status" ] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:10 [ "id" => 3743 "created_at" => "2022-11-09 12:22:58" "updated_at" => "2022-11-09 12:22:58" "name" => "暁斎・国貞二代 / むさしや梅吉" "name_en" => "Kyosai & KunisadaⅡ / Musashiya Umekichi" "number" => "C23178" "price" => 100000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 慶応3年\r\n サイズ : 大判2枚続\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 二枚貼合せ / 少汚れ / 小虫穴\r\n \r\n ディレクターコメント\r\n 縦2枚を使い美人をゆったりと大きく描いた作品。国貞二代が美人を描き、暁斎が背景を描いた合作の作品である。それぞれ個性がよく出ており、細い線の美人に対して筆致の勢いを感じさせる背景のコントラストが面白い。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1867\r\n Size : O-ban / Diptych\r\n Impression : Good\r\n Condition : Good\r\n Detail : Joined together / Slight browning / Small wormholes\r\n \r\n This artwork is the collaborative artwork of Kunisada II, who painted the beauty, and Kyosai, who painted the scenery. The contrast between the beauty's thin lines and the strong brushwork in the background is interesting.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #original: array:10 [ "id" => 3743 "created_at" => "2022-11-09 12:22:58" "updated_at" => "2022-11-09 12:22:58" "name" => "暁斎・国貞二代 / むさしや梅吉" "name_en" => "Kyosai & KunisadaⅡ / Musashiya Umekichi" "number" => "C23178" "price" => 100000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 慶応3年\r\n サイズ : 大判2枚続\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 二枚貼合せ / 少汚れ / 小虫穴\r\n \r\n ディレクターコメント\r\n 縦2枚を使い美人をゆったりと大きく描いた作品。国貞二代が美人を描き、暁斎が背景を描いた合作の作品である。それぞれ個性がよく出ており、細い線の美人に対して筆致の勢いを感じさせる背景のコントラストが面白い。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1867\r\n Size : O-ban / Diptych\r\n Impression : Good\r\n Condition : Good\r\n Detail : Joined together / Slight browning / Small wormholes\r\n \r\n This artwork is the collaborative artwork of Kunisada II, who painted the beauty, and Kyosai, who painted the scenery. The contrast between the beauty's thin lines and the strong brushwork in the background is interesting.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:2 [ "tags" => Illuminate\Database\Eloquent\Collection {#3805 #items: array:3 [ 0 => App\Models\Tag {#3808 #table: "tags" #primaryKey: "id" #fillable: array:5 [ …5] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:8 [ …8] #original: array:10 [ …10] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:1 [ …1] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ …1] } 1 => App\Models\Tag {#3810 #table: "tags" #primaryKey: "id" #fillable: array:5 [ …5] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:8 [ …8] #original: array:10 [ …10] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:1 [ …1] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ …1] } 2 => App\Models\Tag {#3812 #table: "tags" #primaryKey: "id" #fillable: array:5 [ …5] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:8 [ …8] #original: array:10 [ …10] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:1 [ …1] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ …1] } ] #escapeWhenCastingToString: false } "images" => Illuminate\Database\Eloquent\Collection {#3826 #items: array:1 [ 0 => App\Models\Image {#3816 #table: "images" #primaryKey: "id" #fillable: array:2 [ …2] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:6 [ …6] #original: array:6 [ …6] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: [] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ …1] } ] #escapeWhenCastingToString: false } ] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ 0 => "*" ] } 4 => App\Models\Item {#3815 #table: "items" #primaryKey: "id" #fillable: array:7 [ 0 => "name" 1 => "name_en" 2 => "number" 3 => "price" 4 => "description" 5 => "view_flg" 6 => "status" ] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:10 [ "id" => 3697 "created_at" => "2022-10-13 13:03:17" "updated_at" => "2022-11-08 17:44:24" "name" => "豊宣 / 新撰太閤記" "name_en" => "Toyonobu / Newly Selected Records of the Taiko Hideyoshi" "number" => "C23184" "price" => 580000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 明治16年\r\n サイズ : 画帳（35 × 23.5 cm）\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 画帳27組（木箱付）\r\n \r\n ディレクターコメント\r\n 豊宣は豊国三代の孫で、主に役者絵や武者絵を制作した。中でも「新撰太閤記」シリーズが代表作として挙げられる。\r\n 太閤記とは、豊臣秀吉の活躍を描いた伝記物語である。江戸時代においては前の天下人を描く事で風紀が乱れるという理由から浮世絵に描く事が禁じられていたが、明治になってその制約がなくなり、本シリーズでは気兼ねなく生き生きとその歴史を伝えている。西洋の鮮やかな赤顔料なども使用されており、まさに明治の浮世絵らしいシリーズだ。\r\n \r\n 本作はシリーズの内27枚を画帖に編纂したもの。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1883\r\n Size : Album (35 × 23.5cm)\r\n Impression : Good\r\n Condition : Good\r\n Detail : Complication of 27 pieces into a book (with a wooden box)\r\n \r\n Toyonobu was the grandson of Toyokuni Ⅲ and produced mainly actors and warriors works. In particular, the "Shinsen Taiko-ki" (Newly Selected Biography of Taiko Hideyoshi) series is cited as his best-known work.\r\n Taiko-ki is a biographical story about the exploits of Toyotomi Hideyoshi, the former shogun. In the Edo period, the Tokugawa shogunate forbade depicting Toyotomi Hideyoshi in Ukiyo-e prints because they thought depicting the former shogun would disturb public morals. That series is a typical Meiji-era Ukiyoe series, using vivid Western red pigments and showing the actual person with true names.\r\n \r\n This piece is a compilation of 27 works into a book. The book is in a wooden box.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #original: array:10 [ "id" => 3697 "created_at" => "2022-10-13 13:03:17" "updated_at" => "2022-11-08 17:44:24" "name" => "豊宣 / 新撰太閤記" "name_en" => "Toyonobu / Newly Selected Records of the Taiko Hideyoshi" "number" => "C23184" "price" => 580000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 明治16年\r\n サイズ : 画帳（35 × 23.5 cm）\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 画帳27組（木箱付）\r\n \r\n ディレクターコメント\r\n 豊宣は豊国三代の孫で、主に役者絵や武者絵を制作した。中でも「新撰太閤記」シリーズが代表作として挙げられる。\r\n 太閤記とは、豊臣秀吉の活躍を描いた伝記物語である。江戸時代においては前の天下人を描く事で風紀が乱れるという理由から浮世絵に描く事が禁じられていたが、明治になってその制約がなくなり、本シリーズでは気兼ねなく生き生きとその歴史を伝えている。西洋の鮮やかな赤顔料なども使用されており、まさに明治の浮世絵らしいシリーズだ。\r\n \r\n 本作はシリーズの内27枚を画帖に編纂したもの。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1883\r\n Size : Album (35 × 23.5cm)\r\n Impression : Good\r\n Condition : Good\r\n Detail : Complication of 27 pieces into a book (with a wooden box)\r\n \r\n Toyonobu was the grandson of Toyokuni Ⅲ and produced mainly actors and warriors works. In particular, the "Shinsen Taiko-ki" (Newly Selected Biography of Taiko Hideyoshi) series is cited as his best-known work.\r\n Taiko-ki is a biographical story about the exploits of Toyotomi Hideyoshi, the former shogun. In the Edo period, the Tokugawa shogunate forbade depicting Toyotomi Hideyoshi in Ukiyo-e prints because they thought depicting the former shogun would disturb public morals. That series is a typical Meiji-era Ukiyoe series, using vivid Western red pigments and showing the actual person with true names.\r\n \r\n This piece is a compilation of 27 works into a book. The book is in a wooden box.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:2 [ "tags" => Illuminate\Database\Eloquent\Collection {#3825 #items: array:3 [ 0 => App\Models\Tag {#3818 #table: "tags" #primaryKey: "id" #fillable: array:5 [ …5] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:8 [ …8] #original: array:10 [ …10] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:1 [ …1] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ …1] } 1 => App\Models\Tag {#3820 #table: "tags" #primaryKey: "id" #fillable: array:5 [ …5] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:8 [ …8] #original: array:10 [ …10] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:1 [ …1] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ …1] } 2 => App\Models\Tag {#3822 #table: "tags" #primaryKey: "id" #fillable: array:5 [ …5] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:8 [ …8] #original: array:10 [ …10] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:1 [ …1] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ …1] } ] #escapeWhenCastingToString: false } "images" => Illuminate\Database\Eloquent\Collection {#3824 #items: array:1 [ 0 => App\Models\Image {#3823 #table: "images" #primaryKey: "id" #fillable: array:2 [ …2] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:6 [ …6] #original: array:6 [ …6] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: [] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ …1] } ] #escapeWhenCastingToString: false } ] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ 0 => "*" ] } 5 => App\Models\Item {#3836 #table: "items" #primaryKey: "id" #fillable: array:7 [ 0 => "name" 1 => "name_en" 2 => "number" 3 => "price" 4 => "description" 5 => "view_flg" 6 => "status" ] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:10 [ "id" => 3728 "created_at" => "2022-10-28 14:11:49" "updated_at" => "2022-10-28 14:11:49" "name" => "清親 / 五本松雨月" "name_en" => "Kiyochika / Moon Through Rain at Gohonmatsu" "number" => "C23191" "price" => 160000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 明治13年\r\n サイズ : 大判\r\n 刷 : 優良\r\n 保存 : 良\r\n 詳細 : 中折 / 少汚れ\r\n \r\n ディレクターコメント\r\n 小林清親（1847～1915）は、「明治の広重」とも呼ばれた、明治を代表する浮世絵師。他の絵師たちが即物的な描写に終始したのに対して、光と影のうつろいを情感豊かに描いた「光線画」と呼ばれる風景画を好んで描き、浮世絵界に新たな風を吹き込んだ。それにとどまることなく、まるで西洋画のような写実的な花鳥画や、ユーモアあふれる風刺に満ちたポンチ絵、さらには歴史画や美人画など、多岐に渡るジャンルを手掛けた。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1880\r\n Size : O-ban\r\n Impression : Very good\r\n Condition : Good\r\n Detail : Centerfold / Slight browning\r\n \r\n Kiyochika (1847 - 1915) was called "Hiroshige in Meiji" and was one of the most famous Ukiyo-e artists in Meiji-Era.\r\n Until his debut, Ukiyo-e artists generally unused the expression of light and shadow. However, Kiyochika liked and studied that new expression. As a result, his artworks blew a new wind towards the Ukiyo-e field in Meiji.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #original: array:10 [ "id" => 3728 "created_at" => "2022-10-28 14:11:49" "updated_at" => "2022-10-28 14:11:49" "name" => "清親 / 五本松雨月" "name_en" => "Kiyochika / Moon Through Rain at Gohonmatsu" "number" => "C23191" "price" => 160000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 明治13年\r\n サイズ : 大判\r\n 刷 : 優良\r\n 保存 : 良\r\n 詳細 : 中折 / 少汚れ\r\n \r\n ディレクターコメント\r\n 小林清親（1847～1915）は、「明治の広重」とも呼ばれた、明治を代表する浮世絵師。他の絵師たちが即物的な描写に終始したのに対して、光と影のうつろいを情感豊かに描いた「光線画」と呼ばれる風景画を好んで描き、浮世絵界に新たな風を吹き込んだ。それにとどまることなく、まるで西洋画のような写実的な花鳥画や、ユーモアあふれる風刺に満ちたポンチ絵、さらには歴史画や美人画など、多岐に渡るジャンルを手掛けた。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1880\r\n Size : O-ban\r\n Impression : Very good\r\n Condition : Good\r\n Detail : Centerfold / Slight browning\r\n \r\n Kiyochika (1847 - 1915) was called "Hiroshige in Meiji" and was one of the most famous Ukiyo-e artists in Meiji-Era.\r\n Until his debut, Ukiyo-e artists generally unused the expression of light and shadow. However, Kiyochika liked and studied that new expression. As a result, his artworks blew a new wind towards the Ukiyo-e field in Meiji.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:2 [ "tags" => Illuminate\Database\Eloquent\Collection {#3828 #items: array:5 [ 0 => App\Models\Tag {#3827 #table: "tags" #primaryKey: "id" #fillable: array:5 [ …5] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:8 [ …8] #original: array:10 [ …10] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:1 [ …1] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ …1] } 1 => App\Models\Tag {#3830 #table: "tags" #primaryKey: "id" #fillable: array:5 [ …5] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:8 [ …8] #original: array:10 [ …10] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:1 [ …1] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ …1] } 2 => App\Models\Tag {#3832 #table: "tags" #primaryKey: "id" #fillable: array:5 [ …5] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:8 [ …8] #original: array:10 [ …10] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:1 [ …1] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ …1] } 3 => App\Models\Tag {#3834 #table: "tags" #primaryKey: "id" #fillable: array:5 [ …5] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:8 [ …8] #original: array:10 [ …10] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:1 [ …1] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ …1] } 4 => App\Models\Tag {#3846 #table: "tags" #primaryKey: "id" #fillable: array:5 [ …5] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:8 [ …8] #original: array:10 [ …10] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:1 [ …1] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ …1] } ] #escapeWhenCastingToString: false } "images" => Illuminate\Database\Eloquent\Collection {#3837 #items: array:1 [ 0 => App\Models\Image {#3845 #table: "images" #primaryKey: "id" #fillable: array:2 [ …2] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false …18 } ] #escapeWhenCastingToString: false } ] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ 0 => "*" ] } 6 => App\Models\Item {#3840 #table: "items" #primaryKey: "id" #fillable: array:7 [ 0 => "name" 1 => "name_en" 2 => "number" 3 => "price" 4 => "description" 5 => "view_flg" 6 => "status" ] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:10 [ "id" => 3718 "created_at" => "2022-10-22 12:33:38" "updated_at" => "2022-10-22 12:38:30" "name" => "芳年 / 芳年漫画後醍醐天皇第三皇子大塔宮護良親王～" "name_en" => "Yoshitoshi / Otonomiya, The 3rd Prince of Emperor Godaigo, Yoshitoshi Manga" "number" => "C23171" "price" => 100000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : -\r\n サイズ : 大判2枚続\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : マージンに少汚れ\r\n \r\n ディレクターコメント\r\n 後醍醐天皇の第三皇子である大塔宮（おおとうのみや）は、鎌倉幕府打倒にあたり大きな功績を挙げ、建武の新政では征夷大将軍に任命された。しかしその後足利尊氏と対立して将軍を解任され、やがて政治的地位も失脚、鎌倉に幽閉されてしまう。\r\n \r\n 芳年（天保10 - 明治25年）は、幕末から明治前期にかけて活動した浮世絵師。\r\n 多種多様な浮世絵を手がけ、各分野において独特の画風を見せる。明治期において最も成功した浮世絵師であり、「最後の浮世絵師」と評価されることもある。門下から日本画や洋画で活躍する画家を多く輩出したという側面もある。\r\n また、芳年は芥川龍之介、谷崎潤一郎、三島由紀夫、江戸川乱歩など、文人たちにも愛された。精神を病みながらも創作をつづけた芳年の鬼気迫る情念がこもった究極の美は、世界中で人気が高い。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : -\r\n Size : O-ban / Diptych\r\n Impression : Good\r\n Condition : Good\r\n Detail : Slight browning on margin\r\n \r\n Emperor Godaigo's third son, Otonomiya, made outstanding achievements in overthrowing the Kamakura Shogunate and was appointed as a Supreme Commander in Chief in the new Kenmu government. \r\n However, he later fell out with Ashikaga Takauji and was dismissed from the shogunate, eventually losing his political position and being imprisoned in Kamakura.\r\n \r\n Tsukioka Yoshitoshi (1839 - 92) was a Ukiyo-e artist who was active from the end of the Tokugawa shogunate to the Meiji era.\r\n He created various artworks, and we can see his unique expression styles in each genre of the works.\r\n He was one of the most essential and famous Ukiyo-e artists in the Meiji era and also had a lot of pupils who became famous not only in the Japanese painting field but also western painting field. So sometimes he is called "The last Ukiyo-e artist."\r\n Many writers also loved him, for instance, Tanizaki Junichiro, Mishima Yukio, and Edogawa Ranpo. Moreover, the beautiful and fascinating artworks Yoshitoshi kept creating even though he was in a mental disorder enthralled people worldwide.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #original: array:10 [ "id" => 3718 "created_at" => "2022-10-22 12:33:38" "updated_at" => "2022-10-22 12:38:30" "name" => "芳年 / 芳年漫画後醍醐天皇第三皇子大塔宮護良親王～" "name_en" => "Yoshitoshi / Otonomiya, The 3rd Prince of Emperor Godaigo, Yoshitoshi Manga" "number" => "C23171" "price" => 100000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : -\r\n サイズ : 大判2枚続\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : マージンに少汚れ\r\n \r\n ディレクターコメント\r\n 後醍醐天皇の第三皇子である大塔宮（おおとうのみや）は、鎌倉幕府打倒にあたり大きな功績を挙げ、建武の新政では征夷大将軍に任命された。しかしその後足利尊氏と対立して将軍を解任され、やがて政治的地位も失脚、鎌倉に幽閉されてしまう。\r\n \r\n 芳年（天保10 - 明治25年）は、幕末から明治前期にかけて活動した浮世絵師。\r\n 多種多様な浮世絵を手がけ、各分野において独特の画風を見せる。明治期において最も成功した浮世絵師であり、「最後の浮世絵師」と評価されることもある。門下から日本画や洋画で活躍する画家を多く輩出したという側面もある。\r\n また、芳年は芥川龍之介、谷崎潤一郎、三島由紀夫、江戸川乱歩など、文人たちにも愛された。精神を病みながらも創作をつづけた芳年の鬼気迫る情念がこもった究極の美は、世界中で人気が高い。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : -\r\n Size : O-ban / Diptych\r\n Impression : Good\r\n Condition : Good\r\n Detail : Slight browning on margin\r\n \r\n Emperor Godaigo's third son, Otonomiya, made outstanding achievements in overthrowing the Kamakura Shogunate and was appointed as a Supreme Commander in Chief in the new Kenmu government. \r\n However, he later fell out with Ashikaga Takauji and was dismissed from the shogunate, eventually losing his political position and being imprisoned in Kamakura.\r\n \r\n Tsukioka Yoshitoshi (1839 - 92) was a Ukiyo-e artist who was active from the end of the Tokugawa shogunate to the Meiji era.\r\n He created various artworks, and we can see his unique expression styles in each genre of the works.\r\n He was one of the most essential and famous Ukiyo-e artists in the Meiji era and also had a lot of pupils who became famous not only in the Japanese painting field but also western painting field. So sometimes he is called "The last Ukiyo-e artist."\r\n Many writers also loved him, for instance, Tanizaki Junichiro, Mishima Yukio, and Edogawa Ranpo. Moreover, the beautiful and fascinating artworks Yoshitoshi kept creating even though he was in a mental disorder enthralled people worldwide.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:2 [ "tags" => Illuminate\Database\Eloquent\Collection {#3839 #items: array:3 [ 0 => App\Models\Tag {#3842 …30} 1 => App\Models\Tag {#3844 …30} 2 => App\Models\Tag {#3856 …30} ] #escapeWhenCastingToString: false } "images" => Illuminate\Database\Eloquent\Collection {#3847 #items: array:1 [ 0 => App\Models\Image {#3855 …30} ] #escapeWhenCastingToString: false } ] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ 0 => "*" ] } 7 => App\Models\Item {#3850 #table: "items" #primaryKey: "id" #fillable: array:7 [ 0 => "name" 1 => "name_en" 2 => "number" 3 => "price" 4 => "description" 5 => "view_flg" 6 => "status" ] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:10 [ "id" => 3719 "created_at" => "2022-10-22 12:37:00" "updated_at" => "2022-10-22 12:37:00" "name" => "芳年 / 美勇水滸伝青柳春之助寺扈従白菊丸" "name_en" => "Yoshitoshi / Aoyagi Harunosuke & Temple Acolyte Shiragikumaru, Beauty and Valour in the Suikoden" "number" => "C23172" "price" => 95000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 慶応2年\r\n サイズ : 中判二丁掛\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : マージンに少シミ\r\n \r\n ディレクターコメント\r\n 芳年（天保10 - 明治25年）は、幕末から明治前期にかけて活動した浮世絵師。\r\n 多種多様な浮世絵を手がけ、各分野において独特の画風を見せる。明治期において最も成功した浮世絵師であり、「最後の浮世絵師」と評価されることもある。門下から日本画や洋画で活躍する画家を多く輩出したという側面もある。\r\n また、芳年は芥川龍之介、谷崎潤一郎、三島由紀夫、江戸川乱歩など、文人たちにも愛された。精神を病みながらも創作をつづけた芳年の鬼気迫る情念がこもった究極の美は、世界中で人気が高い。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1866\r\n Size : O-ban / Uncutted 2 Chubans\r\n Impression : Good\r\n Condition : Good\r\n Detail : Slight foxing on margin\r\n \r\n Tsukioka Yoshitoshi (1839 - 92) was a Ukiyo-e artist who was active from the end of the Tokugawa shogunate to the Meiji era.\r\n He created various artworks, and we can see his unique expression styles in each genre of the works.\r\n He was one of the most essential and famous Ukiyo-e artists in the Meiji era and also had a lot of pupils who became famous not only in the Japanese painting field but also western painting field. So sometimes he is called "The last Ukiyo-e artist."\r\n Many writers also loved him, for instance, Tanizaki Junichiro, Mishima Yukio, and Edogawa Ranpo. Moreover, the beautiful and fascinating artworks Yoshitoshi kept creating even though he was in a mental disorder enthralled people worldwide.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #original: array:10 [ "id" => 3719 "created_at" => "2022-10-22 12:37:00" "updated_at" => "2022-10-22 12:37:00" "name" => "芳年 / 美勇水滸伝青柳春之助寺扈従白菊丸" "name_en" => "Yoshitoshi / Aoyagi Harunosuke & Temple Acolyte Shiragikumaru, Beauty and Valour in the Suikoden" "number" => "C23172" "price" => 95000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 慶応2年\r\n サイズ : 中判二丁掛\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : マージンに少シミ\r\n \r\n ディレクターコメント\r\n 芳年（天保10 - 明治25年）は、幕末から明治前期にかけて活動した浮世絵師。\r\n 多種多様な浮世絵を手がけ、各分野において独特の画風を見せる。明治期において最も成功した浮世絵師であり、「最後の浮世絵師」と評価されることもある。門下から日本画や洋画で活躍する画家を多く輩出したという側面もある。\r\n また、芳年は芥川龍之介、谷崎潤一郎、三島由紀夫、江戸川乱歩など、文人たちにも愛された。精神を病みながらも創作をつづけた芳年の鬼気迫る情念がこもった究極の美は、世界中で人気が高い。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1866\r\n Size : O-ban / Uncutted 2 Chubans\r\n Impression : Good\r\n Condition : Good\r\n Detail : Slight foxing on margin\r\n \r\n Tsukioka Yoshitoshi (1839 - 92) was a Ukiyo-e artist who was active from the end of the Tokugawa shogunate to the Meiji era.\r\n He created various artworks, and we can see his unique expression styles in each genre of the works.\r\n He was one of the most essential and famous Ukiyo-e artists in the Meiji era and also had a lot of pupils who became famous not only in the Japanese painting field but also western painting field. So sometimes he is called "The last Ukiyo-e artist."\r\n Many writers also loved him, for instance, Tanizaki Junichiro, Mishima Yukio, and Edogawa Ranpo. Moreover, the beautiful and fascinating artworks Yoshitoshi kept creating even though he was in a mental disorder enthralled people worldwide.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:2 [ "tags" => Illuminate\Database\Eloquent\Collection {#3849 #items: array:4 [ 0 => App\Models\Tag {#3852 …30} 1 => App\Models\Tag {#3854 …30} 2 => App\Models\Tag {#3868 …30} 3 => App\Models\Tag {#3857 …30} ] #escapeWhenCastingToString: false } "images" => Illuminate\Database\Eloquent\Collection {#3860 #items: array:1 [ 0 => App\Models\Image {#3859 …30} ] #escapeWhenCastingToString: false } ] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ 0 => "*" ] } 8 => App\Models\Item {#3862 #table: "items" #primaryKey: "id" #fillable: array:7 [ 0 => "name" 1 => "name_en" 2 => "number" 3 => "price" 4 => "description" 5 => "view_flg" 6 => "status" ] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:10 [ "id" => 3717 "created_at" => "2022-10-22 12:30:27" "updated_at" => "2022-10-22 12:30:27" "name" => "芳年 / 新撰東錦絵於さめ遊女を学ぶ図" "name_en" => "Yoshitoshi / Shogun Tsunayoshi Teaches Osame about Courtesan, New Selection of Eastern Brocade Prints" "number" => "C23170" "price" => 150000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 明治19年\r\n サイズ : 大判2枚続\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 少汚れ / 小虫穴\r\n \r\n ディレクターコメント\r\n 芳年（天保10 - 明治25年）は、幕末から明治前期にかけて活動した浮世絵師。\r\n 多種多様な浮世絵を手がけ、各分野において独特の画風を見せる。明治期において最も成功した浮世絵師であり、「最後の浮世絵師」と評価されることもある。門下から日本画や洋画で活躍する画家を多く輩出したという側面もある。\r\n また、芳年は芥川龍之介、谷崎潤一郎、三島由紀夫、江戸川乱歩など、文人たちにも愛された。精神を病みながらも創作をつづけた芳年の鬼気迫る情念がこもった究極の美は、世界中で人気が高い。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1886\r\n Size : O-ban / Diptych\r\n Impression : Good\r\n Condition : Good\r\n Detail : Slight browning / Small wormholes\r\n \r\n Tsukioka Yoshitoshi (1839 - 92) was a Ukiyo-e artist who was active from the end of the Tokugawa shogunate to the Meiji era.\r\n He created various artworks, and we can see his unique expression styles in each genre of the works.\r\n He was one of the most essential and famous Ukiyo-e artists in the Meiji era and also had a lot of pupils who became famous not only in the Japanese painting field but also western painting field. So sometimes he is called "The last Ukiyo-e artist."\r\n Many writers also loved him, for instance, Tanizaki Junichiro, Mishima Yukio, and Edogawa Ranpo. Moreover, the beautiful and fascinating artworks Yoshitoshi kept creating even though he was in a mental disorder enthralled people worldwide.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #original: array:10 [ "id" => 3717 "created_at" => "2022-10-22 12:30:27" "updated_at" => "2022-10-22 12:30:27" "name" => "芳年 / 新撰東錦絵於さめ遊女を学ぶ図" "name_en" => "Yoshitoshi / Shogun Tsunayoshi Teaches Osame about Courtesan, New Selection of Eastern Brocade Prints" "number" => "C23170" "price" => 150000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 明治19年\r\n サイズ : 大判2枚続\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 少汚れ / 小虫穴\r\n \r\n ディレクターコメント\r\n 芳年（天保10 - 明治25年）は、幕末から明治前期にかけて活動した浮世絵師。\r\n 多種多様な浮世絵を手がけ、各分野において独特の画風を見せる。明治期において最も成功した浮世絵師であり、「最後の浮世絵師」と評価されることもある。門下から日本画や洋画で活躍する画家を多く輩出したという側面もある。\r\n また、芳年は芥川龍之介、谷崎潤一郎、三島由紀夫、江戸川乱歩など、文人たちにも愛された。精神を病みながらも創作をつづけた芳年の鬼気迫る情念がこもった究極の美は、世界中で人気が高い。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1886\r\n Size : O-ban / Diptych\r\n Impression : Good\r\n Condition : Good\r\n Detail : Slight browning / Small wormholes\r\n \r\n Tsukioka Yoshitoshi (1839 - 92) was a Ukiyo-e artist who was active from the end of the Tokugawa shogunate to the Meiji era.\r\n He created various artworks, and we can see his unique expression styles in each genre of the works.\r\n He was one of the most essential and famous Ukiyo-e artists in the Meiji era and also had a lot of pupils who became famous not only in the Japanese painting field but also western painting field. So sometimes he is called "The last Ukiyo-e artist."\r\n Many writers also loved him, for instance, Tanizaki Junichiro, Mishima Yukio, and Edogawa Ranpo. Moreover, the beautiful and fascinating artworks Yoshitoshi kept creating even though he was in a mental disorder enthralled people worldwide.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:2 [ "tags" => Illuminate\Database\Eloquent\Collection {#3861 #items: array:3 [ 0 => App\Models\Tag {#3864 …30} 1 => App\Models\Tag {#3866 …30} 2 => App\Models\Tag {#3880 …30} ] #escapeWhenCastingToString: false } "images" => Illuminate\Database\Eloquent\Collection {#3869 #items: array:1 [ 0 => App\Models\Image {#3879 …30} ] #escapeWhenCastingToString: false } ] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ 0 => "*" ] } 9 => App\Models\Item {#3872 #table: "items" #primaryKey: "id" #fillable: array:7 [ 0 => "name" 1 => "name_en" 2 => "number" 3 => "price" 4 => "description" 5 => "view_flg" 6 => "status" ] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:10 [ "id" => 3716 "created_at" => "2022-10-22 12:28:17" "updated_at" => "2022-10-22 12:28:17" "name" => "芳年 / 新撰東錦絵白木屋於駒の話" "name_en" => "Yoshitoshi / Story of Shirokiya Okoma, New Selection of Eastern Brocade Prints" "number" => "C23169" "price" => 140000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 明治19年\r\n サイズ : 大判2枚続\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 少汚れ / 小虫穴\r\n \r\n ディレクターコメント\r\n 芳年（天保10 - 明治25年）は、幕末から明治前期にかけて活動した浮世絵師。\r\n 多種多様な浮世絵を手がけ、各分野において独特の画風を見せる。明治期において最も成功した浮世絵師であり、「最後の浮世絵師」と評価されることもある。門下から日本画や洋画で活躍する画家を多く輩出したという側面もある。\r\n また、芳年は芥川龍之介、谷崎潤一郎、三島由紀夫、江戸川乱歩など、文人たちにも愛された。精神を病みながらも創作をつづけた芳年の鬼気迫る情念がこもった究極の美は、世界中で人気が高い。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1886\r\n Size : O-ban / Diptych\r\n Impression : Good\r\n Condition : Good\r\n Detail : Slight browning / Small wormholes\r\n \r\n Tsukioka Yoshitoshi (1839 - 92) was a Ukiyo-e artist who was active from the end of the Tokugawa shogunate to the Meiji era.\r\n He created various artworks, and we can see his unique expression styles in each genre of the works.\r\n He was one of the most essential and famous Ukiyo-e artists in the Meiji era and also had a lot of pupils who became famous not only in the Japanese painting field but also western painting field. So sometimes he is called "The last Ukiyo-e artist."\r\n Many writers also loved him, for instance, Tanizaki Junichiro, Mishima Yukio, and Edogawa Ranpo. Moreover, the beautiful and fascinating artworks Yoshitoshi kept creating even though he was in a mental disorder enthralled people worldwide.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #original: array:10 [ "id" => 3716 "created_at" => "2022-10-22 12:28:17" "updated_at" => "2022-10-22 12:28:17" "name" => "芳年 / 新撰東錦絵白木屋於駒の話" "name_en" => "Yoshitoshi / Story of Shirokiya Okoma, New Selection of Eastern Brocade Prints" "number" => "C23169" "price" => 140000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 明治19年\r\n サイズ : 大判2枚続\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 少汚れ / 小虫穴\r\n \r\n ディレクターコメント\r\n 芳年（天保10 - 明治25年）は、幕末から明治前期にかけて活動した浮世絵師。\r\n 多種多様な浮世絵を手がけ、各分野において独特の画風を見せる。明治期において最も成功した浮世絵師であり、「最後の浮世絵師」と評価されることもある。門下から日本画や洋画で活躍する画家を多く輩出したという側面もある。\r\n また、芳年は芥川龍之介、谷崎潤一郎、三島由紀夫、江戸川乱歩など、文人たちにも愛された。精神を病みながらも創作をつづけた芳年の鬼気迫る情念がこもった究極の美は、世界中で人気が高い。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1886\r\n Size : O-ban / Diptych\r\n Impression : Good\r\n Condition : Good\r\n Detail : Slight browning / Small wormholes\r\n \r\n Tsukioka Yoshitoshi (1839 - 92) was a Ukiyo-e artist who was active from the end of the Tokugawa shogunate to the Meiji era.\r\n He created various artworks, and we can see his unique expression styles in each genre of the works.\r\n He was one of the most essential and famous Ukiyo-e artists in the Meiji era and also had a lot of pupils who became famous not only in the Japanese painting field but also western painting field. So sometimes he is called "The last Ukiyo-e artist."\r\n Many writers also loved him, for instance, Tanizaki Junichiro, Mishima Yukio, and Edogawa Ranpo. Moreover, the beautiful and fascinating artworks Yoshitoshi kept creating even though he was in a mental disorder enthralled people worldwide.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:2 [ "tags" => Illuminate\Database\Eloquent\Collection {#3871 #items: array:3 [ 0 => App\Models\Tag {#3874 …30} 1 => App\Models\Tag {#3876 …30} 2 => App\Models\Tag {#3878 …30} ] #escapeWhenCastingToString: false } "images" => Illuminate\Database\Eloquent\Collection {#3890 #items: array:1 [ 0 => App\Models\Image {#3882 …30} ] #escapeWhenCastingToString: false } ] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ 0 => "*" ] } 10 => App\Models\Item {#3881 #table: "items" #primaryKey: "id" #fillable: array:7 [ 0 => "name" 1 => "name_en" 2 => "number" 3 => "price" 4 => "description" 5 => "view_flg" 6 => "status" ] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:10 [ "id" => 3711 "created_at" => "2022-10-19 12:57:30" "updated_at" => "2022-10-19 12:57:30" "name" => "周延 / 時代かがみ明治皇居" "name_en" => "Chikanobu / Imperial Palace, Beauty of the Meiji Era, The Mirror of the Ages" "number" => "C23155" "price" => 18000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 明治29年\r\n サイズ : 大判\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 裏打 / 少汚れ\r\n \r\n ディレクターコメント\r\n 本絵に御垂髪（おすべらかし）の美人、コマ絵に皇居を描いた１枚。\r\n 現在も、丸の内警察署の祝田町交番あたりからちょうどこの作品と同じ構図で橋と伏見櫓を見ることができる。\r\n \r\n 時代かがみは、建武時代から明治における美人を当時の髪型とファッションで描いており、約500年にも及ぶ美人の遍歴を辿ることができる。画面上段には、当時流行していた文化・芸能・行事・職業等が描かれており、歴史の移り変わりも楽しめる。\r\n \r\n 周延は国芳に絵を学んで芳鶴二代を名乗るが、国芳の死後は豊国三代につき、さらに豊国三代が亡くなると国周に転じて周延と号した。\r\n 明治に入ると当初は武者絵や西南戦争の絵を描いて評判を取る。その後は江戸っ子が知らない、江戸城大奥の風俗画や明治開化期の婦人風俗画などを描き、江戸浮世絵の再来と大変な人気を博した。これにより、周延は明治期で一番人気の美人画絵師となっている。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1896\r\n Size : O-ban\r\n Impression : Good\r\n Condition : Good\r\n Detail : Backed / Slight browning\r\n \r\n This piece depicts a beautiful woman with Osuberakashi hair in the main picture and the Imperial Palace in the upper picture.\r\n From the Iwaida-Cho Police Station, we can still see the Niju-Bashi Bridge and the Fushimi-yagura in the same composition as this work.\r\n \r\n This is the series whose motifs are hairstyles and fashions of beauties from Kemmu-Era to Meiji-Era.\r\n We can see the itinerant of the beauties, which covers over 500 years.\r\n On the upper side of the prints are depictions of culture, entertainment, events, and occupations, which are also interesting.\r\n \r\n Chikanobu used to use the name YoshitsuruⅡ. He became a pupil of ToyokuniⅡafter Kuniyoshi died, and after ToyokuniⅢ died, he became a pupil of Kunichika. Then, finally, his name became Chikanobu.\r\n He was famous for the motif of beautiful woman. However, one of the seeds that grew into a flowering of his artistic life was the warrior and war prints of the Seinan War. After that, he started creating the artworks of Ooku, the shogun's harem, and the lady portrait in the civilization of the Meiji era. It raised his reputation. People have called his artworks "The second Edo Ukiyo-e," and he was one of the most famous artists.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #original: array:10 [ "id" => 3711 "created_at" => "2022-10-19 12:57:30" "updated_at" => "2022-10-19 12:57:30" "name" => "周延 / 時代かがみ明治皇居" "name_en" => "Chikanobu / Imperial Palace, Beauty of the Meiji Era, The Mirror of the Ages" "number" => "C23155" "price" => 18000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 明治29年\r\n サイズ : 大判\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 裏打 / 少汚れ\r\n \r\n ディレクターコメント\r\n 本絵に御垂髪（おすべらかし）の美人、コマ絵に皇居を描いた１枚。\r\n 現在も、丸の内警察署の祝田町交番あたりからちょうどこの作品と同じ構図で橋と伏見櫓を見ることができる。\r\n \r\n 時代かがみは、建武時代から明治における美人を当時の髪型とファッションで描いており、約500年にも及ぶ美人の遍歴を辿ることができる。画面上段には、当時流行していた文化・芸能・行事・職業等が描かれており、歴史の移り変わりも楽しめる。\r\n \r\n 周延は国芳に絵を学んで芳鶴二代を名乗るが、国芳の死後は豊国三代につき、さらに豊国三代が亡くなると国周に転じて周延と号した。\r\n 明治に入ると当初は武者絵や西南戦争の絵を描いて評判を取る。その後は江戸っ子が知らない、江戸城大奥の風俗画や明治開化期の婦人風俗画などを描き、江戸浮世絵の再来と大変な人気を博した。これにより、周延は明治期で一番人気の美人画絵師となっている。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1896\r\n Size : O-ban\r\n Impression : Good\r\n Condition : Good\r\n Detail : Backed / Slight browning\r\n \r\n This piece depicts a beautiful woman with Osuberakashi hair in the main picture and the Imperial Palace in the upper picture.\r\n From the Iwaida-Cho Police Station, we can still see the Niju-Bashi Bridge and the Fushimi-yagura in the same composition as this work.\r\n \r\n This is the series whose motifs are hairstyles and fashions of beauties from Kemmu-Era to Meiji-Era.\r\n We can see the itinerant of the beauties, which covers over 500 years.\r\n On the upper side of the prints are depictions of culture, entertainment, events, and occupations, which are also interesting.\r\n \r\n Chikanobu used to use the name YoshitsuruⅡ. He became a pupil of ToyokuniⅡafter Kuniyoshi died, and after ToyokuniⅢ died, he became a pupil of Kunichika. Then, finally, his name became Chikanobu.\r\n He was famous for the motif of beautiful woman. However, one of the seeds that grew into a flowering of his artistic life was the warrior and war prints of the Seinan War. After that, he started creating the artworks of Ooku, the shogun's harem, and the lady portrait in the civilization of the Meiji era. It raised his reputation. People have called his artworks "The second Edo Ukiyo-e," and he was one of the most famous artists.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:2 [ "tags" => Illuminate\Database\Eloquent\Collection {#3889 #items: array:3 [ 0 => App\Models\Tag {#3884 …30} 1 => App\Models\Tag {#3886 …30} 2 => App\Models\Tag {#3888 …30} ] #escapeWhenCastingToString: false } "images" => Illuminate\Database\Eloquent\Collection {#3902 #items: array:1 [ 0 => App\Models\Image {#3892 …30} ] #escapeWhenCastingToString: false } ] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ 0 => "*" ] } 11 => App\Models\Item {#3891 #table: "items" #primaryKey: "id" #fillable: array:7 [ 0 => "name" 1 => "name_en" 2 => "number" 3 => "price" 4 => "description" 5 => "view_flg" 6 => "status" ] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:10 [ "id" => 3709 "created_at" => "2022-10-19 12:53:10" "updated_at" => "2022-10-19 12:53:10" "name" => "周延 / 時代かがみ慶応之頃よつ手駕" "name_en" => "Chikanobu / 4 Armed Palanquin, Beauty of the Keio Era, The Mirror of the Ages" "number" => "C23153" "price" => 18000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 明治29年\r\n サイズ : 大判\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 裏打 \r\n \r\n ディレクターコメント\r\n 時代かがみは、建武時代から明治における美人を当時の髪型とファッションで描いており、約500年にも及ぶ美人の遍歴を辿ることができる。画面上段には、当時流行していた文化・芸能・行事・職業等が描かれており、歴史の移り変わりも楽しめる。\r\n \r\n 周延は国芳に絵を学んで芳鶴二代を名乗るが、国芳の死後は豊国三代につき、さらに豊国三代が亡くなると国周に転じて周延と号した。\r\n 明治に入ると当初は武者絵や西南戦争の絵を描いて評判を取る。その後は江戸っ子が知らない、江戸城大奥の風俗画や明治開化期の婦人風俗画などを描き、江戸浮世絵の再来と大変な人気を博した。これにより、周延は明治期で一番人気の美人画絵師となっている。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1896\r\n Size : O-ban\r\n Impression : Good\r\n Condition : Good\r\n Detail : Backed\r\n \r\n This is the series whose motifs are hairstyles and fashions of beauties from Kemmu-Era to Meiji-Era.\r\n We can see the itinerant of the beauties, which covers over 500 years.\r\n On the upper side of the prints are depictions of culture, entertainment, events, and occupations, which are also interesting.\r\n \r\n Chikanobu used to use the name YoshitsuruⅡ. He became a pupil of ToyokuniⅡafter Kuniyoshi died, and after ToyokuniⅢ died, he became a pupil of Kunichika. Then, finally, his name became Chikanobu.\r\n He was famous for the motif of beautiful woman. However, one of the seeds that grew into a flowering of his artistic life was the warrior and war prints of the Seinan War. After that, he started creating the artworks of Ooku, the shogun's harem, and the lady portrait in the civilization of the Meiji era. It raised his reputation. People have called his artworks "The second Edo Ukiyo-e," and he was one of the most famous artists.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #original: array:10 [ "id" => 3709 "created_at" => "2022-10-19 12:53:10" "updated_at" => "2022-10-19 12:53:10" "name" => "周延 / 時代かがみ慶応之頃よつ手駕" "name_en" => "Chikanobu / 4 Armed Palanquin, Beauty of the Keio Era, The Mirror of the Ages" "number" => "C23153" "price" => 18000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 明治29年\r\n サイズ : 大判\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 裏打 \r\n \r\n ディレクターコメント\r\n 時代かがみは、建武時代から明治における美人を当時の髪型とファッションで描いており、約500年にも及ぶ美人の遍歴を辿ることができる。画面上段には、当時流行していた文化・芸能・行事・職業等が描かれており、歴史の移り変わりも楽しめる。\r\n \r\n 周延は国芳に絵を学んで芳鶴二代を名乗るが、国芳の死後は豊国三代につき、さらに豊国三代が亡くなると国周に転じて周延と号した。\r\n 明治に入ると当初は武者絵や西南戦争の絵を描いて評判を取る。その後は江戸っ子が知らない、江戸城大奥の風俗画や明治開化期の婦人風俗画などを描き、江戸浮世絵の再来と大変な人気を博した。これにより、周延は明治期で一番人気の美人画絵師となっている。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1896\r\n Size : O-ban\r\n Impression : Good\r\n Condition : Good\r\n Detail : Backed\r\n \r\n This is the series whose motifs are hairstyles and fashions of beauties from Kemmu-Era to Meiji-Era.\r\n We can see the itinerant of the beauties, which covers over 500 years.\r\n On the upper side of the prints are depictions of culture, entertainment, events, and occupations, which are also interesting.\r\n \r\n Chikanobu used to use the name YoshitsuruⅡ. He became a pupil of ToyokuniⅡafter Kuniyoshi died, and after ToyokuniⅢ died, he became a pupil of Kunichika. Then, finally, his name became Chikanobu.\r\n He was famous for the motif of beautiful woman. However, one of the seeds that grew into a flowering of his artistic life was the warrior and war prints of the Seinan War. After that, he started creating the artworks of Ooku, the shogun's harem, and the lady portrait in the civilization of the Meiji era. It raised his reputation. People have called his artworks "The second Edo Ukiyo-e," and he was one of the most famous artists.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:2 [ "tags" => Illuminate\Database\Eloquent\Collection {#3901 #items: array:3 [ 0 => App\Models\Tag {#3894 …30} 1 => App\Models\Tag {#3896 …30} 2 => App\Models\Tag {#3898 …30} ] #escapeWhenCastingToString: false } "images" => Illuminate\Database\Eloquent\Collection {#3900 #items: array:1 [ 0 => App\Models\Image {#3899 …30} ] #escapeWhenCastingToString: false } ] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ 0 => "*" ] } 12 => App\Models\Item {#3914 #table: "items" #primaryKey: "id" #fillable: array:7 [ 0 => "name" 1 => "name_en" 2 => "number" 3 => "price" 4 => "description" 5 => "view_flg" 6 => "status" ] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:10 [ "id" => 3694 "created_at" => "2022-10-08 14:08:43" "updated_at" => "2022-10-08 14:09:03" "name" => "古邨 / 月に小鷺" "name_en" => "Koson / 2 Little Egrets on the Branch, Full Moon Above" "number" => "C23214" "price" => 190000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : -\r\n サイズ : 大短冊\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : -\r\n \r\n ディレクターコメント\r\n 明治期に古邨は、秋山武右衛門（滑稽堂）・松木平吉（大黒屋）のふたつの版元をメインに作品を制作した。秋山武右衛門から発行された作品には、「こっけい堂」の版元印がある。\r\n \r\n 昭和に入ると、渡邊版画店から「祥邨」の号で、川口から「豊邨」の号で作品を出版した。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : -\r\n Size : O-tanzaku\r\n Impression : Good\r\n Condition : Good\r\n Detail : -\r\n \r\n During the Meiji period, Koson produced prints mainly from two publishers, Buemon Akiyama (Kokkeido) and Heikichi Matsuki (Daikokuya). Works published by Buemon Akiyama are stamped with the publisher's seal "KOKKEIDO”.\r\n \r\n In the Showa period, he produced prints from Watanabe publisher company under the name "Shoson" and from Kawaguchi under the name "Hoson.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #original: array:10 [ "id" => 3694 "created_at" => "2022-10-08 14:08:43" "updated_at" => "2022-10-08 14:09:03" "name" => "古邨 / 月に小鷺" "name_en" => "Koson / 2 Little Egrets on the Branch, Full Moon Above" "number" => "C23214" "price" => 190000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : -\r\n サイズ : 大短冊\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : -\r\n \r\n ディレクターコメント\r\n 明治期に古邨は、秋山武右衛門（滑稽堂）・松木平吉（大黒屋）のふたつの版元をメインに作品を制作した。秋山武右衛門から発行された作品には、「こっけい堂」の版元印がある。\r\n \r\n 昭和に入ると、渡邊版画店から「祥邨」の号で、川口から「豊邨」の号で作品を出版した。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : -\r\n Size : O-tanzaku\r\n Impression : Good\r\n Condition : Good\r\n Detail : -\r\n \r\n During the Meiji period, Koson produced prints mainly from two publishers, Buemon Akiyama (Kokkeido) and Heikichi Matsuki (Daikokuya). Works published by Buemon Akiyama are stamped with the publisher's seal "KOKKEIDO”.\r\n \r\n In the Showa period, he produced prints from Watanabe publisher company under the name "Shoson" and from Kawaguchi under the name "Hoson.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:2 [ "tags" => Illuminate\Database\Eloquent\Collection {#3904 #items: array:4 [ 0 => App\Models\Tag {#3903 …30} 1 => App\Models\Tag {#3906 …30} 2 => App\Models\Tag {#3908 …30} 3 => App\Models\Tag {#3910 …30} ] #escapeWhenCastingToString: false } "images" => Illuminate\Database\Eloquent\Collection {#3912 #items: array:1 [ 0 => App\Models\Image {#3911 …30} ] #escapeWhenCastingToString: false } ] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ 0 => "*" ] } 13 => App\Models\Item {#3924 #table: "items" #primaryKey: "id" #fillable: array:7 [ 0 => "name" 1 => "name_en" 2 => "number" 3 => "price" 4 => "description" 5 => "view_flg" 6 => "status" ] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:10 [ "id" => 3677 "created_at" => "2022-10-05 17:27:08" "updated_at" => "2022-10-05 17:27:08" "name" => "周延 / 時代かがみ元治之頃海案寺の紅葉" "name_en" => "Chikanobu / Red Leaves at Kaian-Ji Temple, Beauty of the Genji Era, The Mirror of the Ages" "number" => "C23151" "price" => 18000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 明治30年\r\n サイズ : 大判\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 裏打 / 少汚れ\r\n \r\n ディレクターコメント\r\n 時代かがみは、建武時代から明治における美人を当時の髪型とファッションで描いており、約500年にも及ぶ美人の遍歴を辿ることができる。画面上段には、当時流行していた文化・芸能・行事・職業等が描かれており、歴史の移り変わりも楽しめる。\r\n \r\n 周延は国芳に絵を学んで芳鶴二代を名乗るが、国芳の死後は豊国三代につき、さらに豊国三代が亡くなると国周に転じて周延と号した。\r\n 明治に入ると当初は武者絵や西南戦争の絵を描いて評判を取る。その後は江戸っ子が知らない、江戸城大奥の風俗画や明治開化期の婦人風俗画などを描き、江戸浮世絵の再来と大変な人気を博した。これにより、周延は明治期で一番人気の美人画絵師となっている。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1897\r\n Size : O-ban\r\n Impression : Good\r\n Condition : Good\r\n Detail : Backed / Slight browning\r\n \r\n This is the series whose motifs are hairstyles and fashions of beauties from Kemmu-Era to Meiji-Era.\r\n We can see the itinerant of the beauties which covers over 500 years.\r\n On the upper side of the prints, there are depictions of culture, entertainment, events, and occupations, and these are also interesting.\r\n \r\n Chikanobu used to use the name YoshitsuruⅡ, however, he became a pupil of ToyokuniⅡafter Kuniyoshi died, and after ToyokuniⅢ died, he became a pupil of Kunichika. Then, finally, his name became Chikanobu.\r\n He was famous for the motif of beauties, however, one of the seeds that grow into a flowering of his art-life was the warrior prints and war prints of the Seinan War. After that, he started creating the artworks of Ooku, the shogun's harem, and the lady portrait in the civilization of the Meiji era. It raised his reputation. People had called his artworks "The second Edo Ukiyo-e", and he was one of the most popular artists whose motif is beauty.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #original: array:10 [ "id" => 3677 "created_at" => "2022-10-05 17:27:08" "updated_at" => "2022-10-05 17:27:08" "name" => "周延 / 時代かがみ元治之頃海案寺の紅葉" "name_en" => "Chikanobu / Red Leaves at Kaian-Ji Temple, Beauty of the Genji Era, The Mirror of the Ages" "number" => "C23151" "price" => 18000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 明治30年\r\n サイズ : 大判\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 裏打 / 少汚れ\r\n \r\n ディレクターコメント\r\n 時代かがみは、建武時代から明治における美人を当時の髪型とファッションで描いており、約500年にも及ぶ美人の遍歴を辿ることができる。画面上段には、当時流行していた文化・芸能・行事・職業等が描かれており、歴史の移り変わりも楽しめる。\r\n \r\n 周延は国芳に絵を学んで芳鶴二代を名乗るが、国芳の死後は豊国三代につき、さらに豊国三代が亡くなると国周に転じて周延と号した。\r\n 明治に入ると当初は武者絵や西南戦争の絵を描いて評判を取る。その後は江戸っ子が知らない、江戸城大奥の風俗画や明治開化期の婦人風俗画などを描き、江戸浮世絵の再来と大変な人気を博した。これにより、周延は明治期で一番人気の美人画絵師となっている。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1897\r\n Size : O-ban\r\n Impression : Good\r\n Condition : Good\r\n Detail : Backed / Slight browning\r\n \r\n This is the series whose motifs are hairstyles and fashions of beauties from Kemmu-Era to Meiji-Era.\r\n We can see the itinerant of the beauties which covers over 500 years.\r\n On the upper side of the prints, there are depictions of culture, entertainment, events, and occupations, and these are also interesting.\r\n \r\n Chikanobu used to use the name YoshitsuruⅡ, however, he became a pupil of ToyokuniⅡafter Kuniyoshi died, and after ToyokuniⅢ died, he became a pupil of Kunichika. Then, finally, his name became Chikanobu.\r\n He was famous for the motif of beauties, however, one of the seeds that grow into a flowering of his art-life was the warrior prints and war prints of the Seinan War. After that, he started creating the artworks of Ooku, the shogun's harem, and the lady portrait in the civilization of the Meiji era. It raised his reputation. People had called his artworks "The second Edo Ukiyo-e", and he was one of the most popular artists whose motif is beauty.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:2 [ "tags" => Illuminate\Database\Eloquent\Collection {#3916 #items: array:4 [ 0 => App\Models\Tag {#3915 …30} 1 => App\Models\Tag {#3918 …30} 2 => App\Models\Tag {#3920 …30} 3 => App\Models\Tag {#3922 …30} ] #escapeWhenCastingToString: false } "images" => Illuminate\Database\Eloquent\Collection {#3934 #items: array:1 [ 0 => App\Models\Image {#3926 …30} ] #escapeWhenCastingToString: false } ] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ 0 => "*" ] } 14 => App\Models\Item {#3925 #table: "items" #primaryKey: "id" #fillable: array:7 [ 0 => "name" 1 => "name_en" 2 => "number" 3 => "price" 4 => "description" 5 => "view_flg" 6 => "status" ] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:10 [ "id" => 3675 "created_at" => "2022-10-05 17:22:22" "updated_at" => "2022-10-05 17:25:05" "name" => "周延 / 時代かがみ嘉永之頃双六うり払扇箱買" "name_en" => "Chikanobu / Collecting Unnecessary Boxes, Beauty of the Kaei Era, The Mirror of the Ages" "number" => "C23149" "price" => 18000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 明治29年\r\n サイズ : 大判\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 裏打 \r\n \r\n ディレクターコメント\r\n 時代かがみは、建武時代から明治における美人を当時の髪型とファッションで描いており、約500年にも及ぶ美人の遍歴を辿ることができる。画面上段には、当時流行していた文化・芸能・行事・職業等が描かれており、歴史の移り変わりも楽しめる。\r\n \r\n 周延は国芳に絵を学んで芳鶴二代を名乗るが、国芳の死後は豊国三代につき、さらに豊国三代が亡くなると国周に転じて周延と号した。\r\n 明治に入ると当初は武者絵や西南戦争の絵を描いて評判を取る。その後は江戸っ子が知らない、江戸城大奥の風俗画や明治開化期の婦人風俗画などを描き、江戸浮世絵の再来と大変な人気を博した。これにより、周延は明治期で一番人気の美人画絵師となっている。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1896\r\n Size : O-ban\r\n Impression : Good\r\n Condition : Good\r\n Detail : Backed\r\n \r\n This is the series whose motifs are hairstyles and fashions of beauties from Kemmu-Era to Meiji-Era.\r\n We can see the itinerant of the beauties which covers over 500 years.\r\n On the upper side of the prints, there are depictions of culture, entertainment, events, and occupations, and these are also interesting.\r\n \r\n Chikanobu used to use the name YoshitsuruⅡ, however, he became a pupil of ToyokuniⅡafter Kuniyoshi died, and after ToyokuniⅢ died, he became a pupil of Kunichika. Then, finally, his name became Chikanobu.\r\n He was famous for the motif of beauties, however, one of the seeds that grow into a flowering of his art-life was the warrior prints and war prints of the Seinan War. After that, he started creating the artworks of Ooku, the shogun's harem, and the lady portrait in the civilization of the Meiji era. It raised his reputation. People had called his artworks "The second Edo Ukiyo-e", and he was one of the most popular artists whose motif is beauty.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #original: array:10 [ "id" => 3675 "created_at" => "2022-10-05 17:22:22" "updated_at" => "2022-10-05 17:25:05" "name" => "周延 / 時代かがみ嘉永之頃双六うり払扇箱買" "name_en" => "Chikanobu / Collecting Unnecessary Boxes, Beauty of the Kaei Era, The Mirror of the Ages" "number" => "C23149" "price" => 18000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 明治29年\r\n サイズ : 大判\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 裏打 \r\n \r\n ディレクターコメント\r\n 時代かがみは、建武時代から明治における美人を当時の髪型とファッションで描いており、約500年にも及ぶ美人の遍歴を辿ることができる。画面上段には、当時流行していた文化・芸能・行事・職業等が描かれており、歴史の移り変わりも楽しめる。\r\n \r\n 周延は国芳に絵を学んで芳鶴二代を名乗るが、国芳の死後は豊国三代につき、さらに豊国三代が亡くなると国周に転じて周延と号した。\r\n 明治に入ると当初は武者絵や西南戦争の絵を描いて評判を取る。その後は江戸っ子が知らない、江戸城大奥の風俗画や明治開化期の婦人風俗画などを描き、江戸浮世絵の再来と大変な人気を博した。これにより、周延は明治期で一番人気の美人画絵師となっている。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1896\r\n Size : O-ban\r\n Impression : Good\r\n Condition : Good\r\n Detail : Backed\r\n \r\n This is the series whose motifs are hairstyles and fashions of beauties from Kemmu-Era to Meiji-Era.\r\n We can see the itinerant of the beauties which covers over 500 years.\r\n On the upper side of the prints, there are depictions of culture, entertainment, events, and occupations, and these are also interesting.\r\n \r\n Chikanobu used to use the name YoshitsuruⅡ, however, he became a pupil of ToyokuniⅡafter Kuniyoshi died, and after ToyokuniⅢ died, he became a pupil of Kunichika. Then, finally, his name became Chikanobu.\r\n He was famous for the motif of beauties, however, one of the seeds that grow into a flowering of his art-life was the warrior prints and war prints of the Seinan War. After that, he started creating the artworks of Ooku, the shogun's harem, and the lady portrait in the civilization of the Meiji era. It raised his reputation. People had called his artworks "The second Edo Ukiyo-e", and he was one of the most popular artists whose motif is beauty.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:2 [ "tags" => Illuminate\Database\Eloquent\Collection {#3933 #items: array:3 [ 0 => App\Models\Tag {#3928 …30} 1 => App\Models\Tag {#3930 …30} 2 => App\Models\Tag {#3932 …30} ] #escapeWhenCastingToString: false } "images" => Illuminate\Database\Eloquent\Collection {#3944 #items: array:1 [ 0 => App\Models\Image {#3936 …30} ] #escapeWhenCastingToString: false } ] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ 0 => "*" ] } 15 => App\Models\Item {#3935 #table: "items" #primaryKey: "id" #fillable: array:7 [ 0 => "name" 1 => "name_en" 2 => "number" 3 => "price" 4 => "description" 5 => "view_flg" 6 => "status" ] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:10 [ "id" => 3676 "created_at" => "2022-10-05 17:24:47" "updated_at" => "2022-10-05 17:24:47" "name" => "周延 / 時代かがみ安政之頃飛鳥山かわらけなげ" "name_en" => "Chikanobu / Kawara Throwing at Asuka Mountain, Beauty of the Ansei Era, The Mirror of the Ages" "number" => "C23150" "price" => 18000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 明治29年\r\n サイズ : 大判\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 裏打 \r\n \r\n ディレクターコメント\r\n 時代かがみは、建武時代から明治における美人を当時の髪型とファッションで描いており、約500年にも及ぶ美人の遍歴を辿ることができる。画面上段には、当時流行していた文化・芸能・行事・職業等が描かれており、歴史の移り変わりも楽しめる。\r\n \r\n 周延は国芳に絵を学んで芳鶴二代を名乗るが、国芳の死後は豊国三代につき、さらに豊国三代が亡くなると国周に転じて周延と号した。\r\n 明治に入ると当初は武者絵や西南戦争の絵を描いて評判を取る。その後は江戸っ子が知らない、江戸城大奥の風俗画や明治開化期の婦人風俗画などを描き、江戸浮世絵の再来と大変な人気を博した。これにより、周延は明治期で一番人気の美人画絵師となっている。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1896\r\n Size : O-ban\r\n Impression : Good\r\n Condition : Good\r\n Detail : Backed\r\n \r\n This is the series whose motifs are hairstyles and fashions of beauties from Kemmu-Era to Meiji-Era.\r\n We can see the itinerant of the beauties which covers over 500 years.\r\n On the upper side of the prints, there are depictions of culture, entertainment, events, and occupations, and these are also interesting.\r\n \r\n Chikanobu used to use the name YoshitsuruⅡ, however, he became a pupil of ToyokuniⅡafter Kuniyoshi died, and after ToyokuniⅢ died, he became a pupil of Kunichika. Then, finally, his name became Chikanobu.\r\n He was famous for the motif of beauties, however, one of the seeds that grow into a flowering of his art-life was the warrior prints and war prints of the Seinan War. After that, he started creating the artworks of Ooku, the shogun's harem, and the lady portrait in the civilization of the Meiji era. It raised his reputation. People had called his artworks "The second Edo Ukiyo-e", and he was one of the most popular artists whose motif is beauty.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #original: array:10 [ "id" => 3676 "created_at" => "2022-10-05 17:24:47" "updated_at" => "2022-10-05 17:24:47" "name" => "周延 / 時代かがみ安政之頃飛鳥山かわらけなげ" "name_en" => "Chikanobu / Kawara Throwing at Asuka Mountain, Beauty of the Ansei Era, The Mirror of the Ages" "number" => "C23150" "price" => 18000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 明治29年\r\n サイズ : 大判\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 裏打 \r\n \r\n ディレクターコメント\r\n 時代かがみは、建武時代から明治における美人を当時の髪型とファッションで描いており、約500年にも及ぶ美人の遍歴を辿ることができる。画面上段には、当時流行していた文化・芸能・行事・職業等が描かれており、歴史の移り変わりも楽しめる。\r\n \r\n 周延は国芳に絵を学んで芳鶴二代を名乗るが、国芳の死後は豊国三代につき、さらに豊国三代が亡くなると国周に転じて周延と号した。\r\n 明治に入ると当初は武者絵や西南戦争の絵を描いて評判を取る。その後は江戸っ子が知らない、江戸城大奥の風俗画や明治開化期の婦人風俗画などを描き、江戸浮世絵の再来と大変な人気を博した。これにより、周延は明治期で一番人気の美人画絵師となっている。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1896\r\n Size : O-ban\r\n Impression : Good\r\n Condition : Good\r\n Detail : Backed\r\n \r\n This is the series whose motifs are hairstyles and fashions of beauties from Kemmu-Era to Meiji-Era.\r\n We can see the itinerant of the beauties which covers over 500 years.\r\n On the upper side of the prints, there are depictions of culture, entertainment, events, and occupations, and these are also interesting.\r\n \r\n Chikanobu used to use the name YoshitsuruⅡ, however, he became a pupil of ToyokuniⅡafter Kuniyoshi died, and after ToyokuniⅢ died, he became a pupil of Kunichika. Then, finally, his name became Chikanobu.\r\n He was famous for the motif of beauties, however, one of the seeds that grow into a flowering of his art-life was the warrior prints and war prints of the Seinan War. After that, he started creating the artworks of Ooku, the shogun's harem, and the lady portrait in the civilization of the Meiji era. It raised his reputation. People had called his artworks "The second Edo Ukiyo-e", and he was one of the most popular artists whose motif is beauty.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:2 [ "tags" => Illuminate\Database\Eloquent\Collection {#3943 #items: array:4 [ 0 => App\Models\Tag {#3938 …30} 1 => App\Models\Tag {#3940 …30} 2 => App\Models\Tag {#3942 …30} 3 => App\Models\Tag {#3954 …30} ] #escapeWhenCastingToString: false } "images" => Illuminate\Database\Eloquent\Collection {#3945 #items: array:1 [ 0 => App\Models\Image {#3953 …30} ] #escapeWhenCastingToString: false } ] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ 0 => "*" ] } 16 => App\Models\Item {#3948 #table: "items" #primaryKey: "id" #fillable: array:7 [ 0 => "name" 1 => "name_en" 2 => "number" 3 => "price" 4 => "description" 5 => "view_flg" 6 => "status" ] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:10 [ "id" => 3665 "created_at" => "2022-09-27 14:14:36" "updated_at" => "2022-09-27 14:14:36" "name" => "国周 / 忠臣蔵四段目大星由良之助城渡し之場市川団十郎" "name_en" => "Kunichika / Kabuki Play: Chusingura Act Ⅳ, Oboshi Yuranosuke Leaving From the Castle" "number" => "C23198" "price" => 45000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : -\r\n サイズ : 大判3枚続\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 少汚れ\r\n \r\n ディレクターコメント\r\n 国周は周信及び豊国三代の門人で、小島烏水によって「明治の写楽」と称せられた。3枚続に役者一人を描くという新しい構成は国周が創始したとされる。明治期における役者絵浮世絵師の代表的存在であり、作品数も多く、明治演劇史の資料としても大変価値がある。\r\n 国周は自らも認めているほどの変わった性格をしていたという。住いと妻を変えることが癖で、本人によると転居は117回であり、同じく転居の多かった北斎と比べ「絵は北斎には及ばないが、転居数では勝っている」と誇っていたという。妻も40人余り変え、長続きすることは無かった。酒と遊びが大好きで、画料が入っても宵越しの金は持たないとばかりにすぐ使ってしまい、晩年は着物一枚で過ごし舞台に出る役者をスケッチする「中見」の際には版元から着物を貸してもらうほどだったという。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : -\r\n Size : O-ban / Triptych\r\n Impression : Good\r\n Condition : Good\r\n Detail : Slight browning\r\n \r\n Kunichika pioneered the triptych of actor Ukiyo-e and is one of the essential Ukiyo-e artists who depicted the kabuki actors. Since he left various kabuki prints, these are also worth in the study field of kabuki play archives.\r\n His character was sometimes described as odd, not only by others but also by himself. For instance, he had changed houses and wives many times. He had altered houses 117 times.\r\n He said. "My painting is not as good as Hokusai's, however, I'm superior to Hokusai in the number of times of moving houses."\r\n He had married over 40 women, and it had never lasted.\r\n He loves alcohol and women, and he spends money wastefully, and there is an episode that he had to borrow clothes from the publisher for the work of sketching the kabuki actors.\r\n He was also a merciful person, so he couldn't ignore if someone needed help. He sometimes gave something prepared for the guests to someone else.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #original: array:10 [ "id" => 3665 "created_at" => "2022-09-27 14:14:36" "updated_at" => "2022-09-27 14:14:36" "name" => "国周 / 忠臣蔵四段目大星由良之助城渡し之場市川団十郎" "name_en" => "Kunichika / Kabuki Play: Chusingura Act Ⅳ, Oboshi Yuranosuke Leaving From the Castle" "number" => "C23198" "price" => 45000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : -\r\n サイズ : 大判3枚続\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 少汚れ\r\n \r\n ディレクターコメント\r\n 国周は周信及び豊国三代の門人で、小島烏水によって「明治の写楽」と称せられた。3枚続に役者一人を描くという新しい構成は国周が創始したとされる。明治期における役者絵浮世絵師の代表的存在であり、作品数も多く、明治演劇史の資料としても大変価値がある。\r\n 国周は自らも認めているほどの変わった性格をしていたという。住いと妻を変えることが癖で、本人によると転居は117回であり、同じく転居の多かった北斎と比べ「絵は北斎には及ばないが、転居数では勝っている」と誇っていたという。妻も40人余り変え、長続きすることは無かった。酒と遊びが大好きで、画料が入っても宵越しの金は持たないとばかりにすぐ使ってしまい、晩年は着物一枚で過ごし舞台に出る役者をスケッチする「中見」の際には版元から着物を貸してもらうほどだったという。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : -\r\n Size : O-ban / Triptych\r\n Impression : Good\r\n Condition : Good\r\n Detail : Slight browning\r\n \r\n Kunichika pioneered the triptych of actor Ukiyo-e and is one of the essential Ukiyo-e artists who depicted the kabuki actors. Since he left various kabuki prints, these are also worth in the study field of kabuki play archives.\r\n His character was sometimes described as odd, not only by others but also by himself. For instance, he had changed houses and wives many times. He had altered houses 117 times.\r\n He said. "My painting is not as good as Hokusai's, however, I'm superior to Hokusai in the number of times of moving houses."\r\n He had married over 40 women, and it had never lasted.\r\n He loves alcohol and women, and he spends money wastefully, and there is an episode that he had to borrow clothes from the publisher for the work of sketching the kabuki actors.\r\n He was also a merciful person, so he couldn't ignore if someone needed help. He sometimes gave something prepared for the guests to someone else.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:2 [ "tags" => Illuminate\Database\Eloquent\Collection {#3947 #items: array:4 [ 0 => App\Models\Tag {#3950 …30} 1 => App\Models\Tag {#3952 …30} 2 => App\Models\Tag {#3966 …30} 3 => App\Models\Tag {#3955 …30} ] #escapeWhenCastingToString: false } "images" => Illuminate\Database\Eloquent\Collection {#3958 #items: array:1 [ 0 => App\Models\Image {#3957 …30} ] #escapeWhenCastingToString: false } ] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ 0 => "*" ] } 17 => App\Models\Item {#3960 #table: "items" #primaryKey: "id" #fillable: array:7 [ 0 => "name" 1 => "name_en" 2 => "number" 3 => "price" 4 => "description" 5 => "view_flg" 6 => "status" ] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:10 [ "id" => 3663 "created_at" => "2022-09-27 14:08:03" "updated_at" => "2022-09-27 14:09:32" "name" => "国周 / 佐藤正清高名図" "name_en" => "Kunichika / Honorable Sato Masakiyo" "number" => "C23196" "price" => 120000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 文久元年\r\n サイズ : 大判3枚続\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 小虫穴補修\r\n \r\n ディレクターコメント\r\n 浮世絵によく登場する佐藤正清は、加藤清正と同一人物である。何故違う名前を記載しているのだろうか。\r\n それは、文化元年に江戸幕府が「文化元年の触書き」を発令したことに端を発する。これにより、徳川家及び天正年間の大名家を描くことが、明治時代まで禁止となった。\r\n 天正年間とは、「豊臣秀吉」が活躍した安土桃山時代を指す。この豊臣秀吉の生涯を描いた読本「絵本太閤記」が流行しすぎた為、徳川政権下にあった江戸幕府は、治安維持のためにも先の天下人・豊臣秀吉の人気に歯止めを掛ける為にこのお触れを出したようだ。\r\n \r\n 国周は周信及び豊国三代の門人で、小島烏水によって「明治の写楽」と称せられた。3枚続に役者一人を描くという新しい構成は国周が創始したとされる。明治期における役者絵浮世絵師の代表的存在であり、作品数も多く、明治演劇史の資料としても大変価値がある。\r\n 国周は自らも認めているほどの変わった性格をしていたという。住いと妻を変えることが癖で、本人によると転居は117回であり、同じく転居の多かった北斎と比べ「絵は北斎には及ばないが、転居数では勝っている」と誇っていたという。妻も40人余り変え、長続きすることは無かった。酒と遊びが大好きで、画料が入っても宵越しの金は持たないとばかりにすぐ使ってしまい、晩年は着物一枚で過ごし舞台に出る役者をスケッチする「中見」の際には版元から着物を貸してもらうほどだったという。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1861\r\n Size : O-ban / Triptych\r\n Impression : Good\r\n Condition : Good\r\n Detail : Restored small wormholes \r\n \r\n Sato Masakiyo, who often appears in Ukiyo-e, is the same person as Kato Kiyomasa. So why are different names used?\r\n \r\n The reason is that in the first year of Bunka (Bunka era), the Edo shogunate issued the "Proclamation of Bunka era." This proclamation prohibited depicting the Tokugawa family and other feudal lords of the Tensho period until the Meiji period.\r\n The "Tensho period" refers to the Azuchi-Momoyama period during the reign of Toyotomi Hideyoshi.\r\n The Edo shogunate, under the Tokugawa government, issued this ban to curb the popularity of Toyotomi Hideyoshi to maintain public order.\r\n \r\n Kunichika pioneered the triptych of actor Ukiyo-e and is one of the essential Ukiyo-e artists who depicted the kabuki actors. Since he left various kabuki prints, these are also worth in the study field of kabuki play archives.\r\n His character was sometimes described as odd, not only by others but also by himself. For instance, he had changed houses and wives many times. He had altered houses 117 times.\r\n He said. "My painting is not as good as Hokusai's, however, I'm superior to Hokusai in the number of times of moving houses."\r\n He had married over 40 women, and it had never lasted.\r\n He loves alcohol and women, and he spends money wastefully, and there is an episode that he had to borrow clothes from the publisher for the work of sketching the kabuki actors.\r\n He was also a merciful person, so he couldn't ignore if someone needed help. He sometimes gave something prepared for the guests to someone else.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #original: array:10 [ "id" => 3663 "created_at" => "2022-09-27 14:08:03" "updated_at" => "2022-09-27 14:09:32" "name" => "国周 / 佐藤正清高名図" "name_en" => "Kunichika / Honorable Sato Masakiyo" "number" => "C23196" "price" => 120000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 文久元年\r\n サイズ : 大判3枚続\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 小虫穴補修\r\n \r\n ディレクターコメント\r\n 浮世絵によく登場する佐藤正清は、加藤清正と同一人物である。何故違う名前を記載しているのだろうか。\r\n それは、文化元年に江戸幕府が「文化元年の触書き」を発令したことに端を発する。これにより、徳川家及び天正年間の大名家を描くことが、明治時代まで禁止となった。\r\n 天正年間とは、「豊臣秀吉」が活躍した安土桃山時代を指す。この豊臣秀吉の生涯を描いた読本「絵本太閤記」が流行しすぎた為、徳川政権下にあった江戸幕府は、治安維持のためにも先の天下人・豊臣秀吉の人気に歯止めを掛ける為にこのお触れを出したようだ。\r\n \r\n 国周は周信及び豊国三代の門人で、小島烏水によって「明治の写楽」と称せられた。3枚続に役者一人を描くという新しい構成は国周が創始したとされる。明治期における役者絵浮世絵師の代表的存在であり、作品数も多く、明治演劇史の資料としても大変価値がある。\r\n 国周は自らも認めているほどの変わった性格をしていたという。住いと妻を変えることが癖で、本人によると転居は117回であり、同じく転居の多かった北斎と比べ「絵は北斎には及ばないが、転居数では勝っている」と誇っていたという。妻も40人余り変え、長続きすることは無かった。酒と遊びが大好きで、画料が入っても宵越しの金は持たないとばかりにすぐ使ってしまい、晩年は着物一枚で過ごし舞台に出る役者をスケッチする「中見」の際には版元から着物を貸してもらうほどだったという。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1861\r\n Size : O-ban / Triptych\r\n Impression : Good\r\n Condition : Good\r\n Detail : Restored small wormholes \r\n \r\n Sato Masakiyo, who often appears in Ukiyo-e, is the same person as Kato Kiyomasa. So why are different names used?\r\n \r\n The reason is that in the first year of Bunka (Bunka era), the Edo shogunate issued the "Proclamation of Bunka era." This proclamation prohibited depicting the Tokugawa family and other feudal lords of the Tensho period until the Meiji period.\r\n The "Tensho period" refers to the Azuchi-Momoyama period during the reign of Toyotomi Hideyoshi.\r\n The Edo shogunate, under the Tokugawa government, issued this ban to curb the popularity of Toyotomi Hideyoshi to maintain public order.\r\n \r\n Kunichika pioneered the triptych of actor Ukiyo-e and is one of the essential Ukiyo-e artists who depicted the kabuki actors. Since he left various kabuki prints, these are also worth in the study field of kabuki play archives.\r\n His character was sometimes described as odd, not only by others but also by himself. For instance, he had changed houses and wives many times. He had altered houses 117 times.\r\n He said. "My painting is not as good as Hokusai's, however, I'm superior to Hokusai in the number of times of moving houses."\r\n He had married over 40 women, and it had never lasted.\r\n He loves alcohol and women, and he spends money wastefully, and there is an episode that he had to borrow clothes from the publisher for the work of sketching the kabuki actors.\r\n He was also a merciful person, so he couldn't ignore if someone needed help. He sometimes gave something prepared for the guests to someone else.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:2 [ "tags" => Illuminate\Database\Eloquent\Collection {#3959 #items: array:3 [ 0 => App\Models\Tag {#3962 …30} 1 => App\Models\Tag {#3964 …30} 2 => App\Models\Tag {#3976 …30} ] #escapeWhenCastingToString: false } "images" => Illuminate\Database\Eloquent\Collection {#3967 #items: array:1 [ 0 => App\Models\Image {#3975 …30} ] #escapeWhenCastingToString: false } ] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ 0 => "*" ] } 18 => App\Models\Item {#3970 #table: "items" #primaryKey: "id" #fillable: array:7 [ 0 => "name" 1 => "name_en" 2 => "number" 3 => "price" 4 => "description" 5 => "view_flg" 6 => "status" ] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:10 [ "id" => 3659 "created_at" => "2022-09-22 13:53:38" "updated_at" => "2022-09-22 13:53:38" "name" => "芳年 / くらびらき" "name_en" => "Yoshitoshi / Kintaro Cracking Kagami-Mochi" "number" => "C23168" "price" => 700000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 明治24年\r\n サイズ : 大判3枚続\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 少汚れ / 小虫穴\r\n \r\n ディレクターコメント\r\n 芳年（天保10 - 明治25年）は、幕末から明治前期にかけて活動した浮世絵師。\r\n 多種多様な浮世絵を手がけ、各分野において独特の画風を見せる。明治期において最も成功した浮世絵師であり、「最後の浮世絵師」と評価されることもある。門下から日本画や洋画で活躍する画家を多く輩出したという側面もある。\r\n また、芳年は芥川龍之介、谷崎潤一郎、三島由紀夫、江戸川乱歩など、文人たちにも愛された。精神を病みながらも創作をつづけた芳年の鬼気迫る情念がこもった究極の美は、世界中で人気が高い。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1891\r\n Size : O-ban / Triptych\r\n Impression : Good\r\n Condition : Good\r\n Detail : Slight browning / Small wormholes\r\n \r\n Tsukioka Yoshitoshi (1839 - 92) is a Ukiyo-e artist who was active from the end of the Tokugawa shogunate to the Meiji-era.\r\n He had created various types of artworks, and we can see his unique expression styles in each genre of the works.\r\n He was one of the most important and popular Ukiyo-e artists in the Meiji-era and also had a lot of pupils who became famous not only in the Japanese painting field but also western painting field. Sometimes he is called "The last Ukiyo-e artist".\r\n He was also loved by a lot of writers, for instance, Tanizaki Junichiro, Mishima Yukio, and Edogawa Ranpo. The beautiful and fascinating artworks that were kept creating even he was in a mental disorder enthrall people from all around the world.\r\n \r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #original: array:10 [ "id" => 3659 "created_at" => "2022-09-22 13:53:38" "updated_at" => "2022-09-22 13:53:38" "name" => "芳年 / くらびらき" "name_en" => "Yoshitoshi / Kintaro Cracking Kagami-Mochi" "number" => "C23168" "price" => 700000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 明治24年\r\n サイズ : 大判3枚続\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 少汚れ / 小虫穴\r\n \r\n ディレクターコメント\r\n 芳年（天保10 - 明治25年）は、幕末から明治前期にかけて活動した浮世絵師。\r\n 多種多様な浮世絵を手がけ、各分野において独特の画風を見せる。明治期において最も成功した浮世絵師であり、「最後の浮世絵師」と評価されることもある。門下から日本画や洋画で活躍する画家を多く輩出したという側面もある。\r\n また、芳年は芥川龍之介、谷崎潤一郎、三島由紀夫、江戸川乱歩など、文人たちにも愛された。精神を病みながらも創作をつづけた芳年の鬼気迫る情念がこもった究極の美は、世界中で人気が高い。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1891\r\n Size : O-ban / Triptych\r\n Impression : Good\r\n Condition : Good\r\n Detail : Slight browning / Small wormholes\r\n \r\n Tsukioka Yoshitoshi (1839 - 92) is a Ukiyo-e artist who was active from the end of the Tokugawa shogunate to the Meiji-era.\r\n He had created various types of artworks, and we can see his unique expression styles in each genre of the works.\r\n He was one of the most important and popular Ukiyo-e artists in the Meiji-era and also had a lot of pupils who became famous not only in the Japanese painting field but also western painting field. Sometimes he is called "The last Ukiyo-e artist".\r\n He was also loved by a lot of writers, for instance, Tanizaki Junichiro, Mishima Yukio, and Edogawa Ranpo. The beautiful and fascinating artworks that were kept creating even he was in a mental disorder enthrall people from all around the world.\r\n \r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:2 [ "tags" => Illuminate\Database\Eloquent\Collection {#3969 #items: array:3 [ 0 => App\Models\Tag {#3972 …30} 1 => App\Models\Tag {#3974 …30} 2 => App\Models\Tag {#3990 …30} ] #escapeWhenCastingToString: false } "images" => Illuminate\Database\Eloquent\Collection {#3977 #items: array:1 [ 0 => App\Models\Image {#3989 …30} ] #escapeWhenCastingToString: false } ] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ 0 => "*" ] } 19 => App\Models\Item {#3980 #table: "items" #primaryKey: "id" #fillable: array:7 [ 0 => "name" 1 => "name_en" 2 => "number" 3 => "price" 4 => "description" 5 => "view_flg" 6 => "status" ] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:10 [ "id" => 3658 "created_at" => "2022-09-22 13:46:57" "updated_at" => "2022-09-22 13:46:57" "name" => "芳年 / 美談武者八景広徳寺の晩鐘" "name_en" => "Yoshitoshi / Bansho at Kotoku-Ji Temple, 8 Views of Beautiful Story of Warriors" "number" => "C23167" "price" => 350000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 明治元年\r\n サイズ : 大判3枚続\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 小虫穴\r\n \r\n 芳年（天保10 - 明治25年）は、幕末から明治前期にかけて活動した浮世絵師。\r\n 多種多様な浮世絵を手がけ、各分野において独特の画風を見せる。明治期において最も成功した浮世絵師であり、「最後の浮世絵師」と評価されることもある。門下から日本画や洋画で活躍する画家を多く輩出したという側面もある。\r\n また、芳年は芥川龍之介、谷崎潤一郎、三島由紀夫、江戸川乱歩など、文人たちにも愛された。精神を病みながらも創作をつづけた芳年の鬼気迫る情念がこもった究極の美は、世界中で人気が高い。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1868\r\n Size : O-ban / Triptych\r\n Impression : Good\r\n Condition : Good\r\n Detail : Small wormholes\r\n \r\n Tsukioka Yoshitoshi (1839 - 92) is a Ukiyo-e artist who was active from the end of the Tokugawa shogunate to the Meiji-era.\r\n He had created various types of artworks, and we can see his unique expression styles in each genre of the works.\r\n He was one of the most important and popular Ukiyo-e artists in the Meiji-era and also had a lot of pupils who became famous not only in the Japanese painting field but also western painting field. Sometimes he is called "The last Ukiyo-e artist".\r\n He was also loved by a lot of writers, for instance, Tanizaki Junichiro, Mishima Yukio, and Edogawa Ranpo. The beautiful and fascinating artworks that were kept creating even he was in a mental disorder enthrall people from all around the world.\r\n \r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #original: array:10 [ "id" => 3658 "created_at" => "2022-09-22 13:46:57" "updated_at" => "2022-09-22 13:46:57" "name" => "芳年 / 美談武者八景広徳寺の晩鐘" "name_en" => "Yoshitoshi / Bansho at Kotoku-Ji Temple, 8 Views of Beautiful Story of Warriors" "number" => "C23167" "price" => 350000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 明治元年\r\n サイズ : 大判3枚続\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 小虫穴\r\n \r\n 芳年（天保10 - 明治25年）は、幕末から明治前期にかけて活動した浮世絵師。\r\n 多種多様な浮世絵を手がけ、各分野において独特の画風を見せる。明治期において最も成功した浮世絵師であり、「最後の浮世絵師」と評価されることもある。門下から日本画や洋画で活躍する画家を多く輩出したという側面もある。\r\n また、芳年は芥川龍之介、谷崎潤一郎、三島由紀夫、江戸川乱歩など、文人たちにも愛された。精神を病みながらも創作をつづけた芳年の鬼気迫る情念がこもった究極の美は、世界中で人気が高い。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1868\r\n Size : O-ban / Triptych\r\n Impression : Good\r\n Condition : Good\r\n Detail : Small wormholes\r\n \r\n Tsukioka Yoshitoshi (1839 - 92) is a Ukiyo-e artist who was active from the end of the Tokugawa shogunate to the Meiji-era.\r\n He had created various types of artworks, and we can see his unique expression styles in each genre of the works.\r\n He was one of the most important and popular Ukiyo-e artists in the Meiji-era and also had a lot of pupils who became famous not only in the Japanese painting field but also western painting field. Sometimes he is called "The last Ukiyo-e artist".\r\n He was also loved by a lot of writers, for instance, Tanizaki Junichiro, Mishima Yukio, and Edogawa Ranpo. The beautiful and fascinating artworks that were kept creating even he was in a mental disorder enthrall people from all around the world.\r\n \r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:2 [ "tags" => Illuminate\Database\Eloquent\Collection {#3979 #items: array:3 [ 0 => App\Models\Tag {#3982 …30} 1 => App\Models\Tag {#3984 …30} 2 => App\Models\Tag {#3986 …30} ] #escapeWhenCastingToString: false } "images" => Illuminate\Database\Eloquent\Collection {#3988 #items: array:1 [ 0 => App\Models\Image {#3987 …30} ] #escapeWhenCastingToString: false } ] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ 0 => "*" ] } 20 => App\Models\Item {#4000 #table: "items" #primaryKey: "id" #fillable: array:7 [ 0 => "name" 1 => "name_en" 2 => "number" 3 => "price" 4 => "description" 5 => "view_flg" 6 => "status" ] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:10 [ "id" => 3657 "created_at" => "2022-09-21 14:29:21" "updated_at" => "2022-09-21 14:29:21" "name" => "周延 / 時代かがみ嘉永之頃上野法華堂常行堂" "name_en" => "Chikanobu / Hokke-Do and Jogyo-Do in Ueno, Beauty of the Kaei Era, The Mirror of the Ages" "number" => "C23148" "price" => 18000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 明治30年\r\n サイズ : 大判\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 裏打 \r\n \r\n ディレクターコメント\r\n 時代かがみは、建武時代から明治における美人を当時の髪型とファッションで描いており、約500年にも及ぶ美人の遍歴を辿ることができる。画面上段には、当時流行していた文化・芸能・行事・職業等が描かれており、歴史の移り変わりも楽しめる。\r\n \r\n 周延は国芳に絵を学んで芳鶴二代を名乗るが、国芳の死後は豊国三代につき、さらに豊国三代が亡くなると国周に転じて周延と号した。\r\n 明治に入ると当初は武者絵や西南戦争の絵を描いて評判を取る。その後は江戸っ子が知らない、江戸城大奥の風俗画や明治開化期の婦人風俗画などを描き、江戸浮世絵の再来と大変な人気を博した。これにより、周延は明治期で一番人気の美人画絵師となっている。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1897\r\n Size : O-ban\r\n Impression : Good\r\n Condition : Good\r\n Detail : Backed\r\n \r\n This is the series whose motifs are hairstyles and fashions of beauties from Kemmu-Era to Meiji-Era.\r\n We can see the itinerant of the beauties which covers over 500 years.\r\n On the upper side of the prints, there are depictions of culture, entertainment, events, and occupations, and these are also interesting.\r\n \r\n Chikanobu used to use the name YoshitsuruⅡ, however, he became a pupil of ToyokuniⅡafter Kuniyoshi died, and after ToyokuniⅢ died, he became a pupil of Kunichika. Then, finally, his name became Chikanobu.\r\n He was famous for the motif of beauties, however, one of the seeds that grow into a flowering of his art-life was the warrior prints and war prints of the Seinan War. After that, he started creating the artworks of Ooku, the shogun's harem, and the lady portrait in the civilization of the Meiji era. It raised his reputation. People had called his artworks "The second Edo Ukiyo-e", and he was one of the most popular artists whose motif is beauty.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #original: array:10 [ "id" => 3657 "created_at" => "2022-09-21 14:29:21" "updated_at" => "2022-09-21 14:29:21" "name" => "周延 / 時代かがみ嘉永之頃上野法華堂常行堂" "name_en" => "Chikanobu / Hokke-Do and Jogyo-Do in Ueno, Beauty of the Kaei Era, The Mirror of the Ages" "number" => "C23148" "price" => 18000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 明治30年\r\n サイズ : 大判\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 裏打 \r\n \r\n ディレクターコメント\r\n 時代かがみは、建武時代から明治における美人を当時の髪型とファッションで描いており、約500年にも及ぶ美人の遍歴を辿ることができる。画面上段には、当時流行していた文化・芸能・行事・職業等が描かれており、歴史の移り変わりも楽しめる。\r\n \r\n 周延は国芳に絵を学んで芳鶴二代を名乗るが、国芳の死後は豊国三代につき、さらに豊国三代が亡くなると国周に転じて周延と号した。\r\n 明治に入ると当初は武者絵や西南戦争の絵を描いて評判を取る。その後は江戸っ子が知らない、江戸城大奥の風俗画や明治開化期の婦人風俗画などを描き、江戸浮世絵の再来と大変な人気を博した。これにより、周延は明治期で一番人気の美人画絵師となっている。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1897\r\n Size : O-ban\r\n Impression : Good\r\n Condition : Good\r\n Detail : Backed\r\n \r\n This is the series whose motifs are hairstyles and fashions of beauties from Kemmu-Era to Meiji-Era.\r\n We can see the itinerant of the beauties which covers over 500 years.\r\n On the upper side of the prints, there are depictions of culture, entertainment, events, and occupations, and these are also interesting.\r\n \r\n Chikanobu used to use the name YoshitsuruⅡ, however, he became a pupil of ToyokuniⅡafter Kuniyoshi died, and after ToyokuniⅢ died, he became a pupil of Kunichika. Then, finally, his name became Chikanobu.\r\n He was famous for the motif of beauties, however, one of the seeds that grow into a flowering of his art-life was the warrior prints and war prints of the Seinan War. After that, he started creating the artworks of Ooku, the shogun's harem, and the lady portrait in the civilization of the Meiji era. It raised his reputation. People had called his artworks "The second Edo Ukiyo-e", and he was one of the most popular artists whose motif is beauty.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:2 [ "tags" => Illuminate\Database\Eloquent\Collection {#3992 #items: array:4 [ 0 => App\Models\Tag {#3991 …30} 1 => App\Models\Tag {#3994 …30} 2 => App\Models\Tag {#3996 …30} 3 => App\Models\Tag {#3998 …30} ] #escapeWhenCastingToString: false } "images" => Illuminate\Database\Eloquent\Collection {#4010 #items: array:1 [ 0 => App\Models\Image {#4002 …30} ] #escapeWhenCastingToString: false } ] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ 0 => "*" ] } 21 => App\Models\Item {#4001 #table: "items" #primaryKey: "id" #fillable: array:7 [ 0 => "name" 1 => "name_en" 2 => "number" 3 => "price" 4 => "description" 5 => "view_flg" 6 => "status" ] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:10 [ "id" => 3654 "created_at" => "2022-09-21 14:23:40" "updated_at" => "2022-09-21 14:23:40" "name" => "周延 / 時代かがみ文政之頃靍御成" "name_en" => "Chikanobu / Tsuru-Onari Beauty of the Bunsei Era, The Mirror of the Ages" "number" => "C23145" "price" => 18000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 明治29年\r\n サイズ : 大判\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 裏打 \r\n \r\n ディレクターコメント\r\n 時代かがみは、建武時代から明治における美人を当時の髪型とファッションで描いており、約500年にも及ぶ美人の遍歴を辿ることができる。画面上段には、当時流行していた文化・芸能・行事・職業等が描かれており、歴史の移り変わりも楽しめる。\r\n \r\n 周延は国芳に絵を学んで芳鶴二代を名乗るが、国芳の死後は豊国三代につき、さらに豊国三代が亡くなると国周に転じて周延と号した。\r\n 明治に入ると当初は武者絵や西南戦争の絵を描いて評判を取る。その後は江戸っ子が知らない、江戸城大奥の風俗画や明治開化期の婦人風俗画などを描き、江戸浮世絵の再来と大変な人気を博した。これにより、周延は明治期で一番人気の美人画絵師となっている。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1896\r\n Size : O-ban\r\n Impression : Good\r\n Condition : Good\r\n Detail : Backed\r\n \r\n This is the series whose motifs are hairstyles and fashions of beauties from Kemmu-Era to Meiji-Era.\r\n We can see the itinerant of the beauties which covers over 500 years.\r\n On the upper side of the prints, there are depictions of culture, entertainment, events, and occupations, and these are also interesting.\r\n \r\n Chikanobu used to use the name YoshitsuruⅡ, however, he became a pupil of ToyokuniⅡafter Kuniyoshi died, and after ToyokuniⅢ died, he became a pupil of Kunichika. Then, finally, his name became Chikanobu.\r\n He was famous for the motif of beauties, however, one of the seeds that grow into a flowering of his art-life was the warrior prints and war prints of the Seinan War. After that, he started creating the artworks of Ooku, the shogun's harem, and the lady portrait in the civilization of the Meiji era. It raised his reputation. People had called his artworks "The second Edo Ukiyo-e", and he was one of the most popular artists whose motif is beauty.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #original: array:10 [ "id" => 3654 "created_at" => "2022-09-21 14:23:40" "updated_at" => "2022-09-21 14:23:40" "name" => "周延 / 時代かがみ文政之頃靍御成" "name_en" => "Chikanobu / Tsuru-Onari Beauty of the Bunsei Era, The Mirror of the Ages" "number" => "C23145" "price" => 18000 "description" => """ スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n Please double-tap on the image to zoom up images.\r\n \r\n 作品\r\n 年代 : 明治29年\r\n サイズ : 大判\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 裏打 \r\n \r\n ディレクターコメント\r\n 時代かがみは、建武時代から明治における美人を当時の髪型とファッションで描いており、約500年にも及ぶ美人の遍歴を辿ることができる。画面上段には、当時流行していた文化・芸能・行事・職業等が描かれており、歴史の移り変わりも楽しめる。\r\n \r\n 周延は国芳に絵を学んで芳鶴二代を名乗るが、国芳の死後は豊国三代につき、さらに豊国三代が亡くなると国周に転じて周延と号した。\r\n 明治に入ると当初は武者絵や西南戦争の絵を描いて評判を取る。その後は江戸っ子が知らない、江戸城大奥の風俗画や明治開化期の婦人風俗画などを描き、江戸浮世絵の再来と大変な人気を博した。これにより、周延は明治期で一番人気の美人画絵師となっている。\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank">作品ページの見方とご購入ガイド</a>\r\n \r\n <hr>Information\r\n Date : 1896\r\n Size : O-ban\r\n Impression : Good\r\n Condition : Good\r\n Detail : Backed\r\n \r\n This is the series whose motifs are hairstyles and fashions of beauties from Kemmu-Era to Meiji-Era.\r\n We can see the itinerant of the beauties which covers over 500 years.\r\n On the upper side of the prints, there are depictions of culture, entertainment, events, and occupations, and these are also interesting.\r\n \r\n Chikanobu used to use the name YoshitsuruⅡ, however, he became a pupil of ToyokuniⅡafter Kuniyoshi died, and after ToyokuniⅢ died, he became a pupil of Kunichika. Then, finally, his name became Chikanobu.\r\n He was famous for the motif of beauties, however, one of the seeds that grow into a flowering of his art-life was the warrior prints and war prints of the Seinan War. After that, he started creating the artworks of Ooku, the shogun's harem, and the lady portrait in the civilization of the Meiji era. It raised his reputation. People had called his artworks "The second Edo Ukiyo-e", and he was one of the most popular artists whose motif is beauty.\r\n \r\n <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank">Shopping Guide & Information of the Japanese Prints</a> """ "view_flg" => 1 "status" => 0 ] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:2 [ "tags" => Illuminate\Database\Eloquent\Collection {#4009 #items: array:4 [ 0 => App\Models\Tag {#4004 …30} 1 => App\Models\Tag {#4006 …30} 2 => App\Models\Tag {#4008 …30} 3 => App\Models\Tag {#4020 …30} ] #escapeWhenCastingToString: false } "images" => Illuminate\Database\Eloquent\Collection {#4011 #items: array:1 [ 0 => App\Models\Image {#4019 …30} ] #escapeWhenCastingToString: false } ] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ 0 => "*" ] } 22 => App\Models\Item {#4014 #table: "items" #primaryKey: "id" #fillable: array:7 [ 0 => "name" 1 => "name_en" 2 => "number" 3 => "price" 4 => "description" 5 => "view_flg" 6 => "status" ] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:10 [ "id" => 139 "created_at" => "2018-10-18 12:11:22" "updated_at" => "2022-09-17 13:49:15" "name" => "安治 / 東京真画名所図解竹橋内" "name_en" => "Yasuji / Inside of Takebashi ,True Pictures of Famous Places of Tokyo" "number" => "C13231" "price" => 12000 "description" => """ 作品\r\n 年代: 明治期\r\n サイズ : 小判\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 少汚れ\r\n \r\n ディレクターコメント\r\n 安治は当初、芳年に弟子入りしていたが明治11年頃から清親に弟子入りする。明治13年頃、光線画を発表して浮世絵師としてデビューする。安治の描写力は師匠の清親を凌ぐとも考えれており、これらの作品は詩情を感じさせる優品が多い。その後、明治17年から受けた探景と画号を改め、様々な浮世絵作品等も手掛けるようになる。その後明治22年に脚気衝心のため26歳の若さで夭折した。\r\n 東京真画名所図解は小判サイズ全154点の連作で、明治初期の東京を隈なく描いており資料的価値も高い。全作品中、半数近い59点は清親の作品をほぼ倣い、更にもう3点は清親の強い影響下にある。安治は人物や背景を省略、簡潔な描写に改め、画面の小ささを感じさせない内容のある作品に仕上げた。\r\n \r\n <hr>Information \r\n Date : Meiji\r\n Size : Ko-ban\r\n Impression : Good\r\n Condition : Good\r\n Detail : Slight browning """ "view_flg" => 1 "status" => 0 ] #original: array:10 [ "id" => 139 "created_at" => "2018-10-18 12:11:22" "updated_at" => "2022-09-17 13:49:15" "name" => "安治 / 東京真画名所図解竹橋内" "name_en" => "Yasuji / Inside of Takebashi ,True Pictures of Famous Places of Tokyo" "number" => "C13231" "price" => 12000 "description" => """ 作品\r\n 年代: 明治期\r\n サイズ : 小判\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : 少汚れ\r\n \r\n ディレクターコメント\r\n 安治は当初、芳年に弟子入りしていたが明治11年頃から清親に弟子入りする。明治13年頃、光線画を発表して浮世絵師としてデビューする。安治の描写力は師匠の清親を凌ぐとも考えれており、これらの作品は詩情を感じさせる優品が多い。その後、明治17年から受けた探景と画号を改め、様々な浮世絵作品等も手掛けるようになる。その後明治22年に脚気衝心のため26歳の若さで夭折した。\r\n 東京真画名所図解は小判サイズ全154点の連作で、明治初期の東京を隈なく描いており資料的価値も高い。全作品中、半数近い59点は清親の作品をほぼ倣い、更にもう3点は清親の強い影響下にある。安治は人物や背景を省略、簡潔な描写に改め、画面の小ささを感じさせない内容のある作品に仕上げた。\r\n \r\n <hr>Information \r\n Date : Meiji\r\n Size : Ko-ban\r\n Impression : Good\r\n Condition : Good\r\n Detail : Slight browning """ "view_flg" => 1 "status" => 0 ] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:2 [ "tags" => Illuminate\Database\Eloquent\Collection {#4013 #items: array:6 [ 0 => App\Models\Tag {#4016 …30} 1 => App\Models\Tag {#4018 …30} 2 => App\Models\Tag {#4032 …30} 3 => App\Models\Tag {#4021 …30} 4 => App\Models\Tag {#4024 …30} 5 => App\Models\Tag {#4026 …30} ] #escapeWhenCastingToString: false } "images" => Illuminate\Database\Eloquent\Collection {#4028 #items: array:1 [ 0 => App\Models\Image {#4027 …30} ] #escapeWhenCastingToString: false } ] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ 0 => "*" ] } 23 => App\Models\Item {#4030 #table: "items" #primaryKey: "id" #fillable: array:7 [ 0 => "name" 1 => "name_en" 2 => "number" 3 => "price" 4 => "description" 5 => "view_flg" 6 => "status" ] #connection: "mysql" #keyType: "int" +incrementing: true #with: [] #withCount: [] +preventsLazyLoading: false #perPage: 15 +exists: true +wasRecentlyCreated: false #escapeWhenCastingToString: false #attributes: array:10 [ "id" => 138 "created_at" => "2018-10-18 12:11:22" "updated_at" => "2022-09-17 13:48:56" "name" => "安治 / 東京真画名所図解上野御霊屋" "name_en" => "Yasuji / Mausoleum of Ueno ,True Pictures of Famous Places of Tokyo" "number" => "C13227" "price" => 14000 "description" => """ 作品\r\n 年代: 明治期\r\n サイズ : 小判\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : マージンに少汚れ\r\n \r\n ディレクターコメント\r\n 安治は当初、芳年に弟子入りしていたが明治11年頃から清親に弟子入りする。明治13年頃、光線画を発表して浮世絵師としてデビューする。安治の描写力は師匠の清親を凌ぐとも考えれており、これらの作品は詩情を感じさせる優品が多い。その後、明治17年から受けた探景と画号を改め、様々な浮世絵作品等も手掛けるようになる。その後明治22年に脚気衝心のため26歳の若さで夭折した。\r\n 東京真画名所図解は小判サイズ全154点の連作で、明治初期の東京を隈なく描いており資料的価値も高い。全作品中、半数近い59点は清親の作品をほぼ倣い、更にもう3点は清親の強い影響下にある。安治は人物や背景を省略、簡潔な描写に改め、画面の小ささを感じさせない内容のある作品に仕上げた。\r\n \r\n <hr>Information \r\n Date : Meiji\r\n Size : Ko-ban\r\n Impression : Good\r\n Condition : Good\r\n Detail : Slight browning on margin """ "view_flg" => 1 "status" => 0 ] #original: array:10 [ "id" => 138 "created_at" => "2018-10-18 12:11:22" "updated_at" => "2022-09-17 13:48:56" "name" => "安治 / 東京真画名所図解上野御霊屋" "name_en" => "Yasuji / Mausoleum of Ueno ,True Pictures of Famous Places of Tokyo" "number" => "C13227" "price" => 14000 "description" => """ 作品\r\n 年代: 明治期\r\n サイズ : 小判\r\n 刷 : 良\r\n 保存 : 良\r\n 詳細 : マージンに少汚れ\r\n \r\n ディレクターコメント\r\n 安治は当初、芳年に弟子入りしていたが明治11年頃から清親に弟子入りする。明治13年頃、光線画を発表して浮世絵師としてデビューする。安治の描写力は師匠の清親を凌ぐとも考えれており、これらの作品は詩情を感じさせる優品が多い。その後、明治17年から受けた探景と画号を改め、様々な浮世絵作品等も手掛けるようになる。その後明治22年に脚気衝心のため26歳の若さで夭折した。\r\n 東京真画名所図解は小判サイズ全154点の連作で、明治初期の東京を隈なく描いており資料的価値も高い。全作品中、半数近い59点は清親の作品をほぼ倣い、更にもう3点は清親の強い影響下にある。安治は人物や背景を省略、簡潔な描写に改め、画面の小ささを感じさせない内容のある作品に仕上げた。\r\n \r\n <hr>Information \r\n Date : Meiji\r\n Size : Ko-ban\r\n Impression : Good\r\n Condition : Good\r\n Detail : Slight browning on margin """ "view_flg" => 1 "status" => 0 ] #changes: [] #casts: [] #classCastCache: [] #attributeCastCache: [] #dates: [] #dateFormat: null #appends: [] #dispatchesEvents: [] #observables: [] #relations: array:2 [ "tags" => Illuminate\Database\Eloquent\Collection {#4029 #items: array:6 [ 0 => App\Models\Tag {#4051 …30} 1 => App\Models\Tag {#4033 …30} 2 => App\Models\Tag {#4036 …30} 3 => App\Models\Tag {#4038 …30} 4 => App\Models\Tag {#4040 …30} 5 => App\Models\Tag {#4042 …30} ] #escapeWhenCastingToString: false } "images" => Illuminate\Database\Eloquent\Collection {#4049 #items: array:1 [ 0 => App\Models\Image {#3770 …30} ] #escapeWhenCastingToString: false } ] #touches: [] +timestamps: true #hidden: [] #visible: [] #guarded: array:1 [ 0 => "*" ] } ] #escapeWhenCastingToString: false } #perPage: 24 #currentPage: 1 #path: "https://www.soumei.biz/meijiukiyo-e" #query: array:1 [ "search" => null ] #fragment: null #pageName: "page" +onEachSide: 3 #options: array:2 [ "path" => "https://www.soumei.biz/meijiukiyo-e" "pageName" => "page" ]}

Meiji Ukiyo-e / 明治浮世絵