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Illuminate\Pagination\LengthAwarePaginator {#2521 // resources/views/search/search.blade.php
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          "id" => 3731
          "created_at" => "2022-11-01 12:41:55"
          "updated_at" => "2022-11-01 12:41:55"
          "name" => "李 禹煥 / 港より 5"
          "name_en" => "Lee U-Fan / From the Port, No. 5"
          "number" => "C23304"
          "price" => 480000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 平成元年\r\n
            サイズ : 29.5 × 23.5 cm(ピクチャーサイズ)\r\n
            詳細 : 限定50  / ドライポイント / マットにヤケ / 額装(密閉)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            李禹煥は、大韓民国慶尚南道に生まれ、日本を拠点に世界的に活動している美術家である。\r\n
            60年代後半から制作・理論の両面から「もの派」を牽引する中心的存在として活躍し、国内外から高い評価を集める。\r\n
            同じようなタッチの連続した点や線を組み合わせた作品を多く制作する李だが、​同じ動作を繰り返す反復のような制作の中でも、その時々で違う気温、環境、出来事などが作用し、毎回同じように見えて異なるもの、つまり差異性が生まれるという。\r\n
            同一性と差異性のはざまで制作を続ける李はその両義的な要素を作品に落とし込み、自己と他者の現場、つまり生きるということの矛盾律の上に立っている。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1989\r\n
            Size : 29.5 × 23.5 cm (Picture size)\r\n
            Detail : ed.50 / Drypoint / Soiled framing mat / Framed (Sealed up)\r\n
            \r\n
            Lee U-fan, born in Gyeongnamo, Korea, is a globally active artist based in Japan.\r\n
            Since the late 1960s, he has been a noteworthy artist in leading the "Mono-ha" school in both creating and theory and has garnered high acclaim both in Japan and abroad.\r\n
            Li often creates works that combine a series of dots and lines. Even in his repetitive work, in which he repeats the same actions, he says that different temperatures, environments, and events act to create something that looks the same each time but is different.\r\n
            He continues to work between sameness and difference. He incorporates these ambivalent elements into his works, standing on the site of the self and the other, in other words, on the contradictory law of life.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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          "id" => 3731
          "created_at" => "2022-11-01 12:41:55"
          "updated_at" => "2022-11-01 12:41:55"
          "name" => "李 禹煥 / 港より 5"
          "name_en" => "Lee U-Fan / From the Port, No. 5"
          "number" => "C23304"
          "price" => 480000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 平成元年\r\n
            サイズ : 29.5 × 23.5 cm(ピクチャーサイズ)\r\n
            詳細 : 限定50  / ドライポイント / マットにヤケ / 額装(密閉)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            李禹煥は、大韓民国慶尚南道に生まれ、日本を拠点に世界的に活動している美術家である。\r\n
            60年代後半から制作・理論の両面から「もの派」を牽引する中心的存在として活躍し、国内外から高い評価を集める。\r\n
            同じようなタッチの連続した点や線を組み合わせた作品を多く制作する李だが、​同じ動作を繰り返す反復のような制作の中でも、その時々で違う気温、環境、出来事などが作用し、毎回同じように見えて異なるもの、つまり差異性が生まれるという。\r\n
            同一性と差異性のはざまで制作を続ける李はその両義的な要素を作品に落とし込み、自己と他者の現場、つまり生きるということの矛盾律の上に立っている。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1989\r\n
            Size : 29.5 × 23.5 cm (Picture size)\r\n
            Detail : ed.50 / Drypoint / Soiled framing mat / Framed (Sealed up)\r\n
            \r\n
            Lee U-fan, born in Gyeongnamo, Korea, is a globally active artist based in Japan.\r\n
            Since the late 1960s, he has been a noteworthy artist in leading the "Mono-ha" school in both creating and theory and has garnered high acclaim both in Japan and abroad.\r\n
            Li often creates works that combine a series of dots and lines. Even in his repetitive work, in which he repeats the same actions, he says that different temperatures, environments, and events act to create something that looks the same each time but is different.\r\n
            He continues to work between sameness and difference. He incorporates these ambivalent elements into his works, standing on the site of the self and the other, in other words, on the contradictory law of life.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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          "created_at" => "2022-10-18 14:29:23"
          "updated_at" => "2022-10-18 14:29:23"
          "name" => "Sign A / Not an Emergency yet"
          "name_en" => "Sign A / Not an Emergency yet"
          "number" => "SG031"
          "price" => 55000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和4年\r\n
            サイズ : 38.6 × 28.2 cm\r\n
            限定 : -\r\n
            技法 : 紙にアクリル水彩\r\n
            詳細 : シート価格\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>プロフィール</strong>\r\n
            非公表\r\n
            \r\n
            <strong>作家コメント</strong>\r\n
            過去に版画として制作されたもののペインティング版として制作された作品。\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            ストリートアーティスト「Sign A」は東京を拠点とするアーティスト。日本のストリートアートの源流は浮世絵にあることから、浮世絵とアートの地平線を切り開くことを目指している。作品は主に手漉和紙を支持体として、ステンシルを使いてスプレーをすることで制作されている。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2022\r\n
            Size: 38.6 × 28.2 cm \r\n
            Edition: -\r\n
            Technique: Acrylic painting on paper\r\n
            Detail: Not framed\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Profile</strong>\r\n
            Secret\r\n
            \r\n
            <strong>ArtistComment</strong>\r\n
            I created this artwork as a painted version of a print produced in the past.\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            Street artist "Sign A" is based in Tokyo. Since the origin of Japanese street art can be traced back to Ukiyo-e, Sign A aims to break the horizon between Ukiyo-e and art. Sign A works mainly on handmade Japanese paper as a support, using the stencil technique.
            """
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          "status" => 0
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          "name" => "Sign A / Not an Emergency yet"
          "name_en" => "Sign A / Not an Emergency yet"
          "number" => "SG031"
          "price" => 55000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和4年\r\n
            サイズ : 38.6 × 28.2 cm\r\n
            限定 : -\r\n
            技法 : 紙にアクリル水彩\r\n
            詳細 : シート価格\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>プロフィール</strong>\r\n
            非公表\r\n
            \r\n
            <strong>作家コメント</strong>\r\n
            過去に版画として制作されたもののペインティング版として制作された作品。\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            ストリートアーティスト「Sign A」は東京を拠点とするアーティスト。日本のストリートアートの源流は浮世絵にあることから、浮世絵とアートの地平線を切り開くことを目指している。作品は主に手漉和紙を支持体として、ステンシルを使いてスプレーをすることで制作されている。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2022\r\n
            Size: 38.6 × 28.2 cm \r\n
            Edition: -\r\n
            Technique: Acrylic painting on paper\r\n
            Detail: Not framed\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Profile</strong>\r\n
            Secret\r\n
            \r\n
            <strong>ArtistComment</strong>\r\n
            I created this artwork as a painted version of a print produced in the past.\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            Street artist "Sign A" is based in Tokyo. Since the origin of Japanese street art can be traced back to Ukiyo-e, Sign A aims to break the horizon between Ukiyo-e and art. Sign A works mainly on handmade Japanese paper as a support, using the stencil technique.
            """
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      2 => App\Models\Item {#2297
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          "id" => 3686
          "created_at" => "2022-10-05 18:21:37"
          "updated_at" => "2022-10-11 18:20:30"
          "name" => "山地 直輝 / 傲慢"
          "name_en" => "YAMAJI Naoki / Arrogance"
          "number" => "YN008"
          "price" => 30000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和3年\r\n
            サイズ : 25.1 × 15.6 cm\r\n
            限定 : -\r\n
            技法 : 紙にアクリル絵具\r\n
            詳細 : シート価格 / 台紙に貼付\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki - 東京)\r\n
            2021 グループ展「Dystopia」 (Pathos gallery - アムステルダム)\r\n
            2020 Ashurst Emerging Artist prize 入賞 (ロンドン)\r\n
            2017 グループ展「CONTEMPORARY VENICE」(ITS LIQUID GROUP - ヴェネツィア)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            山地 直輝は日本で油絵を学んだのち、2016年に渡欧。現在はオランダに拠点を置き制作活動を行っている。\r\n
            欧州での生活の中で顕在化した自身の日本人性に注目した山地は、日本人としての独自の視点を持って客観的に社会と人々を見つめ直した。\r\n
            彼の作品には人間と機械が融合したような存在が描かれている。ディストピア的な様相を呈しつつも奇妙なおかしみやユーモアが感じられるそれらは、山地が示す1つの人間とテクノロジーの関係の形だ。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2021\r\n
            Size: 25.1 × 15.6 cm\r\n
            Edition: -\r\n
            Technique: Acrylic painting on paper\r\n
            Detail: Not framed / Mounted on the pasteboard\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki-Tokyo)\r\n
            2021 Group Exhibition「Dystopia」(Pathos gallery - Amsterdam)\r\n
            2020 Win a prize at Ashurst Emerging Artist prize (London)\r\n
            2017 Group Exhibition「CONTEMPORARY VENICE」(ITS LIQUID GROUP - Venice)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            In 2016, Yamaji Naoki moved to Europe after studying oil painting in Japan. He is currently based in the Netherlands. \r\n
            Yamaji has focused on his own Japaneseness, which became apparent during his life in Europe. As a result, he began to think objectively about society and its people from a uniquely Japanese perspective.\r\n
            In his works, he depicts a fusion of humans and machines. While they have a dystopian aspect, they also have a sense of humor and strangeness.\r\n
            Yamaji shows us one form of the relationship between humans and technology.
            """
          "view_flg" => 1
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        #original: array:10 [
          "id" => 3686
          "created_at" => "2022-10-05 18:21:37"
          "updated_at" => "2022-10-11 18:20:30"
          "name" => "山地 直輝 / 傲慢"
          "name_en" => "YAMAJI Naoki / Arrogance"
          "number" => "YN008"
          "price" => 30000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和3年\r\n
            サイズ : 25.1 × 15.6 cm\r\n
            限定 : -\r\n
            技法 : 紙にアクリル絵具\r\n
            詳細 : シート価格 / 台紙に貼付\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki - 東京)\r\n
            2021 グループ展「Dystopia」 (Pathos gallery - アムステルダム)\r\n
            2020 Ashurst Emerging Artist prize 入賞 (ロンドン)\r\n
            2017 グループ展「CONTEMPORARY VENICE」(ITS LIQUID GROUP - ヴェネツィア)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            山地 直輝は日本で油絵を学んだのち、2016年に渡欧。現在はオランダに拠点を置き制作活動を行っている。\r\n
            欧州での生活の中で顕在化した自身の日本人性に注目した山地は、日本人としての独自の視点を持って客観的に社会と人々を見つめ直した。\r\n
            彼の作品には人間と機械が融合したような存在が描かれている。ディストピア的な様相を呈しつつも奇妙なおかしみやユーモアが感じられるそれらは、山地が示す1つの人間とテクノロジーの関係の形だ。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2021\r\n
            Size: 25.1 × 15.6 cm\r\n
            Edition: -\r\n
            Technique: Acrylic painting on paper\r\n
            Detail: Not framed / Mounted on the pasteboard\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki-Tokyo)\r\n
            2021 Group Exhibition「Dystopia」(Pathos gallery - Amsterdam)\r\n
            2020 Win a prize at Ashurst Emerging Artist prize (London)\r\n
            2017 Group Exhibition「CONTEMPORARY VENICE」(ITS LIQUID GROUP - Venice)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            In 2016, Yamaji Naoki moved to Europe after studying oil painting in Japan. He is currently based in the Netherlands. \r\n
            Yamaji has focused on his own Japaneseness, which became apparent during his life in Europe. As a result, he began to think objectively about society and its people from a uniquely Japanese perspective.\r\n
            In his works, he depicts a fusion of humans and machines. While they have a dystopian aspect, they also have a sense of humor and strangeness.\r\n
            Yamaji shows us one form of the relationship between humans and technology.
            """
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              1 => App\Models\Tag {#2302
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              2 => App\Models\Tag {#2304
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          "images" => Illuminate\Database\Eloquent\Collection {#2316
            #items: array:1 [
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      3 => App\Models\Item {#2307
        #table: "items"
        #primaryKey: "id"
        #fillable: array:7 [
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          1 => "name_en"
          2 => "number"
          3 => "price"
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        #connection: "mysql"
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        #attributes: array:10 [
          "id" => 998
          "created_at" => "2019-09-11 18:13:51"
          "updated_at" => "2022-10-08 17:22:14"
          "name" => "中村 美穂 / 夕焼けチャイム"
          "name_en" => "NAKAMURA Miho / Chimes of  the evening glow"
          "number" => "NM008"
          "price" => 8000
          "description" => """
            <strong>作品</strong>\r\n
            年代 : 平成29年\r\n
            サイズ : 19 × 14cm \r\n
            限定 : 19/30\r\n
            技法 : 和紙に木版\r\n
            \r\n
            <strong>プロフィール</strong>\r\n
            2015  女子美術大学大学院美術研究科美術専攻版画研究領域 修了\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2019 \r\n
            ・川上澄生美術館木版画大賞展 準大賞(鹿沼市立川上澄生美術館) \r\n
            2017  \r\n
            ・アワガミ国際ミニプリント展 審査員賞 (阿波和紙伝統産業会館)\r\n
            2016  \r\n
            ・川上澄生美術館木版画大賞展 審査員特別賞(鹿沼市立川上澄生美術館)\r\n
            2015  \r\n
            ・日本版画協会第83回版画展 準会員優秀賞FF賞\r\n
            2014  \r\n
            ・全国大学版画展 収蔵賞  (町田市立国際版画美術館)\r\n
            ・日本版画協会第82回版画展 山口源新人賞(沼津市庄司美術館収蔵)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            風景木版画作品の制作を続ける中村美穂。中村のあたたかな眼差しは現代の風景の中で見逃してしまいそうな無機質なものにも丁寧に向けられ、そこに存在する空気感は心の奥底に眠っていた記憶や心情を呼び起こすように作用するようにも思える。木版画ならではの色の重なりの美しさや、版と作者の丁寧なやりとりもうかがわせる作品は、手にするこちらも優しい気持ちになるような魅力があり、今後の作品も大変楽しみな作家である。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Artist : NAKAMURA Miho\r\n
            Date : 2017\r\n
            Size : 19 × 14 cm\r\n
            Edition : 19/30\r\n
            Technique : Wood-block printing
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 998
          "created_at" => "2019-09-11 18:13:51"
          "updated_at" => "2022-10-08 17:22:14"
          "name" => "中村 美穂 / 夕焼けチャイム"
          "name_en" => "NAKAMURA Miho / Chimes of  the evening glow"
          "number" => "NM008"
          "price" => 8000
          "description" => """
            <strong>作品</strong>\r\n
            年代 : 平成29年\r\n
            サイズ : 19 × 14cm \r\n
            限定 : 19/30\r\n
            技法 : 和紙に木版\r\n
            \r\n
            <strong>プロフィール</strong>\r\n
            2015  女子美術大学大学院美術研究科美術専攻版画研究領域 修了\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2019 \r\n
            ・川上澄生美術館木版画大賞展 準大賞(鹿沼市立川上澄生美術館) \r\n
            2017  \r\n
            ・アワガミ国際ミニプリント展 審査員賞 (阿波和紙伝統産業会館)\r\n
            2016  \r\n
            ・川上澄生美術館木版画大賞展 審査員特別賞(鹿沼市立川上澄生美術館)\r\n
            2015  \r\n
            ・日本版画協会第83回版画展 準会員優秀賞FF賞\r\n
            2014  \r\n
            ・全国大学版画展 収蔵賞  (町田市立国際版画美術館)\r\n
            ・日本版画協会第82回版画展 山口源新人賞(沼津市庄司美術館収蔵)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            風景木版画作品の制作を続ける中村美穂。中村のあたたかな眼差しは現代の風景の中で見逃してしまいそうな無機質なものにも丁寧に向けられ、そこに存在する空気感は心の奥底に眠っていた記憶や心情を呼び起こすように作用するようにも思える。木版画ならではの色の重なりの美しさや、版と作者の丁寧なやりとりもうかがわせる作品は、手にするこちらも優しい気持ちになるような魅力があり、今後の作品も大変楽しみな作家である。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Artist : NAKAMURA Miho\r\n
            Date : 2017\r\n
            Size : 19 × 14 cm\r\n
            Edition : 19/30\r\n
            Technique : Wood-block printing
            """
          "view_flg" => 1
          "status" => 0
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            #items: array:3 [
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                #table: "tags"
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              1 => App\Models\Tag {#2312
                #table: "tags"
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              2 => App\Models\Tag {#2314
                #table: "tags"
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      4 => App\Models\Item {#2317
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          "id" => 3682
          "created_at" => "2022-10-05 18:17:41"
          "updated_at" => "2022-10-07 13:08:19"
          "name" => "山地 直輝 / 箱"
          "name_en" => "YAMAJI Naoki / Hako"
          "number" => "YN004"
          "price" => 30000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和4年\r\n
            サイズ : 18.5 × 25.3 cm\r\n
            限定 : -\r\n
            技法 : 紙にアクリル絵具\r\n
            詳細 : シート価格 / 台紙に貼付\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki - 東京)\r\n
            2021 グループ展「Dystopia」 (Pathos gallery - アムステルダム)\r\n
            2020 Ashurst Emerging Artist prize 入賞 (ロンドン)\r\n
            2017 グループ展「CONTEMPORARY VENICE」(ITS LIQUID GROUP - ヴェネツィア)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            山地 直輝は日本で油絵を学んだのち、2016年に渡欧。現在はオランダに拠点を置き制作活動を行っている。\r\n
            欧州での生活の中で顕在化した自身の日本人性に注目した山地は、日本人としての独自の視点を持って客観的に社会と人々を見つめ直した。\r\n
            彼の作品には人間と機械が融合したような存在が描かれている。ディストピア的な様相を呈しつつも奇妙なおかしみやユーモアが感じられるそれらは、山地が示す1つの人間とテクノロジーの関係の形だ。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2022\r\n
            Size: 18.5 × 25.3 cm\r\n
            Edition: -\r\n
            Technique: Acrylic painting on paper\r\n
            Detail: Not framed / Mounted on the pasteboard\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki-Tokyo)\r\n
            2021 Group Exhibition「Dystopia」(Pathos gallery - Amsterdam)\r\n
            2020 Win a prize at Ashurst Emerging Artist prize (London)\r\n
            2017 Group Exhibition「CONTEMPORARY VENICE」(ITS LIQUID GROUP - Venice)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            In 2016, Yamaji Naoki moved to Europe after studying oil painting in Japan. He is currently based in the Netherlands. \r\n
            Yamaji has focused on his own Japaneseness, which became apparent during his life in Europe. As a result, he began to think objectively about society and its people from a uniquely Japanese perspective.\r\n
            In his works, he depicts a fusion of humans and machines. While they have a dystopian aspect, they also have a sense of humor and strangeness.\r\n
            Yamaji shows us one form of the relationship between humans and technology.
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3682
          "created_at" => "2022-10-05 18:17:41"
          "updated_at" => "2022-10-07 13:08:19"
          "name" => "山地 直輝 / 箱"
          "name_en" => "YAMAJI Naoki / Hako"
          "number" => "YN004"
          "price" => 30000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和4年\r\n
            サイズ : 18.5 × 25.3 cm\r\n
            限定 : -\r\n
            技法 : 紙にアクリル絵具\r\n
            詳細 : シート価格 / 台紙に貼付\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki - 東京)\r\n
            2021 グループ展「Dystopia」 (Pathos gallery - アムステルダム)\r\n
            2020 Ashurst Emerging Artist prize 入賞 (ロンドン)\r\n
            2017 グループ展「CONTEMPORARY VENICE」(ITS LIQUID GROUP - ヴェネツィア)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            山地 直輝は日本で油絵を学んだのち、2016年に渡欧。現在はオランダに拠点を置き制作活動を行っている。\r\n
            欧州での生活の中で顕在化した自身の日本人性に注目した山地は、日本人としての独自の視点を持って客観的に社会と人々を見つめ直した。\r\n
            彼の作品には人間と機械が融合したような存在が描かれている。ディストピア的な様相を呈しつつも奇妙なおかしみやユーモアが感じられるそれらは、山地が示す1つの人間とテクノロジーの関係の形だ。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2022\r\n
            Size: 18.5 × 25.3 cm\r\n
            Edition: -\r\n
            Technique: Acrylic painting on paper\r\n
            Detail: Not framed / Mounted on the pasteboard\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki-Tokyo)\r\n
            2021 Group Exhibition「Dystopia」(Pathos gallery - Amsterdam)\r\n
            2020 Win a prize at Ashurst Emerging Artist prize (London)\r\n
            2017 Group Exhibition「CONTEMPORARY VENICE」(ITS LIQUID GROUP - Venice)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            In 2016, Yamaji Naoki moved to Europe after studying oil painting in Japan. He is currently based in the Netherlands. \r\n
            Yamaji has focused on his own Japaneseness, which became apparent during his life in Europe. As a result, he began to think objectively about society and its people from a uniquely Japanese perspective.\r\n
            In his works, he depicts a fusion of humans and machines. While they have a dystopian aspect, they also have a sense of humor and strangeness.\r\n
            Yamaji shows us one form of the relationship between humans and technology.
            """
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              1 => App\Models\Tag {#2322
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          "id" => 3681
          "created_at" => "2022-10-05 18:16:30"
          "updated_at" => "2022-10-07 13:08:14"
          "name" => "山地 直輝 / 付き添い"
          "name_en" => "YAMAJI Naoki / Accompany"
          "number" => "YN003"
          "price" => 30000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和4年\r\n
            サイズ : 18.5 × 25.2 cm\r\n
            限定 : -\r\n
            技法 : 紙にアクリル絵具\r\n
            詳細 : シート価格 / 台紙に貼付\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki - 東京)\r\n
            2021 グループ展「Dystopia」 (Pathos gallery - アムステルダム)\r\n
            2020 Ashurst Emerging Artist prize 入賞 (ロンドン)\r\n
            2017 グループ展「CONTEMPORARY VENICE」(ITS LIQUID GROUP - ヴェネツィア)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            山地 直輝は日本で油絵を学んだのち、2016年に渡欧。現在はオランダに拠点を置き制作活動を行っている。\r\n
            欧州での生活の中で顕在化した自身の日本人性に注目した山地は、日本人としての独自の視点を持って客観的に社会と人々を見つめ直した。\r\n
            彼の作品には人間と機械が融合したような存在が描かれている。ディストピア的な様相を呈しつつも奇妙なおかしみやユーモアが感じられるそれらは、山地が示す1つの人間とテクノロジーの関係の形だ。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2022\r\n
            Size: 18.5 × 25.2 cm\r\n
            Edition: -\r\n
            Technique: Acrylic painting on paper\r\n
            Detail: Not framed / Mounted on the pasteboard\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki-Tokyo)\r\n
            2021 Group Exhibition「Dystopia」(Pathos gallery - Amsterdam)\r\n
            2020 Win a prize at Ashurst Emerging Artist prize (London)\r\n
            2017 Group Exhibition「CONTEMPORARY VENICE」(ITS LIQUID GROUP - Venice)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            In 2016, Yamaji Naoki moved to Europe after studying oil painting in Japan. He is currently based in the Netherlands. \r\n
            Yamaji has focused on his own Japaneseness, which became apparent during his life in Europe. As a result, he began to think objectively about society and its people from a uniquely Japanese perspective.\r\n
            In his works, he depicts a fusion of humans and machines. While they have a dystopian aspect, they also have a sense of humor and strangeness.\r\n
            Yamaji shows us one form of the relationship between humans and technology.
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3681
          "created_at" => "2022-10-05 18:16:30"
          "updated_at" => "2022-10-07 13:08:14"
          "name" => "山地 直輝 / 付き添い"
          "name_en" => "YAMAJI Naoki / Accompany"
          "number" => "YN003"
          "price" => 30000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和4年\r\n
            サイズ : 18.5 × 25.2 cm\r\n
            限定 : -\r\n
            技法 : 紙にアクリル絵具\r\n
            詳細 : シート価格 / 台紙に貼付\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki - 東京)\r\n
            2021 グループ展「Dystopia」 (Pathos gallery - アムステルダム)\r\n
            2020 Ashurst Emerging Artist prize 入賞 (ロンドン)\r\n
            2017 グループ展「CONTEMPORARY VENICE」(ITS LIQUID GROUP - ヴェネツィア)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            山地 直輝は日本で油絵を学んだのち、2016年に渡欧。現在はオランダに拠点を置き制作活動を行っている。\r\n
            欧州での生活の中で顕在化した自身の日本人性に注目した山地は、日本人としての独自の視点を持って客観的に社会と人々を見つめ直した。\r\n
            彼の作品には人間と機械が融合したような存在が描かれている。ディストピア的な様相を呈しつつも奇妙なおかしみやユーモアが感じられるそれらは、山地が示す1つの人間とテクノロジーの関係の形だ。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2022\r\n
            Size: 18.5 × 25.2 cm\r\n
            Edition: -\r\n
            Technique: Acrylic painting on paper\r\n
            Detail: Not framed / Mounted on the pasteboard\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki-Tokyo)\r\n
            2021 Group Exhibition「Dystopia」(Pathos gallery - Amsterdam)\r\n
            2020 Win a prize at Ashurst Emerging Artist prize (London)\r\n
            2017 Group Exhibition「CONTEMPORARY VENICE」(ITS LIQUID GROUP - Venice)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            In 2016, Yamaji Naoki moved to Europe after studying oil painting in Japan. He is currently based in the Netherlands. \r\n
            Yamaji has focused on his own Japaneseness, which became apparent during his life in Europe. As a result, he began to think objectively about society and its people from a uniquely Japanese perspective.\r\n
            In his works, he depicts a fusion of humans and machines. While they have a dystopian aspect, they also have a sense of humor and strangeness.\r\n
            Yamaji shows us one form of the relationship between humans and technology.
            """
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          "status" => 0
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                #table: "tags"
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              1 => App\Models\Tag {#2332
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              2 => App\Models\Tag {#2334
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          "id" => 3680
          "created_at" => "2022-10-05 18:15:23"
          "updated_at" => "2022-10-07 13:08:07"
          "name" => "山地 直輝 / 停留所"
          "name_en" => "YAMAJI Naoki / At the bus stop"
          "number" => "YN002"
          "price" => 30000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和4年\r\n
            サイズ : 25.2 × 18.5 cm\r\n
            限定 : -\r\n
            技法 : 紙にアクリル絵具\r\n
            詳細 : シート価格 / 台紙に貼付\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki - 東京)\r\n
            2021 グループ展「Dystopia」 (Pathos gallery - アムステルダム)\r\n
            2020 Ashurst Emerging Artist prize 入賞 (ロンドン)\r\n
            2017 グループ展「CONTEMPORARY VENICE」(ITS LIQUID GROUP - ヴェネツィア)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            山地 直輝は日本で油絵を学んだのち、2016年に渡欧。現在はオランダに拠点を置き制作活動を行っている。\r\n
            欧州での生活の中で顕在化した自身の日本人性に注目した山地は、日本人としての独自の視点を持って客観的に社会と人々を見つめ直した。\r\n
            彼の作品には人間と機械が融合したような存在が描かれている。ディストピア的な様相を呈しつつも奇妙なおかしみやユーモアが感じられるそれらは、山地が示す1つの人間とテクノロジーの関係の形だ。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2022\r\n
            Size: 25.2 × 18.5 cm\r\n
            Edition: -\r\n
            Technique: Acrylic painting on paper\r\n
            Detail: Not framed / Mounted on the pasteboard\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki-Tokyo)\r\n
            2021 Group Exhibition「Dystopia」(Pathos gallery - Amsterdam)\r\n
            2020 Win a prize at Ashurst Emerging Artist prize (London)\r\n
            2017 Group Exhibition「CONTEMPORARY VENICE」(ITS LIQUID GROUP - Venice)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            In 2016, Yamaji Naoki moved to Europe after studying oil painting in Japan. He is currently based in the Netherlands. \r\n
            Yamaji has focused on his own Japaneseness, which became apparent during his life in Europe. As a result, he began to think objectively about society and its people from a uniquely Japanese perspective.\r\n
            In his works, he depicts a fusion of humans and machines. While they have a dystopian aspect, they also have a sense of humor and strangeness.\r\n
            Yamaji shows us one form of the relationship between humans and technology.
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3680
          "created_at" => "2022-10-05 18:15:23"
          "updated_at" => "2022-10-07 13:08:07"
          "name" => "山地 直輝 / 停留所"
          "name_en" => "YAMAJI Naoki / At the bus stop"
          "number" => "YN002"
          "price" => 30000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和4年\r\n
            サイズ : 25.2 × 18.5 cm\r\n
            限定 : -\r\n
            技法 : 紙にアクリル絵具\r\n
            詳細 : シート価格 / 台紙に貼付\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki - 東京)\r\n
            2021 グループ展「Dystopia」 (Pathos gallery - アムステルダム)\r\n
            2020 Ashurst Emerging Artist prize 入賞 (ロンドン)\r\n
            2017 グループ展「CONTEMPORARY VENICE」(ITS LIQUID GROUP - ヴェネツィア)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            山地 直輝は日本で油絵を学んだのち、2016年に渡欧。現在はオランダに拠点を置き制作活動を行っている。\r\n
            欧州での生活の中で顕在化した自身の日本人性に注目した山地は、日本人としての独自の視点を持って客観的に社会と人々を見つめ直した。\r\n
            彼の作品には人間と機械が融合したような存在が描かれている。ディストピア的な様相を呈しつつも奇妙なおかしみやユーモアが感じられるそれらは、山地が示す1つの人間とテクノロジーの関係の形だ。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2022\r\n
            Size: 25.2 × 18.5 cm\r\n
            Edition: -\r\n
            Technique: Acrylic painting on paper\r\n
            Detail: Not framed / Mounted on the pasteboard\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki-Tokyo)\r\n
            2021 Group Exhibition「Dystopia」(Pathos gallery - Amsterdam)\r\n
            2020 Win a prize at Ashurst Emerging Artist prize (London)\r\n
            2017 Group Exhibition「CONTEMPORARY VENICE」(ITS LIQUID GROUP - Venice)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            In 2016, Yamaji Naoki moved to Europe after studying oil painting in Japan. He is currently based in the Netherlands. \r\n
            Yamaji has focused on his own Japaneseness, which became apparent during his life in Europe. As a result, he began to think objectively about society and its people from a uniquely Japanese perspective.\r\n
            In his works, he depicts a fusion of humans and machines. While they have a dystopian aspect, they also have a sense of humor and strangeness.\r\n
            Yamaji shows us one form of the relationship between humans and technology.
            """
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          "created_at" => "2022-10-05 18:13:33"
          "updated_at" => "2022-10-07 13:08:03"
          "name" => "山地 直輝 / 休息"
          "name_en" => "YAMAJI Naoki / Rest"
          "number" => "YN001"
          "price" => 30000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和4年\r\n
            サイズ : 25.2 × 18.7 cm\r\n
            限定 : -\r\n
            技法 : 紙にアクリル絵具\r\n
            詳細 : シート価格 / 台紙に貼付\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki - 東京)\r\n
            2021 グループ展「Dystopia」 (Pathos gallery - アムステルダム)\r\n
            2020 Ashurst Emerging Artist prize 入賞 (ロンドン)\r\n
            2017 グループ展「CONTEMPORARY VENICE」(ITS LIQUID GROUP - ヴェネツィア)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            山地 直輝は日本で油絵を学んだのち、2016年に渡欧。現在はオランダに拠点を置き制作活動を行っている。\r\n
            欧州での生活の中で顕在化した自身の日本人性に注目した山地は、日本人としての独自の視点を持って客観的に社会と人々を見つめ直した。\r\n
            彼の作品には人間と機械が融合したような存在が描かれている。ディストピア的な様相を呈しつつも奇妙なおかしみやユーモアが感じられるそれらは、山地が示す1つの人間とテクノロジーの関係の形だ。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2022\r\n
            Size: 25.2 × 18.7 cm\r\n
            Edition: -\r\n
            Technique: Acrylic painting on paper\r\n
            Detail: Not framed / Mounted on the pasteboard\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki-Tokyo)\r\n
            2021 Group Exhibition「Dystopia」(Pathos gallery - Amsterdam)\r\n
            2020 Win a prize at Ashurst Emerging Artist prize (London)\r\n
            2017 Group Exhibition「CONTEMPORARY VENICE」(ITS LIQUID GROUP - Venice)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            In 2016, Yamaji Naoki moved to Europe after studying oil painting in Japan. He is currently based in the Netherlands. \r\n
            Yamaji has focused on his own Japaneseness, which became apparent during his life in Europe. As a result, he began to think objectively about society and its people from a uniquely Japanese perspective.\r\n
            In his works, he depicts a fusion of humans and machines. While they have a dystopian aspect, they also have a sense of humor and strangeness.\r\n
            Yamaji shows us one form of the relationship between humans and technology.
            """
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          "status" => 0
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          "id" => 3679
          "created_at" => "2022-10-05 18:13:33"
          "updated_at" => "2022-10-07 13:08:03"
          "name" => "山地 直輝 / 休息"
          "name_en" => "YAMAJI Naoki / Rest"
          "number" => "YN001"
          "price" => 30000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和4年\r\n
            サイズ : 25.2 × 18.7 cm\r\n
            限定 : -\r\n
            技法 : 紙にアクリル絵具\r\n
            詳細 : シート価格 / 台紙に貼付\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki - 東京)\r\n
            2021 グループ展「Dystopia」 (Pathos gallery - アムステルダム)\r\n
            2020 Ashurst Emerging Artist prize 入賞 (ロンドン)\r\n
            2017 グループ展「CONTEMPORARY VENICE」(ITS LIQUID GROUP - ヴェネツィア)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            山地 直輝は日本で油絵を学んだのち、2016年に渡欧。現在はオランダに拠点を置き制作活動を行っている。\r\n
            欧州での生活の中で顕在化した自身の日本人性に注目した山地は、日本人としての独自の視点を持って客観的に社会と人々を見つめ直した。\r\n
            彼の作品には人間と機械が融合したような存在が描かれている。ディストピア的な様相を呈しつつも奇妙なおかしみやユーモアが感じられるそれらは、山地が示す1つの人間とテクノロジーの関係の形だ。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2022\r\n
            Size: 25.2 × 18.7 cm\r\n
            Edition: -\r\n
            Technique: Acrylic painting on paper\r\n
            Detail: Not framed / Mounted on the pasteboard\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki-Tokyo)\r\n
            2021 Group Exhibition「Dystopia」(Pathos gallery - Amsterdam)\r\n
            2020 Win a prize at Ashurst Emerging Artist prize (London)\r\n
            2017 Group Exhibition「CONTEMPORARY VENICE」(ITS LIQUID GROUP - Venice)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            In 2016, Yamaji Naoki moved to Europe after studying oil painting in Japan. He is currently based in the Netherlands. \r\n
            Yamaji has focused on his own Japaneseness, which became apparent during his life in Europe. As a result, he began to think objectively about society and its people from a uniquely Japanese perspective.\r\n
            In his works, he depicts a fusion of humans and machines. While they have a dystopian aspect, they also have a sense of humor and strangeness.\r\n
            Yamaji shows us one form of the relationship between humans and technology.
            """
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          "created_at" => "2022-10-05 18:18:40"
          "updated_at" => "2022-10-07 13:07:58"
          "name" => "山地 直輝 / 指導者"
          "name_en" => "YAMAJI Naoki / Mentor"
          "number" => "YN005"
          "price" => 30000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和4年\r\n
            サイズ : 17 × 22.8 cm\r\n
            限定 : -\r\n
            技法 : 紙にアクリル絵具\r\n
            詳細 : シート価格 / 台紙に貼付\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki - 東京)\r\n
            2021 グループ展「Dystopia」 (Pathos gallery - アムステルダム)\r\n
            2020 Ashurst Emerging Artist prize 入賞 (ロンドン)\r\n
            2017 グループ展「CONTEMPORARY VENICE」(ITS LIQUID GROUP - ヴェネツィア)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            山地 直輝は日本で油絵を学んだのち、2016年に渡欧。現在はオランダに拠点を置き制作活動を行っている。\r\n
            欧州での生活の中で顕在化した自身の日本人性に注目した山地は、日本人としての独自の視点を持って客観的に社会と人々を見つめ直した。\r\n
            彼の作品には人間と機械が融合したような存在が描かれている。ディストピア的な様相を呈しつつも奇妙なおかしみやユーモアが感じられるそれらは、山地が示す1つの人間とテクノロジーの関係の形だ。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2022\r\n
            Size: 17 × 22.8 cm\r\n
            Edition: -\r\n
            Technique: Acrylic painting on paper\r\n
            Detail: Not framed / Mounted on the pasteboard\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki-Tokyo)\r\n
            2021 Group Exhibition「Dystopia」(Pathos gallery - Amsterdam)\r\n
            2020 Win a prize at Ashurst Emerging Artist prize (London)\r\n
            2017 Group Exhibition「CONTEMPORARY VENICE」(ITS LIQUID GROUP - Venice)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            In 2016, Yamaji Naoki moved to Europe after studying oil painting in Japan. He is currently based in the Netherlands. \r\n
            Yamaji has focused on his own Japaneseness, which became apparent during his life in Europe. As a result, he began to think objectively about society and its people from a uniquely Japanese perspective.\r\n
            In his works, he depicts a fusion of humans and machines. While they have a dystopian aspect, they also have a sense of humor and strangeness.\r\n
            Yamaji shows us one form of the relationship between humans and technology.
            """
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          "id" => 3683
          "created_at" => "2022-10-05 18:18:40"
          "updated_at" => "2022-10-07 13:07:58"
          "name" => "山地 直輝 / 指導者"
          "name_en" => "YAMAJI Naoki / Mentor"
          "number" => "YN005"
          "price" => 30000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和4年\r\n
            サイズ : 17 × 22.8 cm\r\n
            限定 : -\r\n
            技法 : 紙にアクリル絵具\r\n
            詳細 : シート価格 / 台紙に貼付\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki - 東京)\r\n
            2021 グループ展「Dystopia」 (Pathos gallery - アムステルダム)\r\n
            2020 Ashurst Emerging Artist prize 入賞 (ロンドン)\r\n
            2017 グループ展「CONTEMPORARY VENICE」(ITS LIQUID GROUP - ヴェネツィア)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            山地 直輝は日本で油絵を学んだのち、2016年に渡欧。現在はオランダに拠点を置き制作活動を行っている。\r\n
            欧州での生活の中で顕在化した自身の日本人性に注目した山地は、日本人としての独自の視点を持って客観的に社会と人々を見つめ直した。\r\n
            彼の作品には人間と機械が融合したような存在が描かれている。ディストピア的な様相を呈しつつも奇妙なおかしみやユーモアが感じられるそれらは、山地が示す1つの人間とテクノロジーの関係の形だ。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2022\r\n
            Size: 17 × 22.8 cm\r\n
            Edition: -\r\n
            Technique: Acrylic painting on paper\r\n
            Detail: Not framed / Mounted on the pasteboard\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki-Tokyo)\r\n
            2021 Group Exhibition「Dystopia」(Pathos gallery - Amsterdam)\r\n
            2020 Win a prize at Ashurst Emerging Artist prize (London)\r\n
            2017 Group Exhibition「CONTEMPORARY VENICE」(ITS LIQUID GROUP - Venice)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            In 2016, Yamaji Naoki moved to Europe after studying oil painting in Japan. He is currently based in the Netherlands. \r\n
            Yamaji has focused on his own Japaneseness, which became apparent during his life in Europe. As a result, he began to think objectively about society and its people from a uniquely Japanese perspective.\r\n
            In his works, he depicts a fusion of humans and machines. While they have a dystopian aspect, they also have a sense of humor and strangeness.\r\n
            Yamaji shows us one form of the relationship between humans and technology.
            """
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      9 => App\Models\Item {#2380
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          "created_at" => "2022-10-05 18:19:54"
          "updated_at" => "2022-10-07 13:07:51"
          "name" => "山地 直輝 / 公園"
          "name_en" => "YAMAJI Naoki / At the park"
          "number" => "YN006"
          "price" => 30000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和4年\r\n
            サイズ : 18.5 × 25.2 cm\r\n
            限定 : -\r\n
            技法 : 紙にアクリル絵具\r\n
            詳細 : シート価格 / 台紙に貼付\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki - 東京)\r\n
            2021 グループ展「Dystopia」 (Pathos gallery - アムステルダム)\r\n
            2020 Ashurst Emerging Artist prize 入賞 (ロンドン)\r\n
            2017 グループ展「CONTEMPORARY VENICE」(ITS LIQUID GROUP - ヴェネツィア)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            山地 直輝は日本で油絵を学んだのち、2016年に渡欧。現在はオランダに拠点を置き制作活動を行っている。\r\n
            欧州での生活の中で顕在化した自身の日本人性に注目した山地は、日本人としての独自の視点を持って客観的に社会と人々を見つめ直した。\r\n
            彼の作品には人間と機械が融合したような存在が描かれている。ディストピア的な様相を呈しつつも奇妙なおかしみやユーモアが感じられるそれらは、山地が示す1つの人間とテクノロジーの関係の形だ。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2022\r\n
            Size: 18.5 × 25.2 cm\r\n
            Edition: -\r\n
            Technique: Acrylic painting on paper\r\n
            Detail: Not framed / Mounted on the pasteboard\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki-Tokyo)\r\n
            2021 Group Exhibition「Dystopia」(Pathos gallery - Amsterdam)\r\n
            2020 Win a prize at Ashurst Emerging Artist prize (London)\r\n
            2017 Group Exhibition「CONTEMPORARY VENICE」(ITS LIQUID GROUP - Venice)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            In 2016, Yamaji Naoki moved to Europe after studying oil painting in Japan. He is currently based in the Netherlands. \r\n
            Yamaji has focused on his own Japaneseness, which became apparent during his life in Europe. As a result, he began to think objectively about society and its people from a uniquely Japanese perspective.\r\n
            In his works, he depicts a fusion of humans and machines. While they have a dystopian aspect, they also have a sense of humor and strangeness.\r\n
            Yamaji shows us one form of the relationship between humans and technology.
            """
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          "name_en" => "YAMAJI Naoki / At the park"
          "number" => "YN006"
          "price" => 30000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和4年\r\n
            サイズ : 18.5 × 25.2 cm\r\n
            限定 : -\r\n
            技法 : 紙にアクリル絵具\r\n
            詳細 : シート価格 / 台紙に貼付\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki - 東京)\r\n
            2021 グループ展「Dystopia」 (Pathos gallery - アムステルダム)\r\n
            2020 Ashurst Emerging Artist prize 入賞 (ロンドン)\r\n
            2017 グループ展「CONTEMPORARY VENICE」(ITS LIQUID GROUP - ヴェネツィア)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            山地 直輝は日本で油絵を学んだのち、2016年に渡欧。現在はオランダに拠点を置き制作活動を行っている。\r\n
            欧州での生活の中で顕在化した自身の日本人性に注目した山地は、日本人としての独自の視点を持って客観的に社会と人々を見つめ直した。\r\n
            彼の作品には人間と機械が融合したような存在が描かれている。ディストピア的な様相を呈しつつも奇妙なおかしみやユーモアが感じられるそれらは、山地が示す1つの人間とテクノロジーの関係の形だ。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2022\r\n
            Size: 18.5 × 25.2 cm\r\n
            Edition: -\r\n
            Technique: Acrylic painting on paper\r\n
            Detail: Not framed / Mounted on the pasteboard\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki-Tokyo)\r\n
            2021 Group Exhibition「Dystopia」(Pathos gallery - Amsterdam)\r\n
            2020 Win a prize at Ashurst Emerging Artist prize (London)\r\n
            2017 Group Exhibition「CONTEMPORARY VENICE」(ITS LIQUID GROUP - Venice)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            In 2016, Yamaji Naoki moved to Europe after studying oil painting in Japan. He is currently based in the Netherlands. \r\n
            Yamaji has focused on his own Japaneseness, which became apparent during his life in Europe. As a result, he began to think objectively about society and its people from a uniquely Japanese perspective.\r\n
            In his works, he depicts a fusion of humans and machines. While they have a dystopian aspect, they also have a sense of humor and strangeness.\r\n
            Yamaji shows us one form of the relationship between humans and technology.
            """
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          "created_at" => "2022-10-05 18:20:45"
          "updated_at" => "2022-10-07 13:07:46"
          "name" => "山地 直輝 / 帰り道"
          "name_en" => "YAMAJI Naoki / Way home"
          "number" => "YN007"
          "price" => 30000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和3年\r\n
            サイズ : 18.8 × 22.2 cm\r\n
            限定 : -\r\n
            技法 : 紙にアクリル絵具\r\n
            詳細 : シート価格 / 台紙に貼付\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki - 東京)\r\n
            2021 グループ展「Dystopia」 (Pathos gallery - アムステルダム)\r\n
            2020 Ashurst Emerging Artist prize 入賞 (ロンドン)\r\n
            2017 グループ展「CONTEMPORARY VENICE」(ITS LIQUID GROUP - ヴェネツィア)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            山地 直輝は日本で油絵を学んだのち、2016年に渡欧。現在はオランダに拠点を置き制作活動を行っている。\r\n
            欧州での生活の中で顕在化した自身の日本人性に注目した山地は、日本人としての独自の視点を持って客観的に社会と人々を見つめ直した。\r\n
            彼の作品には人間と機械が融合したような存在が描かれている。ディストピア的な様相を呈しつつも奇妙なおかしみやユーモアが感じられるそれらは、山地が示す1つの人間とテクノロジーの関係の形だ。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2021\r\n
            Size: 18.8 × 22.2 cm\r\n
            Edition: -\r\n
            Technique: Acrylic painting on paper\r\n
            Detail: Not framed / Mounted on the pasteboard\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki-Tokyo)\r\n
            2021 Group Exhibition「Dystopia」(Pathos gallery - Amsterdam)\r\n
            2020 Win a prize at Ashurst Emerging Artist prize (London)\r\n
            2017 Group Exhibition「CONTEMPORARY VENICE」(ITS LIQUID GROUP - Venice)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            In 2016, Yamaji Naoki moved to Europe after studying oil painting in Japan. He is currently based in the Netherlands. \r\n
            Yamaji has focused on his own Japaneseness, which became apparent during his life in Europe. As a result, he began to think objectively about society and its people from a uniquely Japanese perspective.\r\n
            In his works, he depicts a fusion of humans and machines. While they have a dystopian aspect, they also have a sense of humor and strangeness.\r\n
            Yamaji shows us one form of the relationship between humans and technology.
            """
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          "created_at" => "2022-10-05 18:20:45"
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          "name" => "山地 直輝 / 帰り道"
          "name_en" => "YAMAJI Naoki / Way home"
          "number" => "YN007"
          "price" => 30000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和3年\r\n
            サイズ : 18.8 × 22.2 cm\r\n
            限定 : -\r\n
            技法 : 紙にアクリル絵具\r\n
            詳細 : シート価格 / 台紙に貼付\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki - 東京)\r\n
            2021 グループ展「Dystopia」 (Pathos gallery - アムステルダム)\r\n
            2020 Ashurst Emerging Artist prize 入賞 (ロンドン)\r\n
            2017 グループ展「CONTEMPORARY VENICE」(ITS LIQUID GROUP - ヴェネツィア)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            山地 直輝は日本で油絵を学んだのち、2016年に渡欧。現在はオランダに拠点を置き制作活動を行っている。\r\n
            欧州での生活の中で顕在化した自身の日本人性に注目した山地は、日本人としての独自の視点を持って客観的に社会と人々を見つめ直した。\r\n
            彼の作品には人間と機械が融合したような存在が描かれている。ディストピア的な様相を呈しつつも奇妙なおかしみやユーモアが感じられるそれらは、山地が示す1つの人間とテクノロジーの関係の形だ。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2021\r\n
            Size: 18.8 × 22.2 cm\r\n
            Edition: -\r\n
            Technique: Acrylic painting on paper\r\n
            Detail: Not framed / Mounted on the pasteboard\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki-Tokyo)\r\n
            2021 Group Exhibition「Dystopia」(Pathos gallery - Amsterdam)\r\n
            2020 Win a prize at Ashurst Emerging Artist prize (London)\r\n
            2017 Group Exhibition「CONTEMPORARY VENICE」(ITS LIQUID GROUP - Venice)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            In 2016, Yamaji Naoki moved to Europe after studying oil painting in Japan. He is currently based in the Netherlands. \r\n
            Yamaji has focused on his own Japaneseness, which became apparent during his life in Europe. As a result, he began to think objectively about society and its people from a uniquely Japanese perspective.\r\n
            In his works, he depicts a fusion of humans and machines. While they have a dystopian aspect, they also have a sense of humor and strangeness.\r\n
            Yamaji shows us one form of the relationship between humans and technology.
            """
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          "created_at" => "2022-10-05 18:22:36"
          "updated_at" => "2022-10-07 13:07:32"
          "name" => "山地 直輝 / 歩き"
          "name_en" => "YAMAJI Naoki / Walking"
          "number" => "YN009"
          "price" => 30000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和3年\r\n
            サイズ : 18.3 × 25.2 cm\r\n
            限定 : -\r\n
            技法 : 紙にアクリル絵具\r\n
            詳細 : シート価格 / 台紙に貼付\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki - 東京)\r\n
            2021 グループ展「Dystopia」 (Pathos gallery - アムステルダム)\r\n
            2020 Ashurst Emerging Artist prize 入賞 (ロンドン)\r\n
            2017 グループ展「CONTEMPORARY VENICE」(ITS LIQUID GROUP - ヴェネツィア)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            山地 直輝は日本で油絵を学んだのち、2016年に渡欧。現在はオランダに拠点を置き制作活動を行っている。\r\n
            欧州での生活の中で顕在化した自身の日本人性に注目した山地は、日本人としての独自の視点を持って客観的に社会と人々を見つめ直した。\r\n
            彼の作品には人間と機械が融合したような存在が描かれている。ディストピア的な様相を呈しつつも奇妙なおかしみやユーモアが感じられるそれらは、山地が示す1つの人間とテクノロジーの関係の形だ。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2021\r\n
            Size: 18.3 × 25.2 cm\r\n
            Edition: -\r\n
            Technique: Acrylic painting on paper\r\n
            Detail: Not framed / Mounted on the pasteboard\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki-Tokyo)\r\n
            2021 Group Exhibition「Dystopia」(Pathos gallery - Amsterdam)\r\n
            2020 Win a prize at Ashurst Emerging Artist prize (London)\r\n
            2017 Group Exhibition「CONTEMPORARY VENICE」(ITS LIQUID GROUP - Venice)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            In 2016, Yamaji Naoki moved to Europe after studying oil painting in Japan. He is currently based in the Netherlands. \r\n
            Yamaji has focused on his own Japaneseness, which became apparent during his life in Europe. As a result, he began to think objectively about society and its people from a uniquely Japanese perspective.\r\n
            In his works, he depicts a fusion of humans and machines. While they have a dystopian aspect, they also have a sense of humor and strangeness.\r\n
            Yamaji shows us one form of the relationship between humans and technology.
            """
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          "id" => 3687
          "created_at" => "2022-10-05 18:22:36"
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          "name" => "山地 直輝 / 歩き"
          "name_en" => "YAMAJI Naoki / Walking"
          "number" => "YN009"
          "price" => 30000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和3年\r\n
            サイズ : 18.3 × 25.2 cm\r\n
            限定 : -\r\n
            技法 : 紙にアクリル絵具\r\n
            詳細 : シート価格 / 台紙に貼付\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki - 東京)\r\n
            2021 グループ展「Dystopia」 (Pathos gallery - アムステルダム)\r\n
            2020 Ashurst Emerging Artist prize 入賞 (ロンドン)\r\n
            2017 グループ展「CONTEMPORARY VENICE」(ITS LIQUID GROUP - ヴェネツィア)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            山地 直輝は日本で油絵を学んだのち、2016年に渡欧。現在はオランダに拠点を置き制作活動を行っている。\r\n
            欧州での生活の中で顕在化した自身の日本人性に注目した山地は、日本人としての独自の視点を持って客観的に社会と人々を見つめ直した。\r\n
            彼の作品には人間と機械が融合したような存在が描かれている。ディストピア的な様相を呈しつつも奇妙なおかしみやユーモアが感じられるそれらは、山地が示す1つの人間とテクノロジーの関係の形だ。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2021\r\n
            Size: 18.3 × 25.2 cm\r\n
            Edition: -\r\n
            Technique: Acrylic painting on paper\r\n
            Detail: Not framed / Mounted on the pasteboard\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki-Tokyo)\r\n
            2021 Group Exhibition「Dystopia」(Pathos gallery - Amsterdam)\r\n
            2020 Win a prize at Ashurst Emerging Artist prize (London)\r\n
            2017 Group Exhibition「CONTEMPORARY VENICE」(ITS LIQUID GROUP - Venice)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            In 2016, Yamaji Naoki moved to Europe after studying oil painting in Japan. He is currently based in the Netherlands. \r\n
            Yamaji has focused on his own Japaneseness, which became apparent during his life in Europe. As a result, he began to think objectively about society and its people from a uniquely Japanese perspective.\r\n
            In his works, he depicts a fusion of humans and machines. While they have a dystopian aspect, they also have a sense of humor and strangeness.\r\n
            Yamaji shows us one form of the relationship between humans and technology.
            """
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          "id" => 3688
          "created_at" => "2022-10-05 18:23:26"
          "updated_at" => "2022-10-07 13:07:23"
          "name" => "山地 直輝 / 食事"
          "name_en" => "YAMAJI Naoki / Meal"
          "number" => "YN010"
          "price" => 30000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和3年\r\n
            サイズ : 18.5 × 22.4 cm\r\n
            限定 : -\r\n
            技法 : 紙にアクリル絵具\r\n
            詳細 : シート価格 / 台紙に貼付\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki - 東京)\r\n
            2021 グループ展「Dystopia」 (Pathos gallery - アムステルダム)\r\n
            2020 Ashurst Emerging Artist prize 入賞 (ロンドン)\r\n
            2017 グループ展「CONTEMPORARY VENICE」(ITS LIQUID GROUP - ヴェネツィア)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            山地 直輝は日本で油絵を学んだのち、2016年に渡欧。現在はオランダに拠点を置き制作活動を行っている。\r\n
            欧州での生活の中で顕在化した自身の日本人性に注目した山地は、日本人としての独自の視点を持って客観的に社会と人々を見つめ直した。\r\n
            彼の作品には人間と機械が融合したような存在が描かれている。ディストピア的な様相を呈しつつも奇妙なおかしみやユーモアが感じられるそれらは、山地が示す1つの人間とテクノロジーの関係の形だ。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2021\r\n
            Size: 18.5 × 22.4 cm\r\n
            Edition: -\r\n
            Technique: Acrylic painting on paper\r\n
            Detail: Not framed / Mounted on the pasteboard\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki-Tokyo)\r\n
            2021 Group Exhibition「Dystopia」(Pathos gallery - Amsterdam)\r\n
            2020 Win a prize at Ashurst Emerging Artist prize (London)\r\n
            2017 Group Exhibition「CONTEMPORARY VENICE」(ITS LIQUID GROUP - Venice)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            In 2016, Yamaji Naoki moved to Europe after studying oil painting in Japan. He is currently based in the Netherlands. \r\n
            Yamaji has focused on his own Japaneseness, which became apparent during his life in Europe. As a result, he began to think objectively about society and its people from a uniquely Japanese perspective.\r\n
            In his works, he depicts a fusion of humans and machines. While they have a dystopian aspect, they also have a sense of humor and strangeness.\r\n
            Yamaji shows us one form of the relationship between humans and technology.
            """
          "view_flg" => 1
          "status" => 0
        ]
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          "id" => 3688
          "created_at" => "2022-10-05 18:23:26"
          "updated_at" => "2022-10-07 13:07:23"
          "name" => "山地 直輝 / 食事"
          "name_en" => "YAMAJI Naoki / Meal"
          "number" => "YN010"
          "price" => 30000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和3年\r\n
            サイズ : 18.5 × 22.4 cm\r\n
            限定 : -\r\n
            技法 : 紙にアクリル絵具\r\n
            詳細 : シート価格 / 台紙に貼付\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki - 東京)\r\n
            2021 グループ展「Dystopia」 (Pathos gallery - アムステルダム)\r\n
            2020 Ashurst Emerging Artist prize 入賞 (ロンドン)\r\n
            2017 グループ展「CONTEMPORARY VENICE」(ITS LIQUID GROUP - ヴェネツィア)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            山地 直輝は日本で油絵を学んだのち、2016年に渡欧。現在はオランダに拠点を置き制作活動を行っている。\r\n
            欧州での生活の中で顕在化した自身の日本人性に注目した山地は、日本人としての独自の視点を持って客観的に社会と人々を見つめ直した。\r\n
            彼の作品には人間と機械が融合したような存在が描かれている。ディストピア的な様相を呈しつつも奇妙なおかしみやユーモアが感じられるそれらは、山地が示す1つの人間とテクノロジーの関係の形だ。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2021\r\n
            Size: 18.5 × 22.4 cm\r\n
            Edition: -\r\n
            Technique: Acrylic painting on paper\r\n
            Detail: Not framed / Mounted on the pasteboard\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki-Tokyo)\r\n
            2021 Group Exhibition「Dystopia」(Pathos gallery - Amsterdam)\r\n
            2020 Win a prize at Ashurst Emerging Artist prize (London)\r\n
            2017 Group Exhibition「CONTEMPORARY VENICE」(ITS LIQUID GROUP - Venice)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            In 2016, Yamaji Naoki moved to Europe after studying oil painting in Japan. He is currently based in the Netherlands. \r\n
            Yamaji has focused on his own Japaneseness, which became apparent during his life in Europe. As a result, he began to think objectively about society and its people from a uniquely Japanese perspective.\r\n
            In his works, he depicts a fusion of humans and machines. While they have a dystopian aspect, they also have a sense of humor and strangeness.\r\n
            Yamaji shows us one form of the relationship between humans and technology.
            """
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          "id" => 3689
          "created_at" => "2022-10-05 18:24:17"
          "updated_at" => "2022-10-07 13:07:15"
          "name" => "山地 直輝 / ご近所"
          "name_en" => "YAMAJI Naoki / Neighborhood"
          "number" => "YN011"
          "price" => 30000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和3年\r\n
            サイズ : 18.2 × 25.2 cm\r\n
            限定 : -\r\n
            技法 : 紙にアクリル絵具\r\n
            詳細 : シート価格 / 台紙に貼付\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki - 東京)\r\n
            2021 グループ展「Dystopia」 (Pathos gallery - アムステルダム)\r\n
            2020 Ashurst Emerging Artist prize 入賞 (ロンドン)\r\n
            2017 グループ展「CONTEMPORARY VENICE」(ITS LIQUID GROUP - ヴェネツィア)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            山地 直輝は日本で油絵を学んだのち、2016年に渡欧。現在はオランダに拠点を置き制作活動を行っている。\r\n
            欧州での生活の中で顕在化した自身の日本人性に注目した山地は、日本人としての独自の視点を持って客観的に社会と人々を見つめ直した。\r\n
            彼の作品には人間と機械が融合したような存在が描かれている。ディストピア的な様相を呈しつつも奇妙なおかしみやユーモアが感じられるそれらは、山地が示す1つの人間とテクノロジーの関係の形だ。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2021\r\n
            Size: 18.2 × 25.2 cm\r\n
            Edition: -\r\n
            Technique: Acrylic painting on paper\r\n
            Detail: Not framed / Mounted on the pasteboard\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki-Tokyo)\r\n
            2021 Group Exhibition「Dystopia」(Pathos gallery - Amsterdam)\r\n
            2020 Win a prize at Ashurst Emerging Artist prize (London)\r\n
            2017 Group Exhibition「CONTEMPORARY VENICE」(ITS LIQUID GROUP - Venice)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            In 2016, Yamaji Naoki moved to Europe after studying oil painting in Japan. He is currently based in the Netherlands. \r\n
            Yamaji has focused on his own Japaneseness, which became apparent during his life in Europe. As a result, he began to think objectively about society and its people from a uniquely Japanese perspective.\r\n
            In his works, he depicts a fusion of humans and machines. While they have a dystopian aspect, they also have a sense of humor and strangeness.\r\n
            Yamaji shows us one form of the relationship between humans and technology.
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3689
          "created_at" => "2022-10-05 18:24:17"
          "updated_at" => "2022-10-07 13:07:15"
          "name" => "山地 直輝 / ご近所"
          "name_en" => "YAMAJI Naoki / Neighborhood"
          "number" => "YN011"
          "price" => 30000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和3年\r\n
            サイズ : 18.2 × 25.2 cm\r\n
            限定 : -\r\n
            技法 : 紙にアクリル絵具\r\n
            詳細 : シート価格 / 台紙に貼付\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki - 東京)\r\n
            2021 グループ展「Dystopia」 (Pathos gallery - アムステルダム)\r\n
            2020 Ashurst Emerging Artist prize 入賞 (ロンドン)\r\n
            2017 グループ展「CONTEMPORARY VENICE」(ITS LIQUID GROUP - ヴェネツィア)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            山地 直輝は日本で油絵を学んだのち、2016年に渡欧。現在はオランダに拠点を置き制作活動を行っている。\r\n
            欧州での生活の中で顕在化した自身の日本人性に注目した山地は、日本人としての独自の視点を持って客観的に社会と人々を見つめ直した。\r\n
            彼の作品には人間と機械が融合したような存在が描かれている。ディストピア的な様相を呈しつつも奇妙なおかしみやユーモアが感じられるそれらは、山地が示す1つの人間とテクノロジーの関係の形だ。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2021\r\n
            Size: 18.2 × 25.2 cm\r\n
            Edition: -\r\n
            Technique: Acrylic painting on paper\r\n
            Detail: Not framed / Mounted on the pasteboard\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022 GEISAI#21 (Kaikai Kiki-Tokyo)\r\n
            2021 Group Exhibition「Dystopia」(Pathos gallery - Amsterdam)\r\n
            2020 Win a prize at Ashurst Emerging Artist prize (London)\r\n
            2017 Group Exhibition「CONTEMPORARY VENICE」(ITS LIQUID GROUP - Venice)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            In 2016, Yamaji Naoki moved to Europe after studying oil painting in Japan. He is currently based in the Netherlands. \r\n
            Yamaji has focused on his own Japaneseness, which became apparent during his life in Europe. As a result, he began to think objectively about society and its people from a uniquely Japanese perspective.\r\n
            In his works, he depicts a fusion of humans and machines. While they have a dystopian aspect, they also have a sense of humor and strangeness.\r\n
            Yamaji shows us one form of the relationship between humans and technology.
            """
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          "status" => 0
        ]
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      14 => App\Models\Item {#2418
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          "id" => 3601
          "created_at" => "2022-08-25 17:16:43"
          "updated_at" => "2022-08-25 17:16:43"
          "name" => "高橋 梓 / むこうの風景"
          "name_en" => "TAKAHASHI Azusa / On the Other Side"
          "number" => "TA018-2"
          "price" => 22000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和4年\r\n
            サイズ : 29.4 × 41.8 cm\r\n
            限定 : 2/3\r\n
            技法 : 紙にリトグラフ\r\n
            詳細 : シート価格\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>プロフィール</strong>\r\n
            2019  東京藝術大学大学院美術研究科修了\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022 泳ぐ庭/Floating Garden(ギャラリーそうめい堂)\r\n
            2021 高橋梓展 (アートゾーン神楽岡)\r\n
                DUB(柳沢画廊)\r\n
                その場合、わたしは何をする?~版画のひきだし~(藝大アートプラザ)\r\n
                Japan meets Tirol - Grafik(Kunst-Werk-Raum / オーストリア)\r\n
            2020    YAN(SO Fine Art Editions / アイルランド)\r\n
                   かけらをあつめて(伊勢丹)\r\n
            2019    AIRMAIL #2(柳沢画廊)\r\n
                SO Fine Art Editions (アイルランド)\r\n
                ASSAB ONE(イタリア)\r\n
                日中韓版画3人展 Toward the Future(B-gallery)\r\n
            2018  高橋梓展 (アートゾーン神楽岡)\r\n
            2017  Shotai(SO Fine Art Editions / アイルランド)\r\n
            \r\n
            <strong>作家コメント</strong>\r\n
            窓から覗いているのか、双眼鏡で覗いているのか、遠くを眺めている絵です。(鳥の部分はリトグラフの解き墨を使って表現していますが、自分でも予期しなかった調子が現れて、それはそれで面白いかなと思っています。)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            遙か遠く、風にのってふわりと舞う鳥たち。青を背に浮かぶのは小舟だろうか。ユーモアあふれる構図に、楽しい気持ちになる1枚。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2022\r\n
            Size: 29.4 × 41.8 cm\r\n
            Edition: 2/3\r\n
            Technique: Lithography on paper\r\n
            Detail: Not framed\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Profile</strong>\r\n
            2019 Graduated from Tokyo University of the Arts, M.A. of the Printmaking Department\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022 Floating Garden (Gallery Soumei-do)\r\n
            2021 Takahashi Azusa Exhibition (Art zone Kaguraoka)\r\n
                DUB (Yanagisawa Gallery)\r\n
                その場合、わたしは何をする?~版画のひきだし~ (In that case, what would I do? ~Print Drawer) (Geidai Art Plaza)\r\n
                Japan meets Tirol - Grafik (Kunst-Werk-Raum / Austria)\r\n
            2020    YAN (SO Fine Art Editions / Ireland)\r\n
                   かけらをあつめて (Collect the pieces)(Isetan)\r\n
            2019    AIRMAIL #2 (Yanagisawa Gallery)\r\n
                SO Fine Art Editions (Ireland)\r\n
                ASSAB ONE (Italy)\r\n
                Japan-China-Korea 3 Artists Exhibition Toward the Future (B-gallery)\r\n
            2018  Takahashi Azusa Exhibition (Art zone Kaguraoka)\r\n
            2017  Shotai (SO Fine Art Editions / Ireland)\r\n
            \r\n
            <strong>Artist Comment</strong>\r\n
            This is the landscape seen from a distance. I like the unexpected tones that emerged by using lithograph tusche.\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            Far off in the distance, birds fluttering in the wind. Floating in the blue background may be a small boat. The humorous composition of this artwork will make you feel happy.
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3601
          "created_at" => "2022-08-25 17:16:43"
          "updated_at" => "2022-08-25 17:16:43"
          "name" => "高橋 梓 / むこうの風景"
          "name_en" => "TAKAHASHI Azusa / On the Other Side"
          "number" => "TA018-2"
          "price" => 22000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和4年\r\n
            サイズ : 29.4 × 41.8 cm\r\n
            限定 : 2/3\r\n
            技法 : 紙にリトグラフ\r\n
            詳細 : シート価格\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>プロフィール</strong>\r\n
            2019  東京藝術大学大学院美術研究科修了\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022 泳ぐ庭/Floating Garden(ギャラリーそうめい堂)\r\n
            2021 高橋梓展 (アートゾーン神楽岡)\r\n
                DUB(柳沢画廊)\r\n
                その場合、わたしは何をする?~版画のひきだし~(藝大アートプラザ)\r\n
                Japan meets Tirol - Grafik(Kunst-Werk-Raum / オーストリア)\r\n
            2020    YAN(SO Fine Art Editions / アイルランド)\r\n
                   かけらをあつめて(伊勢丹)\r\n
            2019    AIRMAIL #2(柳沢画廊)\r\n
                SO Fine Art Editions (アイルランド)\r\n
                ASSAB ONE(イタリア)\r\n
                日中韓版画3人展 Toward the Future(B-gallery)\r\n
            2018  高橋梓展 (アートゾーン神楽岡)\r\n
            2017  Shotai(SO Fine Art Editions / アイルランド)\r\n
            \r\n
            <strong>作家コメント</strong>\r\n
            窓から覗いているのか、双眼鏡で覗いているのか、遠くを眺めている絵です。(鳥の部分はリトグラフの解き墨を使って表現していますが、自分でも予期しなかった調子が現れて、それはそれで面白いかなと思っています。)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            遙か遠く、風にのってふわりと舞う鳥たち。青を背に浮かぶのは小舟だろうか。ユーモアあふれる構図に、楽しい気持ちになる1枚。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2022\r\n
            Size: 29.4 × 41.8 cm\r\n
            Edition: 2/3\r\n
            Technique: Lithography on paper\r\n
            Detail: Not framed\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Profile</strong>\r\n
            2019 Graduated from Tokyo University of the Arts, M.A. of the Printmaking Department\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022 Floating Garden (Gallery Soumei-do)\r\n
            2021 Takahashi Azusa Exhibition (Art zone Kaguraoka)\r\n
                DUB (Yanagisawa Gallery)\r\n
                その場合、わたしは何をする?~版画のひきだし~ (In that case, what would I do? ~Print Drawer) (Geidai Art Plaza)\r\n
                Japan meets Tirol - Grafik (Kunst-Werk-Raum / Austria)\r\n
            2020    YAN (SO Fine Art Editions / Ireland)\r\n
                   かけらをあつめて (Collect the pieces)(Isetan)\r\n
            2019    AIRMAIL #2 (Yanagisawa Gallery)\r\n
                SO Fine Art Editions (Ireland)\r\n
                ASSAB ONE (Italy)\r\n
                Japan-China-Korea 3 Artists Exhibition Toward the Future (B-gallery)\r\n
            2018  Takahashi Azusa Exhibition (Art zone Kaguraoka)\r\n
            2017  Shotai (SO Fine Art Editions / Ireland)\r\n
            \r\n
            <strong>Artist Comment</strong>\r\n
            This is the landscape seen from a distance. I like the unexpected tones that emerged by using lithograph tusche.\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            Far off in the distance, birds fluttering in the wind. Floating in the blue background may be a small boat. The humorous composition of this artwork will make you feel happy.
            """
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      15 => App\Models\Item {#2440
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          "id" => 3555
          "created_at" => "2022-08-05 13:48:08"
          "updated_at" => "2022-08-10 12:50:47"
          "name" => "金 知慧 / B-day cake"
          "name_en" => "KIM Jihye / B-day cake"
          "number" => "KJ020"
          "price" => 20000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和4年\r\n
            サイズ : 25 × 17.5 cm(シートサイズ)\r\n
            限定 : 1/10\r\n
            技法 : 紙にメゾチント\r\n
            詳細 : シート価格\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>プロフィール</strong>\r\n
            2021 東京藝術大学大学院美術研究科修士課程 修了\r\n
            2018 弘益大学美術学部版画科 卒業 (韓国)\r\n
            2018 弘益大学美術学部芸術学科 卒業 (複数専攻)\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022\r\n
            ・Sequence(ギャラリーそうめい堂)\r\n
            2020\r\n
            ・KOREA ART WEEK ーPrintmaking×Classic (韓国)\r\n
            ・ Multiple print (ガレリア・グラフィカ bis)\r\n
            ・TKO国際ミニプリント展( 東京芸術劇場)\r\n
            2019\r\n
            ・日中韓 版画3人展「Toward the Future」 (B-gallery)\r\n
            ・Future Artists Tokyo(東京国際フォーラム)\r\n
            2015\r\n
            ・Pacific Rim International Print Exhibition (ニュージーランド)\r\n
            ・東京国際ミニプリントトリエンナーレ(多摩美術大学美術館)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            金 知慧(キム ジヘ)の作品は、写真のイメージから生まれるという。金は、自身が直接撮った、あるいは家族の昔のフィルム写真アルバムから「私の中の何か」に触れる写真を探し、それをもとにスケッチを行い、メゾチントを中心とした銅版画技法で作品を制作している。\r\n
            作品について、「銅版画に刻んだ私の記録 」 と金は説明するが、ここで言う記録とは彼女の「日記」に近いものに思える。それは、作品が極めて個人的な場面で始まっており、自己告白の性向があるからであろう。だが彼女の作品を眺めていると、多くの人の心の奥底の感情にふれる普遍の感覚を確かに感じる。 それは「懐かしさ」なのか、「愛」なのか、「憐憫」なのか、それともまた別の何かなのか。正確に一つの単語で表現できない記憶や感情が渦巻いている。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2022\r\n
            Size: 25 × 17.5 cm (Sheet size)\r\n
            Edition: 1/10\r\n
            Technique: Mezzotint on paper\r\n
            Detail: Not framed\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Profile</strong>\r\n
            2021 Graduated from Tokyo University of the Arts, M.A. of the Printmaking department (Japan)\r\n
            2018 Graduated from Hongik University College of Fine Arts, B.A. of the Printmaking department (Korea)\r\n
            2018 Graduated from Hongik University College of Fine Arts, B.A. of the Art History and Theory (Korea)\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022\r\n
            ・Sequence (Gallery Soumei-do)\r\n
            2020\r\n
            ・KOREA ART WEEK ーPrintmaking×Classic (Korea)\r\n
            ・ Multiple print (GALLERIA GRAFICA BIS, Tokyo)\r\n
            ・"TKO International Miniprint 2020" (Tokyo Metropolitan Theatre, Tokyo)\r\n
            2019\r\n
            ・"Toward the Future" (B-gallery, Tokyo)\r\n
            ・Future Artists Tokyo (Tokyo International Forum)\r\n
            2015\r\n
            ・Pacific Rim International Print Exhibition (New Zealand)\r\n
            ・International Miniprint Triennale (Tama Art University Museum, Tokyo)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            Kim Jihye's artworks are based on photographic images. Kim searches for photographs that touch "something in me" from her own photographs or from her family's old film photo albums. She makes sketches based on them and creates her works using mezzotint and other copper-printing techniques.\r\n
            She describes her work as "a record of me engraved in prints," and what she means by "record" here seems more like a "diary" to her. This may be because the work begins with a very personal scene and has a tendency toward self-confession. However, when we look at her works, we certainly feel a universal sensation that touches the deepest feelings of many people. Is it nostalgia, love, pity, or something else? Memories and emotions that cannot be expressed in a single word are swirling around.
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3555
          "created_at" => "2022-08-05 13:48:08"
          "updated_at" => "2022-08-10 12:50:47"
          "name" => "金 知慧 / B-day cake"
          "name_en" => "KIM Jihye / B-day cake"
          "number" => "KJ020"
          "price" => 20000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和4年\r\n
            サイズ : 25 × 17.5 cm(シートサイズ)\r\n
            限定 : 1/10\r\n
            技法 : 紙にメゾチント\r\n
            詳細 : シート価格\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>プロフィール</strong>\r\n
            2021 東京藝術大学大学院美術研究科修士課程 修了\r\n
            2018 弘益大学美術学部版画科 卒業 (韓国)\r\n
            2018 弘益大学美術学部芸術学科 卒業 (複数専攻)\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022\r\n
            ・Sequence(ギャラリーそうめい堂)\r\n
            2020\r\n
            ・KOREA ART WEEK ーPrintmaking×Classic (韓国)\r\n
            ・ Multiple print (ガレリア・グラフィカ bis)\r\n
            ・TKO国際ミニプリント展( 東京芸術劇場)\r\n
            2019\r\n
            ・日中韓 版画3人展「Toward the Future」 (B-gallery)\r\n
            ・Future Artists Tokyo(東京国際フォーラム)\r\n
            2015\r\n
            ・Pacific Rim International Print Exhibition (ニュージーランド)\r\n
            ・東京国際ミニプリントトリエンナーレ(多摩美術大学美術館)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            金 知慧(キム ジヘ)の作品は、写真のイメージから生まれるという。金は、自身が直接撮った、あるいは家族の昔のフィルム写真アルバムから「私の中の何か」に触れる写真を探し、それをもとにスケッチを行い、メゾチントを中心とした銅版画技法で作品を制作している。\r\n
            作品について、「銅版画に刻んだ私の記録 」 と金は説明するが、ここで言う記録とは彼女の「日記」に近いものに思える。それは、作品が極めて個人的な場面で始まっており、自己告白の性向があるからであろう。だが彼女の作品を眺めていると、多くの人の心の奥底の感情にふれる普遍の感覚を確かに感じる。 それは「懐かしさ」なのか、「愛」なのか、「憐憫」なのか、それともまた別の何かなのか。正確に一つの単語で表現できない記憶や感情が渦巻いている。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2022\r\n
            Size: 25 × 17.5 cm (Sheet size)\r\n
            Edition: 1/10\r\n
            Technique: Mezzotint on paper\r\n
            Detail: Not framed\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Profile</strong>\r\n
            2021 Graduated from Tokyo University of the Arts, M.A. of the Printmaking department (Japan)\r\n
            2018 Graduated from Hongik University College of Fine Arts, B.A. of the Printmaking department (Korea)\r\n
            2018 Graduated from Hongik University College of Fine Arts, B.A. of the Art History and Theory (Korea)\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022\r\n
            ・Sequence (Gallery Soumei-do)\r\n
            2020\r\n
            ・KOREA ART WEEK ーPrintmaking×Classic (Korea)\r\n
            ・ Multiple print (GALLERIA GRAFICA BIS, Tokyo)\r\n
            ・"TKO International Miniprint 2020" (Tokyo Metropolitan Theatre, Tokyo)\r\n
            2019\r\n
            ・"Toward the Future" (B-gallery, Tokyo)\r\n
            ・Future Artists Tokyo (Tokyo International Forum)\r\n
            2015\r\n
            ・Pacific Rim International Print Exhibition (New Zealand)\r\n
            ・International Miniprint Triennale (Tama Art University Museum, Tokyo)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            Kim Jihye's artworks are based on photographic images. Kim searches for photographs that touch "something in me" from her own photographs or from her family's old film photo albums. She makes sketches based on them and creates her works using mezzotint and other copper-printing techniques.\r\n
            She describes her work as "a record of me engraved in prints," and what she means by "record" here seems more like a "diary" to her. This may be because the work begins with a very personal scene and has a tendency toward self-confession. However, when we look at her works, we certainly feel a universal sensation that touches the deepest feelings of many people. Is it nostalgia, love, pity, or something else? Memories and emotions that cannot be expressed in a single word are swirling around.
            """
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      16 => App\Models\Item {#2450
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          "id" => 3556
          "created_at" => "2022-08-05 13:52:21"
          "updated_at" => "2022-08-10 12:50:31"
          "name" => "金 知慧 / HER Ⅱ"
          "name_en" => "KIM Jihye / HER Ⅱ"
          "number" => "KJ019"
          "price" => 35000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和3年\r\n
            サイズ : 25 × 17.5 cm(シートサイズ)\r\n
            限定 : 1/10\r\n
            技法 : 紙にメゾチント\r\n
            詳細 : シート価格\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>プロフィール</strong>\r\n
            2021 東京藝術大学大学院美術研究科修士課程 修了\r\n
            2018 弘益大学美術学部版画科 卒業 (韓国)\r\n
            2018 弘益大学美術学部芸術学科 卒業 (複数専攻)\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022\r\n
            ・Sequence(ギャラリーそうめい堂)\r\n
            2020\r\n
            ・KOREA ART WEEK ーPrintmaking×Classic (韓国)\r\n
            ・ Multiple print (ガレリア・グラフィカ bis)\r\n
            ・TKO国際ミニプリント展( 東京芸術劇場)\r\n
            2019\r\n
            ・日中韓 版画3人展「Toward the Future」 (B-gallery)\r\n
            ・Future Artists Tokyo(東京国際フォーラム)\r\n
            2015\r\n
            ・Pacific Rim International Print Exhibition (ニュージーランド)\r\n
            ・東京国際ミニプリントトリエンナーレ(多摩美術大学美術館)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            金 知慧(キム ジヘ)の作品は、写真のイメージから生まれるという。金は、自身が直接撮った、あるいは家族の昔のフィルム写真アルバムから「私の中の何か」に触れる写真を探し、それをもとにスケッチを行い、メゾチントを中心とした銅版画技法で作品を制作している。\r\n
            作品について、「銅版画に刻んだ私の記録 」 と金は説明するが、ここで言う記録とは彼女の「日記」に近いものに思える。それは、作品が極めて個人的な場面で始まっており、自己告白の性向があるからであろう。だが彼女の作品を眺めていると、多くの人の心の奥底の感情にふれる普遍の感覚を確かに感じる。 それは「懐かしさ」なのか、「愛」なのか、「憐憫」なのか、それともまた別の何かなのか。正確に一つの単語で表現できない記憶や感情が渦巻いている。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2021\r\n
            Size: 25 × 17.5 cm (Sheet size)\r\n
            Edition: 1/10\r\n
            Technique: Mezzotint on paper\r\n
            Detail: Not framed\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Profile</strong>\r\n
            2021 Graduated from Tokyo University of the Arts, M.A. of the Printmaking department (Japan)\r\n
            2018 Graduated from Hongik University College of Fine Arts, B.A. of the Printmaking department (Korea)\r\n
            2018 Graduated from Hongik University College of Fine Arts, B.A. of the Art History and Theory (Korea)\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022\r\n
            ・Sequence (Gallery Soumei-do)\r\n
            2020\r\n
            ・KOREA ART WEEK ーPrintmaking×Classic (Korea)\r\n
            ・ Multiple print (GALLERIA GRAFICA BIS, Tokyo)\r\n
            ・"TKO International Miniprint 2020" (Tokyo Metropolitan Theatre, Tokyo)\r\n
            2019\r\n
            ・"Toward the Future" (B-gallery, Tokyo)\r\n
            ・Future Artists Tokyo (Tokyo International Forum)\r\n
            2015\r\n
            ・Pacific Rim International Print Exhibition (New Zealand)\r\n
            ・International Miniprint Triennale (Tama Art University Museum, Tokyo)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            Kim Jihye's artworks are based on photographic images. Kim searches for photographs that touch "something in me" from her own photographs or from her family's old film photo albums. She makes sketches based on them and creates her works using mezzotint and other copper-printing techniques.\r\n
            She describes her work as "a record of me engraved in prints," and what she means by "record" here seems more like a "diary" to her. This may be because the work begins with a very personal scene and has a tendency toward self-confession. However, when we look at her works, we certainly feel a universal sensation that touches the deepest feelings of many people. Is it nostalgia, love, pity, or something else? Memories and emotions that cannot be expressed in a single word are swirling around.
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3556
          "created_at" => "2022-08-05 13:52:21"
          "updated_at" => "2022-08-10 12:50:31"
          "name" => "金 知慧 / HER Ⅱ"
          "name_en" => "KIM Jihye / HER Ⅱ"
          "number" => "KJ019"
          "price" => 35000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和3年\r\n
            サイズ : 25 × 17.5 cm(シートサイズ)\r\n
            限定 : 1/10\r\n
            技法 : 紙にメゾチント\r\n
            詳細 : シート価格\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>プロフィール</strong>\r\n
            2021 東京藝術大学大学院美術研究科修士課程 修了\r\n
            2018 弘益大学美術学部版画科 卒業 (韓国)\r\n
            2018 弘益大学美術学部芸術学科 卒業 (複数専攻)\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022\r\n
            ・Sequence(ギャラリーそうめい堂)\r\n
            2020\r\n
            ・KOREA ART WEEK ーPrintmaking×Classic (韓国)\r\n
            ・ Multiple print (ガレリア・グラフィカ bis)\r\n
            ・TKO国際ミニプリント展( 東京芸術劇場)\r\n
            2019\r\n
            ・日中韓 版画3人展「Toward the Future」 (B-gallery)\r\n
            ・Future Artists Tokyo(東京国際フォーラム)\r\n
            2015\r\n
            ・Pacific Rim International Print Exhibition (ニュージーランド)\r\n
            ・東京国際ミニプリントトリエンナーレ(多摩美術大学美術館)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            金 知慧(キム ジヘ)の作品は、写真のイメージから生まれるという。金は、自身が直接撮った、あるいは家族の昔のフィルム写真アルバムから「私の中の何か」に触れる写真を探し、それをもとにスケッチを行い、メゾチントを中心とした銅版画技法で作品を制作している。\r\n
            作品について、「銅版画に刻んだ私の記録 」 と金は説明するが、ここで言う記録とは彼女の「日記」に近いものに思える。それは、作品が極めて個人的な場面で始まっており、自己告白の性向があるからであろう。だが彼女の作品を眺めていると、多くの人の心の奥底の感情にふれる普遍の感覚を確かに感じる。 それは「懐かしさ」なのか、「愛」なのか、「憐憫」なのか、それともまた別の何かなのか。正確に一つの単語で表現できない記憶や感情が渦巻いている。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2021\r\n
            Size: 25 × 17.5 cm (Sheet size)\r\n
            Edition: 1/10\r\n
            Technique: Mezzotint on paper\r\n
            Detail: Not framed\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Profile</strong>\r\n
            2021 Graduated from Tokyo University of the Arts, M.A. of the Printmaking department (Japan)\r\n
            2018 Graduated from Hongik University College of Fine Arts, B.A. of the Printmaking department (Korea)\r\n
            2018 Graduated from Hongik University College of Fine Arts, B.A. of the Art History and Theory (Korea)\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022\r\n
            ・Sequence (Gallery Soumei-do)\r\n
            2020\r\n
            ・KOREA ART WEEK ーPrintmaking×Classic (Korea)\r\n
            ・ Multiple print (GALLERIA GRAFICA BIS, Tokyo)\r\n
            ・"TKO International Miniprint 2020" (Tokyo Metropolitan Theatre, Tokyo)\r\n
            2019\r\n
            ・"Toward the Future" (B-gallery, Tokyo)\r\n
            ・Future Artists Tokyo (Tokyo International Forum)\r\n
            2015\r\n
            ・Pacific Rim International Print Exhibition (New Zealand)\r\n
            ・International Miniprint Triennale (Tama Art University Museum, Tokyo)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            Kim Jihye's artworks are based on photographic images. Kim searches for photographs that touch "something in me" from her own photographs or from her family's old film photo albums. She makes sketches based on them and creates her works using mezzotint and other copper-printing techniques.\r\n
            She describes her work as "a record of me engraved in prints," and what she means by "record" here seems more like a "diary" to her. This may be because the work begins with a very personal scene and has a tendency toward self-confession. However, when we look at her works, we certainly feel a universal sensation that touches the deepest feelings of many people. Is it nostalgia, love, pity, or something else? Memories and emotions that cannot be expressed in a single word are swirling around.
            """
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      17 => App\Models\Item {#2460
        #table: "items"
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          "id" => 3557
          "created_at" => "2022-08-05 13:54:47"
          "updated_at" => "2022-08-10 12:49:45"
          "name" => "金 知慧 / HERⅠ"
          "name_en" => "KIM Jihye / HERⅠ"
          "number" => "KJ018"
          "price" => 35000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和3年\r\n
            サイズ : 25 × 17.5 cm(シートサイズ)\r\n
            限定 : 1/10\r\n
            技法 : 紙にメゾチント\r\n
            詳細 : シート価格\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>プロフィール</strong>\r\n
            2021 東京藝術大学大学院美術研究科修士課程 修了\r\n
            2018 弘益大学美術学部版画科 卒業 (韓国)\r\n
            2018 弘益大学美術学部芸術学科 卒業 (複数専攻)\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022\r\n
            ・Sequence(ギャラリーそうめい堂)\r\n
            2020\r\n
            ・KOREA ART WEEK ーPrintmaking×Classic (韓国)\r\n
            ・ Multiple print (ガレリア・グラフィカ bis)\r\n
            ・TKO国際ミニプリント展( 東京芸術劇場)\r\n
            2019\r\n
            ・日中韓 版画3人展「Toward the Future」 (B-gallery)\r\n
            ・Future Artists Tokyo(東京国際フォーラム)\r\n
            2015\r\n
            ・Pacific Rim International Print Exhibition (ニュージーランド)\r\n
            ・東京国際ミニプリントトリエンナーレ(多摩美術大学美術館)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            金 知慧(キム ジヘ)の作品は、写真のイメージから生まれるという。金は、自身が直接撮った、あるいは家族の昔のフィルム写真アルバムから「私の中の何か」に触れる写真を探し、それをもとにスケッチを行い、メゾチントを中心とした銅版画技法で作品を制作している。\r\n
            作品について、「銅版画に刻んだ私の記録 」 と金は説明するが、ここで言う記録とは彼女の「日記」に近いものに思える。それは、作品が極めて個人的な場面で始まっており、自己告白の性向があるからであろう。だが彼女の作品を眺めていると、多くの人の心の奥底の感情にふれる普遍の感覚を確かに感じる。 それは「懐かしさ」なのか、「愛」なのか、「憐憫」なのか、それともまた別の何かなのか。正確に一つの単語で表現できない記憶や感情が渦巻いている。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2021\r\n
            Size: 25 × 17.5 cm (Sheet size)\r\n
            Edition: 1/10\r\n
            Technique: Mezzotint on paper\r\n
            Detail: Not framed\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Profile</strong>\r\n
            2021 Graduated from Tokyo University of the Arts, M.A. of the Printmaking department (Japan)\r\n
            2018 Graduated from Hongik University College of Fine Arts, B.A. of the Printmaking department (Korea)\r\n
            2018 Graduated from Hongik University College of Fine Arts, B.A. of the Art History and Theory (Korea)\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022\r\n
            ・Sequence (Gallery Soumei-do)\r\n
            2020\r\n
            ・KOREA ART WEEK ーPrintmaking×Classic (Korea)\r\n
            ・ Multiple print (GALLERIA GRAFICA BIS, Tokyo)\r\n
            ・"TKO International Miniprint 2020" (Tokyo Metropolitan Theatre, Tokyo)\r\n
            2019\r\n
            ・"Toward the Future" (B-gallery, Tokyo)\r\n
            ・Future Artists Tokyo (Tokyo International Forum)\r\n
            2015\r\n
            ・Pacific Rim International Print Exhibition (New Zealand)\r\n
            ・International Miniprint Triennale (Tama Art University Museum, Tokyo)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            Kim Jihye's artworks are based on photographic images. Kim searches for photographs that touch "something in me" from her own photographs or from her family's old film photo albums. She makes sketches based on them and creates her works using mezzotint and other copper-printing techniques.\r\n
            She describes her work as "a record of me engraved in prints," and what she means by "record" here seems more like a "diary" to her. This may be because the work begins with a very personal scene and has a tendency toward self-confession. However, when we look at her works, we certainly feel a universal sensation that touches the deepest feelings of many people. Is it nostalgia, love, pity, or something else? Memories and emotions that cannot be expressed in a single word are swirling around.
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3557
          "created_at" => "2022-08-05 13:54:47"
          "updated_at" => "2022-08-10 12:49:45"
          "name" => "金 知慧 / HERⅠ"
          "name_en" => "KIM Jihye / HERⅠ"
          "number" => "KJ018"
          "price" => 35000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和3年\r\n
            サイズ : 25 × 17.5 cm(シートサイズ)\r\n
            限定 : 1/10\r\n
            技法 : 紙にメゾチント\r\n
            詳細 : シート価格\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>プロフィール</strong>\r\n
            2021 東京藝術大学大学院美術研究科修士課程 修了\r\n
            2018 弘益大学美術学部版画科 卒業 (韓国)\r\n
            2018 弘益大学美術学部芸術学科 卒業 (複数専攻)\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022\r\n
            ・Sequence(ギャラリーそうめい堂)\r\n
            2020\r\n
            ・KOREA ART WEEK ーPrintmaking×Classic (韓国)\r\n
            ・ Multiple print (ガレリア・グラフィカ bis)\r\n
            ・TKO国際ミニプリント展( 東京芸術劇場)\r\n
            2019\r\n
            ・日中韓 版画3人展「Toward the Future」 (B-gallery)\r\n
            ・Future Artists Tokyo(東京国際フォーラム)\r\n
            2015\r\n
            ・Pacific Rim International Print Exhibition (ニュージーランド)\r\n
            ・東京国際ミニプリントトリエンナーレ(多摩美術大学美術館)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            金 知慧(キム ジヘ)の作品は、写真のイメージから生まれるという。金は、自身が直接撮った、あるいは家族の昔のフィルム写真アルバムから「私の中の何か」に触れる写真を探し、それをもとにスケッチを行い、メゾチントを中心とした銅版画技法で作品を制作している。\r\n
            作品について、「銅版画に刻んだ私の記録 」 と金は説明するが、ここで言う記録とは彼女の「日記」に近いものに思える。それは、作品が極めて個人的な場面で始まっており、自己告白の性向があるからであろう。だが彼女の作品を眺めていると、多くの人の心の奥底の感情にふれる普遍の感覚を確かに感じる。 それは「懐かしさ」なのか、「愛」なのか、「憐憫」なのか、それともまた別の何かなのか。正確に一つの単語で表現できない記憶や感情が渦巻いている。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2021\r\n
            Size: 25 × 17.5 cm (Sheet size)\r\n
            Edition: 1/10\r\n
            Technique: Mezzotint on paper\r\n
            Detail: Not framed\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Profile</strong>\r\n
            2021 Graduated from Tokyo University of the Arts, M.A. of the Printmaking department (Japan)\r\n
            2018 Graduated from Hongik University College of Fine Arts, B.A. of the Printmaking department (Korea)\r\n
            2018 Graduated from Hongik University College of Fine Arts, B.A. of the Art History and Theory (Korea)\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022\r\n
            ・Sequence (Gallery Soumei-do)\r\n
            2020\r\n
            ・KOREA ART WEEK ーPrintmaking×Classic (Korea)\r\n
            ・ Multiple print (GALLERIA GRAFICA BIS, Tokyo)\r\n
            ・"TKO International Miniprint 2020" (Tokyo Metropolitan Theatre, Tokyo)\r\n
            2019\r\n
            ・"Toward the Future" (B-gallery, Tokyo)\r\n
            ・Future Artists Tokyo (Tokyo International Forum)\r\n
            2015\r\n
            ・Pacific Rim International Print Exhibition (New Zealand)\r\n
            ・International Miniprint Triennale (Tama Art University Museum, Tokyo)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            Kim Jihye's artworks are based on photographic images. Kim searches for photographs that touch "something in me" from her own photographs or from her family's old film photo albums. She makes sketches based on them and creates her works using mezzotint and other copper-printing techniques.\r\n
            She describes her work as "a record of me engraved in prints," and what she means by "record" here seems more like a "diary" to her. This may be because the work begins with a very personal scene and has a tendency toward self-confession. However, when we look at her works, we certainly feel a universal sensation that touches the deepest feelings of many people. Is it nostalgia, love, pity, or something else? Memories and emotions that cannot be expressed in a single word are swirling around.
            """
          "view_flg" => 1
          "status" => 0
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              2 => App\Models\Tag {#2456 …30}
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          "images" => Illuminate\Database\Eloquent\Collection {#2458
            #items: array:1 [
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      18 => App\Models\Item {#2470
        #table: "items"
        #primaryKey: "id"
        #fillable: array:7 [
          0 => "name"
          1 => "name_en"
          2 => "number"
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        #connection: "mysql"
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          "id" => 3558
          "created_at" => "2022-08-05 13:56:23"
          "updated_at" => "2022-08-10 12:49:38"
          "name" => "金 知慧 / Tailless cat"
          "name_en" => "KIM Jihye / Tailless cat"
          "number" => "KJ017"
          "price" => 30000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和4年\r\n
            サイズ : 35 × 25 cm(シートサイズ)\r\n
            限定 : 1/4\r\n
            技法 : 紙にメゾチント / エッチング / アクアチント / シン・コレ\r\n
            詳細 : シート価格\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>プロフィール</strong>\r\n
            2021 東京藝術大学大学院美術研究科修士課程 修了\r\n
            2018 弘益大学美術学部版画科 卒業 (韓国)\r\n
            2018 弘益大学美術学部芸術学科 卒業 (複数専攻)\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022\r\n
            ・Sequence(ギャラリーそうめい堂)\r\n
            2020\r\n
            ・KOREA ART WEEK ーPrintmaking×Classic (韓国)\r\n
            ・ Multiple print (ガレリア・グラフィカ bis)\r\n
            ・TKO国際ミニプリント展( 東京芸術劇場)\r\n
            2019\r\n
            ・日中韓 版画3人展「Toward the Future」 (B-gallery)\r\n
            ・Future Artists Tokyo(東京国際フォーラム)\r\n
            2015\r\n
            ・Pacific Rim International Print Exhibition (ニュージーランド)\r\n
            ・東京国際ミニプリントトリエンナーレ(多摩美術大学美術館)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            金 知慧(キム ジヘ)の作品は、写真のイメージから生まれるという。金は、自身が直接撮った、あるいは家族の昔のフィルム写真アルバムから「私の中の何か」に触れる写真を探し、それをもとにスケッチを行い、メゾチントを中心とした銅版画技法で作品を制作している。\r\n
            作品について、「銅版画に刻んだ私の記録 」 と金は説明するが、ここで言う記録とは彼女の「日記」に近いものに思える。それは、作品が極めて個人的な場面で始まっており、自己告白の性向があるからであろう。だが彼女の作品を眺めていると、多くの人の心の奥底の感情にふれる普遍の感覚を確かに感じる。 それは「懐かしさ」なのか、「愛」なのか、「憐憫」なのか、それともまた別の何かなのか。正確に一つの単語で表現できない記憶や感情が渦巻いている。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2022\r\n
            Size: 35 × 25 cm (Sheet size)\r\n
            Edition: 1/4\r\n
            Technique: Mezzotint / Etching / Aquatint / Chine collée on paper\r\n
            Detail: Not framed\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Profile</strong>\r\n
            2021 Graduated from Tokyo University of the Arts, M.A. of the Printmaking department (Japan)\r\n
            2018 Graduated from Hongik University College of Fine Arts, B.A. of the Printmaking department (Korea)\r\n
            2018 Graduated from Hongik University College of Fine Arts, B.A. of the Art History and Theory (Korea)\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022\r\n
            ・Sequence (Gallery Soumei-do)\r\n
            2020\r\n
            ・KOREA ART WEEK ーPrintmaking×Classic (Korea)\r\n
            ・ Multiple print (GALLERIA GRAFICA BIS, Tokyo)\r\n
            ・"TKO International Miniprint 2020" (Tokyo Metropolitan Theatre, Tokyo)\r\n
            2019\r\n
            ・"Toward the Future" (B-gallery, Tokyo)\r\n
            ・Future Artists Tokyo (Tokyo International Forum)\r\n
            2015\r\n
            ・Pacific Rim International Print Exhibition (New Zealand)\r\n
            ・International Miniprint Triennale (Tama Art University Museum, Tokyo)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            Kim Jihye's artworks are based on photographic images. Kim searches for photographs that touch "something in me" from her own photographs or from her family's old film photo albums. She makes sketches based on them and creates her works using mezzotint and other copper-printing techniques.\r\n
            She describes her work as "a record of me engraved in prints," and what she means by "record" here seems more like a "diary" to her. This may be because the work begins with a very personal scene and has a tendency toward self-confession. However, when we look at her works, we certainly feel a universal sensation that touches the deepest feelings of many people. Is it nostalgia, love, pity, or something else? Memories and emotions that cannot be expressed in a single word are swirling around.
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3558
          "created_at" => "2022-08-05 13:56:23"
          "updated_at" => "2022-08-10 12:49:38"
          "name" => "金 知慧 / Tailless cat"
          "name_en" => "KIM Jihye / Tailless cat"
          "number" => "KJ017"
          "price" => 30000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和4年\r\n
            サイズ : 35 × 25 cm(シートサイズ)\r\n
            限定 : 1/4\r\n
            技法 : 紙にメゾチント / エッチング / アクアチント / シン・コレ\r\n
            詳細 : シート価格\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>プロフィール</strong>\r\n
            2021 東京藝術大学大学院美術研究科修士課程 修了\r\n
            2018 弘益大学美術学部版画科 卒業 (韓国)\r\n
            2018 弘益大学美術学部芸術学科 卒業 (複数専攻)\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022\r\n
            ・Sequence(ギャラリーそうめい堂)\r\n
            2020\r\n
            ・KOREA ART WEEK ーPrintmaking×Classic (韓国)\r\n
            ・ Multiple print (ガレリア・グラフィカ bis)\r\n
            ・TKO国際ミニプリント展( 東京芸術劇場)\r\n
            2019\r\n
            ・日中韓 版画3人展「Toward the Future」 (B-gallery)\r\n
            ・Future Artists Tokyo(東京国際フォーラム)\r\n
            2015\r\n
            ・Pacific Rim International Print Exhibition (ニュージーランド)\r\n
            ・東京国際ミニプリントトリエンナーレ(多摩美術大学美術館)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            金 知慧(キム ジヘ)の作品は、写真のイメージから生まれるという。金は、自身が直接撮った、あるいは家族の昔のフィルム写真アルバムから「私の中の何か」に触れる写真を探し、それをもとにスケッチを行い、メゾチントを中心とした銅版画技法で作品を制作している。\r\n
            作品について、「銅版画に刻んだ私の記録 」 と金は説明するが、ここで言う記録とは彼女の「日記」に近いものに思える。それは、作品が極めて個人的な場面で始まっており、自己告白の性向があるからであろう。だが彼女の作品を眺めていると、多くの人の心の奥底の感情にふれる普遍の感覚を確かに感じる。 それは「懐かしさ」なのか、「愛」なのか、「憐憫」なのか、それともまた別の何かなのか。正確に一つの単語で表現できない記憶や感情が渦巻いている。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2022\r\n
            Size: 35 × 25 cm (Sheet size)\r\n
            Edition: 1/4\r\n
            Technique: Mezzotint / Etching / Aquatint / Chine collée on paper\r\n
            Detail: Not framed\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Profile</strong>\r\n
            2021 Graduated from Tokyo University of the Arts, M.A. of the Printmaking department (Japan)\r\n
            2018 Graduated from Hongik University College of Fine Arts, B.A. of the Printmaking department (Korea)\r\n
            2018 Graduated from Hongik University College of Fine Arts, B.A. of the Art History and Theory (Korea)\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022\r\n
            ・Sequence (Gallery Soumei-do)\r\n
            2020\r\n
            ・KOREA ART WEEK ーPrintmaking×Classic (Korea)\r\n
            ・ Multiple print (GALLERIA GRAFICA BIS, Tokyo)\r\n
            ・"TKO International Miniprint 2020" (Tokyo Metropolitan Theatre, Tokyo)\r\n
            2019\r\n
            ・"Toward the Future" (B-gallery, Tokyo)\r\n
            ・Future Artists Tokyo (Tokyo International Forum)\r\n
            2015\r\n
            ・Pacific Rim International Print Exhibition (New Zealand)\r\n
            ・International Miniprint Triennale (Tama Art University Museum, Tokyo)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            Kim Jihye's artworks are based on photographic images. Kim searches for photographs that touch "something in me" from her own photographs or from her family's old film photo albums. She makes sketches based on them and creates her works using mezzotint and other copper-printing techniques.\r\n
            She describes her work as "a record of me engraved in prints," and what she means by "record" here seems more like a "diary" to her. This may be because the work begins with a very personal scene and has a tendency toward self-confession. However, when we look at her works, we certainly feel a universal sensation that touches the deepest feelings of many people. Is it nostalgia, love, pity, or something else? Memories and emotions that cannot be expressed in a single word are swirling around.
            """
          "view_flg" => 1
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            #items: array:1 [
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      19 => App\Models\Item {#2471
        #table: "items"
        #primaryKey: "id"
        #fillable: array:7 [
          0 => "name"
          1 => "name_en"
          2 => "number"
          3 => "price"
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          "id" => 3560
          "created_at" => "2022-08-05 14:06:12"
          "updated_at" => "2022-08-10 12:49:24"
          "name" => "金 知慧 / Gaze"
          "name_en" => "KIM Jihye / Gaze"
          "number" => "KJ015"
          "price" => 22000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和4年\r\n
            サイズ : 35 × 25 cm(シートサイズ)\r\n
            限定 : 1/3\r\n
            技法 : 紙にメゾチント / エッチング / シン・コレ\r\n
            詳細 : シート価格\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>プロフィール</strong>\r\n
            2021 東京藝術大学大学院美術研究科修士課程 修了\r\n
            2018 弘益大学美術学部版画科 卒業 (韓国)\r\n
            2018 弘益大学美術学部芸術学科 卒業 (複数専攻)\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022\r\n
            ・Sequence(ギャラリーそうめい堂)\r\n
            2020\r\n
            ・KOREA ART WEEK ーPrintmaking×Classic (韓国)\r\n
            ・ Multiple print (ガレリア・グラフィカ bis)\r\n
            ・TKO国際ミニプリント展( 東京芸術劇場)\r\n
            2019\r\n
            ・日中韓 版画3人展「Toward the Future」 (B-gallery)\r\n
            ・Future Artists Tokyo(東京国際フォーラム)\r\n
            2015\r\n
            ・Pacific Rim International Print Exhibition (ニュージーランド)\r\n
            ・東京国際ミニプリントトリエンナーレ(多摩美術大学美術館)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            金 知慧(キム ジヘ)の作品は、写真のイメージから生まれるという。金は、自身が直接撮った、あるいは家族の昔のフィルム写真アルバムから「私の中の何か」に触れる写真を探し、それをもとにスケッチを行い、メゾチントを中心とした銅版画技法で作品を制作している。\r\n
            作品について、「銅版画に刻んだ私の記録 」 と金は説明するが、ここで言う記録とは彼女の「日記」に近いものに思える。それは、作品が極めて個人的な場面で始まっており、自己告白の性向があるからであろう。だが彼女の作品を眺めていると、多くの人の心の奥底の感情にふれる普遍の感覚を確かに感じる。 それは「懐かしさ」なのか、「愛」なのか、「憐憫」なのか、それともまた別の何かなのか。正確に一つの単語で表現できない記憶や感情が渦巻いている。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2022\r\n
            Size: 35 × 25 cm (Sheet size)\r\n
            Edition: 1/3\r\n
            Technique: Mezzotint / Etching / Chine collée on paper\r\n
            Detail: Not framed\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Profile</strong>\r\n
            2021 Graduated from Tokyo University of the Arts, M.A. of the Printmaking department (Japan)\r\n
            2018 Graduated from Hongik University College of Fine Arts, B.A. of the Printmaking department (Korea)\r\n
            2018 Graduated from Hongik University College of Fine Arts, B.A. of the Art History and Theory (Korea)\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022\r\n
            ・Sequence (Gallery Soumei-do)\r\n
            2020\r\n
            ・KOREA ART WEEK ーPrintmaking×Classic (Korea)\r\n
            ・ Multiple print (GALLERIA GRAFICA BIS, Tokyo)\r\n
            ・"TKO International Miniprint 2020" (Tokyo Metropolitan Theatre, Tokyo)\r\n
            2019\r\n
            ・"Toward the Future" (B-gallery, Tokyo)\r\n
            ・Future Artists Tokyo (Tokyo International Forum)\r\n
            2015\r\n
            ・Pacific Rim International Print Exhibition (New Zealand)\r\n
            ・International Miniprint Triennale (Tama Art University Museum, Tokyo)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            Kim Jihye's artworks are based on photographic images. Kim searches for photographs that touch "something in me" from her own photographs or from her family's old film photo albums. She makes sketches based on them and creates her works using mezzotint and other copper-printing techniques.\r\n
            She describes her work as "a record of me engraved in prints," and what she means by "record" here seems more like a "diary" to her. This may be because the work begins with a very personal scene and has a tendency toward self-confession. However, when we look at her works, we certainly feel a universal sensation that touches the deepest feelings of many people. Is it nostalgia, love, pity, or something else? Memories and emotions that cannot be expressed in a single word are swirling around.
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3560
          "created_at" => "2022-08-05 14:06:12"
          "updated_at" => "2022-08-10 12:49:24"
          "name" => "金 知慧 / Gaze"
          "name_en" => "KIM Jihye / Gaze"
          "number" => "KJ015"
          "price" => 22000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和4年\r\n
            サイズ : 35 × 25 cm(シートサイズ)\r\n
            限定 : 1/3\r\n
            技法 : 紙にメゾチント / エッチング / シン・コレ\r\n
            詳細 : シート価格\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>プロフィール</strong>\r\n
            2021 東京藝術大学大学院美術研究科修士課程 修了\r\n
            2018 弘益大学美術学部版画科 卒業 (韓国)\r\n
            2018 弘益大学美術学部芸術学科 卒業 (複数専攻)\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022\r\n
            ・Sequence(ギャラリーそうめい堂)\r\n
            2020\r\n
            ・KOREA ART WEEK ーPrintmaking×Classic (韓国)\r\n
            ・ Multiple print (ガレリア・グラフィカ bis)\r\n
            ・TKO国際ミニプリント展( 東京芸術劇場)\r\n
            2019\r\n
            ・日中韓 版画3人展「Toward the Future」 (B-gallery)\r\n
            ・Future Artists Tokyo(東京国際フォーラム)\r\n
            2015\r\n
            ・Pacific Rim International Print Exhibition (ニュージーランド)\r\n
            ・東京国際ミニプリントトリエンナーレ(多摩美術大学美術館)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            金 知慧(キム ジヘ)の作品は、写真のイメージから生まれるという。金は、自身が直接撮った、あるいは家族の昔のフィルム写真アルバムから「私の中の何か」に触れる写真を探し、それをもとにスケッチを行い、メゾチントを中心とした銅版画技法で作品を制作している。\r\n
            作品について、「銅版画に刻んだ私の記録 」 と金は説明するが、ここで言う記録とは彼女の「日記」に近いものに思える。それは、作品が極めて個人的な場面で始まっており、自己告白の性向があるからであろう。だが彼女の作品を眺めていると、多くの人の心の奥底の感情にふれる普遍の感覚を確かに感じる。 それは「懐かしさ」なのか、「愛」なのか、「憐憫」なのか、それともまた別の何かなのか。正確に一つの単語で表現できない記憶や感情が渦巻いている。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2022\r\n
            Size: 35 × 25 cm (Sheet size)\r\n
            Edition: 1/3\r\n
            Technique: Mezzotint / Etching / Chine collée on paper\r\n
            Detail: Not framed\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Profile</strong>\r\n
            2021 Graduated from Tokyo University of the Arts, M.A. of the Printmaking department (Japan)\r\n
            2018 Graduated from Hongik University College of Fine Arts, B.A. of the Printmaking department (Korea)\r\n
            2018 Graduated from Hongik University College of Fine Arts, B.A. of the Art History and Theory (Korea)\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022\r\n
            ・Sequence (Gallery Soumei-do)\r\n
            2020\r\n
            ・KOREA ART WEEK ーPrintmaking×Classic (Korea)\r\n
            ・ Multiple print (GALLERIA GRAFICA BIS, Tokyo)\r\n
            ・"TKO International Miniprint 2020" (Tokyo Metropolitan Theatre, Tokyo)\r\n
            2019\r\n
            ・"Toward the Future" (B-gallery, Tokyo)\r\n
            ・Future Artists Tokyo (Tokyo International Forum)\r\n
            2015\r\n
            ・Pacific Rim International Print Exhibition (New Zealand)\r\n
            ・International Miniprint Triennale (Tama Art University Museum, Tokyo)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            Kim Jihye's artworks are based on photographic images. Kim searches for photographs that touch "something in me" from her own photographs or from her family's old film photo albums. She makes sketches based on them and creates her works using mezzotint and other copper-printing techniques.\r\n
            She describes her work as "a record of me engraved in prints," and what she means by "record" here seems more like a "diary" to her. This may be because the work begins with a very personal scene and has a tendency toward self-confession. However, when we look at her works, we certainly feel a universal sensation that touches the deepest feelings of many people. Is it nostalgia, love, pity, or something else? Memories and emotions that cannot be expressed in a single word are swirling around.
            """
          "view_flg" => 1
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          "images" => Illuminate\Database\Eloquent\Collection {#2490
            #items: array:1 [
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      20 => App\Models\Item {#2481
        #table: "items"
        #primaryKey: "id"
        #fillable: array:7 [
          0 => "name"
          1 => "name_en"
          2 => "number"
          3 => "price"
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        #connection: "mysql"
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          "id" => 3561
          "created_at" => "2022-08-05 14:08:38"
          "updated_at" => "2022-08-10 12:49:19"
          "name" => "金 知慧 / Ms. Delicate"
          "name_en" => "KIM Jihye / Ms. Delicate"
          "number" => "KJ014"
          "price" => 30000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和4年\r\n
            サイズ : 35 × 25 cm(シートサイズ)\r\n
            限定 : 1/4\r\n
            技法 : 紙にメゾチント / エッチング / レリーフ / シン・コレ\r\n
            詳細 : シート価格\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>プロフィール</strong>\r\n
            2021 東京藝術大学大学院美術研究科修士課程 修了\r\n
            2018 弘益大学美術学部版画科 卒業 (韓国)\r\n
            2018 弘益大学美術学部芸術学科 卒業 (複数専攻)\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022\r\n
            ・Sequence(ギャラリーそうめい堂)\r\n
            2020\r\n
            ・KOREA ART WEEK ーPrintmaking×Classic (韓国)\r\n
            ・ Multiple print (ガレリア・グラフィカ bis)\r\n
            ・TKO国際ミニプリント展( 東京芸術劇場)\r\n
            2019\r\n
            ・日中韓 版画3人展「Toward the Future」 (B-gallery)\r\n
            ・Future Artists Tokyo(東京国際フォーラム)\r\n
            2015\r\n
            ・Pacific Rim International Print Exhibition (ニュージーランド)\r\n
            ・東京国際ミニプリントトリエンナーレ(多摩美術大学美術館)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            金 知慧(キム ジヘ)の作品は、写真のイメージから生まれるという。金は、自身が直接撮った、あるいは家族の昔のフィルム写真アルバムから「私の中の何か」に触れる写真を探し、それをもとにスケッチを行い、メゾチントを中心とした銅版画技法で作品を制作している。\r\n
            作品について、「銅版画に刻んだ私の記録 」 と金は説明するが、ここで言う記録とは彼女の「日記」に近いものに思える。それは、作品が極めて個人的な場面で始まっており、自己告白の性向があるからであろう。だが彼女の作品を眺めていると、多くの人の心の奥底の感情にふれる普遍の感覚を確かに感じる。 それは「懐かしさ」なのか、「愛」なのか、「憐憫」なのか、それともまた別の何かなのか。正確に一つの単語で表現できない記憶や感情が渦巻いている。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2022\r\n
            Size: 35 × 25 cm (Sheet size)\r\n
            Edition: 1/4\r\n
            Technique: Mezzotint / Etching / Relief / Chine collée on paper\r\n
            Detail: Not framed\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Profile</strong>\r\n
            2021 Graduated from Tokyo University of the Arts, M.A. of the Printmaking department (Japan)\r\n
            2018 Graduated from Hongik University College of Fine Arts, B.A. of the Printmaking department (Korea)\r\n
            2018 Graduated from Hongik University College of Fine Arts, B.A. of the Art History and Theory (Korea)\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022\r\n
            ・Sequence (Gallery Soumei-do)\r\n
            2020\r\n
            ・KOREA ART WEEK ーPrintmaking×Classic (Korea)\r\n
            ・ Multiple print (GALLERIA GRAFICA BIS, Tokyo)\r\n
            ・"TKO International Miniprint 2020" (Tokyo Metropolitan Theatre, Tokyo)\r\n
            2019\r\n
            ・"Toward the Future" (B-gallery, Tokyo)\r\n
            ・Future Artists Tokyo (Tokyo International Forum)\r\n
            2015\r\n
            ・Pacific Rim International Print Exhibition (New Zealand)\r\n
            ・International Miniprint Triennale (Tama Art University Museum, Tokyo)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            Kim Jihye's artworks are based on photographic images. Kim searches for photographs that touch "something in me" from her own photographs or from her family's old film photo albums. She makes sketches based on them and creates her works using mezzotint and other copper-printing techniques.\r\n
            She describes her work as "a record of me engraved in prints," and what she means by "record" here seems more like a "diary" to her. This may be because the work begins with a very personal scene and has a tendency toward self-confession. However, when we look at her works, we certainly feel a universal sensation that touches the deepest feelings of many people. Is it nostalgia, love, pity, or something else? Memories and emotions that cannot be expressed in a single word are swirling around.
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3561
          "created_at" => "2022-08-05 14:08:38"
          "updated_at" => "2022-08-10 12:49:19"
          "name" => "金 知慧 / Ms. Delicate"
          "name_en" => "KIM Jihye / Ms. Delicate"
          "number" => "KJ014"
          "price" => 30000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和4年\r\n
            サイズ : 35 × 25 cm(シートサイズ)\r\n
            限定 : 1/4\r\n
            技法 : 紙にメゾチント / エッチング / レリーフ / シン・コレ\r\n
            詳細 : シート価格\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>プロフィール</strong>\r\n
            2021 東京藝術大学大学院美術研究科修士課程 修了\r\n
            2018 弘益大学美術学部版画科 卒業 (韓国)\r\n
            2018 弘益大学美術学部芸術学科 卒業 (複数専攻)\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022\r\n
            ・Sequence(ギャラリーそうめい堂)\r\n
            2020\r\n
            ・KOREA ART WEEK ーPrintmaking×Classic (韓国)\r\n
            ・ Multiple print (ガレリア・グラフィカ bis)\r\n
            ・TKO国際ミニプリント展( 東京芸術劇場)\r\n
            2019\r\n
            ・日中韓 版画3人展「Toward the Future」 (B-gallery)\r\n
            ・Future Artists Tokyo(東京国際フォーラム)\r\n
            2015\r\n
            ・Pacific Rim International Print Exhibition (ニュージーランド)\r\n
            ・東京国際ミニプリントトリエンナーレ(多摩美術大学美術館)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            金 知慧(キム ジヘ)の作品は、写真のイメージから生まれるという。金は、自身が直接撮った、あるいは家族の昔のフィルム写真アルバムから「私の中の何か」に触れる写真を探し、それをもとにスケッチを行い、メゾチントを中心とした銅版画技法で作品を制作している。\r\n
            作品について、「銅版画に刻んだ私の記録 」 と金は説明するが、ここで言う記録とは彼女の「日記」に近いものに思える。それは、作品が極めて個人的な場面で始まっており、自己告白の性向があるからであろう。だが彼女の作品を眺めていると、多くの人の心の奥底の感情にふれる普遍の感覚を確かに感じる。 それは「懐かしさ」なのか、「愛」なのか、「憐憫」なのか、それともまた別の何かなのか。正確に一つの単語で表現できない記憶や感情が渦巻いている。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2022\r\n
            Size: 35 × 25 cm (Sheet size)\r\n
            Edition: 1/4\r\n
            Technique: Mezzotint / Etching / Relief / Chine collée on paper\r\n
            Detail: Not framed\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Profile</strong>\r\n
            2021 Graduated from Tokyo University of the Arts, M.A. of the Printmaking department (Japan)\r\n
            2018 Graduated from Hongik University College of Fine Arts, B.A. of the Printmaking department (Korea)\r\n
            2018 Graduated from Hongik University College of Fine Arts, B.A. of the Art History and Theory (Korea)\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022\r\n
            ・Sequence (Gallery Soumei-do)\r\n
            2020\r\n
            ・KOREA ART WEEK ーPrintmaking×Classic (Korea)\r\n
            ・ Multiple print (GALLERIA GRAFICA BIS, Tokyo)\r\n
            ・"TKO International Miniprint 2020" (Tokyo Metropolitan Theatre, Tokyo)\r\n
            2019\r\n
            ・"Toward the Future" (B-gallery, Tokyo)\r\n
            ・Future Artists Tokyo (Tokyo International Forum)\r\n
            2015\r\n
            ・Pacific Rim International Print Exhibition (New Zealand)\r\n
            ・International Miniprint Triennale (Tama Art University Museum, Tokyo)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            Kim Jihye's artworks are based on photographic images. Kim searches for photographs that touch "something in me" from her own photographs or from her family's old film photo albums. She makes sketches based on them and creates her works using mezzotint and other copper-printing techniques.\r\n
            She describes her work as "a record of me engraved in prints," and what she means by "record" here seems more like a "diary" to her. This may be because the work begins with a very personal scene and has a tendency toward self-confession. However, when we look at her works, we certainly feel a universal sensation that touches the deepest feelings of many people. Is it nostalgia, love, pity, or something else? Memories and emotions that cannot be expressed in a single word are swirling around.
            """
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      21 => App\Models\Item {#2491
        #table: "items"
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          "id" => 3562
          "created_at" => "2022-08-05 14:11:03"
          "updated_at" => "2022-08-10 12:49:15"
          "name" => "金 知慧 / Rosarium"
          "name_en" => "KIM Jihye / Rosarium"
          "number" => "KJ013"
          "price" => 23000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和4年\r\n
            サイズ : 35 × 25 cm(シートサイズ)\r\n
            限定 : 1/5\r\n
            技法 : 紙にメゾチント / エッチング / レリーフ / シン・コレ\r\n
            詳細 : シート価格\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>プロフィール</strong>\r\n
            2021 東京藝術大学大学院美術研究科修士課程 修了\r\n
            2018 弘益大学美術学部版画科 卒業 (韓国)\r\n
            2018 弘益大学美術学部芸術学科 卒業 (複数専攻)\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022\r\n
            ・Sequence(ギャラリーそうめい堂)\r\n
            2020\r\n
            ・KOREA ART WEEK ーPrintmaking×Classic (韓国)\r\n
            ・ Multiple print (ガレリア・グラフィカ bis)\r\n
            ・TKO国際ミニプリント展( 東京芸術劇場)\r\n
            2019\r\n
            ・日中韓 版画3人展「Toward the Future」 (B-gallery)\r\n
            ・Future Artists Tokyo(東京国際フォーラム)\r\n
            2015\r\n
            ・Pacific Rim International Print Exhibition (ニュージーランド)\r\n
            ・東京国際ミニプリントトリエンナーレ(多摩美術大学美術館)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            金 知慧(キム ジヘ)の作品は、写真のイメージから生まれるという。金は、自身が直接撮った、あるいは家族の昔のフィルム写真アルバムから「私の中の何か」に触れる写真を探し、それをもとにスケッチを行い、メゾチントを中心とした銅版画技法で作品を制作している。\r\n
            作品について、「銅版画に刻んだ私の記録 」 と金は説明するが、ここで言う記録とは彼女の「日記」に近いものに思える。それは、作品が極めて個人的な場面で始まっており、自己告白の性向があるからであろう。だが彼女の作品を眺めていると、多くの人の心の奥底の感情にふれる普遍の感覚を確かに感じる。 それは「懐かしさ」なのか、「愛」なのか、「憐憫」なのか、それともまた別の何かなのか。正確に一つの単語で表現できない記憶や感情が渦巻いている。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2022\r\n
            Size: 35 × 25 cm (Sheet size)\r\n
            Edition: 1/5\r\n
            Technique: Mezzotint / Etching / Relief / Chine collée on paper\r\n
            Detail: Not framed\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Profile</strong>\r\n
            2021 Graduated from Tokyo University of the Arts, M.A. of the Printmaking department (Japan)\r\n
            2018 Graduated from Hongik University College of Fine Arts, B.A. of the Printmaking department (Korea)\r\n
            2018 Graduated from Hongik University College of Fine Arts, B.A. of the Art History and Theory (Korea)\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022\r\n
            ・Sequence (Gallery Soumei-do)\r\n
            2020\r\n
            ・KOREA ART WEEK ーPrintmaking×Classic (Korea)\r\n
            ・ Multiple print (GALLERIA GRAFICA BIS, Tokyo)\r\n
            ・"TKO International Miniprint 2020" (Tokyo Metropolitan Theatre, Tokyo)\r\n
            2019\r\n
            ・"Toward the Future" (B-gallery, Tokyo)\r\n
            ・Future Artists Tokyo (Tokyo International Forum)\r\n
            2015\r\n
            ・Pacific Rim International Print Exhibition (New Zealand)\r\n
            ・International Miniprint Triennale (Tama Art University Museum, Tokyo)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            Kim Jihye's artworks are based on photographic images. Kim searches for photographs that touch "something in me" from her own photographs or from her family's old film photo albums. She makes sketches based on them and creates her works using mezzotint and other copper-printing techniques.\r\n
            She describes her work as "a record of me engraved in prints," and what she means by "record" here seems more like a "diary" to her. This may be because the work begins with a very personal scene and has a tendency toward self-confession. However, when we look at her works, we certainly feel a universal sensation that touches the deepest feelings of many people. Is it nostalgia, love, pity, or something else? Memories and emotions that cannot be expressed in a single word are swirling around.
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3562
          "created_at" => "2022-08-05 14:11:03"
          "updated_at" => "2022-08-10 12:49:15"
          "name" => "金 知慧 / Rosarium"
          "name_en" => "KIM Jihye / Rosarium"
          "number" => "KJ013"
          "price" => 23000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和4年\r\n
            サイズ : 35 × 25 cm(シートサイズ)\r\n
            限定 : 1/5\r\n
            技法 : 紙にメゾチント / エッチング / レリーフ / シン・コレ\r\n
            詳細 : シート価格\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>プロフィール</strong>\r\n
            2021 東京藝術大学大学院美術研究科修士課程 修了\r\n
            2018 弘益大学美術学部版画科 卒業 (韓国)\r\n
            2018 弘益大学美術学部芸術学科 卒業 (複数専攻)\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022\r\n
            ・Sequence(ギャラリーそうめい堂)\r\n
            2020\r\n
            ・KOREA ART WEEK ーPrintmaking×Classic (韓国)\r\n
            ・ Multiple print (ガレリア・グラフィカ bis)\r\n
            ・TKO国際ミニプリント展( 東京芸術劇場)\r\n
            2019\r\n
            ・日中韓 版画3人展「Toward the Future」 (B-gallery)\r\n
            ・Future Artists Tokyo(東京国際フォーラム)\r\n
            2015\r\n
            ・Pacific Rim International Print Exhibition (ニュージーランド)\r\n
            ・東京国際ミニプリントトリエンナーレ(多摩美術大学美術館)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            金 知慧(キム ジヘ)の作品は、写真のイメージから生まれるという。金は、自身が直接撮った、あるいは家族の昔のフィルム写真アルバムから「私の中の何か」に触れる写真を探し、それをもとにスケッチを行い、メゾチントを中心とした銅版画技法で作品を制作している。\r\n
            作品について、「銅版画に刻んだ私の記録 」 と金は説明するが、ここで言う記録とは彼女の「日記」に近いものに思える。それは、作品が極めて個人的な場面で始まっており、自己告白の性向があるからであろう。だが彼女の作品を眺めていると、多くの人の心の奥底の感情にふれる普遍の感覚を確かに感じる。 それは「懐かしさ」なのか、「愛」なのか、「憐憫」なのか、それともまた別の何かなのか。正確に一つの単語で表現できない記憶や感情が渦巻いている。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2022\r\n
            Size: 35 × 25 cm (Sheet size)\r\n
            Edition: 1/5\r\n
            Technique: Mezzotint / Etching / Relief / Chine collée on paper\r\n
            Detail: Not framed\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Profile</strong>\r\n
            2021 Graduated from Tokyo University of the Arts, M.A. of the Printmaking department (Japan)\r\n
            2018 Graduated from Hongik University College of Fine Arts, B.A. of the Printmaking department (Korea)\r\n
            2018 Graduated from Hongik University College of Fine Arts, B.A. of the Art History and Theory (Korea)\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022\r\n
            ・Sequence (Gallery Soumei-do)\r\n
            2020\r\n
            ・KOREA ART WEEK ーPrintmaking×Classic (Korea)\r\n
            ・ Multiple print (GALLERIA GRAFICA BIS, Tokyo)\r\n
            ・"TKO International Miniprint 2020" (Tokyo Metropolitan Theatre, Tokyo)\r\n
            2019\r\n
            ・"Toward the Future" (B-gallery, Tokyo)\r\n
            ・Future Artists Tokyo (Tokyo International Forum)\r\n
            2015\r\n
            ・Pacific Rim International Print Exhibition (New Zealand)\r\n
            ・International Miniprint Triennale (Tama Art University Museum, Tokyo)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            Kim Jihye's artworks are based on photographic images. Kim searches for photographs that touch "something in me" from her own photographs or from her family's old film photo albums. She makes sketches based on them and creates her works using mezzotint and other copper-printing techniques.\r\n
            She describes her work as "a record of me engraved in prints," and what she means by "record" here seems more like a "diary" to her. This may be because the work begins with a very personal scene and has a tendency toward self-confession. However, when we look at her works, we certainly feel a universal sensation that touches the deepest feelings of many people. Is it nostalgia, love, pity, or something else? Memories and emotions that cannot be expressed in a single word are swirling around.
            """
          "view_flg" => 1
          "status" => 0
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          "images" => Illuminate\Database\Eloquent\Collection {#2510
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      22 => App\Models\Item {#2501
        #table: "items"
        #primaryKey: "id"
        #fillable: array:7 [
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          1 => "name_en"
          2 => "number"
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          "id" => 3563
          "created_at" => "2022-08-05 14:13:39"
          "updated_at" => "2022-08-10 12:48:56"
          "name" => "金 知慧 / For her"
          "name_en" => "KIM Jihye / For her"
          "number" => "KJ012"
          "price" => 43000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 令和4年\r\n
            サイズ : 35 × 25 cm(シートサイズ)\r\n
            限定 : 1/4\r\n
            技法 : 紙にメゾチント / エッチング / シン・コレ\r\n
            詳細 : シート価格\r\n
            額装 : ご相談下さい\r\n
            \r\n
            <strong>プロフィール</strong>\r\n
            2021 東京藝術大学大学院美術研究科修士課程 修了\r\n
            2018 弘益大学美術学部版画科 卒業 (韓国)\r\n
            2018 弘益大学美術学部芸術学科 卒業 (複数専攻)\r\n
            \r\n
            <strong>展覧会</strong>\r\n
            2022\r\n
            ・Sequence(ギャラリーそうめい堂)\r\n
            2020\r\n
            ・KOREA ART WEEK ーPrintmaking×Classic (韓国)\r\n
            ・ Multiple print (ガレリア・グラフィカ bis)\r\n
            ・TKO国際ミニプリント展( 東京芸術劇場)\r\n
            2019\r\n
            ・日中韓 版画3人展「Toward the Future」 (B-gallery)\r\n
            ・Future Artists Tokyo(東京国際フォーラム)\r\n
            2015\r\n
            ・Pacific Rim International Print Exhibition (ニュージーランド)\r\n
            ・東京国際ミニプリントトリエンナーレ(多摩美術大学美術館)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            金 知慧(キム ジヘ)の作品は、写真のイメージから生まれるという。金は、自身が直接撮った、あるいは家族の昔のフィルム写真アルバムから「私の中の何か」に触れる写真を探し、それをもとにスケッチを行い、メゾチントを中心とした銅版画技法で作品を制作している。\r\n
            作品について、「銅版画に刻んだ私の記録 」 と金は説明するが、ここで言う記録とは彼女の「日記」に近いものに思える。それは、作品が極めて個人的な場面で始まっており、自己告白の性向があるからであろう。だが彼女の作品を眺めていると、多くの人の心の奥底の感情にふれる普遍の感覚を確かに感じる。 それは「懐かしさ」なのか、「愛」なのか、「憐憫」なのか、それともまた別の何かなのか。正確に一つの単語で表現できない記憶や感情が渦巻いている。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 2022\r\n
            Size: 35 × 25 cm (Sheet size)\r\n
            Edition: 1/4\r\n
            Technique: Mezzotint / Etching / Chine collée on paper\r\n
            Detail: Not framed\r\n
            Frame: Please Ask\r\n
            \r\n
            <strong>Profile</strong>\r\n
            2021 Graduated from Tokyo University of the Arts, M.A. of the Printmaking department (Japan)\r\n
            2018 Graduated from Hongik University College of Fine Arts, B.A. of the Printmaking department (Korea)\r\n
            2018 Graduated from Hongik University College of Fine Arts, B.A. of the Art History and Theory (Korea)\r\n
            \r\n
            <strong>Exhibition</strong>\r\n
            2022\r\n
            ・Sequence (Gallery Soumei-do)\r\n
            2020\r\n
            ・KOREA ART WEEK ーPrintmaking×Classic (Korea)\r\n
            ・ Multiple print (GALLERIA GRAFICA BIS, Tokyo)\r\n
            ・"TKO International Miniprint 2020" (Tokyo Metropolitan Theatre, Tokyo)\r\n
            2019\r\n
            ・"Toward the Future" (B-gallery, Tokyo)\r\n
            ・Future Artists Tokyo (Tokyo International Forum)\r\n
            2015\r\n
            ・Pacific Rim International Print Exhibition (New Zealand)\r\n
            ・International Miniprint Triennale (Tama Art University Museum, Tokyo)\r\n
            \r\n
            <strong>Gallery Commentary</strong>\r\n
            Kim Jihye's artworks are based on photographic images. Kim searches for photographs that touch "something in me" from her own photographs or from her family's old film photo albums. She makes sketches based on them and creates her works using mezzotint and other copper-printing techniques.\r\n
            She describes her work as "a record of me engraved in prints," and what she means by "record" here seems more like a "diary" to her. This may be because the work begins with a very personal scene and has a tendency toward self-confession. However, when we look at her works, we certainly feel a universal sensation that touches the deepest feeli