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Illuminate\Pagination\LengthAwarePaginator {#1863 // resources/views/search/search.blade.php
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          "id" => 3642
          "created_at" => "2022-09-13 16:11:50"
          "updated_at" => "2022-09-13 16:11:50"
          "name" => "畦地 梅太郎 / ハーケン"
          "name_en" => "AZECHI Umetaro / Piton"
          "number" => "C23290"
          "price" => 122000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和42年\r\n
            サイズ : 56.6 × 44.3 cm\r\n
            詳細 : ed. 150  \r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            畦地梅太郎は「山の版画家」といわれ、全国の山々や山男をモチーフに独自の世界を確立した。\r\n
            生あるものすべてに愛の眼差しを注いだ梅太郎の詩情豊かな作品は国内外の多くの人に高く評価され、親しまれている。\r\n
            昭和28年以降はサンパウロ・ビエンナーレ、ルガノ国際版画ビエンナーレ、東京国際版画ビエンナーレなど各種の国際展に招待出品されている。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1967\r\n
            Size : 56.6 × 44.3 cm\r\n
            Detail : ed. 150\r\n
            \r\n
            Azechi Umetaro, known as a "mountain printmaker," has established his unique world using mountains and mountain men as motifs. \r\n
            Umetaro's poetic works, which show his love for all things living, are highly appreciated and loved by many people in Japan and abroad.\r\n
            Since 1953, Umetaro has been invited to various international exhibitions, including the Sao Paulo Biennial, the Lugano International Print Biennial, and the Tokyo International Print Biennial.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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          "id" => 3642
          "created_at" => "2022-09-13 16:11:50"
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          "name" => "畦地 梅太郎 / ハーケン"
          "name_en" => "AZECHI Umetaro / Piton"
          "number" => "C23290"
          "price" => 122000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和42年\r\n
            サイズ : 56.6 × 44.3 cm\r\n
            詳細 : ed. 150  \r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            畦地梅太郎は「山の版画家」といわれ、全国の山々や山男をモチーフに独自の世界を確立した。\r\n
            生あるものすべてに愛の眼差しを注いだ梅太郎の詩情豊かな作品は国内外の多くの人に高く評価され、親しまれている。\r\n
            昭和28年以降はサンパウロ・ビエンナーレ、ルガノ国際版画ビエンナーレ、東京国際版画ビエンナーレなど各種の国際展に招待出品されている。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1967\r\n
            Size : 56.6 × 44.3 cm\r\n
            Detail : ed. 150\r\n
            \r\n
            Azechi Umetaro, known as a "mountain printmaker," has established his unique world using mountains and mountain men as motifs. \r\n
            Umetaro's poetic works, which show his love for all things living, are highly appreciated and loved by many people in Japan and abroad.\r\n
            Since 1953, Umetaro has been invited to various international exhibitions, including the Sao Paulo Biennial, the Lugano International Print Biennial, and the Tokyo International Print Biennial.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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          "created_at" => "2022-09-13 15:52:35"
          "updated_at" => "2022-09-13 15:53:15"
          "name" => "畦地 梅太郎 / 季節の山(四)"
          "name_en" => "AZECHI Umetaro / Mountain in Seasons (4)"
          "number" => "C23288"
          "price" => 122000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和43年\r\n
            サイズ : 62.3 × 46.9 cm\r\n
            詳細 : ed. 150 / マージンに少シミ \r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            畦地梅太郎は「山の版画家」といわれ、全国の山々や山男をモチーフに独自の世界を確立した。\r\n
            生あるものすべてに愛の眼差しを注いだ梅太郎の詩情豊かな作品は国内外の多くの人に高く評価され、親しまれている。\r\n
            昭和28年以降はサンパウロ・ビエンナーレ、ルガノ国際版画ビエンナーレ、東京国際版画ビエンナーレなど各種の国際展に招待出品されている。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1968\r\n
            Size : 62.3 × 46.9 cm\r\n
            Detail : ed. 150 / Slight foxing on margin \r\n
            \r\n
            Azechi Umetaro, known as a "mountain printmaker," has established his unique world using mountains and mountain men as motifs. \r\n
            Umetaro's poetic works, which show his love for all things living, are highly appreciated and loved by many people in Japan and abroad.\r\n
            Since 1953, Umetaro has been invited to various international exhibitions, including the Sao Paulo Biennial, the Lugano International Print Biennial, and the Tokyo International Print Biennial.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
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          "id" => 3640
          "created_at" => "2022-09-13 15:52:35"
          "updated_at" => "2022-09-13 15:53:15"
          "name" => "畦地 梅太郎 / 季節の山(四)"
          "name_en" => "AZECHI Umetaro / Mountain in Seasons (4)"
          "number" => "C23288"
          "price" => 122000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和43年\r\n
            サイズ : 62.3 × 46.9 cm\r\n
            詳細 : ed. 150 / マージンに少シミ \r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            畦地梅太郎は「山の版画家」といわれ、全国の山々や山男をモチーフに独自の世界を確立した。\r\n
            生あるものすべてに愛の眼差しを注いだ梅太郎の詩情豊かな作品は国内外の多くの人に高く評価され、親しまれている。\r\n
            昭和28年以降はサンパウロ・ビエンナーレ、ルガノ国際版画ビエンナーレ、東京国際版画ビエンナーレなど各種の国際展に招待出品されている。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1968\r\n
            Size : 62.3 × 46.9 cm\r\n
            Detail : ed. 150 / Slight foxing on margin \r\n
            \r\n
            Azechi Umetaro, known as a "mountain printmaker," has established his unique world using mountains and mountain men as motifs. \r\n
            Umetaro's poetic works, which show his love for all things living, are highly appreciated and loved by many people in Japan and abroad.\r\n
            Since 1953, Umetaro has been invited to various international exhibitions, including the Sao Paulo Biennial, the Lugano International Print Biennial, and the Tokyo International Print Biennial.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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          "id" => 3639
          "created_at" => "2022-09-13 15:47:17"
          "updated_at" => "2022-09-13 15:47:17"
          "name" => "畦地 梅太郎 / 樹林をとぶ鳥"
          "name_en" => "AZECHI Umetaro / Birds Flying in the Forest"
          "number" => "C23287"
          "price" => 153000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和42年\r\n
            サイズ : 61 × 47 cm\r\n
            詳細 : A.P. / マージンに少汚れ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            畦地梅太郎は「山の版画家」といわれ、全国の山々や山男をモチーフに独自の世界を確立した。\r\n
            生あるものすべてに愛の眼差しを注いだ梅太郎の詩情豊かな作品は国内外の多くの人に高く評価され、親しまれている。\r\n
            昭和28年以降はサンパウロ・ビエンナーレ、ルガノ国際版画ビエンナーレ、東京国際版画ビエンナーレなど各種の国際展に招待出品されている。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1967\r\n
            Size : 61 × 47 cm\r\n
            Detail : A.P. / Slight browning on margin\r\n
            \r\n
            Azechi Umetaro, known as a "mountain printmaker," has established his unique world using mountains and mountain men as motifs. \r\n
            Umetaro's poetic works, which show his love for all things living, are highly appreciated and loved by many people in Japan and abroad.\r\n
            Since 1953, Umetaro has been invited to various international exhibitions, including the Sao Paulo Biennial, the Lugano International Print Biennial, and the Tokyo International Print Biennial.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
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        ]
        #original: array:10 [
          "id" => 3639
          "created_at" => "2022-09-13 15:47:17"
          "updated_at" => "2022-09-13 15:47:17"
          "name" => "畦地 梅太郎 / 樹林をとぶ鳥"
          "name_en" => "AZECHI Umetaro / Birds Flying in the Forest"
          "number" => "C23287"
          "price" => 153000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和42年\r\n
            サイズ : 61 × 47 cm\r\n
            詳細 : A.P. / マージンに少汚れ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            畦地梅太郎は「山の版画家」といわれ、全国の山々や山男をモチーフに独自の世界を確立した。\r\n
            生あるものすべてに愛の眼差しを注いだ梅太郎の詩情豊かな作品は国内外の多くの人に高く評価され、親しまれている。\r\n
            昭和28年以降はサンパウロ・ビエンナーレ、ルガノ国際版画ビエンナーレ、東京国際版画ビエンナーレなど各種の国際展に招待出品されている。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1967\r\n
            Size : 61 × 47 cm\r\n
            Detail : A.P. / Slight browning on margin\r\n
            \r\n
            Azechi Umetaro, known as a "mountain printmaker," has established his unique world using mountains and mountain men as motifs. \r\n
            Umetaro's poetic works, which show his love for all things living, are highly appreciated and loved by many people in Japan and abroad.\r\n
            Since 1953, Umetaro has been invited to various international exhibitions, including the Sao Paulo Biennial, the Lugano International Print Biennial, and the Tokyo International Print Biennial.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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      3 => App\Models\Item {#1619
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          "id" => 3552
          "created_at" => "2022-08-05 12:43:11"
          "updated_at" => "2022-08-06 12:07:40"
          "name" => "関野 準一郎 / 伊豆の踊子"
          "name_en" => "SEKINO Junichiro / Dancer in Izu"
          "number" => "C23298"
          "price" => 160000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和62年\r\n
            サイズ : 80 × 56 cm\r\n
            詳細 : 限定98\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            この作品は関野が72歳頃に制作されたものだが、サイズも大きく、亡くなる前年とは思えないほどの迫力を感じさせる。\r\n
            \r\n
            関野準一郎は中学時代から版画誌を発行し、25歳で上京して恩地孝四郎に師事、棟方志功の教えも受けている。\r\n
            木版、エッチング、リトグラフなどの技法を駆使し、風景や人物など多様な主題で60年近くにわたり制作を続け、国際的にも活躍した。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 1987\r\n
            Size : 80 × 56 cm\r\n
            Detail: ed. 98\r\n
            \r\n
            Although this work was created when Sekino was about 72 years old, it is large in size and gives a sense of power that makes it hard to believe that it was created the year before his death.\r\n
            \r\n
            Sekino Junichiro published his own print magazine when he was a junior high school student and became a pupil of ONCHI Koshiro and Munakata Shiko.\r\n
            His technique isn't limited to just woodcut printing, he was also good at etching and lithographing. He is also popular oversea.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3552
          "created_at" => "2022-08-05 12:43:11"
          "updated_at" => "2022-08-06 12:07:40"
          "name" => "関野 準一郎 / 伊豆の踊子"
          "name_en" => "SEKINO Junichiro / Dancer in Izu"
          "number" => "C23298"
          "price" => 160000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和62年\r\n
            サイズ : 80 × 56 cm\r\n
            詳細 : 限定98\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            この作品は関野が72歳頃に制作されたものだが、サイズも大きく、亡くなる前年とは思えないほどの迫力を感じさせる。\r\n
            \r\n
            関野準一郎は中学時代から版画誌を発行し、25歳で上京して恩地孝四郎に師事、棟方志功の教えも受けている。\r\n
            木版、エッチング、リトグラフなどの技法を駆使し、風景や人物など多様な主題で60年近くにわたり制作を続け、国際的にも活躍した。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 1987\r\n
            Size : 80 × 56 cm\r\n
            Detail: ed. 98\r\n
            \r\n
            Although this work was created when Sekino was about 72 years old, it is large in size and gives a sense of power that makes it hard to believe that it was created the year before his death.\r\n
            \r\n
            Sekino Junichiro published his own print magazine when he was a junior high school student and became a pupil of ONCHI Koshiro and Munakata Shiko.\r\n
            His technique isn't limited to just woodcut printing, he was also good at etching and lithographing. He is also popular oversea.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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                #table: "tags"
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              1 => App\Models\Tag {#1797
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              2 => App\Models\Tag {#1798
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      4 => App\Models\Item {#1620
        #table: "items"
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          "id" => 3553
          "created_at" => "2022-08-05 12:52:48"
          "updated_at" => "2022-08-06 12:06:16"
          "name" => "関野 準一郎 / 雪国"
          "name_en" => "SEKINO Junichiro / Snow Country"
          "number" => "C23299"
          "price" => 160000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和62年\r\n
            サイズ : 80 × 56 cm\r\n
            詳細 : 限定98\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            この作品は関野が72歳頃に制作されたものだが、サイズも大きく、亡くなる前年とは思えないほどの迫力を感じさせる。\r\n
            \r\n
            関野準一郎は中学時代から版画誌を発行し、25歳で上京して恩地孝四郎に師事、棟方志功の教えも受けている。\r\n
            木版、エッチング、リトグラフなどの技法を駆使し、風景や人物など多様な主題で60年近くにわたり制作を続け、国際的にも活躍した。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 1987\r\n
            Size : 80 × 56 cm\r\n
            Detail: ed. 98\r\n
            \r\n
            Although this work was created when Sekino was about 72 years old, it is large in size and gives a sense of power that makes it hard to believe that it was created the year before his death.\r\n
            \r\n
            Sekino Junichiro published his own print magazine when he was a junior high school student and became a pupil of ONCHI Koshiro and Munakata Shiko.\r\n
            His technique isn't limited to just woodcut printing, he was also good at etching and lithographing. He is also popular oversea.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3553
          "created_at" => "2022-08-05 12:52:48"
          "updated_at" => "2022-08-06 12:06:16"
          "name" => "関野 準一郎 / 雪国"
          "name_en" => "SEKINO Junichiro / Snow Country"
          "number" => "C23299"
          "price" => 160000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和62年\r\n
            サイズ : 80 × 56 cm\r\n
            詳細 : 限定98\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            この作品は関野が72歳頃に制作されたものだが、サイズも大きく、亡くなる前年とは思えないほどの迫力を感じさせる。\r\n
            \r\n
            関野準一郎は中学時代から版画誌を発行し、25歳で上京して恩地孝四郎に師事、棟方志功の教えも受けている。\r\n
            木版、エッチング、リトグラフなどの技法を駆使し、風景や人物など多様な主題で60年近くにわたり制作を続け、国際的にも活躍した。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date: 1987\r\n
            Size : 80 × 56 cm\r\n
            Detail: ed. 98\r\n
            \r\n
            Although this work was created when Sekino was about 72 years old, it is large in size and gives a sense of power that makes it hard to believe that it was created the year before his death.\r\n
            \r\n
            Sekino Junichiro published his own print magazine when he was a junior high school student and became a pupil of ONCHI Koshiro and Munakata Shiko.\r\n
            His technique isn't limited to just woodcut printing, he was also good at etching and lithographing. He is also popular oversea.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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              1 => App\Models\Tag {#1800
                #table: "tags"
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          "images" => Illuminate\Database\Eloquent\Collection {#1641
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      5 => App\Models\Item {#1621
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          "id" => 3554
          "created_at" => "2022-08-05 12:59:45"
          "updated_at" => "2022-08-06 12:04:38"
          "name" => "関野 準一郎 / 犬と少年"
          "name_en" => "SEKINO Junichiro / Dog and Boy"
          "number" => "C23300"
          "price" => 51000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和27年\r\n
            サイズ : 55.5 × 44.4 cm\r\n
            詳細 : 限定100 / マージンに少汚れ / 少シワ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            関野準一郎は中学時代から版画誌を発行し、25歳で上京して恩地孝四郎に師事、棟方志功の教えも受けている。\r\n
            木版、エッチング、リトグラフなどの技法を駆使し、風景や人物など多様な主題で60年近くにわたり制作を続け、国際的にも活躍した。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1952\r\n
            Size : 55.5 × 44.4 cm\r\n
            Detail : ed. 100 / Slight browning on margin / Slight creasing\r\n
            \r\n
            Sekino Junichiro published his own print magazine when he was a junior high school student and became a pupil of ONCHI Koshiro and Munakata Shiko.\r\n
            His technique isn't limited to just woodcut printing, he was also good at etching and lithographing. He is also popular oversea.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3554
          "created_at" => "2022-08-05 12:59:45"
          "updated_at" => "2022-08-06 12:04:38"
          "name" => "関野 準一郎 / 犬と少年"
          "name_en" => "SEKINO Junichiro / Dog and Boy"
          "number" => "C23300"
          "price" => 51000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和27年\r\n
            サイズ : 55.5 × 44.4 cm\r\n
            詳細 : 限定100 / マージンに少汚れ / 少シワ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            関野準一郎は中学時代から版画誌を発行し、25歳で上京して恩地孝四郎に師事、棟方志功の教えも受けている。\r\n
            木版、エッチング、リトグラフなどの技法を駆使し、風景や人物など多様な主題で60年近くにわたり制作を続け、国際的にも活躍した。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1952\r\n
            Size : 55.5 × 44.4 cm\r\n
            Detail : ed. 100 / Slight browning on margin / Slight creasing\r\n
            \r\n
            Sekino Junichiro published his own print magazine when he was a junior high school student and became a pupil of ONCHI Koshiro and Munakata Shiko.\r\n
            His technique isn't limited to just woodcut printing, he was also good at etching and lithographing. He is also popular oversea.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
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              1 => App\Models\Tag {#1804
                #table: "tags"
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              2 => App\Models\Tag {#1805
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              3 => App\Models\Tag {#1806
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          "images" => Illuminate\Database\Eloquent\Collection {#1643
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      6 => App\Models\Item {#1622
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          2 => "number"
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          "id" => 3510
          "created_at" => "2022-07-20 13:08:27"
          "updated_at" => "2022-07-20 13:08:27"
          "name" => "平塚 運一 / 裸婦"
          "name_en" => "HIRATSUKA Unichi / Nude Woman"
          "number" => "C23293"
          "price" => 61000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和42年\r\n
            サイズ : 68.5 × 56.4 cm(フレームサイズ)\r\n
            詳細 : 限定30 / 額装(密閉)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            平塚運一(1895-1997)は、鳥取県出身の版画家である。石井柏亭の洋画講習会をきっかけに画家を志し、後に版画技術を学んだ。版画作品が二科展などへの入選を果たした後は帰郷し、故郷で図画教員を務めている。その後は棟方志功らを指導し、1935年には東京美術学校でも版画の教鞭を執るなどして、版画の普及と作家の育成に心血を注いだ。その功績がたたえられ、1977年には瑞宝章を受賞している。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1967\r\n
            Size : 68.5 × 56.4 cm(Frame size)\r\n
            Detail : ed. 30 / Framed (Sealed up)\r\n
            \r\n
            Hiratsuka Unichi (1895-1997) was a printmaker from Tottori Prefecture. After attending a Western-style painting course given by Ishii Hakutei, he decided to become a painter and later learned printmaking techniques. After Nika exhibition and others accepted his prints, he returned to his hometown to teach arts. He taught Munakata Shiko and others, and in 1935, he also led the printmaking department at the Tokyo Fine Arts School (Current Tokyo University of the Arts), devoting himself to the popularization of printmaking and the training of artists. In 1977, he got awarded the Orders of the Sacred Treasure, one of Japan's most prestigious awards, for his achievements.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3510
          "created_at" => "2022-07-20 13:08:27"
          "updated_at" => "2022-07-20 13:08:27"
          "name" => "平塚 運一 / 裸婦"
          "name_en" => "HIRATSUKA Unichi / Nude Woman"
          "number" => "C23293"
          "price" => 61000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和42年\r\n
            サイズ : 68.5 × 56.4 cm(フレームサイズ)\r\n
            詳細 : 限定30 / 額装(密閉)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            平塚運一(1895-1997)は、鳥取県出身の版画家である。石井柏亭の洋画講習会をきっかけに画家を志し、後に版画技術を学んだ。版画作品が二科展などへの入選を果たした後は帰郷し、故郷で図画教員を務めている。その後は棟方志功らを指導し、1935年には東京美術学校でも版画の教鞭を執るなどして、版画の普及と作家の育成に心血を注いだ。その功績がたたえられ、1977年には瑞宝章を受賞している。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1967\r\n
            Size : 68.5 × 56.4 cm(Frame size)\r\n
            Detail : ed. 30 / Framed (Sealed up)\r\n
            \r\n
            Hiratsuka Unichi (1895-1997) was a printmaker from Tottori Prefecture. After attending a Western-style painting course given by Ishii Hakutei, he decided to become a painter and later learned printmaking techniques. After Nika exhibition and others accepted his prints, he returned to his hometown to teach arts. He taught Munakata Shiko and others, and in 1935, he also led the printmaking department at the Tokyo Fine Arts School (Current Tokyo University of the Arts), devoting himself to the popularization of printmaking and the training of artists. In 1977, he got awarded the Orders of the Sacred Treasure, one of Japan's most prestigious awards, for his achievements.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
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          "tags" => Illuminate\Database\Eloquent\Collection {#1974
            #items: array:3 [
              0 => App\Models\Tag {#1793 …30}
              1 => App\Models\Tag {#1794 …30}
              2 => App\Models\Tag {#1795 …30}
            ]
            #escapeWhenCastingToString: false
          }
          "images" => Illuminate\Database\Eloquent\Collection {#1820
            #items: array:1 [
              0 => App\Models\Image {#1885 …30}
            ]
            #escapeWhenCastingToString: false
          }
        ]
        #touches: []
        +timestamps: true
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        #visible: []
        #guarded: array:1 [
          0 => "*"
        ]
      }
      7 => App\Models\Item {#1623
        #table: "items"
        #primaryKey: "id"
        #fillable: array:7 [
          0 => "name"
          1 => "name_en"
          2 => "number"
          3 => "price"
          4 => "description"
          5 => "view_flg"
          6 => "status"
        ]
        #connection: "mysql"
        #keyType: "int"
        +incrementing: true
        #with: []
        #withCount: []
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        #escapeWhenCastingToString: false
        #attributes: array:10 [
          "id" => 3485
          "created_at" => "2022-07-05 16:31:59"
          "updated_at" => "2022-07-07 12:34:28"
          "name" => "石井 鶴三 / 温泉"
          "name_en" => "ISHII Tsuruzo / Hot Spring"
          "number" => "C23291"
          "price" => 66000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 大正10年頃\r\n
            サイズ : 21.7 × 30.3 cm\r\n
            詳細 : 少汚れ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            石井鶴三は石井柏亭の弟で、彫刻を学んで東京美術学校に入学。明治の末頃から山本鼎と交流を深め、創作版画の先駆者として知られるようになる。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : c. 1921\r\n
            Size : 21.7 × 30.3 cm\r\n
            Detail : Slight browning\r\n
            \r\n
            Ishii Tsuruzo was the younger brother of Ishii Hakutei. He studied sculpture and entered the Tokyo School of Fine Arts (now Tokyo University of the Arts). From the end of the Meiji era, he began interacting with Yamamoto Kanae, and became known as a pioneer of Sosaku Hanga.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3485
          "created_at" => "2022-07-05 16:31:59"
          "updated_at" => "2022-07-07 12:34:28"
          "name" => "石井 鶴三 / 温泉"
          "name_en" => "ISHII Tsuruzo / Hot Spring"
          "number" => "C23291"
          "price" => 66000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 大正10年頃\r\n
            サイズ : 21.7 × 30.3 cm\r\n
            詳細 : 少汚れ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            石井鶴三は石井柏亭の弟で、彫刻を学んで東京美術学校に入学。明治の末頃から山本鼎と交流を深め、創作版画の先駆者として知られるようになる。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : c. 1921\r\n
            Size : 21.7 × 30.3 cm\r\n
            Detail : Slight browning\r\n
            \r\n
            Ishii Tsuruzo was the younger brother of Ishii Hakutei. He studied sculpture and entered the Tokyo School of Fine Arts (now Tokyo University of the Arts). From the end of the Meiji era, he began interacting with Yamamoto Kanae, and became known as a pioneer of Sosaku Hanga.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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          "id" => 245
          "created_at" => "2018-10-18 12:11:22"
          "updated_at" => "2022-06-30 12:07:14"
          "name" => "小泉 癸巳男 / 昭和大東京風景百図絵版画 麻布区・有栖川宮記念公園"
          "name_en" => "KOIZUMI Kishio / Azabu-ku, Arisugawa-no-miya Memorial Park, 100 Views of Great Tokyo in the Showa Era"
          "number" => "C15262"
          "price" => 51000
          "description" => """
            <strong>作品</strong>\r\n
            年代 : 昭和10年\r\n
            サイズ : 30 × 39 cm\r\n
            詳細 : -\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            小泉癸巳男は戸張孤雁・織田一磨に師事。ついで堀越貫一に木版彫刻をならい,大正期に開花した創作版画運動に参加した。小泉は、生涯にわたり自画自刻自摺を丁寧に実践した版画家であり、代表作の「昭和大東京百図絵」は、東京風景を描いた情緒的な風景版画で、石井柏亭は「昭和の広重」と評した。\r\n
            \r\n
            <hr><strong> Information</strong>\r\n
            Date : 1935\r\n
            Size : 30 × 39 cm\r\n
            Detail : -
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 245
          "created_at" => "2018-10-18 12:11:22"
          "updated_at" => "2022-06-30 12:07:14"
          "name" => "小泉 癸巳男 / 昭和大東京風景百図絵版画 麻布区・有栖川宮記念公園"
          "name_en" => "KOIZUMI Kishio / Azabu-ku, Arisugawa-no-miya Memorial Park, 100 Views of Great Tokyo in the Showa Era"
          "number" => "C15262"
          "price" => 51000
          "description" => """
            <strong>作品</strong>\r\n
            年代 : 昭和10年\r\n
            サイズ : 30 × 39 cm\r\n
            詳細 : -\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            小泉癸巳男は戸張孤雁・織田一磨に師事。ついで堀越貫一に木版彫刻をならい,大正期に開花した創作版画運動に参加した。小泉は、生涯にわたり自画自刻自摺を丁寧に実践した版画家であり、代表作の「昭和大東京百図絵」は、東京風景を描いた情緒的な風景版画で、石井柏亭は「昭和の広重」と評した。\r\n
            \r\n
            <hr><strong> Information</strong>\r\n
            Date : 1935\r\n
            Size : 30 × 39 cm\r\n
            Detail : -
            """
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          "status" => 0
        ]
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      9 => App\Models\Item {#1625
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          3 => "price"
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          6 => "status"
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          "id" => 3465
          "created_at" => "2022-06-21 16:23:06"
          "updated_at" => "2022-06-21 16:23:35"
          "name" => "山岸 主計 /  石楠花"
          "name_en" => "YAMAGISHI Kazue / Rhododendron"
          "number" => "C23294"
          "price" => 26000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            サイズ : 色紙\r\n
            詳細 : 色紙に肉筆 / 少汚れ / 額装(箱なし)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            山岸主計は読売新聞社で挿絵の彫りを担当し、木版の腕を上げます。その後に独立、黒田清輝率いる葵橋洋画研究所で美術を学びながら彫師として活躍しました。そして文部省より欧米における版画についての調査を託され渡航、各国で視察と版画の実技を行いながら、後に着手する「世界百景」の写生を進めます。帰国後は、創作版画に取り組む一方で、横山大観や石川寅治ら有名画家の作品を版画にするなど、精力的に活動しました。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Size : Shikishi\r\n
            Detail : Painting / Slight browning / Framed (Without box)\r\n
            \r\n
            Yamagishi Kazue was in charge of engraving illustrations for the Yomiuri Shimbun and improved his woodblock engraving skills. He later became an independent engraver while studying art at the Aoi-bashi Institute of Western Painting led by Seiki Kuroda. He was commissioned by the Ministry of Education to conduct research on prints in Europe and the United States, and while visiting various countries and practicing printmaking, he sketched the "One Hundred Views of the World" that he would later work on. After returning to Japan, he worked energetically on creative prints and prints of works by famous artists such as Yokoyama Taikan and Ishikawa Toraji.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
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          "id" => 3465
          "created_at" => "2022-06-21 16:23:06"
          "updated_at" => "2022-06-21 16:23:35"
          "name" => "山岸 主計 /  石楠花"
          "name_en" => "YAMAGISHI Kazue / Rhododendron"
          "number" => "C23294"
          "price" => 26000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            サイズ : 色紙\r\n
            詳細 : 色紙に肉筆 / 少汚れ / 額装(箱なし)\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            山岸主計は読売新聞社で挿絵の彫りを担当し、木版の腕を上げます。その後に独立、黒田清輝率いる葵橋洋画研究所で美術を学びながら彫師として活躍しました。そして文部省より欧米における版画についての調査を託され渡航、各国で視察と版画の実技を行いながら、後に着手する「世界百景」の写生を進めます。帰国後は、創作版画に取り組む一方で、横山大観や石川寅治ら有名画家の作品を版画にするなど、精力的に活動しました。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Size : Shikishi\r\n
            Detail : Painting / Slight browning / Framed (Without box)\r\n
            \r\n
            Yamagishi Kazue was in charge of engraving illustrations for the Yomiuri Shimbun and improved his woodblock engraving skills. He later became an independent engraver while studying art at the Aoi-bashi Institute of Western Painting led by Seiki Kuroda. He was commissioned by the Ministry of Education to conduct research on prints in Europe and the United States, and while visiting various countries and practicing printmaking, he sketched the "One Hundred Views of the World" that he would later work on. After returning to Japan, he worked energetically on creative prints and prints of works by famous artists such as Yokoyama Taikan and Ishikawa Toraji.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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          "status" => 0
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      10 => App\Models\Item {#1626
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          "id" => 3388
          "created_at" => "2022-04-13 12:35:26"
          "updated_at" => "2022-04-13 12:35:26"
          "name" => "恩地 孝四郎 / 新日本百景 鎌倉(由比ヶ浜海岸)"
          "name_en" => "ONCHI Koshiro / Kamakura (Yuigahama Beach), 100 New Views of Japan"
          "number" => "C22287"
          "price" => 350000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和13年\r\n
            サイズ : 22.6 × 31.4 cm\r\n
            詳細 : マージンにテープ跡\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            良く晴れた夏の日、海岸は多くの人々で賑わっている。太陽に照らされた人々の輪郭は砂浜と同じ色。色数を抑えつつも、こちらにその季節のまぶしい情景を伝えている。\r\n
            \r\n
            恩地孝四郎は、木版画、装幀、写真など様々な分野で活躍した作家である。版画においては、抽象画の創始者であるワシリー・カンディンスキーらの影響を受け、日本における最初の抽象画を制作した。第二次世界大戦後はもっぱら抽象版画に傾倒し、葉や紐、木片などを用いる手法マルチブロックも編み出した。日本における抽象版画の先駆者として前衛性が高く評価されている。\r\n
            \r\n
            恩地孝四郎作品は当時は欧米でのみ高い評価を得ており、ほとんどの作品が海外に流出している。またすべてのエディション数を摺っていないことも多く、非常に希少性が高い。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1938\r\n
            Size : 22.6 × 31.4 cm\r\n
            Detail : Tape residue on margin\r\n
            \r\n
            On a sunny summer day, the beach is crowded with people. The outlines of the people under the sun are the same color as the sandy beach. Although the number of colors is kept to a minimum, it conveys the dazzling scene of the season to us.\r\n
            \r\n
            Onchi Koshiro was an artist active in a variety of fields, including woodblock prints, book designs, and photography. In the printmaking field, he was influenced by Wassily Kandinsky, the founder of abstract painting, and produced the first abstract print in Japan. After World War II, he devoted himself exclusively to abstract prints, and also developed the multi-block technique using leaves, strings, and pieces of wood. As a pioneer of abstract print in Japan, he is highly regarded for his avant-garde style.\r\n
            \r\n
            At the time, Onchi's works were highly acclaimed only in Europe and the United States, and most of his works have been sold abroad. Most of Onchi's works have gone over overseas, and are extremely rare, as not all of the editions were printed.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3388
          "created_at" => "2022-04-13 12:35:26"
          "updated_at" => "2022-04-13 12:35:26"
          "name" => "恩地 孝四郎 / 新日本百景 鎌倉(由比ヶ浜海岸)"
          "name_en" => "ONCHI Koshiro / Kamakura (Yuigahama Beach), 100 New Views of Japan"
          "number" => "C22287"
          "price" => 350000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和13年\r\n
            サイズ : 22.6 × 31.4 cm\r\n
            詳細 : マージンにテープ跡\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            良く晴れた夏の日、海岸は多くの人々で賑わっている。太陽に照らされた人々の輪郭は砂浜と同じ色。色数を抑えつつも、こちらにその季節のまぶしい情景を伝えている。\r\n
            \r\n
            恩地孝四郎は、木版画、装幀、写真など様々な分野で活躍した作家である。版画においては、抽象画の創始者であるワシリー・カンディンスキーらの影響を受け、日本における最初の抽象画を制作した。第二次世界大戦後はもっぱら抽象版画に傾倒し、葉や紐、木片などを用いる手法マルチブロックも編み出した。日本における抽象版画の先駆者として前衛性が高く評価されている。\r\n
            \r\n
            恩地孝四郎作品は当時は欧米でのみ高い評価を得ており、ほとんどの作品が海外に流出している。またすべてのエディション数を摺っていないことも多く、非常に希少性が高い。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1938\r\n
            Size : 22.6 × 31.4 cm\r\n
            Detail : Tape residue on margin\r\n
            \r\n
            On a sunny summer day, the beach is crowded with people. The outlines of the people under the sun are the same color as the sandy beach. Although the number of colors is kept to a minimum, it conveys the dazzling scene of the season to us.\r\n
            \r\n
            Onchi Koshiro was an artist active in a variety of fields, including woodblock prints, book designs, and photography. In the printmaking field, he was influenced by Wassily Kandinsky, the founder of abstract painting, and produced the first abstract print in Japan. After World War II, he devoted himself exclusively to abstract prints, and also developed the multi-block technique using leaves, strings, and pieces of wood. As a pioneer of abstract print in Japan, he is highly regarded for his avant-garde style.\r\n
            \r\n
            At the time, Onchi's works were highly acclaimed only in Europe and the United States, and most of his works have been sold abroad. Most of Onchi's works have gone over overseas, and are extremely rare, as not all of the editions were printed.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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      11 => App\Models\Item {#1627
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          "id" => 2854
          "created_at" => "2021-08-19 17:31:47"
          "updated_at" => "2022-03-12 15:21:57"
          "name" => "奥山 儀八郎 / 曲り道 セザンヌ"
          "name_en" => "OKUYAMA Gihachiro / Curving Road by Cezanne"
          "number" => "C21295"
          "price" => 41000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和49年\r\n
            サイズ : 39 × 48.4 cm\r\n
            詳細 : 限定30 / マージンに少シミ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            奥山儀八郎は昭和3年に日本創作版画協会展に初入選を果たした。同年、その技量を買われて日本毛織宣伝部の広告作家として数々の商業広告を手がけ、後にニッカウヰスキーのポスターやウイスキーラベルのデザインも担当している。\r\n
            昭和11年には浮世絵研究家の石井研堂に師事し、伝統的技法の復興に注力した。昭和24年からは自ら日本版画研究所を運営し、浮世絵と同様に、絵師、彫師、摺師による分業制作の木版画の制作を開始する。\r\n
            ゴッホやセザンヌなどの印象派の絵画作品を木版画で再現する作品も制作しており、奥山の版画への探究心が窺える。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1974\r\n
            Size : 39 × 48.4 cm\r\n
            Detail : ed. 30 / Slight foxing on margin\r\n
            \r\n
            Okuyama Gihachiro was selected for the first time for the Japan Sosaku-Hanga Association Exhibition in 1928. In the same year, his skills were recognized and he worked as an advertising artist for the Japan Woolen Advertising Department, where he was involved in numerous commercial advertisements, and later designed posters and labels for Nikka Whisky.\r\n
            In 1936, he studied under the ukiyo-e researcher Ishii Kendo, and focused on the revival of traditional techniques of a Japanese print. In 1949, he began running his own Japan Print Research Institute and started producing woodblock prints with a division of labor between painter, engraver, and printer, similar to ukiyoe.\r\n
            He also produced woodblock prints of impressionist paintings such as Van Gogh and Cézanne, which shows Okuyama's inquisitive mind toward prints.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 2854
          "created_at" => "2021-08-19 17:31:47"
          "updated_at" => "2022-03-12 15:21:57"
          "name" => "奥山 儀八郎 / 曲り道 セザンヌ"
          "name_en" => "OKUYAMA Gihachiro / Curving Road by Cezanne"
          "number" => "C21295"
          "price" => 41000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和49年\r\n
            サイズ : 39 × 48.4 cm\r\n
            詳細 : 限定30 / マージンに少シミ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            奥山儀八郎は昭和3年に日本創作版画協会展に初入選を果たした。同年、その技量を買われて日本毛織宣伝部の広告作家として数々の商業広告を手がけ、後にニッカウヰスキーのポスターやウイスキーラベルのデザインも担当している。\r\n
            昭和11年には浮世絵研究家の石井研堂に師事し、伝統的技法の復興に注力した。昭和24年からは自ら日本版画研究所を運営し、浮世絵と同様に、絵師、彫師、摺師による分業制作の木版画の制作を開始する。\r\n
            ゴッホやセザンヌなどの印象派の絵画作品を木版画で再現する作品も制作しており、奥山の版画への探究心が窺える。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1974\r\n
            Size : 39 × 48.4 cm\r\n
            Detail : ed. 30 / Slight foxing on margin\r\n
            \r\n
            Okuyama Gihachiro was selected for the first time for the Japan Sosaku-Hanga Association Exhibition in 1928. In the same year, his skills were recognized and he worked as an advertising artist for the Japan Woolen Advertising Department, where he was involved in numerous commercial advertisements, and later designed posters and labels for Nikka Whisky.\r\n
            In 1936, he studied under the ukiyo-e researcher Ishii Kendo, and focused on the revival of traditional techniques of a Japanese print. In 1949, he began running his own Japan Print Research Institute and started producing woodblock prints with a division of labor between painter, engraver, and printer, similar to ukiyoe.\r\n
            He also produced woodblock prints of impressionist paintings such as Van Gogh and Cézanne, which shows Okuyama's inquisitive mind toward prints.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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      12 => App\Models\Item {#1628
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          "id" => 2852
          "created_at" => "2021-08-19 17:28:34"
          "updated_at" => "2022-03-12 15:20:03"
          "name" => "奥山 儀八郎 / 小見川"
          "name_en" => "OKUYAMA Gihachiro / Omi River"
          "number" => "C21293"
          "price" => 36000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : -\r\n
            サイズ : 39.6 × 52.5 cm\r\n
            詳細 : 限定48\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            奥山儀八郎は昭和3年に日本創作版画協会展に初入選を果たした。同年、その技量を買われて日本毛織宣伝部の広告作家として数々の商業広告を手がけ、後にニッカウヰスキーのポスターやウイスキーラベルのデザインも担当している。\r\n
            昭和11年には浮世絵研究家の石井研堂に師事し、伝統的技法の復興に注力した。昭和24年からは自ら日本版画研究所を運営し、浮世絵と同様に、絵師、彫師、摺師による分業制作の木版画の制作を開始する。\r\n
            ゴッホやセザンヌなどの印象派の絵画作品を木版画で再現する作品も制作しており、奥山の版画への探究心が窺える。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : -\r\n
            Size : 39.6 × 52.5 cm\r\n
            Detail : ed. 48\r\n
            \r\n
            Okuyama Gihachiro was selected for the first time for the Japan Sosaku-Hanga Association Exhibition in 1928. In the same year, his skills were recognized and he worked as an advertising artist for the Japan Woolen Advertising Department, where he was involved in numerous commercial advertisements, and later designed posters and labels for Nikka Whisky.\r\n
            In 1936, he studied under the ukiyo-e researcher Ishii Kendo, and focused on the revival of traditional techniques of a Japanese print. In 1949, he began running his own Japan Print Research Institute and started producing woodblock prints with a division of labor between painter, engraver, and printer, similar to ukiyoe.\r\n
            He also produced woodblock prints of impressionist paintings such as Van Gogh and Cézanne, which shows Okuyama's inquisitive mind toward prints.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 2852
          "created_at" => "2021-08-19 17:28:34"
          "updated_at" => "2022-03-12 15:20:03"
          "name" => "奥山 儀八郎 / 小見川"
          "name_en" => "OKUYAMA Gihachiro / Omi River"
          "number" => "C21293"
          "price" => 36000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : -\r\n
            サイズ : 39.6 × 52.5 cm\r\n
            詳細 : 限定48\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            奥山儀八郎は昭和3年に日本創作版画協会展に初入選を果たした。同年、その技量を買われて日本毛織宣伝部の広告作家として数々の商業広告を手がけ、後にニッカウヰスキーのポスターやウイスキーラベルのデザインも担当している。\r\n
            昭和11年には浮世絵研究家の石井研堂に師事し、伝統的技法の復興に注力した。昭和24年からは自ら日本版画研究所を運営し、浮世絵と同様に、絵師、彫師、摺師による分業制作の木版画の制作を開始する。\r\n
            ゴッホやセザンヌなどの印象派の絵画作品を木版画で再現する作品も制作しており、奥山の版画への探究心が窺える。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : -\r\n
            Size : 39.6 × 52.5 cm\r\n
            Detail : ed. 48\r\n
            \r\n
            Okuyama Gihachiro was selected for the first time for the Japan Sosaku-Hanga Association Exhibition in 1928. In the same year, his skills were recognized and he worked as an advertising artist for the Japan Woolen Advertising Department, where he was involved in numerous commercial advertisements, and later designed posters and labels for Nikka Whisky.\r\n
            In 1936, he studied under the ukiyo-e researcher Ishii Kendo, and focused on the revival of traditional techniques of a Japanese print. In 1949, he began running his own Japan Print Research Institute and started producing woodblock prints with a division of labor between painter, engraver, and printer, similar to ukiyoe.\r\n
            He also produced woodblock prints of impressionist paintings such as Van Gogh and Cézanne, which shows Okuyama's inquisitive mind toward prints.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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      13 => App\Models\Item {#1629
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          "id" => 3186
          "created_at" => "2022-01-27 13:20:06"
          "updated_at" => "2022-01-27 13:25:52"
          "name" => "織田 一磨 / 画集都会生活 舞妓"
          "name_en" => "ODA Kazuma / Maiko, Painting Collection of Metropolitan Life"
          "number" => "C22286"
          "price" => 71000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和15年\r\n
            サイズ : 25.7 × 20.2 cm\r\n
            詳細 : 石版画 / マージンに少汚れ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            桃山時代の装飾画を背景に佇む舞妓が描かれている。\r\n
            舞妓は均一な肌をもって静的に描かれており、装飾的な背景の前にいるとまるで工芸美術品のようだ。\r\n
            「画集都会生活」という書籍に合わせて制作された本作は、販売当時は隣のページに文章があり、当時の舞妓の工芸美術的な特性について考察が行われていた。\r\n
            (こちらでは版画作品のみ販売)\r\n
            \r\n
            織田一磨は洋画を川村清雄に、石版画を金子政次郎に学び、近代美術としての版画を主張する創作版画運動に参加することで日本初の創作石版画家となった。\r\n
            北斎を中心に浮世絵版画を研究し、浮世絵同様に、時代の移り変わりを新鮮に表現した風景画を多く制作した。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1940\r\n
            Size : 25.7 × 20.2 cm\r\n
            Detail : Lithograph / Slight browning on margin\r\n
            \r\n
            The maiko sitting in the background of a decorative painting from the Momoyama period.\r\n
            She is depicted statically with even skin, and in front of the decorative background, it looks like a work of artifact.\r\n
            This print was produced for the book "Painting Collection of Metropolitan Life," and at the time it was sold, the text on the adjacent page discussed the craft-art characteristics of maiko at the time.\r\n
            (Only prints are available here.)\r\n
            \r\n
            ODA Kazuma learned Western-style painting from Kawamura Kiyoo and lithography from Kaneko Masajiro, and became the first Sosaku-Hanga artist to specialize in a lithograph in Japan by participating in the Sosaku-Hanga movement that advocated prints as modern art. \r\n
            He also studied ukiyoe prints, mainly at Hokusai, and produced many landscapes and other works that expressed the changes of the times in the same way as ukiyoe.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 3186
          "created_at" => "2022-01-27 13:20:06"
          "updated_at" => "2022-01-27 13:25:52"
          "name" => "織田 一磨 / 画集都会生活 舞妓"
          "name_en" => "ODA Kazuma / Maiko, Painting Collection of Metropolitan Life"
          "number" => "C22286"
          "price" => 71000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和15年\r\n
            サイズ : 25.7 × 20.2 cm\r\n
            詳細 : 石版画 / マージンに少汚れ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            桃山時代の装飾画を背景に佇む舞妓が描かれている。\r\n
            舞妓は均一な肌をもって静的に描かれており、装飾的な背景の前にいるとまるで工芸美術品のようだ。\r\n
            「画集都会生活」という書籍に合わせて制作された本作は、販売当時は隣のページに文章があり、当時の舞妓の工芸美術的な特性について考察が行われていた。\r\n
            (こちらでは版画作品のみ販売)\r\n
            \r\n
            織田一磨は洋画を川村清雄に、石版画を金子政次郎に学び、近代美術としての版画を主張する創作版画運動に参加することで日本初の創作石版画家となった。\r\n
            北斎を中心に浮世絵版画を研究し、浮世絵同様に、時代の移り変わりを新鮮に表現した風景画を多く制作した。\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-japan" target="_blank"><font color="#626262">作品ページの見方とご購入ガイド</font></a></span>\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1940\r\n
            Size : 25.7 × 20.2 cm\r\n
            Detail : Lithograph / Slight browning on margin\r\n
            \r\n
            The maiko sitting in the background of a decorative painting from the Momoyama period.\r\n
            She is depicted statically with even skin, and in front of the decorative background, it looks like a work of artifact.\r\n
            This print was produced for the book "Painting Collection of Metropolitan Life," and at the time it was sold, the text on the adjacent page discussed the craft-art characteristics of maiko at the time.\r\n
            (Only prints are available here.)\r\n
            \r\n
            ODA Kazuma learned Western-style painting from Kawamura Kiyoo and lithography from Kaneko Masajiro, and became the first Sosaku-Hanga artist to specialize in a lithograph in Japan by participating in the Sosaku-Hanga movement that advocated prints as modern art. \r\n
            He also studied ukiyoe prints, mainly at Hokusai, and produced many landscapes and other works that expressed the changes of the times in the same way as ukiyoe.\r\n
            <span style="text-decoration: underline">\r\n
            <a href="https://www.s-contemporary.art/post/shopping-guide-en" target="_blank"><font color="#626262">Shopping Guide & Information of the Japanese Prints</font></a></span>
            """
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      14 => App\Models\Item {#1630
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          "id" => 2704
          "created_at" => "2021-06-11 12:25:42"
          "updated_at" => "2021-06-11 12:25:42"
          "name" => "畦地 梅太郎 / 一人の山"
          "name_en" => "AZECHI Umetaro / Alone in the Mountain"
          "number" => "C11353"
          "price" => 92000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和55年\r\n
            サイズ : 46 × 35 cm\r\n
            詳細 : 限定150\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            日が沈んだ夜の山、人物がじっとこちらを見ている。人工の光のない山故か、空は夜でも深い青色。人物の表情や出で立ちも畦地らしいユニークなフォルムである。\r\n
            畦地梅太郎は「山の版画家」といわれ、全国の山々や山男をモチーフに独自の世界を確立した。生あるものすべてに愛の眼差しを注いだ梅太郎の詩情豊かな作品は国内外の多くの人に高く評価され、親しまれている。昭和28年以降はサンパウロ・ビエンナーレ、ルガノ国際版画ビエンナーレ、東京国際版画ビエンナーレなど各種の国際展に招待出品されている。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1980\r\n
            Size : 46 × 35 cm\r\n
            Detail : ed. 150\r\n
            \r\n
            In the mountain at night after the sun had set, a lone person is staring at us. The sky is a deep blue even at night, perhaps because the mountains are free of artificial light. The expression and appearance of him (or her) are also unique forms typical of Azechi.\r\n
            Azechi Umetaro, known as a "mountain printmaker," has established his own unique world using mountains and mountain men as motifs. Umetaro's poetic works, which show his love for all things living, are highly appreciated and loved by many people in Japan and abroad. Since 1953, Umetaro has been invited to various international exhibitions, including the Sao Paulo Biennial, the Lugano International Print Biennial, and the Tokyo International Print Biennial.
            """
          "view_flg" => 1
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        ]
        #original: array:10 [
          "id" => 2704
          "created_at" => "2021-06-11 12:25:42"
          "updated_at" => "2021-06-11 12:25:42"
          "name" => "畦地 梅太郎 / 一人の山"
          "name_en" => "AZECHI Umetaro / Alone in the Mountain"
          "number" => "C11353"
          "price" => 92000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和55年\r\n
            サイズ : 46 × 35 cm\r\n
            詳細 : 限定150\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            日が沈んだ夜の山、人物がじっとこちらを見ている。人工の光のない山故か、空は夜でも深い青色。人物の表情や出で立ちも畦地らしいユニークなフォルムである。\r\n
            畦地梅太郎は「山の版画家」といわれ、全国の山々や山男をモチーフに独自の世界を確立した。生あるものすべてに愛の眼差しを注いだ梅太郎の詩情豊かな作品は国内外の多くの人に高く評価され、親しまれている。昭和28年以降はサンパウロ・ビエンナーレ、ルガノ国際版画ビエンナーレ、東京国際版画ビエンナーレなど各種の国際展に招待出品されている。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1980\r\n
            Size : 46 × 35 cm\r\n
            Detail : ed. 150\r\n
            \r\n
            In the mountain at night after the sun had set, a lone person is staring at us. The sky is a deep blue even at night, perhaps because the mountains are free of artificial light. The expression and appearance of him (or her) are also unique forms typical of Azechi.\r\n
            Azechi Umetaro, known as a "mountain printmaker," has established his own unique world using mountains and mountain men as motifs. Umetaro's poetic works, which show his love for all things living, are highly appreciated and loved by many people in Japan and abroad. Since 1953, Umetaro has been invited to various international exhibitions, including the Sao Paulo Biennial, the Lugano International Print Biennial, and the Tokyo International Print Biennial.
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      15 => App\Models\Item {#1631
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          "id" => 242
          "created_at" => "2018-10-18 12:11:22"
          "updated_at" => "2021-05-24 10:23:50"
          "name" => "小泉 癸巳男 / 昭和大東京百図絵頒布 春雨降る平川門"
          "name_en" => "KOIZUMI Kishio / Spring Rain Falling at the Hirakawa Gate, 100 Views of Great Tokyo in the Showa Era"
          "number" => "C15258"
          "price" => 51000
          "description" => """
            <strong>作品</strong>\r\n
            年代 : 昭和11年\r\n
            サイズ : 30 × 39.5 cm\r\n
            詳細 : マージンに少シミ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            小泉癸巳男は戸張孤雁・織田一磨に師事。ついで堀越貫一に木版彫刻をならい,大正期に開花した創作版画運動に参加した。小泉は、生涯にわたり自画自刻自摺を丁寧に実践した版画家であり、代表作の「昭和大東京百図絵」は、東京風景を描いた情緒的な風景版画で、石井柏亭は「昭和の広重」と評した。\r\n
            \r\n
            <hr><strong> Information</strong>\r\n
            Date : 1936\r\n
            Size : 30 × 39.5 cm\r\n
            Detail : Slight foxing on margin
            """
          "view_flg" => 1
          "status" => 0
        ]
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          "id" => 242
          "created_at" => "2018-10-18 12:11:22"
          "updated_at" => "2021-05-24 10:23:50"
          "name" => "小泉 癸巳男 / 昭和大東京百図絵頒布 春雨降る平川門"
          "name_en" => "KOIZUMI Kishio / Spring Rain Falling at the Hirakawa Gate, 100 Views of Great Tokyo in the Showa Era"
          "number" => "C15258"
          "price" => 51000
          "description" => """
            <strong>作品</strong>\r\n
            年代 : 昭和11年\r\n
            サイズ : 30 × 39.5 cm\r\n
            詳細 : マージンに少シミ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            小泉癸巳男は戸張孤雁・織田一磨に師事。ついで堀越貫一に木版彫刻をならい,大正期に開花した創作版画運動に参加した。小泉は、生涯にわたり自画自刻自摺を丁寧に実践した版画家であり、代表作の「昭和大東京百図絵」は、東京風景を描いた情緒的な風景版画で、石井柏亭は「昭和の広重」と評した。\r\n
            \r\n
            <hr><strong> Information</strong>\r\n
            Date : 1936\r\n
            Size : 30 × 39.5 cm\r\n
            Detail : Slight foxing on margin
            """
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          "status" => 0
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      16 => App\Models\Item {#1632
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          "id" => 1967
          "created_at" => "2020-07-14 15:07:17"
          "updated_at" => "2021-05-08 11:42:22"
          "name" => "関野 準一郎 / 日高"
          "name_en" => "SEKINO Junichiro / Hidaka in Hokkai-Do"
          "number" => "C19256"
          "price" => 39000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            If you double-tap on the image, it will be zoomed up.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : -\r\n
            サイズ : 40.7 × 54 cm \r\n
            詳細 : 右上角に少汚れ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            関野準一郎は中学時代から版画誌を発行し、25歳で上京して恩地孝四郎に師事、棟方志功の教えも受けている。\r\n
            木版、エッチング、リトグラフなどの技法を駆使し、風景や人物など多様な主題で60年近くにわたり制作を続け、国際的にも活躍した。\r\n
            のどかな北海道日高の牧場で、牛たちが草を食む。草の上に座る者、遠くを眺める者、牛たちの静かな時間が流れている。\r\n
            空に転々と置かれた雲もかわいらしい。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : -\r\n
            Size : 40.7 × 54 cm\r\n
            Detail : Slight browning on the upper-right corner\r\n
            \r\n
            SEKINO Junichiro had published his own print magazine when he was a junior high school student and became a pupil of ONCHI Koshiro and MUNAKATA Shiko.\r\n
            His technique isn't limited just a woodcut printing, he was also good at etching and lithograph. He is also popular from the oversea.\r\n
            Cows in the serene farm are eating grasses. Some cows are viewing a distance, some others are sitting on the soft grasses. The slow and cozy time is passing.\r\n
            The fleck-clouds in the sky are also pretty.
            """
          "view_flg" => 1
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          "id" => 1967
          "created_at" => "2020-07-14 15:07:17"
          "updated_at" => "2021-05-08 11:42:22"
          "name" => "関野 準一郎 / 日高"
          "name_en" => "SEKINO Junichiro / Hidaka in Hokkai-Do"
          "number" => "C19256"
          "price" => 39000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            If you double-tap on the image, it will be zoomed up.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : -\r\n
            サイズ : 40.7 × 54 cm \r\n
            詳細 : 右上角に少汚れ\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            関野準一郎は中学時代から版画誌を発行し、25歳で上京して恩地孝四郎に師事、棟方志功の教えも受けている。\r\n
            木版、エッチング、リトグラフなどの技法を駆使し、風景や人物など多様な主題で60年近くにわたり制作を続け、国際的にも活躍した。\r\n
            のどかな北海道日高の牧場で、牛たちが草を食む。草の上に座る者、遠くを眺める者、牛たちの静かな時間が流れている。\r\n
            空に転々と置かれた雲もかわいらしい。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : -\r\n
            Size : 40.7 × 54 cm\r\n
            Detail : Slight browning on the upper-right corner\r\n
            \r\n
            SEKINO Junichiro had published his own print magazine when he was a junior high school student and became a pupil of ONCHI Koshiro and MUNAKATA Shiko.\r\n
            His technique isn't limited just a woodcut printing, he was also good at etching and lithograph. He is also popular from the oversea.\r\n
            Cows in the serene farm are eating grasses. Some cows are viewing a distance, some others are sitting on the soft grasses. The slow and cozy time is passing.\r\n
            The fleck-clouds in the sky are also pretty.
            """
          "view_flg" => 1
          "status" => 0
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      17 => App\Models\Item {#1633
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          "id" => 1249
          "created_at" => "2020-01-14 12:24:40"
          "updated_at" => "2021-03-23 10:43:58"
          "name" => "小野忠重 / 海"
          "name_en" => "ONO Tadashige / Sea"
          "number" => "C18283"
          "price" => 71000
          "description" => """
            <strong>作品</strong>\r\n
            年代 : 昭和32年\r\n
            サイズ : 15.4 × 22.4cm\r\n
            詳細 : 限定30\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            小野忠重は昭和7年に新版画集団を設立し、労働者や民衆の生活を題材にした作品を制作する。その後は木版陰刻などの手法により独自のマチエールを持った作風を確立していった。版画史や古地図、浮世絵の研究者でもある。\r\n
            \r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1957\r\n
            Size : 15.4 × 22.4cm\r\n
            Detail : ed50
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 1249
          "created_at" => "2020-01-14 12:24:40"
          "updated_at" => "2021-03-23 10:43:58"
          "name" => "小野忠重 / 海"
          "name_en" => "ONO Tadashige / Sea"
          "number" => "C18283"
          "price" => 71000
          "description" => """
            <strong>作品</strong>\r\n
            年代 : 昭和32年\r\n
            サイズ : 15.4 × 22.4cm\r\n
            詳細 : 限定30\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            小野忠重は昭和7年に新版画集団を設立し、労働者や民衆の生活を題材にした作品を制作する。その後は木版陰刻などの手法により独自のマチエールを持った作風を確立していった。版画史や古地図、浮世絵の研究者でもある。\r\n
            \r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1957\r\n
            Size : 15.4 × 22.4cm\r\n
            Detail : ed50
            """
          "view_flg" => 1
          "status" => 0
        ]
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            #items: array:3 [
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          "images" => Illuminate\Database\Eloquent\Collection {#1831
            #items: array:1 [
              0 => App\Models\Image {#1870 …30}
            ]
            #escapeWhenCastingToString: false
          }
        ]
        #touches: []
        +timestamps: true
        #hidden: []
        #visible: []
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          0 => "*"
        ]
      }
      18 => App\Models\Item {#1634
        #table: "items"
        #primaryKey: "id"
        #fillable: array:7 [
          0 => "name"
          1 => "name_en"
          2 => "number"
          3 => "price"
          4 => "description"
          5 => "view_flg"
          6 => "status"
        ]
        #connection: "mysql"
        #keyType: "int"
        +incrementing: true
        #with: []
        #withCount: []
        +preventsLazyLoading: false
        #perPage: 15
        +exists: true
        +wasRecentlyCreated: false
        #escapeWhenCastingToString: false
        #attributes: array:10 [
          "id" => 1454
          "created_at" => "2020-04-11 14:29:47"
          "updated_at" => "2021-03-23 10:43:37"
          "name" => "小野 忠重 / 倉の町"
          "name_en" => "ONO Tadashige / Warehouse Town"
          "number" => "C18278"
          "price" => 71000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            If you double-tap on the image, it will be zoomed up.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和49年\r\n
            サイズ : 14.8 × 22.8 cm\r\n
            詳細 : 限定20\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            小野忠重は昭和7年に新版画集団を設立し、労働者や民衆の生活を題材にした作品を制作する。その後は木版陰刻などの手法により独自のマチエールを持った作風を確立していった。版画史や古地図、浮世絵の研究者でもある。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1974\r\n
            Size : 14.8 × 22.8 cm\r\n
            Detail : ed20
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 1454
          "created_at" => "2020-04-11 14:29:47"
          "updated_at" => "2021-03-23 10:43:37"
          "name" => "小野 忠重 / 倉の町"
          "name_en" => "ONO Tadashige / Warehouse Town"
          "number" => "C18278"
          "price" => 71000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            If you double-tap on the image, it will be zoomed up.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和49年\r\n
            サイズ : 14.8 × 22.8 cm\r\n
            詳細 : 限定20\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            小野忠重は昭和7年に新版画集団を設立し、労働者や民衆の生活を題材にした作品を制作する。その後は木版陰刻などの手法により独自のマチエールを持った作風を確立していった。版画史や古地図、浮世絵の研究者でもある。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1974\r\n
            Size : 14.8 × 22.8 cm\r\n
            Detail : ed20
            """
          "view_flg" => 1
          "status" => 0
        ]
        #changes: []
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        #relations: array:2 [
          "tags" => Illuminate\Database\Eloquent\Collection {#1990
            #items: array:3 [
              0 => App\Models\Tag {#1749 …30}
              1 => App\Models\Tag {#1750 …30}
              2 => App\Models\Tag {#1751 …30}
            ]
            #escapeWhenCastingToString: false
          }
          "images" => Illuminate\Database\Eloquent\Collection {#1832
            #items: array:1 [
              0 => App\Models\Image {#1871 …30}
            ]
            #escapeWhenCastingToString: false
          }
        ]
        #touches: []
        +timestamps: true
        #hidden: []
        #visible: []
        #guarded: array:1 [
          0 => "*"
        ]
      }
      19 => App\Models\Item {#1635
        #table: "items"
        #primaryKey: "id"
        #fillable: array:7 [
          0 => "name"
          1 => "name_en"
          2 => "number"
          3 => "price"
          4 => "description"
          5 => "view_flg"
          6 => "status"
        ]
        #connection: "mysql"
        #keyType: "int"
        +incrementing: true
        #with: []
        #withCount: []
        +preventsLazyLoading: false
        #perPage: 15
        +exists: true
        +wasRecentlyCreated: false
        #escapeWhenCastingToString: false
        #attributes: array:10 [
          "id" => 2434
          "created_at" => "2021-02-18 12:45:09"
          "updated_at" => "2021-02-18 13:16:07"
          "name" => "小野 忠重 / 長崎の山手"
          "name_en" => "ONO Tadashige / Yamate in Nagasaki"
          "number" => "C20278"
          "price" => 55000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和39年\r\n
            サイズ : 15 × 22.9 cm\r\n
            詳細 : ed.50\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            小野忠重は昭和7年に新版画集団を設立し、労働者や民衆の生活を題材にした作品を制作する。その後は木版陰刻などの手法により独自のマチエールを持った作風を確立していった。版画史や古地図、浮世絵の研究者でもある。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1964\r\n
            Size : 15 × 22.9 cm\r\n
            Detail : ed.50\r\n
            \r\n
            ONO Tadashige established the Shinhanga artists group in 1932 and created the artworks whose motifs are workers and the everyday life of the general citizen.\r\n
            After that, he studied the techniques of woodblock printing without sticking to the small framework and got his own style.\r\n
            He also had studied the history of the print, old maps, and Ukiyo-e.
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 2434
          "created_at" => "2021-02-18 12:45:09"
          "updated_at" => "2021-02-18 13:16:07"
          "name" => "小野 忠重 / 長崎の山手"
          "name_en" => "ONO Tadashige / Yamate in Nagasaki"
          "number" => "C20278"
          "price" => 55000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和39年\r\n
            サイズ : 15 × 22.9 cm\r\n
            詳細 : ed.50\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            小野忠重は昭和7年に新版画集団を設立し、労働者や民衆の生活を題材にした作品を制作する。その後は木版陰刻などの手法により独自のマチエールを持った作風を確立していった。版画史や古地図、浮世絵の研究者でもある。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1964\r\n
            Size : 15 × 22.9 cm\r\n
            Detail : ed.50\r\n
            \r\n
            ONO Tadashige established the Shinhanga artists group in 1932 and created the artworks whose motifs are workers and the everyday life of the general citizen.\r\n
            After that, he studied the techniques of woodblock printing without sticking to the small framework and got his own style.\r\n
            He also had studied the history of the print, old maps, and Ukiyo-e.
            """
          "view_flg" => 1
          "status" => 0
        ]
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        #relations: array:2 [
          "tags" => Illuminate\Database\Eloquent\Collection {#1987
            #items: array:3 [
              0 => App\Models\Tag {#1756 …30}
              1 => App\Models\Tag {#1757 …30}
              2 => App\Models\Tag {#1758 …30}
            ]
            #escapeWhenCastingToString: false
          }
          "images" => Illuminate\Database\Eloquent\Collection {#1833
            #items: array:1 [
              0 => App\Models\Image {#1873 …30}
            ]
            #escapeWhenCastingToString: false
          }
        ]
        #touches: []
        +timestamps: true
        #hidden: []
        #visible: []
        #guarded: array:1 [
          0 => "*"
        ]
      }
      20 => App\Models\Item {#1636
        #table: "items"
        #primaryKey: "id"
        #fillable: array:7 [
          0 => "name"
          1 => "name_en"
          2 => "number"
          3 => "price"
          4 => "description"
          5 => "view_flg"
          6 => "status"
        ]
        #connection: "mysql"
        #keyType: "int"
        +incrementing: true
        #with: []
        #withCount: []
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        #perPage: 15
        +exists: true
        +wasRecentlyCreated: false
        #escapeWhenCastingToString: false
        #attributes: array:10 [
          "id" => 2439
          "created_at" => "2021-02-18 13:04:28"
          "updated_at" => "2021-02-18 13:04:28"
          "name" => "小野 忠重 / 塔の上ピサ"
          "name_en" => "ONO Tadashige / Tower of Pisa"
          "number" => "C20283"
          "price" => 45000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和40年\r\n
            サイズ : 22.7 × 14.8 cm\r\n
            詳細 : ed.50\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            小野忠重は昭和7年に新版画集団を設立し、労働者や民衆の生活を題材にした作品を制作する。その後は木版陰刻などの手法により独自のマチエールを持った作風を確立していった。版画史や古地図、浮世絵の研究者でもある。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1965\r\n
            Size : 22.7 × 14.8 cm\r\n
            Detail : ed.50\r\n
            \r\n
            ONO Tadashige established the Shinhanga artists group in 1932 and created the artworks whose motifs are workers and the everyday life of the general citizen.\r\n
            After that, he studied the techniques of woodblock printing without sticking to the small framework and got his own style.\r\n
            He also had studied the history of the print, old maps, and Ukiyo-e.
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 2439
          "created_at" => "2021-02-18 13:04:28"
          "updated_at" => "2021-02-18 13:04:28"
          "name" => "小野 忠重 / 塔の上ピサ"
          "name_en" => "ONO Tadashige / Tower of Pisa"
          "number" => "C20283"
          "price" => 45000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和40年\r\n
            サイズ : 22.7 × 14.8 cm\r\n
            詳細 : ed.50\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            小野忠重は昭和7年に新版画集団を設立し、労働者や民衆の生活を題材にした作品を制作する。その後は木版陰刻などの手法により独自のマチエールを持った作風を確立していった。版画史や古地図、浮世絵の研究者でもある。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1965\r\n
            Size : 22.7 × 14.8 cm\r\n
            Detail : ed.50\r\n
            \r\n
            ONO Tadashige established the Shinhanga artists group in 1932 and created the artworks whose motifs are workers and the everyday life of the general citizen.\r\n
            After that, he studied the techniques of woodblock printing without sticking to the small framework and got his own style.\r\n
            He also had studied the history of the print, old maps, and Ukiyo-e.
            """
          "view_flg" => 1
          "status" => 0
        ]
        #changes: []
        #casts: []
        #classCastCache: []
        #attributeCastCache: []
        #dates: []
        #dateFormat: null
        #appends: []
        #dispatchesEvents: []
        #observables: []
        #relations: array:2 [
          "tags" => Illuminate\Database\Eloquent\Collection {#1989
            #items: array:3 [
              0 => App\Models\Tag {#1768 …30}
              1 => App\Models\Tag {#1769 …30}
              2 => App\Models\Tag {#1770 …30}
            ]
            #escapeWhenCastingToString: false
          }
          "images" => Illuminate\Database\Eloquent\Collection {#1834
            #items: array:1 [
              0 => App\Models\Image {#1877 …30}
            ]
            #escapeWhenCastingToString: false
          }
        ]
        #touches: []
        +timestamps: true
        #hidden: []
        #visible: []
        #guarded: array:1 [
          0 => "*"
        ]
      }
      21 => App\Models\Item {#1637
        #table: "items"
        #primaryKey: "id"
        #fillable: array:7 [
          0 => "name"
          1 => "name_en"
          2 => "number"
          3 => "price"
          4 => "description"
          5 => "view_flg"
          6 => "status"
        ]
        #connection: "mysql"
        #keyType: "int"
        +incrementing: true
        #with: []
        #withCount: []
        +preventsLazyLoading: false
        #perPage: 15
        +exists: true
        +wasRecentlyCreated: false
        #escapeWhenCastingToString: false
        #attributes: array:10 [
          "id" => 2438
          "created_at" => "2021-02-18 13:00:34"
          "updated_at" => "2021-02-18 13:00:34"
          "name" => "小野 忠重 / ひる月"
          "name_en" => "ONO Tadashige / Daytime Moon"
          "number" => "C20282"
          "price" => 71000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和52年\r\n
            サイズ : 22.6 × 14.7 cm\r\n
            詳細 : ed.20\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            小野忠重は昭和7年に新版画集団を設立し、労働者や民衆の生活を題材にした作品を制作する。その後は木版陰刻などの手法により独自のマチエールを持った作風を確立していった。版画史や古地図、浮世絵の研究者でもある。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1977\r\n
            Size : 22.6 × 14.7 cm\r\n
            Detail : ed.20\r\n
            \r\n
            ONO Tadashige established the Shinhanga artists group in 1932 and created the artworks whose motifs are workers and the everyday life of the general citizen.\r\n
            After that, he studied the techniques of woodblock printing without sticking to the small framework and got his own style.\r\n
            He also had studied the history of the print, old maps, and Ukiyo-e.
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 2438
          "created_at" => "2021-02-18 13:00:34"
          "updated_at" => "2021-02-18 13:00:34"
          "name" => "小野 忠重 / ひる月"
          "name_en" => "ONO Tadashige / Daytime Moon"
          "number" => "C20282"
          "price" => 71000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和52年\r\n
            サイズ : 22.6 × 14.7 cm\r\n
            詳細 : ed.20\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            小野忠重は昭和7年に新版画集団を設立し、労働者や民衆の生活を題材にした作品を制作する。その後は木版陰刻などの手法により独自のマチエールを持った作風を確立していった。版画史や古地図、浮世絵の研究者でもある。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1977\r\n
            Size : 22.6 × 14.7 cm\r\n
            Detail : ed.20\r\n
            \r\n
            ONO Tadashige established the Shinhanga artists group in 1932 and created the artworks whose motifs are workers and the everyday life of the general citizen.\r\n
            After that, he studied the techniques of woodblock printing without sticking to the small framework and got his own style.\r\n
            He also had studied the history of the print, old maps, and Ukiyo-e.
            """
          "view_flg" => 1
          "status" => 0
        ]
        #changes: []
        #casts: []
        #classCastCache: []
        #attributeCastCache: []
        #dates: []
        #dateFormat: null
        #appends: []
        #dispatchesEvents: []
        #observables: []
        #relations: array:2 [
          "tags" => Illuminate\Database\Eloquent\Collection {#1993
            #items: array:3 [
              0 => App\Models\Tag {#1966 …30}
              1 => App\Models\Tag {#1967 …30}
              2 => App\Models\Tag {#1767 …30}
            ]
            #escapeWhenCastingToString: false
          }
          "images" => Illuminate\Database\Eloquent\Collection {#1835
            #items: array:1 [
              0 => App\Models\Image {#1876 …30}
            ]
            #escapeWhenCastingToString: false
          }
        ]
        #touches: []
        +timestamps: true
        #hidden: []
        #visible: []
        #guarded: array:1 [
          0 => "*"
        ]
      }
      22 => App\Models\Item {#1638
        #table: "items"
        #primaryKey: "id"
        #fillable: array:7 [
          0 => "name"
          1 => "name_en"
          2 => "number"
          3 => "price"
          4 => "description"
          5 => "view_flg"
          6 => "status"
        ]
        #connection: "mysql"
        #keyType: "int"
        +incrementing: true
        #with: []
        #withCount: []
        +preventsLazyLoading: false
        #perPage: 15
        +exists: true
        +wasRecentlyCreated: false
        #escapeWhenCastingToString: false
        #attributes: array:10 [
          "id" => 2437
          "created_at" => "2021-02-18 12:57:06"
          "updated_at" => "2021-02-18 12:57:06"
          "name" => "小野 忠重 / 旗"
          "name_en" => "ONO Tadashige / Flag"
          "number" => "C20281"
          "price" => 40000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和48年\r\n
            サイズ : 11.4 × 22.2 cm\r\n
            詳細 : ed.50\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            小野忠重は昭和7年に新版画集団を設立し、労働者や民衆の生活を題材にした作品を制作する。その後は木版陰刻などの手法により独自のマチエールを持った作風を確立していった。版画史や古地図、浮世絵の研究者でもある。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1973\r\n
            Size : 11.4 × 22.2 cm\r\n
            Detail : ed.50\r\n
            \r\n
            ONO Tadashige established the Shinhanga artists group in 1932 and created the artworks whose motifs are workers and the everyday life of the general citizen.\r\n
            After that, he studied the techniques of woodblock printing without sticking to the small framework and got his own style.\r\n
            He also had studied the history of the print, old maps, and Ukiyo-e.
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 2437
          "created_at" => "2021-02-18 12:57:06"
          "updated_at" => "2021-02-18 12:57:06"
          "name" => "小野 忠重 / 旗"
          "name_en" => "ONO Tadashige / Flag"
          "number" => "C20281"
          "price" => 40000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和48年\r\n
            サイズ : 11.4 × 22.2 cm\r\n
            詳細 : ed.50\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            小野忠重は昭和7年に新版画集団を設立し、労働者や民衆の生活を題材にした作品を制作する。その後は木版陰刻などの手法により独自のマチエールを持った作風を確立していった。版画史や古地図、浮世絵の研究者でもある。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1973\r\n
            Size : 11.4 × 22.2 cm\r\n
            Detail : ed.50\r\n
            \r\n
            ONO Tadashige established the Shinhanga artists group in 1932 and created the artworks whose motifs are workers and the everyday life of the general citizen.\r\n
            After that, he studied the techniques of woodblock printing without sticking to the small framework and got his own style.\r\n
            He also had studied the history of the print, old maps, and Ukiyo-e.
            """
          "view_flg" => 1
          "status" => 0
        ]
        #changes: []
        #casts: []
        #classCastCache: []
        #attributeCastCache: []
        #dates: []
        #dateFormat: null
        #appends: []
        #dispatchesEvents: []
        #observables: []
        #relations: array:2 [
          "tags" => Illuminate\Database\Eloquent\Collection {#1995
            #items: array:3 [
              0 => App\Models\Tag {#1762 …30}
              1 => App\Models\Tag {#1763 …30}
              2 => App\Models\Tag {#1764 …30}
            ]
            #escapeWhenCastingToString: false
          }
          "images" => Illuminate\Database\Eloquent\Collection {#1836
            #items: array:1 [
              0 => App\Models\Image {#1875 …30}
            ]
            #escapeWhenCastingToString: false
          }
        ]
        #touches: []
        +timestamps: true
        #hidden: []
        #visible: []
        #guarded: array:1 [
          0 => "*"
        ]
      }
      23 => App\Models\Item {#1639
        #table: "items"
        #primaryKey: "id"
        #fillable: array:7 [
          0 => "name"
          1 => "name_en"
          2 => "number"
          3 => "price"
          4 => "description"
          5 => "view_flg"
          6 => "status"
        ]
        #connection: "mysql"
        #keyType: "int"
        +incrementing: true
        #with: []
        #withCount: []
        +preventsLazyLoading: false
        #perPage: 15
        +exists: true
        +wasRecentlyCreated: false
        #escapeWhenCastingToString: false
        #attributes: array:10 [
          "id" => 2436
          "created_at" => "2021-02-18 12:53:10"
          "updated_at" => "2021-02-18 12:53:10"
          "name" => "小野 忠重 / 野"
          "name_en" => "ONO Tadashige / Field"
          "number" => "C20280"
          "price" => 45000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和39年\r\n
            サイズ : 14.6 × 22 cm\r\n
            詳細 : ed.50\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            小野忠重は昭和7年に新版画集団を設立し、労働者や民衆の生活を題材にした作品を制作する。その後は木版陰刻などの手法により独自のマチエールを持った作風を確立していった。版画史や古地図、浮世絵の研究者でもある。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1964\r\n
            Size : 14.6 × 22 cm\r\n
            Detail : ed.50\r\n
            \r\n
            ONO Tadashige established the Shinhanga artists group in 1932 and created the artworks whose motifs are workers and the everyday life of the general citizen.\r\n
            After that, he studied the techniques of woodblock printing without sticking to the small framework and got his own style.\r\n
            He also had studied the history of the print, old maps, and Ukiyo-e.
            """
          "view_flg" => 1
          "status" => 0
        ]
        #original: array:10 [
          "id" => 2436
          "created_at" => "2021-02-18 12:53:10"
          "updated_at" => "2021-02-18 12:53:10"
          "name" => "小野 忠重 / 野"
          "name_en" => "ONO Tadashige / Field"
          "number" => "C20280"
          "price" => 45000
          "description" => """
            スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。\r\n
            Please double-tap on the image to zoom up images.\r\n
            \r\n
            <strong>作品</strong>\r\n
            年代 : 昭和39年\r\n
            サイズ : 14.6 × 22 cm\r\n
            詳細 : ed.50\r\n
            \r\n
            <strong>ディレクターコメント</strong>\r\n
            小野忠重は昭和7年に新版画集団を設立し、労働者や民衆の生活を題材にした作品を制作する。その後は木版陰刻などの手法により独自のマチエールを持った作風を確立していった。版画史や古地図、浮世絵の研究者でもある。\r\n
            \r\n
            <hr><strong>Information</strong>\r\n
            Date : 1964\r\n
            Size : 14.6 × 22 cm\r\n
            Detail : ed.50\r\n
            \r\n
            ONO Tadashige established the Shinhanga artists group in 1932 and created the artworks whose motifs are workers and the everyday life of the general citizen.\r\n
            After that, he studied the techniques of woodblock printing without sticking to the small framework and got his own style.\r\n
            He also had studied the history of the print, old maps, and Ukiyo-e.
            """
          "view_flg" => 1
          "status" => 0
        ]
        #changes: []
        #casts: []
        #classCastCache: []
        #attributeCastCache: []
        #dates: []
        #dateFormat: null
        #appends: []
        #dispatchesEvents: []
        #observables: []
        #relations: array:2 [
          "tags" => Illuminate\Database\Eloquent\Collection {#1640
            #items: array:3 [
              0 => App\Models\Tag {#1759 …30}
              1 => App\Models\Tag {#1760 …30}
              2 => App\Models\Tag {#1761 …30}
            ]
            #escapeWhenCastingToString: false
          }
          "images" => Illuminate\Database\Eloquent\Collection {#1837
            #items: array:1 [
              0 => App\Models\Image {#1874 …30}
            ]
            #escapeWhenCastingToString: false
          }
        ]
        #touches: []
        +timestamps: true
        #hidden: []
        #visible: []
        #guarded: array:1 [
          0 => "*"
        ]
      }
    ]
    #escapeWhenCastingToString: false
  }
  #perPage: 24
  #currentPage: 1
  #path: "https://mail.soumei.biz/sosakuhanga/%EF%BF%BD%EF%BF%BD%EF%BF%BD%EF%BF%BD%EF%BF%BD%EF%BF%BD%20%EF%BF%BD%EF%BF%BD%EF%BF%BD%EF%BF%BD%EF%BF%BD%EF%BF%BD%EF%BF%BD%EF%BF%BD%EF%BF%BD"
  #query: array:1 [
    "search" => null
  ]
  #fragment: null
  #pageName: "page"
  +onEachSide: 3
  #options: array:2 [
    "path" => "https://mail.soumei.biz/sosakuhanga/%EF%BF%BD%EF%BF%BD%EF%BF%BD%EF%BF%BD%EF%BF%BD%EF%BF%BD%20%EF%BF%BD%EF%BF%BD%EF%BF%BD%EF%BF%BD%EF%BF%BD%EF%BF%BD%EF%BF%BD%EF%BF%BD%EF%BF%BD"
    "pageName" => "page"
  ]
}
array:2 [ // resources/views/search/search.blade.php
  "min" => 7000
  "max" => 7001000
]