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Illuminate\Pagination\LengthAwarePaginator {#2741 // resources/views/search/search.blade.php
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          "created_at" => "2022-11-18 12:40:31"
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          "name" => "河原崎 奨堂 / さるすべり"
          "name_en" => "KAWARAZAKI Shodo / Crape Myrtle"
          "number" => "C23235"
          "price" => 15000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和34年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : -\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            京都に生まれた河原崎奨堂は、友禅染の図案家・山本雪桂に入門し、型友禅の図案を制作する一方で、竹内栖鳳門下の芝原希象より日本画を学んだ。\r\n
            \r\n
            奨堂が還暦を過ぎてから発行された「日本の花こよみ」シリーズは、緻密な線と鮮やかな色で摺り上げられ、風にゆれる情景まで感じられるようである。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1959\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : -\r\n
            \r\n
            Kawarazaki Shodo, born in Kyoto, was a pupil of Yamamoto Sekkei, a yuzen dye design artist, and created yuzen designs. He also studied Japanese painting from Shibahara Kisho, a pupil of Takeuchi Seiho.\r\n
            \r\n
            The " Floral Calendar of Japan" series, which was published after Shodo passed his 60th birthday, is printed with fine lines and vivid colors, and even the scenes swaying in the wind can be felt.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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          "number" => "C23235"
          "price" => 15000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和34年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : -\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            京都に生まれた河原崎奨堂は、友禅染の図案家・山本雪桂に入門し、型友禅の図案を制作する一方で、竹内栖鳳門下の芝原希象より日本画を学んだ。\r\n
            \r\n
            奨堂が還暦を過ぎてから発行された「日本の花こよみ」シリーズは、緻密な線と鮮やかな色で摺り上げられ、風にゆれる情景まで感じられるようである。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1959\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : -\r\n
            \r\n
            Kawarazaki Shodo, born in Kyoto, was a pupil of Yamamoto Sekkei, a yuzen dye design artist, and created yuzen designs. He also studied Japanese painting from Shibahara Kisho, a pupil of Takeuchi Seiho.\r\n
            \r\n
            The " Floral Calendar of Japan" series, which was published after Shodo passed his 60th birthday, is printed with fine lines and vivid colors, and even the scenes swaying in the wind can be felt.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
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          "name" => "河原崎 奨堂 / コスモス"
          "name_en" => "KAWARAZAKI Shodo / Cosmos"
          "number" => "C23234"
          "price" => 12000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和35年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : マージンに少汚れ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            京都に生まれた河原崎奨堂は、友禅染の図案家・山本雪桂に入門し、型友禅の図案を制作する一方で、竹内栖鳳門下の芝原希象より日本画を学んだ。\r\n
            \r\n
            奨堂が還暦を過ぎてから発行された「日本の花こよみ」シリーズは、緻密な線と鮮やかな色で摺り上げられ、風にゆれる情景まで感じられるようである。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1960\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Slight browning on margin\r\n
            \r\n
            Kawarazaki Shodo, born in Kyoto, was a pupil of Yamamoto Sekkei, a yuzen dye design artist, and created yuzen designs. He also studied Japanese painting from Shibahara Kisho, a pupil of Takeuchi Seiho.\r\n
            \r\n
            The " Floral Calendar of Japan" series, which was published after Shodo passed his 60th birthday, is printed with fine lines and vivid colors, and even the scenes swaying in the wind can be felt.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
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          "id" => 3762
          "created_at" => "2022-11-18 12:32:24"
          "updated_at" => "2022-11-18 12:32:24"
          "name" => "河原崎 奨堂 / コスモス"
          "name_en" => "KAWARAZAKI Shodo / Cosmos"
          "number" => "C23234"
          "price" => 12000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和35年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : マージンに少汚れ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            京都に生まれた河原崎奨堂は、友禅染の図案家・山本雪桂に入門し、型友禅の図案を制作する一方で、竹内栖鳳門下の芝原希象より日本画を学んだ。\r\n
            \r\n
            奨堂が還暦を過ぎてから発行された「日本の花こよみ」シリーズは、緻密な線と鮮やかな色で摺り上げられ、風にゆれる情景まで感じられるようである。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1960\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Slight browning on margin\r\n
            \r\n
            Kawarazaki Shodo, born in Kyoto, was a pupil of Yamamoto Sekkei, a yuzen dye design artist, and created yuzen designs. He also studied Japanese painting from Shibahara Kisho, a pupil of Takeuchi Seiho.\r\n
            \r\n
            The " Floral Calendar of Japan" series, which was published after Shodo passed his 60th birthday, is printed with fine lines and vivid colors, and even the scenes swaying in the wind can be felt.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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          "id" => 3761
          "created_at" => "2022-11-18 12:30:57"
          "updated_at" => "2022-11-18 12:30:57"
          "name" => "河原崎 奨堂 / チュリップ"
          "name_en" => "KAWARAZAKI Shodo / Tulip"
          "number" => "C23233"
          "price" => 15000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和32年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : -\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            京都に生まれた河原崎奨堂は、友禅染の図案家・山本雪桂に入門し、型友禅の図案を制作する一方で、竹内栖鳳門下の芝原希象より日本画を学んだ。\r\n
            \r\n
            奨堂が還暦を過ぎてから発行された「日本の花こよみ」シリーズは、緻密な線と鮮やかな色で摺り上げられ、風にゆれる情景まで感じられるようである。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1957\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : -\r\n
            \r\n
            Kawarazaki Shodo, born in Kyoto, was a pupil of Yamamoto Sekkei, a yuzen dye design artist, and created yuzen designs. He also studied Japanese painting from Shibahara Kisho, a pupil of Takeuchi Seiho.\r\n
            \r\n
            The " Floral Calendar of Japan" series, which was published after Shodo passed his 60th birthday, is printed with fine lines and vivid colors, and even the scenes swaying in the wind can be felt.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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          "updated_at" => "2022-11-18 12:30:57"
          "name" => "河原崎 奨堂 / チュリップ"
          "name_en" => "KAWARAZAKI Shodo / Tulip"
          "number" => "C23233"
          "price" => 15000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和32年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : -\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            京都に生まれた河原崎奨堂は、友禅染の図案家・山本雪桂に入門し、型友禅の図案を制作する一方で、竹内栖鳳門下の芝原希象より日本画を学んだ。\r\n
            \r\n
            奨堂が還暦を過ぎてから発行された「日本の花こよみ」シリーズは、緻密な線と鮮やかな色で摺り上げられ、風にゆれる情景まで感じられるようである。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1957\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : -\r\n
            \r\n
            Kawarazaki Shodo, born in Kyoto, was a pupil of Yamamoto Sekkei, a yuzen dye design artist, and created yuzen designs. He also studied Japanese painting from Shibahara Kisho, a pupil of Takeuchi Seiho.\r\n
            \r\n
            The " Floral Calendar of Japan" series, which was published after Shodo passed his 60th birthday, is printed with fine lines and vivid colors, and even the scenes swaying in the wind can be felt.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
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              1 => App\Models\Tag {#2793
                #table: "tags"
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              2 => App\Models\Tag {#2792
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          "images" => Illuminate\Database\Eloquent\Collection {#2785
            #items: array:1 [
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      3 => App\Models\Item {#2983
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          "id" => 3760
          "created_at" => "2022-11-18 12:28:37"
          "updated_at" => "2022-11-18 12:29:02"
          "name" => "河原崎 奨堂 / 菊"
          "name_en" => "KAWARAZAKI Shodo / Chrysanthemum"
          "number" => "C23232"
          "price" => 12000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和35年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : -\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            京都に生まれた河原崎奨堂は、友禅染の図案家・山本雪桂に入門し、型友禅の図案を制作する一方で、竹内栖鳳門下の芝原希象より日本画を学んだ。\r\n
            \r\n
            奨堂が還暦を過ぎてから発行された「日本の花こよみ」シリーズは、緻密な線と鮮やかな色で摺り上げられ、風にゆれる情景まで感じられるようである。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1960\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : -\r\n
            \r\n
            Kawarazaki Shodo, born in Kyoto, was a pupil of Yamamoto Sekkei, a yuzen dye design artist, and created yuzen designs. He also studied Japanese painting from Shibahara Kisho, a pupil of Takeuchi Seiho.\r\n
            \r\n
            The " Floral Calendar of Japan" series, which was published after Shodo passed his 60th birthday, is printed with fine lines and vivid colors, and even the scenes swaying in the wind can be felt.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3760
          "created_at" => "2022-11-18 12:28:37"
          "updated_at" => "2022-11-18 12:29:02"
          "name" => "河原崎 奨堂 / 菊"
          "name_en" => "KAWARAZAKI Shodo / Chrysanthemum"
          "number" => "C23232"
          "price" => 12000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和35年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : -\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            京都に生まれた河原崎奨堂は、友禅染の図案家・山本雪桂に入門し、型友禅の図案を制作する一方で、竹内栖鳳門下の芝原希象より日本画を学んだ。\r\n
            \r\n
            奨堂が還暦を過ぎてから発行された「日本の花こよみ」シリーズは、緻密な線と鮮やかな色で摺り上げられ、風にゆれる情景まで感じられるようである。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1960\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : -\r\n
            \r\n
            Kawarazaki Shodo, born in Kyoto, was a pupil of Yamamoto Sekkei, a yuzen dye design artist, and created yuzen designs. He also studied Japanese painting from Shibahara Kisho, a pupil of Takeuchi Seiho.\r\n
            \r\n
            The " Floral Calendar of Japan" series, which was published after Shodo passed his 60th birthday, is printed with fine lines and vivid colors, and even the scenes swaying in the wind can be felt.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
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            #items: array:3 [
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                #table: "tags"
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              1 => App\Models\Tag {#2796
                #table: "tags"
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              2 => App\Models\Tag {#2795
                #table: "tags"
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          "images" => Illuminate\Database\Eloquent\Collection {#2958
            #items: array:1 [
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      4 => App\Models\Item {#2982
        #table: "items"
        #primaryKey: "id"
        #fillable: array:7 [
          0 => "name"
          1 => "name_en"
          2 => "number"
          3 => "price"
          4 => "description"
          5 => "view_flg"
          6 => "status"
        ]
        #connection: "mysql"
        #keyType: "int"
        +incrementing: true
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        #attributes: array:10 [
          "id" => 2432
          "created_at" => "2021-02-16 13:52:57"
          "updated_at" => "2022-11-18 11:08:16"
          "name" => "吉田 遠志 / Hawaiian Fishes B"
          "name_en" => "YOSHIDA Toshi / Hawaiian Fishes B"
          "number" => "C20215"
          "price" => 65000
          "description" => """
            <strong>作品</strong>\r\n
            年代 : 昭和30年\r\n
            サイズ : 大判\r\n
            刷 : 優良\r\n
            保存 : 優良\r\n
            詳細 : 鉛筆サイン\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            吉田 遠志は吉田博の長男で穂高の兄にあたる。父吉田博に絵画を学び、世界中をともに旅した。\r\n
            父の自然への畏敬の念を受け継ぎつつ、そのジャンルは風景にとどまらず、1970年代にはアフリカへ渡り野生動物も多く描いている。動物の絵本も制作しており、「絵本にっぽん賞」などを受賞している。\r\n
            \r\n
            <hr><strong> Information</strong>\r\n
            Date : 1955\r\n
            Size : O-ban\r\n
            Impression : Very good\r\n
            Condition : Very good\r\n
            Detail : Pencil signature\r\n
            \r\n
            Yoshida Toshi is the eldest son of Yoshida Hiroshi and a brother of Yoshida Hodaka. He learned painting from his father and traveled all around the world with him.\r\n
            He took over Hiroshi's awe at nature and drew the wild animals after his stay in Africa in 1970.\r\n
            He also published the picture book of animals and got an award.
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 2432
          "created_at" => "2021-02-16 13:52:57"
          "updated_at" => "2022-11-18 11:08:16"
          "name" => "吉田 遠志 / Hawaiian Fishes B"
          "name_en" => "YOSHIDA Toshi / Hawaiian Fishes B"
          "number" => "C20215"
          "price" => 65000
          "description" => """
            <strong>作品</strong>\r\n
            年代 : 昭和30年\r\n
            サイズ : 大判\r\n
            刷 : 優良\r\n
            保存 : 優良\r\n
            詳細 : 鉛筆サイン\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            吉田 遠志は吉田博の長男で穂高の兄にあたる。父吉田博に絵画を学び、世界中をともに旅した。\r\n
            父の自然への畏敬の念を受け継ぎつつ、そのジャンルは風景にとどまらず、1970年代にはアフリカへ渡り野生動物も多く描いている。動物の絵本も制作しており、「絵本にっぽん賞」などを受賞している。\r\n
            \r\n
            <hr><strong> Information</strong>\r\n
            Date : 1955\r\n
            Size : O-ban\r\n
            Impression : Very good\r\n
            Condition : Very good\r\n
            Detail : Pencil signature\r\n
            \r\n
            Yoshida Toshi is the eldest son of Yoshida Hiroshi and a brother of Yoshida Hodaka. He learned painting from his father and traveled all around the world with him.\r\n
            He took over Hiroshi's awe at nature and drew the wild animals after his stay in Africa in 1970.\r\n
            He also published the picture book of animals and got an award.
            """
          "view_flg" => 1
          "status" => 0
        ]
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              1 => App\Models\Tag {#2858
                #table: "tags"
                #primaryKey: "id"
                #fillable: array:5 [ …5]
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              2 => App\Models\Tag {#2857
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              3 => App\Models\Tag {#2856
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          "images" => Illuminate\Database\Eloquent\Collection {#2961
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      5 => App\Models\Item {#2981
        #table: "items"
        #primaryKey: "id"
        #fillable: array:7 [
          0 => "name"
          1 => "name_en"
          2 => "number"
          3 => "price"
          4 => "description"
          5 => "view_flg"
          6 => "status"
        ]
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        #attributes: array:10 [
          "id" => 3751
          "created_at" => "2022-11-12 11:42:14"
          "updated_at" => "2022-11-12 11:42:14"
          "name" => "吉田 博 / シヤラマル ガーデン"
          "name_en" => "YOSHIDA Hiroshi / Shalimar Gardens in Lahore"
          "number" => "C23270"
          "price" => 350000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和7年\r\n
            サイズ : 大判\r\n
            刷 : 優良\r\n
            保存 : 優良\r\n
            詳細 : -\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            パキスタン北東部、インドとの国境に近いラホールにシャーラマール庭園はある。410もの噴水に囲まれた庭園はとても涼しく、とくに酷暑で知られる夏場には、極上の癒しを与えてくれる。庭園の水は、160km以上もの長さの運河を伝ってもたらされるが、この運河と噴水のシステムが人の手を借りずにどのように動いているのかは、今の技術力をもってしても謎とされている。\r\n
            \r\n
            吉田博は23歳で中川八郎と共に渡米し、デトロイト美術館で「日本画家水彩画展」を開催。翌年にはボストン美術館で2人展を開催し、大成功させた。吉田博の作品は「空気まで描く」と言われ、全作品が完売。その後渡欧してイギリス、フランス、ドイツ、イタリアなどを巡歴し、世界各地で展覧会を成功させた。\r\n
            大正9年には渡辺庄三郎と出会い、渡辺木版画舗から木版画の出版を開始。大正14年には吉田版画スタジオを創設して自ら版元となり、多くの作品を世に送り出した。\r\n
            欧米での知名度が高かったせいか、吉田のアトリエは戦後進駐軍の芸術サロンのようになったという。敗戦直後の昭和20年の秋には、いち早くダグラス・マッカーサー夫人もアトリエを訪問している。米軍の将校クラブでの版画講習会や、参加者をつのってのアトリエ見学会が毎月開かれるなど、吉田作品の人気はきわめて高かったと言えるだろう。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1932\r\n
            Size : O-ban\r\n
            Impression : Very good\r\n
            Condition : Very good\r\n
            Detail : -\r\n
            \r\n
            In Lahore, northeastern Pakistan, near the border with India, lies the Shahramal Garden, surrounded by 410 fountains, which are very cool and provide extreme comfort, especially during the summer months, which are known for their extreme heat. The water for the garden comes through a canal more than 160 km long, but how this system of canals and fountains works without human intervention is still a mystery, even with today's technology.\r\n
            \r\n
            When Yoshida Hiroshi was 23 years old, he went to the US with Nakagawa Hachiro and held an exhibition at Detroit Institute of Arts. In the next year, they succeeded the exhibition together.\r\n
            Then his artworks are expressed that "Yoshida draws the air", and all paintings were sold out.\r\n
            After that, he traveled all around the world and held successful exhibitions.\r\n
            In 1920, Yoshida met Watanabe Shozaburo, and they began creating Yoshida's woodcut prints.\r\n
            In addition, Yoshida established his own studio in 1925 and started publishing his woodblock print works.\r\n
            Yoshida was famous in the US, thus his studio was used as the art salon of the occupation forces after WWⅡ. In 1945, just after the war ended, Mrs. MacArthur has also visited Yoshida's studio. The workshops and tours of the studio for the officers were often held. This episode shows us how famous he was and popular in the US\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3751
          "created_at" => "2022-11-12 11:42:14"
          "updated_at" => "2022-11-12 11:42:14"
          "name" => "吉田 博 / シヤラマル ガーデン"
          "name_en" => "YOSHIDA Hiroshi / Shalimar Gardens in Lahore"
          "number" => "C23270"
          "price" => 350000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和7年\r\n
            サイズ : 大判\r\n
            刷 : 優良\r\n
            保存 : 優良\r\n
            詳細 : -\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            パキスタン北東部、インドとの国境に近いラホールにシャーラマール庭園はある。410もの噴水に囲まれた庭園はとても涼しく、とくに酷暑で知られる夏場には、極上の癒しを与えてくれる。庭園の水は、160km以上もの長さの運河を伝ってもたらされるが、この運河と噴水のシステムが人の手を借りずにどのように動いているのかは、今の技術力をもってしても謎とされている。\r\n
            \r\n
            吉田博は23歳で中川八郎と共に渡米し、デトロイト美術館で「日本画家水彩画展」を開催。翌年にはボストン美術館で2人展を開催し、大成功させた。吉田博の作品は「空気まで描く」と言われ、全作品が完売。その後渡欧してイギリス、フランス、ドイツ、イタリアなどを巡歴し、世界各地で展覧会を成功させた。\r\n
            大正9年には渡辺庄三郎と出会い、渡辺木版画舗から木版画の出版を開始。大正14年には吉田版画スタジオを創設して自ら版元となり、多くの作品を世に送り出した。\r\n
            欧米での知名度が高かったせいか、吉田のアトリエは戦後進駐軍の芸術サロンのようになったという。敗戦直後の昭和20年の秋には、いち早くダグラス・マッカーサー夫人もアトリエを訪問している。米軍の将校クラブでの版画講習会や、参加者をつのってのアトリエ見学会が毎月開かれるなど、吉田作品の人気はきわめて高かったと言えるだろう。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1932\r\n
            Size : O-ban\r\n
            Impression : Very good\r\n
            Condition : Very good\r\n
            Detail : -\r\n
            \r\n
            In Lahore, northeastern Pakistan, near the border with India, lies the Shahramal Garden, surrounded by 410 fountains, which are very cool and provide extreme comfort, especially during the summer months, which are known for their extreme heat. The water for the garden comes through a canal more than 160 km long, but how this system of canals and fountains works without human intervention is still a mystery, even with today's technology.\r\n
            \r\n
            When Yoshida Hiroshi was 23 years old, he went to the US with Nakagawa Hachiro and held an exhibition at Detroit Institute of Arts. In the next year, they succeeded the exhibition together.\r\n
            Then his artworks are expressed that "Yoshida draws the air", and all paintings were sold out.\r\n
            After that, he traveled all around the world and held successful exhibitions.\r\n
            In 1920, Yoshida met Watanabe Shozaburo, and they began creating Yoshida's woodcut prints.\r\n
            In addition, Yoshida established his own studio in 1925 and started publishing his woodblock print works.\r\n
            Yoshida was famous in the US, thus his studio was used as the art salon of the occupation forces after WWⅡ. In 1945, just after the war ended, Mrs. MacArthur has also visited Yoshida's studio. The workshops and tours of the studio for the officers were often held. This episode shows us how famous he was and popular in the US\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
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          "tags" => Illuminate\Database\Eloquent\Collection {#2997
            #items: array:3 [
              0 => App\Models\Tag {#2800
                #table: "tags"
                #primaryKey: "id"
                #fillable: array:5 [ …5]
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              1 => App\Models\Tag {#2799
                #table: "tags"
                #primaryKey: "id"
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              2 => App\Models\Tag {#2798
                #table: "tags"
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            #escapeWhenCastingToString: false
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          "images" => Illuminate\Database\Eloquent\Collection {#2959
            #items: array:1 [
              0 => App\Models\Image {#2717
                #table: "images"
                #primaryKey: "id"
                #fillable: array:2 [ …2]
                #connection: "mysql"
                #keyType: "int"
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          0 => "*"
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      }
      6 => App\Models\Item {#2980
        #table: "items"
        #primaryKey: "id"
        #fillable: array:7 [
          0 => "name"
          1 => "name_en"
          2 => "number"
          3 => "price"
          4 => "description"
          5 => "view_flg"
          6 => "status"
        ]
        #connection: "mysql"
        #keyType: "int"
        +incrementing: true
        #with: []
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        +preventsLazyLoading: false
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        +exists: true
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        #escapeWhenCastingToString: false
        #attributes: array:10 [
          "id" => 3733
          "created_at" => "2022-11-02 12:38:37"
          "updated_at" => "2022-11-02 12:41:06"
          "name" => "小原 祥邨 / 萩に兎"
          "name_en" => "OHARA Shoson / 2 White Rabbits and Bush Clover, Full Moon"
          "number" => "C23221"
          "price" => 230000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : -\r\n
            サイズ : 大判\r\n
            刷 : 優良\r\n
            保存 : 優良\r\n
            詳細 : 薄い汚れ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            祥邨は古邨が渡辺版画店で作品を出版した際に使用していた名前で、豊邨も含め同一人物である。\r\n
            祥邨の号で制作した作品は主に海外への輸出を目的として制作されていた為、より鮮やかな色彩とはっきりとした描写が特徴だ。\r\n
            \r\n
            古邨は、花鳥画を得意にしていた鈴木華邨に師事して日本画を習得、やがてアーネスト・フェノロサの指導のもと、古邨と号して肉筆画の花鳥画を描き、共進会に出品もしている。その後、明治38年頃から浮世絵による花鳥画の制作を開始している。画号は明治期の「古邨」、昭和元年以降に渡辺版画店において「祥邨」、カワグチにおいて「豊邨」と号している。\r\n
            古邨は500点以上の作品を制作しているが発売時より欧米でのみ人気が高く、日本国内では知る人ぞ知る絵師であった。近年、日本国内でも展覧会が開催され再評価の機運が高まっている。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : -\r\n
            Size : O-ban\r\n
            Impression : Very good\r\n
            Condition : Very good\r\n
            Detail : Slight browning\r\n
            \r\n
            Shoson was the name used by Koson when he published his works at Watanabe Print Shop. The works under the name Hoson are also by the same person.\r\n
            The works produced under the Shoson name were mainly intended for export and are characterized by more vivid colors and clearer depictions.\r\n
            \r\n
            He studied Japanese-style painting under Suzuki Kason, who excelled in flower-and-bird portraits. Then, under Ernest Fenollosa, he painted flower-and-bird pictures under the name of "Koson" and exhibited his works at the Kyoshin-kai. Later, around 1905, he began to produce flowers-and-birds Ukiyo-e. His painting name was  "Kozon" in the Meiji period, "Shoson" at Watanabe Print Shop, and "Hoson" at Kawaguchi.\r\n
            Koson has produced over 500 works, but since his release, he has been very popular in Europe and the United States and wasn't a well-known painter in Japan. However, in recent years, exhibitions have eventually been held in Japan, and there is growing momentum for reevaluation.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3733
          "created_at" => "2022-11-02 12:38:37"
          "updated_at" => "2022-11-02 12:41:06"
          "name" => "小原 祥邨 / 萩に兎"
          "name_en" => "OHARA Shoson / 2 White Rabbits and Bush Clover, Full Moon"
          "number" => "C23221"
          "price" => 230000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : -\r\n
            サイズ : 大判\r\n
            刷 : 優良\r\n
            保存 : 優良\r\n
            詳細 : 薄い汚れ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            祥邨は古邨が渡辺版画店で作品を出版した際に使用していた名前で、豊邨も含め同一人物である。\r\n
            祥邨の号で制作した作品は主に海外への輸出を目的として制作されていた為、より鮮やかな色彩とはっきりとした描写が特徴だ。\r\n
            \r\n
            古邨は、花鳥画を得意にしていた鈴木華邨に師事して日本画を習得、やがてアーネスト・フェノロサの指導のもと、古邨と号して肉筆画の花鳥画を描き、共進会に出品もしている。その後、明治38年頃から浮世絵による花鳥画の制作を開始している。画号は明治期の「古邨」、昭和元年以降に渡辺版画店において「祥邨」、カワグチにおいて「豊邨」と号している。\r\n
            古邨は500点以上の作品を制作しているが発売時より欧米でのみ人気が高く、日本国内では知る人ぞ知る絵師であった。近年、日本国内でも展覧会が開催され再評価の機運が高まっている。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : -\r\n
            Size : O-ban\r\n
            Impression : Very good\r\n
            Condition : Very good\r\n
            Detail : Slight browning\r\n
            \r\n
            Shoson was the name used by Koson when he published his works at Watanabe Print Shop. The works under the name Hoson are also by the same person.\r\n
            The works produced under the Shoson name were mainly intended for export and are characterized by more vivid colors and clearer depictions.\r\n
            \r\n
            He studied Japanese-style painting under Suzuki Kason, who excelled in flower-and-bird portraits. Then, under Ernest Fenollosa, he painted flower-and-bird pictures under the name of "Koson" and exhibited his works at the Kyoshin-kai. Later, around 1905, he began to produce flowers-and-birds Ukiyo-e. His painting name was  "Kozon" in the Meiji period, "Shoson" at Watanabe Print Shop, and "Hoson" at Kawaguchi.\r\n
            Koson has produced over 500 works, but since his release, he has been very popular in Europe and the United States and wasn't a well-known painter in Japan. However, in recent years, exhibitions have eventually been held in Japan, and there is growing momentum for reevaluation.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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      7 => App\Models\Item {#2979
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          "id" => 3237
          "created_at" => "2022-02-12 16:47:50"
          "updated_at" => "2022-10-18 16:56:17"
          "name" => "石川 寅治 / 琉球の市場"
          "name_en" => "ISHIKAWA Toraji / Market in Ryukyu"
          "number" => "C22228"
          "price" => 30000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和9年頃\r\n
            サイズ : 37.2 × 48 cm\r\n
            刷 : 優良\r\n
            保存 : 良\r\n
            詳細 : マージンに薄いシミ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            石川寅治は小山正太郎の不同舎という私画塾で吉田博などと洋画を学び、明治26年に第5回明治美術会展に「野鴨」を初出品した。\r\n
            明治33年のパリ万博にも作品を出品し、文展、帝展、新文展、日展に多くの作品を出品し続けたほか、後に委員、監事、審査員なども務めて後進を指導している。\r\n
            昭和9年頃、新版画を発表しており、「裸女十種」が代表作となる。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : c. 1934\r\n
            Size : 37.2 × 48 cm\r\n
            Impression : Very good \r\n
            Condition : Good\r\n
            Detail : Slight foxing on margin\r\n
            \r\n
            Toraji Ishikawa studied Western-style painting with Hiroshi Yoshida and others at Shotaro Koyama's private painting school called Fudosha and exhibited "Wild Duck" for the first time at the 5th Meiji Art Association Exhibition in 1893. \r\n
            He also exhibited his works at the Paris Exposition in 1903. He continued to exhibit many works at the Bunten, Teiten, Shin Bunten, and Nitten exhibitions, and later served as a committee member, inspector, and judge to guide future generations. \r\n
            Around 1934, he began to produce new prints, with "Ten Types of Nude Women" becoming his masterpiece.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3237
          "created_at" => "2022-02-12 16:47:50"
          "updated_at" => "2022-10-18 16:56:17"
          "name" => "石川 寅治 / 琉球の市場"
          "name_en" => "ISHIKAWA Toraji / Market in Ryukyu"
          "number" => "C22228"
          "price" => 30000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和9年頃\r\n
            サイズ : 37.2 × 48 cm\r\n
            刷 : 優良\r\n
            保存 : 良\r\n
            詳細 : マージンに薄いシミ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            石川寅治は小山正太郎の不同舎という私画塾で吉田博などと洋画を学び、明治26年に第5回明治美術会展に「野鴨」を初出品した。\r\n
            明治33年のパリ万博にも作品を出品し、文展、帝展、新文展、日展に多くの作品を出品し続けたほか、後に委員、監事、審査員なども務めて後進を指導している。\r\n
            昭和9年頃、新版画を発表しており、「裸女十種」が代表作となる。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : c. 1934\r\n
            Size : 37.2 × 48 cm\r\n
            Impression : Very good \r\n
            Condition : Good\r\n
            Detail : Slight foxing on margin\r\n
            \r\n
            Toraji Ishikawa studied Western-style painting with Hiroshi Yoshida and others at Shotaro Koyama's private painting school called Fudosha and exhibited "Wild Duck" for the first time at the 5th Meiji Art Association Exhibition in 1893. \r\n
            He also exhibited his works at the Paris Exposition in 1903. He continued to exhibit many works at the Bunten, Teiten, Shin Bunten, and Nitten exhibitions, and later served as a committee member, inspector, and judge to guide future generations. \r\n
            Around 1934, he began to produce new prints, with "Ten Types of Nude Women" becoming his masterpiece.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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      8 => App\Models\Item {#2978
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          "id" => 3704
          "created_at" => "2022-10-18 12:03:42"
          "updated_at" => "2022-10-18 12:04:26"
          "name" => "吉田 遠志 / 朝の燕岳"
          "name_en" => "YOSHIDA Toshi / Tsubakuro-Dake, Morning"
          "number" => "C23280"
          "price" => 90000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和26年\r\n
            サイズ : 大判\r\n
            刷 : 優良\r\n
            保存 : 優良\r\n
            詳細 : 鉛筆サイン\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            燕岳は、飛騨山脈にある山である。日が昇り始めた山頂では、未だ夜の色を纏う雲海が悠々と流れている。\r\n
            \r\n
            吉田博の長男である遠志は、アメリカ各地をキャンピングカーで周りながら制作を行い、父から受け継いだ伝統木版画の技法を広く世界に普及させた。\r\n
            また、野生動物を求めて南極やアフリカにも訪れ、動物の動きや様子をくまなく観察し、その本質に迫った作品を多く残している。\r\n
            描かれた動物たちは、その種の生き様までも写し取られており、遠志が動物や自然に抱いていたであろう畏敬の念も見て取れる。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1951\r\n
            Size : O-ban\r\n
            Impression : Very good\r\n
            Condition : Very good\r\n
            Detail : Pencil signature\r\n
            \r\n
            Tsubakuro-dake is a mountain in the Hida Mountains. Toshi depicted the time just before sunrise. The sea of clouds hangs over the mountain, still in the colors of the night.\r\n
            \r\n
            Hiroshi Yoshida's eldest son, Yoshida Toshi, traveled around the United States in his campervan while creating artworks, spreading the traditional woodblock print technique inherited from his father throughout the world.\r\n
            He had also traveled to Antarctica and Africa in search of wild animals, observing their movements and behavior in every detail. As a result, he has left behind many works that capture the essence of these animals.\r\n
            The animals depicted in his artworks reflect their species' way of life, and we can see the sense of awe that Toshi must have had for animals and nature.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3704
          "created_at" => "2022-10-18 12:03:42"
          "updated_at" => "2022-10-18 12:04:26"
          "name" => "吉田 遠志 / 朝の燕岳"
          "name_en" => "YOSHIDA Toshi / Tsubakuro-Dake, Morning"
          "number" => "C23280"
          "price" => 90000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和26年\r\n
            サイズ : 大判\r\n
            刷 : 優良\r\n
            保存 : 優良\r\n
            詳細 : 鉛筆サイン\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            燕岳は、飛騨山脈にある山である。日が昇り始めた山頂では、未だ夜の色を纏う雲海が悠々と流れている。\r\n
            \r\n
            吉田博の長男である遠志は、アメリカ各地をキャンピングカーで周りながら制作を行い、父から受け継いだ伝統木版画の技法を広く世界に普及させた。\r\n
            また、野生動物を求めて南極やアフリカにも訪れ、動物の動きや様子をくまなく観察し、その本質に迫った作品を多く残している。\r\n
            描かれた動物たちは、その種の生き様までも写し取られており、遠志が動物や自然に抱いていたであろう畏敬の念も見て取れる。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1951\r\n
            Size : O-ban\r\n
            Impression : Very good\r\n
            Condition : Very good\r\n
            Detail : Pencil signature\r\n
            \r\n
            Tsubakuro-dake is a mountain in the Hida Mountains. Toshi depicted the time just before sunrise. The sea of clouds hangs over the mountain, still in the colors of the night.\r\n
            \r\n
            Hiroshi Yoshida's eldest son, Yoshida Toshi, traveled around the United States in his campervan while creating artworks, spreading the traditional woodblock print technique inherited from his father throughout the world.\r\n
            He had also traveled to Antarctica and Africa in search of wild animals, observing their movements and behavior in every detail. As a result, he has left behind many works that capture the essence of these animals.\r\n
            The animals depicted in his artworks reflect their species' way of life, and we can see the sense of awe that Toshi must have had for animals and nature.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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          "status" => 0
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            #items: array:1 [
              0 => App\Models\Image {#2719 …30}
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      9 => App\Models\Item {#2977
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          1 => "name_en"
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        #attributes: array:10 [
          "id" => 3703
          "created_at" => "2022-10-18 12:01:24"
          "updated_at" => "2022-10-18 12:01:24"
          "name" => "吉田 遠志 / 春"
          "name_en" => "YOSHIDA Toshi / Spring"
          "number" => "C23279"
          "price" => 90000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和26年\r\n
            サイズ : 大判\r\n
            刷 : 優良\r\n
            保存 : 優良\r\n
            詳細 : 鉛筆サイン\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            吉田博の長男である遠志は、アメリカ各地をキャンピングカーで周りながら制作を行い、父から受け継いだ伝統木版画の技法を広く世界に普及させた。\r\n
            また、野生動物を求めて南極やアフリカにも訪れ、動物の動きや様子をくまなく観察し、その本質に迫った作品を多く残している。\r\n
            描かれた動物たちは、その種の生き様までも写し取られており、遠志が動物や自然に抱いていたであろう畏敬の念も見て取れる。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1951\r\n
            Size : O-ban\r\n
            Impression : Very good\r\n
            Condition : Very good\r\n
            Detail : Pencil signature\r\n
            \r\n
            Yoshida Hiroshi's eldest son, Yoshida Toshi, traveled around the United States in his campervan while creating artworks, spreading the traditional woodblock print technique inherited from his father throughout the world.\r\n
            He had also traveled to Antarctica and Africa in search of wild animals, observing their movements and behavior in every detail. As a result, he has left behind many works that capture the essence of these animals.\r\n
            The animals depicted in his artworks reflect their species' way of life, and we can see the sense of awe that Toshi must have had for animals and nature.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3703
          "created_at" => "2022-10-18 12:01:24"
          "updated_at" => "2022-10-18 12:01:24"
          "name" => "吉田 遠志 / 春"
          "name_en" => "YOSHIDA Toshi / Spring"
          "number" => "C23279"
          "price" => 90000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和26年\r\n
            サイズ : 大判\r\n
            刷 : 優良\r\n
            保存 : 優良\r\n
            詳細 : 鉛筆サイン\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            吉田博の長男である遠志は、アメリカ各地をキャンピングカーで周りながら制作を行い、父から受け継いだ伝統木版画の技法を広く世界に普及させた。\r\n
            また、野生動物を求めて南極やアフリカにも訪れ、動物の動きや様子をくまなく観察し、その本質に迫った作品を多く残している。\r\n
            描かれた動物たちは、その種の生き様までも写し取られており、遠志が動物や自然に抱いていたであろう畏敬の念も見て取れる。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1951\r\n
            Size : O-ban\r\n
            Impression : Very good\r\n
            Condition : Very good\r\n
            Detail : Pencil signature\r\n
            \r\n
            Yoshida Hiroshi's eldest son, Yoshida Toshi, traveled around the United States in his campervan while creating artworks, spreading the traditional woodblock print technique inherited from his father throughout the world.\r\n
            He had also traveled to Antarctica and Africa in search of wild animals, observing their movements and behavior in every detail. As a result, he has left behind many works that capture the essence of these animals.\r\n
            The animals depicted in his artworks reflect their species' way of life, and we can see the sense of awe that Toshi must have had for animals and nature.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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              2 => App\Models\Tag {#2809 …30}
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      10 => App\Models\Item {#2976
        #table: "items"
        #primaryKey: "id"
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          1 => "name_en"
          2 => "number"
          3 => "price"
          4 => "description"
          5 => "view_flg"
          6 => "status"
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        +incrementing: true
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          "id" => 3691
          "created_at" => "2022-10-07 12:11:53"
          "updated_at" => "2022-10-07 12:11:53"
          "name" => "石川 寅治 / 驟雨一過"
          "name_en" => "ISHIKAWA Toraji / After Sudden Shower"
          "number" => "C23259"
          "price" => 70000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和初期\r\n
            サイズ : 48.5 × 37.2 cm\r\n
            刷 : 優良\r\n
            保存 : 良\r\n
            詳細 : マージンに少シワ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            石川寅治は小山正太郎の不同舎という私画塾で吉田博などと洋画を学び、明治26年に第5回明治美術会展に「野鴨」を初出品した。\r\n
            明治33年のパリ万博にも作品を出品し、文展、帝展、新文展、日展に多くの作品を出品し続けたほか、後に委員、監事、審査員なども務めて後進を指導している。\r\n
            昭和9年頃、新版画を発表しており、「裸女十種」が代表作となる。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : c.1930\r\n
            Size : 48.5 × 37.2 cm\r\n
            Impression : Very good\r\n
            Condition : Good\r\n
            Detail : Slight creasing on margin\r\n
            \r\n
            Toraji Ishikawa studied Western-style painting with Hiroshi Yoshida and others at Shotaro Koyama's private painting school called Fudosha and exhibited "Wild Duck" for the first time at the 5th Meiji Art Association Exhibition in 1893.\r\n
            He also exhibited his works at the Paris Exposition in 1903. He continued to exhibit many works at the Bunten, Teiten, Shin Bunten, and Nitten exhibitions, and later served as a committee member, inspector, and judge to guide future generations.\r\n
            Around 1934, he began to produce new prints, with "Ten Types of Nude Women" becoming his masterpiece.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3691
          "created_at" => "2022-10-07 12:11:53"
          "updated_at" => "2022-10-07 12:11:53"
          "name" => "石川 寅治 / 驟雨一過"
          "name_en" => "ISHIKAWA Toraji / After Sudden Shower"
          "number" => "C23259"
          "price" => 70000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和初期\r\n
            サイズ : 48.5 × 37.2 cm\r\n
            刷 : 優良\r\n
            保存 : 良\r\n
            詳細 : マージンに少シワ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            石川寅治は小山正太郎の不同舎という私画塾で吉田博などと洋画を学び、明治26年に第5回明治美術会展に「野鴨」を初出品した。\r\n
            明治33年のパリ万博にも作品を出品し、文展、帝展、新文展、日展に多くの作品を出品し続けたほか、後に委員、監事、審査員なども務めて後進を指導している。\r\n
            昭和9年頃、新版画を発表しており、「裸女十種」が代表作となる。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : c.1930\r\n
            Size : 48.5 × 37.2 cm\r\n
            Impression : Very good\r\n
            Condition : Good\r\n
            Detail : Slight creasing on margin\r\n
            \r\n
            Toraji Ishikawa studied Western-style painting with Hiroshi Yoshida and others at Shotaro Koyama's private painting school called Fudosha and exhibited "Wild Duck" for the first time at the 5th Meiji Art Association Exhibition in 1893.\r\n
            He also exhibited his works at the Paris Exposition in 1903. He continued to exhibit many works at the Bunten, Teiten, Shin Bunten, and Nitten exhibitions, and later served as a committee member, inspector, and judge to guide future generations.\r\n
            Around 1934, he began to produce new prints, with "Ten Types of Nude Women" becoming his masterpiece.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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      11 => App\Models\Item {#2975
        #table: "items"
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          1 => "name_en"
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          "id" => 3538
          "created_at" => "2022-07-30 17:33:35"
          "updated_at" => "2022-09-24 18:32:17"
          "name" => "伊東 深水 / 現代美人集第一輯 社頭の雪"
          "name_en" => "ITO Shinsui / Snow at the Shrine, 1st Series of the Modern Beauties"
          "number" => "C23253"
          "price" => 500000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和5年\r\n
            サイズ : 大判\r\n
            刷 : 優良\r\n
            保存 : 優良\r\n
            詳細 : 限定250\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            「社頭の雪」は勅題(天皇が出題する歌御会始の題)に合わせて制作された作品。\r\n
            現代美人集は、日本画から図柄をとった作品が多いようだ。深水が家を新築するためにシリーズ化を決定したという逸話が残っている。\r\n
            \r\n
            伊東 深水が18歳(大正5年)の頃、清方塾生による郷土会展に「対鏡」を出品したところ、渡邊庄三郎の目にとまった。この作品なら彫り摺りの技術を使いこなして木版画にすれば必ず良い作品が制作できると感じた庄三郎は、新版画の制作を決意。以後、大正5年から昭和35年までの間に130点を超える深水の新版画が制作されている。\r\n
            その後も、日本画家としても文展に入選するなど早くから注目を集め、文展、帝展、新文展、戦後に入って日展を主な舞台として活躍し、日本を代表する美人画家として認められていった。\r\n
            \r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1930\r\n
            Size : O-ban\r\n
            Impression : Very good\r\n
            Condition : Very good\r\n
            Detail : ed. 250\r\n
            \r\n
            This piece was created for Chokudai, the theme of the Imperial Poetry Contest that is given by the Emperor.\r\n
            Many of the works in this series seem to have taken their designs from Japanese paintings.\r\n
            There is an anecdote that Shinsui decided to create this series in order to build a new house.\r\n
            \r\n
            In 1916, when Ito Shinsui was 18 years old, an exhibition of the pupils of Kiyokata was held. Shinsui exhibited "Woman Looking in a Mirror" at the exhibition, and it fascinated Watanabe Shozaburo. Then Watanabe decided to start making woodcut print works of Shinsui, and later, he created over 130 printworks from 1916 to 1960.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3538
          "created_at" => "2022-07-30 17:33:35"
          "updated_at" => "2022-09-24 18:32:17"
          "name" => "伊東 深水 / 現代美人集第一輯 社頭の雪"
          "name_en" => "ITO Shinsui / Snow at the Shrine, 1st Series of the Modern Beauties"
          "number" => "C23253"
          "price" => 500000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和5年\r\n
            サイズ : 大判\r\n
            刷 : 優良\r\n
            保存 : 優良\r\n
            詳細 : 限定250\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            「社頭の雪」は勅題(天皇が出題する歌御会始の題)に合わせて制作された作品。\r\n
            現代美人集は、日本画から図柄をとった作品が多いようだ。深水が家を新築するためにシリーズ化を決定したという逸話が残っている。\r\n
            \r\n
            伊東 深水が18歳(大正5年)の頃、清方塾生による郷土会展に「対鏡」を出品したところ、渡邊庄三郎の目にとまった。この作品なら彫り摺りの技術を使いこなして木版画にすれば必ず良い作品が制作できると感じた庄三郎は、新版画の制作を決意。以後、大正5年から昭和35年までの間に130点を超える深水の新版画が制作されている。\r\n
            その後も、日本画家としても文展に入選するなど早くから注目を集め、文展、帝展、新文展、戦後に入って日展を主な舞台として活躍し、日本を代表する美人画家として認められていった。\r\n
            \r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1930\r\n
            Size : O-ban\r\n
            Impression : Very good\r\n
            Condition : Very good\r\n
            Detail : ed. 250\r\n
            \r\n
            This piece was created for Chokudai, the theme of the Imperial Poetry Contest that is given by the Emperor.\r\n
            Many of the works in this series seem to have taken their designs from Japanese paintings.\r\n
            There is an anecdote that Shinsui decided to create this series in order to build a new house.\r\n
            \r\n
            In 1916, when Ito Shinsui was 18 years old, an exhibition of the pupils of Kiyokata was held. Shinsui exhibited "Woman Looking in a Mirror" at the exhibition, and it fascinated Watanabe Shozaburo. Then Watanabe decided to start making woodcut print works of Shinsui, and later, he created over 130 printworks from 1916 to 1960.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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      12 => App\Models\Item {#2974
        #table: "items"
        #primaryKey: "id"
        #fillable: array:7 [
          0 => "name"
          1 => "name_en"
          2 => "number"
          3 => "price"
          4 => "description"
          5 => "view_flg"
          6 => "status"
        ]
        #connection: "mysql"
        #keyType: "int"
        +incrementing: true
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        #attributes: array:10 [
          "id" => 454
          "created_at" => "2018-10-18 12:11:22"
          "updated_at" => "2022-09-24 18:31:55"
          "name" => "川瀬 巴水 / 三菱深川別邸の図 松の島の夜雨"
          "name_en" => "KAWASE Hasui /Night Rain at Matsunoshima, Mitsubishi Villa at Fukagawa"
          "number" => "C12310"
          "price" => 815000
          "description" => """
            <strong>作品</strong>\r\n
            年代: 大正9年\r\n
            サイズ : 大判\r\n
            刷 : 優良\r\n
            保存 : 良\r\n
            詳細 : マージンに少汚れ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            川瀬巴水は清方の門人で深水の「近江八景」に影響を受けて版画家に転向する。\r\n
            巴水は新版画の第一人者として活躍し、約40年にわたる画業のなかで、600点を超える作品を発表した。 \r\n
            「巴水ブルー」と称される青色は巴水の特徴的な色彩で、水や空気を表現したさまざまな青色は、日本人のみならず、スティーブ・ジョブズをはじめとした多くの外国人を魅了している。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1920\r\n
            Size : O-ban\r\n
            Impression : Very good\r\n
            Condition : Good\r\n
            Detail : Slight browning on margin
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 454
          "created_at" => "2018-10-18 12:11:22"
          "updated_at" => "2022-09-24 18:31:55"
          "name" => "川瀬 巴水 / 三菱深川別邸の図 松の島の夜雨"
          "name_en" => "KAWASE Hasui /Night Rain at Matsunoshima, Mitsubishi Villa at Fukagawa"
          "number" => "C12310"
          "price" => 815000
          "description" => """
            <strong>作品</strong>\r\n
            年代: 大正9年\r\n
            サイズ : 大判\r\n
            刷 : 優良\r\n
            保存 : 良\r\n
            詳細 : マージンに少汚れ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            川瀬巴水は清方の門人で深水の「近江八景」に影響を受けて版画家に転向する。\r\n
            巴水は新版画の第一人者として活躍し、約40年にわたる画業のなかで、600点を超える作品を発表した。 \r\n
            「巴水ブルー」と称される青色は巴水の特徴的な色彩で、水や空気を表現したさまざまな青色は、日本人のみならず、スティーブ・ジョブズをはじめとした多くの外国人を魅了している。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1920\r\n
            Size : O-ban\r\n
            Impression : Very good\r\n
            Condition : Good\r\n
            Detail : Slight browning on margin
            """
          "view_flg" => 1
          "status" => 0
        ]
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              7 => App\Models\Tag {#2863 …30}
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            #escapeWhenCastingToString: false
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          "images" => Illuminate\Database\Eloquent\Collection {#2778
            #items: array:1 [
              0 => App\Models\Image {#2736 …30}
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            #escapeWhenCastingToString: false
          }
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        ]
      }
      13 => App\Models\Item {#2973
        #table: "items"
        #primaryKey: "id"
        #fillable: array:7 [
          0 => "name"
          1 => "name_en"
          2 => "number"
          3 => "price"
          4 => "description"
          5 => "view_flg"
          6 => "status"
        ]
        #connection: "mysql"
        #keyType: "int"
        +incrementing: true
        #with: []
        #withCount: []
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        #attributes: array:10 [
          "id" => 3540
          "created_at" => "2022-07-30 17:39:05"
          "updated_at" => "2022-09-16 11:07:28"
          "name" => "伊東 深水 / 七十年前の新橋駅"
          "name_en" => "ITO Shinsui / Shinbashi Station Looked 70 Years Ago"
          "number" => "C23255"
          "price" => 400000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和17年\r\n
            サイズ : 48.5 × 37.5 cm\r\n
            刷 : 優良\r\n
            保存 : 良\r\n
            詳細 : マージンに少汚れ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            この作品は、鉄道開通 70 年を記念して国際観光協会の依頼により制作されたものである。\r\n
            \r\n
            伊東 深水が18歳(大正5年)の頃、清方塾生による郷土会展に「対鏡」を出品したところ、渡邊庄三郎の目にとまった。この作品なら彫り摺りの技術を使いこなして木版画にすれば必ず良い作品が制作できると感じた庄三郎は、新版画の制作を決意。以後、大正5年から昭和35年までの間に130点を超える深水の新版画が制作されている。\r\n
            その後も、日本画家としても文展に入選するなど早くから注目を集め、文展、帝展、新文展、戦後に入って日展を主な舞台として活躍し、日本を代表する美人画家として認められていった。\r\n
            \r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1942\r\n
            Size : 48.5 × 37.5 cm\r\n
            Impression : Very good\r\n
            Condition : Good\r\n
            Detail : Slight browning on margin\r\n
            \r\n
            This work was commissioned by the International Tourism Association to commemorate the 70th anniversary of the opening of the railroad.\r\n
            \r\n
            In 1916, when Ito Shinsui was 18 years old, an exhibition of the pupils of Kiyokata was held. Shinsui exhibited "Woman Looking in a Mirror" at the exhibition, and it fascinated Watanabe Shozaburo. Then Watanabe decided to start making woodcut print works of Shinsui, and later, he created over 130 printworks from 1916 to 1960.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3540
          "created_at" => "2022-07-30 17:39:05"
          "updated_at" => "2022-09-16 11:07:28"
          "name" => "伊東 深水 / 七十年前の新橋駅"
          "name_en" => "ITO Shinsui / Shinbashi Station Looked 70 Years Ago"
          "number" => "C23255"
          "price" => 400000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和17年\r\n
            サイズ : 48.5 × 37.5 cm\r\n
            刷 : 優良\r\n
            保存 : 良\r\n
            詳細 : マージンに少汚れ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            この作品は、鉄道開通 70 年を記念して国際観光協会の依頼により制作されたものである。\r\n
            \r\n
            伊東 深水が18歳(大正5年)の頃、清方塾生による郷土会展に「対鏡」を出品したところ、渡邊庄三郎の目にとまった。この作品なら彫り摺りの技術を使いこなして木版画にすれば必ず良い作品が制作できると感じた庄三郎は、新版画の制作を決意。以後、大正5年から昭和35年までの間に130点を超える深水の新版画が制作されている。\r\n
            その後も、日本画家としても文展に入選するなど早くから注目を集め、文展、帝展、新文展、戦後に入って日展を主な舞台として活躍し、日本を代表する美人画家として認められていった。\r\n
            \r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1942\r\n
            Size : 48.5 × 37.5 cm\r\n
            Impression : Very good\r\n
            Condition : Good\r\n
            Detail : Slight browning on margin\r\n
            \r\n
            This work was commissioned by the International Tourism Association to commemorate the 70th anniversary of the opening of the railroad.\r\n
            \r\n
            In 1916, when Ito Shinsui was 18 years old, an exhibition of the pupils of Kiyokata was held. Shinsui exhibited "Woman Looking in a Mirror" at the exhibition, and it fascinated Watanabe Shozaburo. Then Watanabe decided to start making woodcut print works of Shinsui, and later, he created over 130 printworks from 1916 to 1960.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
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            #escapeWhenCastingToString: false
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          "images" => Illuminate\Database\Eloquent\Collection {#2777
            #items: array:1 [
              0 => App\Models\Image {#2727 …30}
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      14 => App\Models\Item {#2972
        #table: "items"
        #primaryKey: "id"
        #fillable: array:7 [
          0 => "name"
          1 => "name_en"
          2 => "number"
          3 => "price"
          4 => "description"
          5 => "view_flg"
          6 => "status"
        ]
        #connection: "mysql"
        #keyType: "int"
        +incrementing: true
        #with: []
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        #escapeWhenCastingToString: false
        #attributes: array:10 [
          "id" => 1989
          "created_at" => "2020-07-29 13:34:50"
          "updated_at" => "2022-09-16 11:07:01"
          "name" => "伊東 深水 / 現代美人集第二集 瞳"
          "name_en" => "ITO Shinsui / Eyes, the 2nd Series of the Modern Beauties"
          "number" => "C19238"
          "price" => 320000
          "description" => """
            <strong>作品</strong>\r\n
            年代 : 昭和11年\r\n
            サイズ : 大判\r\n
            刷 : 優良\r\n
            保存 : 優良\r\n
            詳細 : 限定250\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            伊東 深水が18歳(大正5年)の頃、清方塾生による郷土会展に「対鏡」を出品したところ、渡邊庄三郎の目にとまった。この作品なら彫り摺りの技術を使いこなして木版画にすれば必ず良い作品が制作できると感じた庄三郎は、新版画の制作を決意。以後、大正5年から昭和35年までの間に130点を超える深水の新版画が制作されている。\r\n
            その後も、日本画家としても文展に入選するなど早くから注目を集め、文展、帝展、新文展、戦後に入って日展を主な舞台として活躍し、日本を代表する美人画家として認められていった。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1936\r\n
            Size : O-ban\r\n
            Impression : Very good\r\n
            Condition : Very good\r\n
            Detail : ed. 250\r\n
            \r\n
            This artwork is a depiction of the beautiful woman who has attractive and beautiful eyes.\r\n
            We can also feel her elegance from the depiction of the hand which is touching softly on the hair-pin colored light green and the beautiful kimono in a softened color tone.\r\n
            \r\n
            In 1916, when Ito Shinsui was 18 years old, an exhibition of the pupils of Kiyokata was held. Shinsui exhibited "Woman Looking in a Mirror" at the exhibition, and it fascinated Watanabe Shozaburo. Then Watanabe decided to start making woodcut print works of Shinsui, and later, he created over 130 printworks from 1916 to 1960.
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 1989
          "created_at" => "2020-07-29 13:34:50"
          "updated_at" => "2022-09-16 11:07:01"
          "name" => "伊東 深水 / 現代美人集第二集 瞳"
          "name_en" => "ITO Shinsui / Eyes, the 2nd Series of the Modern Beauties"
          "number" => "C19238"
          "price" => 320000
          "description" => """
            <strong>作品</strong>\r\n
            年代 : 昭和11年\r\n
            サイズ : 大判\r\n
            刷 : 優良\r\n
            保存 : 優良\r\n
            詳細 : 限定250\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            伊東 深水が18歳(大正5年)の頃、清方塾生による郷土会展に「対鏡」を出品したところ、渡邊庄三郎の目にとまった。この作品なら彫り摺りの技術を使いこなして木版画にすれば必ず良い作品が制作できると感じた庄三郎は、新版画の制作を決意。以後、大正5年から昭和35年までの間に130点を超える深水の新版画が制作されている。\r\n
            その後も、日本画家としても文展に入選するなど早くから注目を集め、文展、帝展、新文展、戦後に入って日展を主な舞台として活躍し、日本を代表する美人画家として認められていった。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1936\r\n
            Size : O-ban\r\n
            Impression : Very good\r\n
            Condition : Very good\r\n
            Detail : ed. 250\r\n
            \r\n
            This artwork is a depiction of the beautiful woman who has attractive and beautiful eyes.\r\n
            We can also feel her elegance from the depiction of the hand which is touching softly on the hair-pin colored light green and the beautiful kimono in a softened color tone.\r\n
            \r\n
            In 1916, when Ito Shinsui was 18 years old, an exhibition of the pupils of Kiyokata was held. Shinsui exhibited "Woman Looking in a Mirror" at the exhibition, and it fascinated Watanabe Shozaburo. Then Watanabe decided to start making woodcut print works of Shinsui, and later, he created over 130 printworks from 1916 to 1960.
            """
          "view_flg" => 1
          "status" => 0
        ]
        #changes: []
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        #relations: array:2 [
          "tags" => Illuminate\Database\Eloquent\Collection {#3006
            #items: array:3 [
              0 => App\Models\Tag {#2862 …30}
              1 => App\Models\Tag {#2861 …30}
              2 => App\Models\Tag {#2860 …30}
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            #escapeWhenCastingToString: false
          }
          "images" => Illuminate\Database\Eloquent\Collection {#2776
            #items: array:1 [
              0 => App\Models\Image {#2735 …30}
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            #escapeWhenCastingToString: false
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        #touches: []
        +timestamps: true
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        #visible: []
        #guarded: array:1 [
          0 => "*"
        ]
      }
      15 => App\Models\Item {#2971
        #table: "items"
        #primaryKey: "id"
        #fillable: array:7 [
          0 => "name"
          1 => "name_en"
          2 => "number"
          3 => "price"
          4 => "description"
          5 => "view_flg"
          6 => "status"
        ]
        #connection: "mysql"
        #keyType: "int"
        +incrementing: true
        #with: []
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        #perPage: 15
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        #escapeWhenCastingToString: false
        #attributes: array:10 [
          "id" => 3627
          "created_at" => "2022-09-07 15:39:58"
          "updated_at" => "2022-09-07 15:39:58"
          "name" => "河原崎 奨堂 / 朝顔"
          "name_en" => "KAWARAZAKI Shodo / Morning Glory"
          "number" => "C23231"
          "price" => 15000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和35年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : -\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            京都に生まれた河原崎奨堂は、友禅染の図案家・山本雪桂に入門し、型友禅の図案を制作する一方で、竹内栖鳳門下の芝原希象より日本画を学んだ。\r\n
            奨堂が還暦を過ぎてから発行された「日本の花こよみ」シリーズは、緻密な線と鮮やかな色で摺り上げられ、風にゆれる情景まで感じられるようである。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1960\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : -\r\n
            \r\n
            Kawarazaki Shodo, born in Kyoto, was a pupil of Yamamoto Sekkei, a yuzen dye design artist, and created yuzen designs. He also studied Japanese painting from Shibahara Kisho, a pupil of Takeuchi Seiho.\r\n
            The " Floral Calendar of Japan" series, which was published after Shodo passed his 60th birthday, is printed with fine lines and vivid colors, and even the scenes swaying in the wind can be felt.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3627
          "created_at" => "2022-09-07 15:39:58"
          "updated_at" => "2022-09-07 15:39:58"
          "name" => "河原崎 奨堂 / 朝顔"
          "name_en" => "KAWARAZAKI Shodo / Morning Glory"
          "number" => "C23231"
          "price" => 15000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和35年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : -\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            京都に生まれた河原崎奨堂は、友禅染の図案家・山本雪桂に入門し、型友禅の図案を制作する一方で、竹内栖鳳門下の芝原希象より日本画を学んだ。\r\n
            奨堂が還暦を過ぎてから発行された「日本の花こよみ」シリーズは、緻密な線と鮮やかな色で摺り上げられ、風にゆれる情景まで感じられるようである。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1960\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : -\r\n
            \r\n
            Kawarazaki Shodo, born in Kyoto, was a pupil of Yamamoto Sekkei, a yuzen dye design artist, and created yuzen designs. He also studied Japanese painting from Shibahara Kisho, a pupil of Takeuchi Seiho.\r\n
            The " Floral Calendar of Japan" series, which was published after Shodo passed his 60th birthday, is printed with fine lines and vivid colors, and even the scenes swaying in the wind can be felt.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
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          "tags" => Illuminate\Database\Eloquent\Collection {#3007
            #items: array:3 [
              0 => App\Models\Tag {#2817 …30}
              1 => App\Models\Tag {#2816 …30}
              2 => App\Models\Tag {#2815 …30}
            ]
            #escapeWhenCastingToString: false
          }
          "images" => Illuminate\Database\Eloquent\Collection {#2775
            #items: array:1 [
              0 => App\Models\Image {#2722 …30}
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            #escapeWhenCastingToString: false
          }
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        #touches: []
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        #visible: []
        #guarded: array:1 [
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      16 => App\Models\Item {#2970
        #table: "items"
        #primaryKey: "id"
        #fillable: array:7 [
          0 => "name"
          1 => "name_en"
          2 => "number"
          3 => "price"
          4 => "description"
          5 => "view_flg"
          6 => "status"
        ]
        #connection: "mysql"
        #keyType: "int"
        +incrementing: true
        #with: []
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        #escapeWhenCastingToString: false
        #attributes: array:10 [
          "id" => 3626
          "created_at" => "2022-09-07 15:38:05"
          "updated_at" => "2022-09-07 15:38:05"
          "name" => "河原崎 奨堂 / 山茶花"
          "name_en" => "KAWARAZAKI Shodo / Camellia"
          "number" => "C23230"
          "price" => 15000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和35年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : -\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            京都に生まれた河原崎奨堂は、友禅染の図案家・山本雪桂に入門し、型友禅の図案を制作する一方で、竹内栖鳳門下の芝原希象より日本画を学んだ。\r\n
            奨堂が還暦を過ぎてから発行された「日本の花こよみ」シリーズは、緻密な線と鮮やかな色で摺り上げられ、風にゆれる情景まで感じられるようである。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1960\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : -\r\n
            \r\n
            Kawarazaki Shodo, born in Kyoto, was a pupil of Yamamoto Sekkei, a yuzen dye design artist, and created yuzen designs. He also studied Japanese painting from Shibahara Kisho, a pupil of Takeuchi Seiho.\r\n
            The " Floral Calendar of Japan" series, which was published after Shodo passed his 60th birthday, is printed with fine lines and vivid colors, and even the scenes swaying in the wind can be felt.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3626
          "created_at" => "2022-09-07 15:38:05"
          "updated_at" => "2022-09-07 15:38:05"
          "name" => "河原崎 奨堂 / 山茶花"
          "name_en" => "KAWARAZAKI Shodo / Camellia"
          "number" => "C23230"
          "price" => 15000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和35年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : -\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            京都に生まれた河原崎奨堂は、友禅染の図案家・山本雪桂に入門し、型友禅の図案を制作する一方で、竹内栖鳳門下の芝原希象より日本画を学んだ。\r\n
            奨堂が還暦を過ぎてから発行された「日本の花こよみ」シリーズは、緻密な線と鮮やかな色で摺り上げられ、風にゆれる情景まで感じられるようである。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1960\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : -\r\n
            \r\n
            Kawarazaki Shodo, born in Kyoto, was a pupil of Yamamoto Sekkei, a yuzen dye design artist, and created yuzen designs. He also studied Japanese painting from Shibahara Kisho, a pupil of Takeuchi Seiho.\r\n
            The " Floral Calendar of Japan" series, which was published after Shodo passed his 60th birthday, is printed with fine lines and vivid colors, and even the scenes swaying in the wind can be felt.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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        ]
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      17 => App\Models\Item {#2969
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          "id" => 3624
          "created_at" => "2022-09-07 15:32:49"
          "updated_at" => "2022-09-07 15:32:49"
          "name" => "河原崎 奨堂 / カーネーション"
          "name_en" => "KAWARAZAKI Shodo / Carnation"
          "number" => "C23228"
          "price" => 12000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和35年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : 少汚れ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            京都に生まれた河原崎奨堂は、友禅染の図案家・山本雪桂に入門し、型友禅の図案を制作する一方で、竹内栖鳳門下の芝原希象より日本画を学んだ。\r\n
            奨堂が還暦を過ぎてから発行された「日本の花こよみ」シリーズは、緻密な線と鮮やかな色で摺り上げられ、風にゆれる情景まで感じられるようである。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1960\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Slight browning\r\n
            \r\n
            Kawarazaki Shodo, born in Kyoto, was a pupil of Yamamoto Sekkei, a yuzen dye design artist, and created yuzen designs. He also studied Japanese painting from Shibahara Kisho, a pupil of Takeuchi Seiho.\r\n
            The " Floral Calendar of Japan" series, which was published after Shodo passed his 60th birthday, is printed with fine lines and vivid colors, and even the scenes swaying in the wind can be felt.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3624
          "created_at" => "2022-09-07 15:32:49"
          "updated_at" => "2022-09-07 15:32:49"
          "name" => "河原崎 奨堂 / カーネーション"
          "name_en" => "KAWARAZAKI Shodo / Carnation"
          "number" => "C23228"
          "price" => 12000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和35年\r\n
            サイズ : 大判\r\n
            刷 : 良\r\n
            保存 : 良\r\n
            詳細 : 少汚れ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            京都に生まれた河原崎奨堂は、友禅染の図案家・山本雪桂に入門し、型友禅の図案を制作する一方で、竹内栖鳳門下の芝原希象より日本画を学んだ。\r\n
            奨堂が還暦を過ぎてから発行された「日本の花こよみ」シリーズは、緻密な線と鮮やかな色で摺り上げられ、風にゆれる情景まで感じられるようである。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1960\r\n
            Size : O-ban\r\n
            Impression : Good\r\n
            Condition : Good\r\n
            Detail : Slight browning\r\n
            \r\n
            Kawarazaki Shodo, born in Kyoto, was a pupil of Yamamoto Sekkei, a yuzen dye design artist, and created yuzen designs. He also studied Japanese painting from Shibahara Kisho, a pupil of Takeuchi Seiho.\r\n
            The " Floral Calendar of Japan" series, which was published after Shodo passed his 60th birthday, is printed with fine lines and vivid colors, and even the scenes swaying in the wind can be felt.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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          "status" => 0
        ]
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          "images" => Illuminate\Database\Eloquent\Collection {#2773
            #items: array:1 [
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      18 => App\Models\Item {#2968
        #table: "items"
        #primaryKey: "id"
        #fillable: array:7 [
          0 => "name"
          1 => "name_en"
          2 => "number"
          3 => "price"
          4 => "description"
          5 => "view_flg"
          6 => "status"
        ]
        #connection: "mysql"
        #keyType: "int"
        +incrementing: true
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          "id" => 3616
          "created_at" => "2022-09-01 12:00:49"
          "updated_at" => "2022-09-01 12:00:49"
          "name" => "吉田 遠志 / ブルージュ"
          "name_en" => "YOSHIDA Toshi / Bruges"
          "number" => "C23278"
          "price" => 90000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和26年\r\n
            サイズ : 大判\r\n
            刷 : 優良\r\n
            保存 : 優良\r\n
            詳細 : 鉛筆サイン\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            ベルギーのブルージュにて、運河に枝を垂らす柳の下の白鳥たち。やや曖昧に決められたおおらかなフォルムは、ゆったりと流れる時間を感じさせる。第一版が制作されたのは昭和30年。昭和27年頃から米国経由で欧州に渡った記録がある事から、その頃に行ったスケッチや記憶を元に制作されたと推測される。\r\n
            本作は遠志の鉛筆サインが記載された初期摺の作品。\r\n
            \r\n
            吉田博の長男である遠志は、アメリカ各地をキャンピングカーで周りながら制作を行い、父から受け継いだ伝統木版画の技法を広く世界に普及させた。\r\n
            また、野生動物を求めて南極やアフリカにも訪れ、動物の動きや様子をくまなく観察し、その本質に迫った作品を多く残している。\r\n
            描かれた動物たちは、その種の生き様までも写し取られており、遠志が動物や自然に抱いていたであろう畏敬の念も見て取れる。\r\n
            \r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1951\r\n
            Size : O-ban\r\n
            Impression : Very good\r\n
            Condition : Very good\r\n
            Detail : Pencil signature\r\n
            \r\n
            Swans under a willow tree with branches hanging over a canal in Bruges, Belgium. The generous form, somewhat vaguely defined, evokes a sense of time flowing slowly. The first edition was produced in 1955. Since there is a record of Toshi traveling to Europe via the U.S. from around 1952, it is assumed that this artwork was based on sketches and memories made at that time.\r\n
            This work is an early print signed in pencil by Toshi.\r\n
            \r\n
            Hiroshi Yoshida's eldest son, Yoshida Toshi, traveled around the United States in his campervan while creating artworks, spreading the traditional woodblock print technique inherited from his father throughout the world.\r\n
            He had also traveled to Antarctica and Africa in search of wild animals, observing their movements and behavior in every detail. As a result, he has left behind many works that capture the essence of these animals.\r\n
            The animals depicted in his artworks reflect their species' way of life, and we can see the sense of awe that Toshi must have had for animals and nature.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3616
          "created_at" => "2022-09-01 12:00:49"
          "updated_at" => "2022-09-01 12:00:49"
          "name" => "吉田 遠志 / ブルージュ"
          "name_en" => "YOSHIDA Toshi / Bruges"
          "number" => "C23278"
          "price" => 90000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和26年\r\n
            サイズ : 大判\r\n
            刷 : 優良\r\n
            保存 : 優良\r\n
            詳細 : 鉛筆サイン\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            ベルギーのブルージュにて、運河に枝を垂らす柳の下の白鳥たち。やや曖昧に決められたおおらかなフォルムは、ゆったりと流れる時間を感じさせる。第一版が制作されたのは昭和30年。昭和27年頃から米国経由で欧州に渡った記録がある事から、その頃に行ったスケッチや記憶を元に制作されたと推測される。\r\n
            本作は遠志の鉛筆サインが記載された初期摺の作品。\r\n
            \r\n
            吉田博の長男である遠志は、アメリカ各地をキャンピングカーで周りながら制作を行い、父から受け継いだ伝統木版画の技法を広く世界に普及させた。\r\n
            また、野生動物を求めて南極やアフリカにも訪れ、動物の動きや様子をくまなく観察し、その本質に迫った作品を多く残している。\r\n
            描かれた動物たちは、その種の生き様までも写し取られており、遠志が動物や自然に抱いていたであろう畏敬の念も見て取れる。\r\n
            \r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1951\r\n
            Size : O-ban\r\n
            Impression : Very good\r\n
            Condition : Very good\r\n
            Detail : Pencil signature\r\n
            \r\n
            Swans under a willow tree with branches hanging over a canal in Bruges, Belgium. The generous form, somewhat vaguely defined, evokes a sense of time flowing slowly. The first edition was produced in 1955. Since there is a record of Toshi traveling to Europe via the U.S. from around 1952, it is assumed that this artwork was based on sketches and memories made at that time.\r\n
            This work is an early print signed in pencil by Toshi.\r\n
            \r\n
            Hiroshi Yoshida's eldest son, Yoshida Toshi, traveled around the United States in his campervan while creating artworks, spreading the traditional woodblock print technique inherited from his father throughout the world.\r\n
            He had also traveled to Antarctica and Africa in search of wild animals, observing their movements and behavior in every detail. As a result, he has left behind many works that capture the essence of these animals.\r\n
            The animals depicted in his artworks reflect their species' way of life, and we can see the sense of awe that Toshi must have had for animals and nature.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
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          "tags" => Illuminate\Database\Eloquent\Collection {#3014
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              0 => App\Models\Tag {#2827 …30}
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          "images" => Illuminate\Database\Eloquent\Collection {#2772
            #items: array:1 [
              0 => App\Models\Image {#2725 …30}
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            #escapeWhenCastingToString: false
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        #touches: []
        +timestamps: true
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        #visible: []
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          0 => "*"
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      19 => App\Models\Item {#2967
        #table: "items"
        #primaryKey: "id"
        #fillable: array:7 [
          0 => "name"
          1 => "name_en"
          2 => "number"
          3 => "price"
          4 => "description"
          5 => "view_flg"
          6 => "status"
        ]
        #connection: "mysql"
        #keyType: "int"
        +incrementing: true
        #with: []
        #withCount: []
        +preventsLazyLoading: false
        #perPage: 15
        +exists: true
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        #escapeWhenCastingToString: false
        #attributes: array:10 [
          "id" => 3615
          "created_at" => "2022-09-01 11:58:31"
          "updated_at" => "2022-09-01 11:58:31"
          "name" => "吉田 遠志 / 文鳥"
          "name_en" => "YOSHIDA Toshi / Java Sparrow"
          "number" => "C23277"
          "price" => 90000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和2年\r\n
            サイズ : 大判\r\n
            刷 : 優良\r\n
            保存 : 優良\r\n
            詳細 : 鉛筆サイン\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            本作は遠志の鉛筆サインが記載された初期摺の作品。\r\n
            \r\n
            吉田博の長男である遠志は、アメリカ各地をキャンピングカーで周りながら制作を行い、父から受け継いだ伝統木版画の技法を広く世界に普及させた。\r\n
            また、野生動物を求めて南極やアフリカにも訪れ、動物の動きや様子をくまなく観察し、その本質に迫った作品を多く残している。\r\n
            描かれた動物たちは、その種の生き様までも写し取られており、遠志が動物や自然に抱いていたであろう畏敬の念も見て取れる。\r\n
            \r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1927\r\n
            Size : O-ban\r\n
            Impression : Very good\r\n
            Condition : Very good\r\n
            Detail : Pencil signature\r\n
            \r\n
            This work is an early print signed in pencil by Toshi.\r\n
            \r\n
            Hiroshi Yoshida's eldest son, Yoshida Toshi, traveled around the United States in his campervan while creating artworks, spreading the traditional woodblock print technique inherited from his father throughout the world.\r\n
            He had also traveled to Antarctica and Africa in search of wild animals, observing their movements and behavior in every detail. As a result, he has left behind many works that capture the essence of these animals.\r\n
            The animals depicted in his artworks reflect their species' way of life, and we can see the sense of awe that Toshi must have had for animals and nature.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3615
          "created_at" => "2022-09-01 11:58:31"
          "updated_at" => "2022-09-01 11:58:31"
          "name" => "吉田 遠志 / 文鳥"
          "name_en" => "YOSHIDA Toshi / Java Sparrow"
          "number" => "C23277"
          "price" => 90000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和2年\r\n
            サイズ : 大判\r\n
            刷 : 優良\r\n
            保存 : 優良\r\n
            詳細 : 鉛筆サイン\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            本作は遠志の鉛筆サインが記載された初期摺の作品。\r\n
            \r\n
            吉田博の長男である遠志は、アメリカ各地をキャンピングカーで周りながら制作を行い、父から受け継いだ伝統木版画の技法を広く世界に普及させた。\r\n
            また、野生動物を求めて南極やアフリカにも訪れ、動物の動きや様子をくまなく観察し、その本質に迫った作品を多く残している。\r\n
            描かれた動物たちは、その種の生き様までも写し取られており、遠志が動物や自然に抱いていたであろう畏敬の念も見て取れる。\r\n
            \r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1927\r\n
            Size : O-ban\r\n
            Impression : Very good\r\n
            Condition : Very good\r\n
            Detail : Pencil signature\r\n
            \r\n
            This work is an early print signed in pencil by Toshi.\r\n
            \r\n
            Hiroshi Yoshida's eldest son, Yoshida Toshi, traveled around the United States in his campervan while creating artworks, spreading the traditional woodblock print technique inherited from his father throughout the world.\r\n
            He had also traveled to Antarctica and Africa in search of wild animals, observing their movements and behavior in every detail. As a result, he has left behind many works that capture the essence of these animals.\r\n
            The animals depicted in his artworks reflect their species' way of life, and we can see the sense of awe that Toshi must have had for animals and nature.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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      20 => App\Models\Item {#2966
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          "id" => 3539
          "created_at" => "2022-07-30 17:35:41"
          "updated_at" => "2022-07-30 17:35:41"
          "name" => "伊東 深水 / 現代美人集第二輯 髪"
          "name_en" => "ITO Shinsui / Hair, 2nd Series of the Modern Beauties"
          "number" => "C23254"
          "price" => 300000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和9年\r\n
            サイズ : 大判\r\n
            刷 : 優良\r\n
            保存 : 優良\r\n
            詳細 : 限定250\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            伊東 深水が18歳(大正5年)の頃、清方塾生による郷土会展に「対鏡」を出品したところ、渡邊庄三郎の目にとまった。この作品なら彫り摺りの技術を使いこなして木版画にすれば必ず良い作品が制作できると感じた庄三郎は、新版画の制作を決意。以後、大正5年から昭和35年までの間に130点を超える深水の新版画が制作されている。\r\n
            その後も、日本画家としても文展に入選するなど早くから注目を集め、文展、帝展、新文展、戦後に入って日展を主な舞台として活躍し、日本を代表する美人画家として認められていった。\r\n
            \r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1934\r\n
            Size : O-ban\r\n
            Impression : Very good\r\n
            Condition : Very good\r\n
            Detail : ed. 250\r\n
            \r\n
            In 1916, when Ito Shinsui was 18 years old, an exhibition of the pupils of Kiyokata was held. Shinsui exhibited "Woman Looking in a Mirror" at the exhibition, and it fascinated Watanabe Shozaburo. Then Watanabe decided to start making woodcut print works of Shinsui, and later, he created over 130 printworks from 1916 to 1960.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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          "status" => 0
        ]
        #original: array:10 [
          "id" => 3539
          "created_at" => "2022-07-30 17:35:41"
          "updated_at" => "2022-07-30 17:35:41"
          "name" => "伊東 深水 / 現代美人集第二輯 髪"
          "name_en" => "ITO Shinsui / Hair, 2nd Series of the Modern Beauties"
          "number" => "C23254"
          "price" => 300000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和9年\r\n
            サイズ : 大判\r\n
            刷 : 優良\r\n
            保存 : 優良\r\n
            詳細 : 限定250\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            伊東 深水が18歳(大正5年)の頃、清方塾生による郷土会展に「対鏡」を出品したところ、渡邊庄三郎の目にとまった。この作品なら彫り摺りの技術を使いこなして木版画にすれば必ず良い作品が制作できると感じた庄三郎は、新版画の制作を決意。以後、大正5年から昭和35年までの間に130点を超える深水の新版画が制作されている。\r\n
            その後も、日本画家としても文展に入選するなど早くから注目を集め、文展、帝展、新文展、戦後に入って日展を主な舞台として活躍し、日本を代表する美人画家として認められていった。\r\n
            \r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1934\r\n
            Size : O-ban\r\n
            Impression : Very good\r\n
            Condition : Very good\r\n
            Detail : ed. 250\r\n
            \r\n
            In 1916, when Ito Shinsui was 18 years old, an exhibition of the pupils of Kiyokata was held. Shinsui exhibited "Woman Looking in a Mirror" at the exhibition, and it fascinated Watanabe Shozaburo. Then Watanabe decided to start making woodcut print works of Shinsui, and later, he created over 130 printworks from 1916 to 1960.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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      21 => App\Models\Item {#2965
        #table: "items"
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          "id" => 3295
          "created_at" => "2022-03-04 12:43:26"
          "updated_at" => "2022-07-28 11:12:12"
          "name" => "伊東 深水 / 雪の朝"
          "name_en" => "ITO Shinsui / Morning After Snow"
          "number" => "C22280"
          "price" => 265000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。 \r\n
            Please double-tap on the image to zoom up images. \r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和14年\r\n
            サイズ : 53.8 × 35.8 cm\r\n
            刷 : 優良\r\n
            保存 : 良\r\n
            詳細 : マージンに少汚れ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            伊東 深水が18歳(大正5年)の頃、清方塾生による郷土会展に「対鏡」を出品したところ、渡邊庄三郎の目にとまった。この作品なら彫り摺りの技術を使いこなして木版画にすれば必ず良い作品が制作できると感じた庄三郎は、新版画の制作を決意。以後、大正5年から昭和35年までの間に130点を超える深水の新版画が制作されている。\r\n
            その後も、日本画家としても文展に入選するなど早くから注目を集め、文展、帝展、新文展、戦後に入って日展を主な舞台として活躍し、日本を代表する美人画家として認められていった。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1939\r\n
            Size : 53.8 × 35.8 cm\r\n
            Impression : Very good \r\n
            Condition : Good\r\n
            Detail : Slight browning on margin\r\n
            \r\n
            In 1916, when Ito Shinsui was 18 years old, an exhibition of the pupils of Kiyokata was held. Shinsui exhibited "Woman Looking in a Mirror" at the exhibition, and it fascinated Watanabe Shozaburo. Then Watanabe decided to start making woodcut print works of Shinsui, and later, he created over 130 printworks from 1916 to 1960.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3295
          "created_at" => "2022-03-04 12:43:26"
          "updated_at" => "2022-07-28 11:12:12"
          "name" => "伊東 深水 / 雪の朝"
          "name_en" => "ITO Shinsui / Morning After Snow"
          "number" => "C22280"
          "price" => 265000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。 \r\n
            Please double-tap on the image to zoom up images. \r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和14年\r\n
            サイズ : 53.8 × 35.8 cm\r\n
            刷 : 優良\r\n
            保存 : 良\r\n
            詳細 : マージンに少汚れ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            伊東 深水が18歳(大正5年)の頃、清方塾生による郷土会展に「対鏡」を出品したところ、渡邊庄三郎の目にとまった。この作品なら彫り摺りの技術を使いこなして木版画にすれば必ず良い作品が制作できると感じた庄三郎は、新版画の制作を決意。以後、大正5年から昭和35年までの間に130点を超える深水の新版画が制作されている。\r\n
            その後も、日本画家としても文展に入選するなど早くから注目を集め、文展、帝展、新文展、戦後に入って日展を主な舞台として活躍し、日本を代表する美人画家として認められていった。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1939\r\n
            Size : 53.8 × 35.8 cm\r\n
            Impression : Very good \r\n
            Condition : Good\r\n
            Detail : Slight browning on margin\r\n
            \r\n
            In 1916, when Ito Shinsui was 18 years old, an exhibition of the pupils of Kiyokata was held. Shinsui exhibited "Woman Looking in a Mirror" at the exhibition, and it fascinated Watanabe Shozaburo. Then Watanabe decided to start making woodcut print works of Shinsui, and later, he created over 130 printworks from 1916 to 1960.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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          "tags" => Illuminate\Database\Eloquent\Collection {#3017
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              0 => App\Models\Tag {#2852 …30}
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          "images" => Illuminate\Database\Eloquent\Collection {#2769
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      22 => App\Models\Item {#2964
        #table: "items"
        #primaryKey: "id"
        #fillable: array:7 [
          0 => "name"
          1 => "name_en"
          2 => "number"
          3 => "price"
          4 => "description"
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        #connection: "mysql"
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          "id" => 3516
          "created_at" => "2022-07-22 12:20:40"
          "updated_at" => "2022-07-22 12:20:40"
          "name" => "名取 春仙 / 六世尾上梅幸 戻橋の小百合"
          "name_en" => "NATORI Shunsen / Onoe Baiko VI, In the Role of Sayuri"
          "number" => "C23245"
          "price" => 140000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 大正14年\r\n
            サイズ : 大判\r\n
            刷 : 優良\r\n
            保存 : 良\r\n
            詳細 : -\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            歌舞伎の演目「戻橋」にて、渡辺綱は一条戻橋で見かけた小百合という女性を送ることになったが、水面に映る影を見て彼女が鬼女であると看破する。\r\n
            女は渡辺綱に襲いかかるが、片腕を斬り落とされて消え去るのであった。\r\n
            \r\n
            名取春仙は、日本画家として本格的な創作活動を行う一方、夏目漱石、島崎藤村などの新聞小説の挿絵や、石川啄木らの文芸本の装幀口絵等を手がけ、名を広めていった。\r\n
            また、演劇界との結びつきも深かったことから、役者似顔絵も描いた。\r\n
            大正時代以降には、版元・渡邊庄三郎のもと、役者絵版画を手がけて好評を博し、明治以来沈滞していた浮世絵版画に新風をもたらした。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1925\r\n
            Size : O-ban\r\n
            Impression : Very good\r\n
            Condition : Good\r\n
            Detail : -\r\n
            \r\n
            In the Kabuki play "Modori-Bashi," Watanabe no Tsuna was walking a woman named Sayuri whom he saw on Ichijo-Modori-Bashi Bridge home. When he saw her shadow on the water, he recognized that she was an ogress.\r\n
            The ogress attacked him but was cut off one arm and disappeared.\r\n
            \r\n
            Natori Shunsen, while active as a Japanese-style painter, also became famous for his illustrations for newspaper novels by Natsume Soseki and Shimazaki Toson, as well as the binding illustrations for literary books by Ishikawa Takuboku and others.\r\n
            In the Taisho era (1912-1926) and later, he produced prints of Kabuki actors' portraits for the publisher Watanabe Shozaburo, which were very popular and breathe new life into Ukiyo-e print, which had been stagnant since the Meiji era.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3516
          "created_at" => "2022-07-22 12:20:40"
          "updated_at" => "2022-07-22 12:20:40"
          "name" => "名取 春仙 / 六世尾上梅幸 戻橋の小百合"
          "name_en" => "NATORI Shunsen / Onoe Baiko VI, In the Role of Sayuri"
          "number" => "C23245"
          "price" => 140000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 大正14年\r\n
            サイズ : 大判\r\n
            刷 : 優良\r\n
            保存 : 良\r\n
            詳細 : -\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            歌舞伎の演目「戻橋」にて、渡辺綱は一条戻橋で見かけた小百合という女性を送ることになったが、水面に映る影を見て彼女が鬼女であると看破する。\r\n
            女は渡辺綱に襲いかかるが、片腕を斬り落とされて消え去るのであった。\r\n
            \r\n
            名取春仙は、日本画家として本格的な創作活動を行う一方、夏目漱石、島崎藤村などの新聞小説の挿絵や、石川啄木らの文芸本の装幀口絵等を手がけ、名を広めていった。\r\n
            また、演劇界との結びつきも深かったことから、役者似顔絵も描いた。\r\n
            大正時代以降には、版元・渡邊庄三郎のもと、役者絵版画を手がけて好評を博し、明治以来沈滞していた浮世絵版画に新風をもたらした。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1925\r\n
            Size : O-ban\r\n
            Impression : Very good\r\n
            Condition : Good\r\n
            Detail : -\r\n
            \r\n
            In the Kabuki play "Modori-Bashi," Watanabe no Tsuna was walking a woman named Sayuri whom he saw on Ichijo-Modori-Bashi Bridge home. When he saw her shadow on the water, he recognized that she was an ogress.\r\n
            The ogress attacked him but was cut off one arm and disappeared.\r\n
            \r\n
            Natori Shunsen, while active as a Japanese-style painter, also became famous for his illustrations for newspaper novels by Natsume Soseki and Shimazaki Toson, as well as the binding illustrations for literary books by Ishikawa Takuboku and others.\r\n
            In the Taisho era (1912-1926) and later, he produced prints of Kabuki actors' portraits for the publisher Watanabe Shozaburo, which were very popular and breathe new life into Ukiyo-e print, which had been stagnant since the Meiji era.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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      23 => App\Models\Item {#2963
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          "id" => 3515
          "created_at" => "2022-07-22 12:13:16"
          "updated_at" => "2022-07-22 12:13:16"
          "name" => "名取 春仙 /  鏡の前"
          "name_en" => "NATORI Shunsen / In Front of the Mirror"
          "number" => "C23244"
          "price" => 260000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和3年\r\n
            サイズ : 大判\r\n
            刷 : 優良\r\n
            保存 : 良\r\n
            詳細 : 限定150 / マージンと裏面に少ヤケ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            名取春仙は、日本画家として本格的な創作活動を行う一方、夏目漱石、島崎藤村などの新聞小説の挿絵や、石川啄木らの文芸本の装幀口絵等を手がけ、名を広めていった。\r\n
            また、演劇界との結びつきも深かったことから、役者似顔絵も描いた。\r\n
            大正時代以降には、版元・渡邊庄三郎のもと、役者絵版画を手がけて好評を博し、明治以来沈滞していた浮世絵版画に新風をもたらした。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1928\r\n
            Size : O-ban\r\n
            Impression : Very good\r\n
            Condition : Good\r\n
            Detail : ed. 150 / Slight soiling on reverse and margin\r\n
            \r\n
            Natori Shunsen, while active as a Japanese-style painter, also became famous for his illustrations for newspaper novels by Natsume Soseki and Shimazaki Toson, as well as the binding illustrations for literary books by Ishikawa Takuboku and others.\r\n
            In the Taisho era (1912-1926) and later, he produced prints of Kabuki actors' portraits for the publisher Watanabe Shozaburo, which were very popular and breathe new life into Ukiyo-e print, which had been stagnant since the Meiji era.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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          "status" => 0
        ]
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          "id" => 3515
          "created_at" => "2022-07-22 12:13:16"
          "updated_at" => "2022-07-22 12:13:16"
          "name" => "名取 春仙 /  鏡の前"
          "name_en" => "NATORI Shunsen / In Front of the Mirror"
          "number" => "C23244"
          "price" => 260000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和3年\r\n
            サイズ : 大判\r\n
            刷 : 優良\r\n
            保存 : 良\r\n
            詳細 : 限定150 / マージンと裏面に少ヤケ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            名取春仙は、日本画家として本格的な創作活動を行う一方、夏目漱石、島崎藤村などの新聞小説の挿絵や、石川啄木らの文芸本の装幀口絵等を手がけ、名を広めていった。\r\n
            また、演劇界との結びつきも深かったことから、役者似顔絵も描いた。\r\n
            大正時代以降には、版元・渡邊庄三郎のもと、役者絵版画を手がけて好評を博し、明治以来沈滞していた浮世絵版画に新風をもたらした。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1928\r\n
            Size : O-ban\r\n
            Impression : Very good\r\n
            Condition : Good\r\n
            Detail : ed. 150 / Slight soiling on reverse and margin\r\n
            \r\n
            Natori Shunsen, while active as a Japanese-style painter, also became famous for his illustrations for newspaper novels by Natsume Soseki and Shimazaki Toson, as well as the binding illustrations for literary books by Ishikawa Takuboku and others.\r\n
            In the Taisho era (1912-1926) and later, he produced prints of Kabuki actors' portraits for the publisher Watanabe Shozaburo, which were very popular and breathe new life into Ukiyo-e print, which had been stagnant since the Meiji era.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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